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CC0
Carte-de-visite of Frederick Douglass
- Photograph by
- Unidentified
- Subject of
- Douglass, Frederick, American, 1818 - 1895
- Douglass, Helen Pitts, American, 1838 - 1903
- Date
- 1862 - 1870
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 3 3/4 × 2 1/4 in. (9.5 × 5.7 cm)
- Description
- This carte-de-visite depicts Douglass from the shoulders up in three-quarter profile view gazing to the viewer's right. Wearing a light colored collar, dark coat, and dark cravat, Douglass has a mustache, as well as a light streak in his hair. The reverse side has a laurel wreath in ink in the center. Text originally inside the wreath is obscured due to paper loss. Below the wreath is an inscription that reads “Helen Douglass.”
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Carole A. Hyman
- Object number
- 2016.56
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of S. J. Bowen
- Photograph by
- Ulke, Henry, German-American, 1821 - 1910
- Subject of
- Bowen, Sayles Jenks, American, 1813 - 1896
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1866
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/8 × 2 3/8 in. (9.8 × 6 cm)
- H x W (Image and Mount): 4 3/16 × 2 7/16 in. (10.7 × 6.2 cm)
- Description
- Carte-de-visite of Sayles Jenks Bowen in half bust portrait. Bowen's body faces to the camera, but his head is a quarter turn to his right and he looks off camera. His hair is parted on his left side and smoothed down and he has a full beard. His cheeks are tinted pink. He wears a dark jacket and vest, dark bowtie, and white shirt. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in graphite on the bottom of the print is the name "S. J. Bowen". There is a green and white 3 cent canceled revenue stamp on the back of the print featuring George Washington with HU / NY written over it in ink with Henry Ulke's mark printed above it.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite at the lower left corner of the album page is the text "HENRY ULKE PHOTO."
- Place depicted
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.8
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of John W. Menard
- Photograph by
- Leeson, William H., American
- Subject of
- Menard, John Willis, American, 1838 - 1893
- Swymmer and Leeson, American, 1866 - 1868
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1868-1870
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 3/16 in. (9.1 × 5.6 cm)
- H x W (Image and Mount): 3 15/16 × 2 3/8 in. (10 × 6.1 cm)
- Description
- Carte-de-visite of John W. Menard shown in bust portrait. Menard's body is turned nearly in profile with his left side foremost, but his head is turned only one quarter and he looks slightly off frame. His hair is parted at his left side and smooth down on the top, but curly on the sides. He has a mustache. Menard wears a dark colored jacket, white shirt, and dark bowtie. The bottom portion of the image is purposefully faded in the popular style of the time. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- Handwritten in graphite at the bottom of the print is the text "J. Willis Menard". All of the mark on the back of the photograph for Swymmer & Leeson except "& LEESON, No. STREET." has been crossed out, with "167 Poydras Street" inscribed at the bottom in ink.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "Swymmer / Leeson".
- Place captured
- New Orleans, Orleans Parish, Louisiana, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Colonization movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.35
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Charles Sumner
- Photograph by
- Brady, Mathew, American, 1822 - 1896
- Printed by
- E. and H.T. Anthony and Company, American, founded 1852
- Subject of
- Sumner, Charles, American, 1811 - 1874
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1860s
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 3/8 × 2 1/8 in. (8.5 × 5.4 cm)
- H x W (Image and Mount): 4 × 2 3/8 in. (10.2 × 6.1 cm)
- Description
- Carte-de-visite of Charles Sumner in full length seated profile. Sumner is pictured with his left profile facing the camera. His hands are resting in his lap and his left leg is crossed over his right leg at the knee. He is wearing a light colored vest and trousers with a white shirt, dark tie, and dark jacket. Spats peak out below his pant legs, partially covering his dark colored low-heeled shoes. His hair is moderately long and he has long sideburns. Sumner is seated in a carved armchair with an upholstered seat with a round wooden side table behind him. A stack of books, some loose papers, and possibly an inkstand are placed on the table. The floor of the room is covered in a geometric patterned carpet. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- Printed on the back of the photograph is E. and H.T. Anthony's mark.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the bottom of the printed frame of the window on the album page is the text "Charles Sumner". Handwritten in the lower left corner of the album page in graphite is the name "E ANTHONY-BRADY".
