A wooden four poster bed frame with head board and foot board. The side rails screw into the frame providing greater strength and limited hiding places for vermin. This type of frame is known as the "Boyd Bedstead."
A hand-operated embossing machine used by Claflin University. The exterior is painted black, with paint chipping away throughout surface. The embosser stands flat on a beveled base that is curved on two opposing sides, each containing a hole through the base at the end. The mechanism has a long, rounded lever, with a silver plated top on the end, hinged at the body of the embosser on the opposite side, with a spring element underneath, and is used to push the cylinder element into whatever material will be embossed. Below the cylindrical element, there is a two-tiered base, the bottom being circular with relief type (illegible) on the top, the other sitting on the top curved with straight ends in an oblong shape. There is a slit for the material being embossed to slide into between the pedestal and the cylinder. The main body of embosser has a relief 5-point star, painted red, with gold lines coming off of it, on both sides.
An issue of the Colored American Magazine with staples removed. The cover is printed in red ink and features a decorative design of roses by Theodore R. M. Hanné. The frontispiece is an image of E. Azalia Hackley. The issue features several poems but largely focuses on a celebration of industriousness and business success. The issue also includes illustrations and descriptions, including ones of Dr. Henry McKee Minton, President William Howard Taft, and the faculty and students of Georgia State College. The pages of this issue are numbered 134 to 185, for a total of 52 numbered pages. There are two pages of unnumbered advertisements at the beginning of the issue, and there are seven pages of unnumbered advertisements at the end of the issue.
A cabinet card with a black-and-white print depicting an unidentified man standing next to a Conestoga wagon drawn by three (3) oxen. Two of the oxen lay down on the dirt street. The man stands near the standing oxen and the proper left front wagon wheel holding leather reins in his left hand and a driving stick or whip in his right hand. The wagon has canvas-covered objects inside it. A group of men and boys in suits stand in the left background in the street behind the wagon. Two of the men wear aprons and all of the men are dressed in suits, although only one man wears a jacket. The boys are dressed in short pant suits. A line of shops runs along a brick sidewalk behind the gathered men. The title of the photograph is printed in white text in the lower right corner of the image. The series and photographer name are printed in black ink around the bottom and both sides of the mount. A narrative description of the series is printed on the reverse of the tan mount.