A purple silk banner with gold fringe created for the Oklahoma Federation of Colored Women's Clubs. The message "OKLAHOMA / FEDERATION / OF / COLORED WOMEN / 1910" is painted across the banner in large gold letters. The bottom of the banner is scalloped and has an attached length of fringe. The top of the banner has a sewn loop running its length for a rod (2010.2.2b) to be inserted. There is a strip of gold fringe sewn just below this loop. The rod is currently stored in place in the banner. It is painted gold at the ends and has two carved wooden finial painted gold. 2010.2.2c is attached to the rod and 2010.2.2d is detached.
A purple silk banner with gold fringe and the National Association of Colored Women’s Clubs' motto, "LIFTING / AS / WE CLIMB" painted in large gold letters. The banner was used by the Oklahoma Federation of Colored Women's Clubs. T Above the words is a painted design of three interlocking triangles, the center of which is filled with the two on either side in outline. The bottom of the banner is scalloped and has an attached length of fringe. The top of the banner has a sewn loop running its length for a rod (2010.2.1b) to be inserted. There is a strip of gold fringe sewn just below this loop. The rod is currently stored in place in the banner. It is painted gold at the ends and has a dowel inserted at the end of the proper left side with a hole for a dowel on the proper right side.
A flier promoting a farewell meeting for S.S. Jones before he leaves the country for a tour of Europe and the Holy Land. The flier is backed by heavier paper and covered by plastic laminate. A black-and-white image of the church is featured front and center with an image of S.S. Jones in the top right of that frame. At the top is the text [The Master Calleth Me!].
A flier promoting a farewell meeting for S.S. Jones before he leaves the country for a tour of Europe and the Holy Land. The flier consists of black text on yellowed paper; it is backed by heavier paper and covered by plastic laminate. At the top is the text [Now Comes Farewell Meeting! / Antioch Baptist Church, Muskogee / Friday Night, December 19th]. At center is a black-and-white portrait of Rev. S.S. Jones surrounded by the text [The Business Pastor, / Soul - Winner,] on the left and the text [Leader and / Race-Builder] on the right.
A letter to Reverend C.M. Long from S.S. Jones. Jones fills Long in on the family and what the National Baptist Convention is doing. He refers to Long as his son. The letter is typewritten on a National Baptist Convention letterhead.
Trapezoidal Art Deco brooch with a pale gold and ebony enamel design featuring prominent clusters of rhinestones. Curved and straight lines lead to a square ebony-colored center. The brooch front has a smooth, lacquered finish.
Rev. Solomon Sir Jones was a Baptist minister, businessman, and amateur filmmaker. This collection of home movies by Jones documents African American communities in Oklahoma between 1924 and 1928, depicting residents at work and in their homes, as well as activities at local schools, businesses, and churches. Community social events such as parades and funerals are prominently featured.
A 16mm silent, black and white film (a) with original plastic film reel (b) and original metal can (c) featuring footage taken in Oklahoma during the middle and late 1920s by Solomon Sir Jones, the sixth in a collection of nine films.
Inscribed on the outside of the canister in is [#6] in red and black ink and [S.S. Jones (illegible)] in black ink. Handwritten inscriptions on three white adhesive labels read: [Okla - Jones], [Mme C J Walker / class], and [Summit Parade / 6]. Remnants of a green label with black text are in ther center of an imprinted design.
The film begins with a procession of people dressed in semi-formal clothing walking by the camera before entering what appears to be a brick church building. The next scene shows men exiting a storefront with a Simmons Drug Store sign in the window. A title sign reads Mme C. J. Walker Graduating Class 1927 & Agents By Mme Dora Stephen of Muskogee, Oklahoma. The camera pans over a large group of women from the beauty school dressed in white seated with a man and woman in the center of the group not dressed in white. The crowd moves around and then walks up the front stairs of the building and enters the front door. The next title sign reads South Muskogee District Fair Parade & Board Summit September 17, 1926, L. W. Thomas Manager & J. I. Jones, S. M. Winston, A. C. Calloway. The footage shows a parade of cars in a parade and many of the cars are decorated with streamers. The cars pass in front of the camera. There are also horses pulling decorated wagons. The next scene shows a group of men standing on the stairs in front of a building and the camera pans in front of the building after then men walk down the stairs. The next title sign reads Rentiesville, Oklahoma, Free Fair & Board, W. A. Roberson, S. H. D., A. L. Morris, H. Hill, Professor A. G. McKeney, L. W. Prestly Co. 1926. The footage shows men in a marching band playing instruments and walking out of the front door of Rentiesville High School. A group of men and women follow the band out of the front door and walk by the camera. The camera pans across the front of the building and show the crowd in front. The next scene shows the interior of a business that appears to be a bakery. The scene shows a man and a woman get into a car and then exit the car. The next title sign reads Hugh Vocational Department Professor Prestley And B. T. Roberson, Rentiesville, Oklahoma, 1926. The footage is from an elevated position and shows cars with decoration and horses passing in front of the camera. The horses are being ridden by riders as well as pulling wagons. The next scene shows the exterior of the Home Undertaking Company building. There is also a sign hanging on the outside of the building that says Idlewild Rooms. The next title sign reads One Of Walker's Up Town Buildings in Muskogee, Oklahoma, September 17, 1926. A family walks down the front stairs and out to a building in the backyard and then returns to the house. The family also stands for a portrait. The next scene is filmed from a moving vehicle, probably a train, and shows a body of water and the coastline. Ships are visible in the distance and a road runs parallel to the tracks and cars can be seen driving on the road. There a brief shot from the back of train showing the train tracks and then the camera returns to the side window of the train.