- Place printed
- New York City, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.1
- Restrictions & Rights
- Public domain
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Photograph album owned by Emily Howland
- Manufactured by
- James B. Smith & Co., American
- Signed by
- Lacy, Caroline N., American, 1838 - 1898
- Received by
- Howland, Emily, American, 1827 - 1929
- Subject of
- Tubman, Harriet, American, 1822 - 1913
- Menard, John Willis, American, 1838 - 1893
- Sumner, Charles, American, 1811 - 1874
- Child, Lydia Maria, American, 1802 - 1880
- Channing, William Henry, American, 1810 - 1884
- Phillips, Wendell, American, 1811 - 1884
- Freedmen's Bureau, American, 1865 - 1872
- Date
- 1864
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- leather, metal, and ink on paper
- Dimensions
- H x W x D (closed): 6 1/4 × 5 1/4 × 2 7/8 in. (15.9 × 13.3 × 7.3 cm)
- H x W (open with clasps): 6 1/4 × 11 in. (15.9 × 27.9 cm)
- H x W (open without clasps): 6 1/4 × 9 in. (15.9 × 22.9 cm)
- H x W x D (Storage container): 5 7/8 × 11 1/4 × 11 7/16 in. (15 × 28.5 × 29 cm)
- Caption
- Caroline “Carrie” Nichols (later Carrie N. Lacy; see 2017.30.13) presented this carte-de-visite album to her friend and fellow teacher Emily Howland on January 1, 1864, at Camp Todd, a freedmen’s camp and school located in Arlington, Virginia. Emily Howland was an abolitionist, educator, philanthropist, and suffragist who founded, financially supported, and taught in numerous schools for African Americans for more than 70 years from 1857 until her death in 1929 at the age of 101.
- Typical of a CDV album during this period, the Howland Album contains photographs of Howland’s family, friends, and colleagues, as well as souvenir images of notable abolitionists and famous figures during the 1860s and 1870s. Based on the photograph dates and later inscriptions, it is clear that Howland added photographs to the album as she collected them throughout the mid- to late 19th century.
- Description
- Black leather photograph album owned by Emily Howland containing photographs of friends, family, and celebrities. The album covers and binding are made from embossed black leather with gold gilt decorations on the covers and spine. Both covers are the same, with a scallop-edged diamond outlined in gold at the center and geometric borders surrounding it, ending in a thin gold gilt geometric border around the edges. Gilt text is stamped on the spine reading "PHOTOGRAPHS". The front and back interior covers have decorative paper with small gold repeating stylized dots on a white ground adhered to them. There are four (4) sheets of paper at the front of the album, followed by twenty-five (25) thicker pages that each feature a window for holding two (2) photographs per page, and one (1) sheet of paper at the back of the album. There is room for fifty (50) photographs, though the album contains only forty-seven (47) photographs plus one (1) loose photograph too large to fit into the windowed pages. Windows 20, 21, and 47 are empty. The windows are rectangular with rounded corners and are surrounded by a gold printed border. The front pages include a page with information about the album publisher and an Index page with two printed columns of numbered lines for identifying the photographs. The Index page is not filled out. There is an inscription written in black ink on the first page that reads "To / Emily Howland / From her friend / Carrie Nichols / Jan 1st, 1864 / Camp Todd / Virginia". All of the interior pages are edged in gilt with a design impressed into the top, right side, and bottom edges of the pages that creates a floral spray when the album is closed. The album fastens on the right side with two (2) metal hinged bars that are attached to the back cover and close over metal pins attached to the front cover. The bars are embellished with a three-dimensional metal design imitating a floral fabric looped through a metal buckle.
- Place used
- Camp Todd, Arlington County, Virginia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Anti-slavery movements
- Abolitionist movement
- Type
- photograph albums
- Topic
- Antislavery
- Education
- Families
- Feminism
- Local and regional
- Military
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- Religion
- Social reform
- U.S. History, Civil War, 1861-1865
- United States Colored Troops
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30
- Restrictions & Rights
- No Known Copyright Restrictions
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CC0
The Fugitive Slave Bill
- Written by
- United States Congress, American, founded 1789
- Subject of
- Fillmore, Millard, American, 1800 - 1874
- Burns, Anthony, American, 1834 - 1862
- Sims, Thomas, American, born ca. 1834
- Date
- 1854
- Medium
- ink on paper
- Dimensions
- H x W: 9 x 6 in. (22.9 x 15.2 cm)
- Caption
- This printing of the Fugitive Slave Bill was sponsored by anti-slavery groups as a protest against the new law that required local and state authorities to assist slave owners in retrieving slaves.
- Description
- Booklet of yellowed paper and black text. Title reads "THE FUGITIVE SLAVE BILL ENACTED BY THE UNITED STATES CONGRESS." The entire bill is 8 pages, seven of which are printed with bold black mourning borders. The rear cover features a reproduction of an engraving with the caption, "The Boston Police executing the infamous law, in the case of Simms, who was delivered into the hands of the oppressor, between the hours of moon-setting and sun-rising, in 1851." The illustration on the back cover consists of a captured man being carried down the steps of a building by two armed men. The building is surrounded by rows of armed men and two dogs are facing off against each other in the foreground.
- Place printed
- Boston, Massachusetts, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2012.46.5
- Restrictions & Rights
- Public domain
-
CC0
The Wounded Scout. A Friend In The Swamp.
- Created by
- Rogers, John, American, 1829 - 1904
- Date
- 1864
- Medium
- paint on plaster
- Dimensions
- 22 1/8 x 11 1/8 x 8 1/4 in. (56.2 x 28.3 x 21 cm)
- Description
- A cast and painted plaster sculptural group depicting an escaped enslaved man helping a wounded Union soldier. This genre scene depicts an injured soldier leaning against the formerly enslaved man, his head resting on the other man's shoulder. The soldier's right arm is wrapped in a tourniquet and hangs limply at his side. The formerly enslaved man stands tall, looking off into the distance, while he holds the scout's left arm and guides him forward with his right arm supporting the soldier's waist. The scout has a mustache and is in uniform, wearing a jacket and boots with a bag, cartridge box and a canteen, while the formerly enslaved man is bearded and barefoot, and is wearing a shirt tucked into pants, both of which are torn and tattered. The men are walking through long grasses and swamp plants. Next to the formerly enslaved man's left foot is a copperhead snake coiled to strike. At the front of the sculpture base is etched: [JOHN ROGERS / NEW YORK / THE WOUNDED SCOUT. / A FRIEND IN THE SWAMP.]. Inscribed on the verso of the base is: [PATENTED JUNE 28 1864]. On the bottom of the base is an incomplete inscription [REK].
- Place made
- New York City, New York, United States, North and Central America
- Classification
- Visual Arts
- Slavery and Freedom Objects
- Movement
- Anti-slavery movements
- Type
- sculpture
- Topic
- Antislavery
- Art
- Emancipation
- Military
- Politics
- Race relations
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2011.155.289
- Restrictions & Rights
- Public Domain
-
CC0
Twelve Years A Slave
- Written by
- Northup, Solomon, American, 1808 - 1875
- Published by
- Derby and Miller, American, 1848 - 1853
- Date
- 1853
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- ink on paper with gold, cloth, and cardboard
- Dimensions
- H x W x D (Closed): 7 3/4 × 5 1/2 × 1 5/16 in. (19.7 × 14 × 3.4 cm)
- H x W x D (Open): 7 3/4 × 11 1/2 × 4 1/8 in. (19.7 × 29.2 × 10.5 cm)
- H x W x D (open at 90 degrees): 7 3/4 × 6 × 6 1/4 in. (19.7 × 15.2 × 15.9 cm)
- H x W x D (open at 60 degrees): 7 3/4 × 5 3/4 × 5 3/4 in. (19.7 × 14.6 × 14.6 cm)
- Description
- This book is a first edition, seventeenth thousand printing copy of “Twelve Years A Slave Narrative of Solomon Northup, A Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, and Rescued in 1853, From a Common Plantation Near the Red River, in Louisiana." The book has a brown cloth binding. The exterior spine is embossed with two lines running across the top and bottom of the spine. The title of the book has been embossed in gilt lettering [TWELVE/YEARS/A/SLAVE] across the top third of the spine and is surrounded by engraved flourishes. The name of the publishers [DARBY & MILLER] is embossed in gilt across the bottom of the spine. The front and back cover boards have been embossed with identical designs: two flourishes within two rectangles. The book has yellow end papers, a dedication to Harriet Beecher Stowe, a quote by Cowpee, an editor’s preface, twenty-two chapters and an appendix. The frontispiece is a portrait of Solomon Northup seated on a bench with his arms crossed. A facsimile of his signature is below the picture with a caption that reads, “IN HIS PLANTATION SUIT.” Three hundred and thirty-six pages with seven black and white plates.
- Place printed
- Auburn, Cuyahoga County, New York, United States, North and Central America
- Place depicted
- New Orleans, Orleans Parish, Louisiana, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- narratives
- hardcover books
- Topic
- American South
- Antislavery
- Caricature and cartoons
- Domestic slave trade
- Free communities of color
- Law
- Literature
- U.S. History, 1815-1861
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.262
- Restrictions & Rights
- Public Domain
-
CC0
Picture of Slavery in the United States of America
- Written by
- Rev. Bourne, George, British American, 1780 - 1845
- Published by
- Hunt, Edwin, American
- Date
- 1834
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- ink on paper
- Dimensions
- H x W x D: 6 x 3 3/4 x 3/4 in. (15.2 x 9.5 x 1.9 cm)
- Description
- This book is entitled "Picture of Slavery in the United States of America," and was written by Reverend George Bourne. It was published by Edwin Hunt in 1834. The text is bound in a plain dark blue paper cover with text on the interior pages printed in black ink. There are ten (10) engravings included, featuring images related to scenes of slavery.
- Place made
- Middletown, Middlesex County, Connecticut, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- books
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.46.7
- Restrictions & Rights
- Public domain
-
CC0
Narrative of the Life of Frederick Douglass, an American Slave
- Written by
- Douglass, Frederick, American, 1818 - 1895
- Published by
- Massachusetts Anti-Slavery Society, American, founded 1835
- Subject of
- Garrison, William Lloyd, American, 1805 - 1879
- Phillips, Wendell, American, 1811 - 1884
- Date
- 1845
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- ink on paper, cardboard
- Dimensions
- H x W x D: 7 x 4 1/2 x 5 in. (17.8 x 11.4 x 12.7 cm)
- H x W x D (open at 90 degrees): 7 × 5 × 4 7/8 in. (17.8 × 12.7 × 12.4 cm)
- H x W x D (open at 60 degrees): 7 × 5 × 4 1/4 in. (17.8 × 12.7 × 10.8 cm)
- Description
- A first edition copy of the memoir and antislavery book Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself. The hardcover book has a brown cover with an imprinted decorative border and scrollwork. The title is stamped in gold lettering in the center: [NARRATIVE OF THE LIFE / OF / FREDERICK DOUGLASS]. The frontispiece illustration is a portrait of Douglass, seated at a table, wearing jacket, vest, and tie, with his hands crossed in his lap. The first page prints the full title in alternating large and small type: [NARRATIVE / OF THE / LIFE / OF / FREDERICK DOUGLASS, / AN / AMERICAN SLAVE. / WRITTEN BY HIMSELF]. The last part of the title appears between two horizontal lines. At the bottom center is the publishing information: [BOSTON: / PUBLISHED AT THE ANTI-SLAVERY OFFICE, / No. 25 CORNHILL / 1845.]. The book has a preface written by William Lloyd Garrison and a prefatory letter by Wendell Phillips. There are 125 pages.
- Place printed
- Boston, Suffolk County, Massachusetts, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- narratives
- hardcover books
- Topic
- Antislavery
- Caricature and cartoons
- Freedom
- Fugitive enslaved
- Identity
- Literature
- Men
- Resistance
- Self-liberation
- Slavery
- U.S. History, 1815-1861
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elizabeth Cassell
- Object number
- 2011.43.1
- Restrictions & Rights
- Public domain
-
CC0
An Address Delivered Before a Meeting of the Members and Friends of the Pennsylvania Anti-Slavery Society During the Annual Fair
- Written by
- Furness, William Henry, American, 1802 - 1896
- Published by
- Merrihew & Thompson, Printers, American
- Subject of
- Pennsylvania Anti-Slavery Society, American, founded 1838
- Date
- 1850
- Medium
- ink on paper (fiber product)
- Dimensions
- H x W: 8 5/8 × 5 1/2 in. (21.9 × 14 cm)
- Caption
- William Henry Furness was the Minister of the First Unitarian Church of Philadelphia and a prominent abolitionist whose home was used as a station on the Underground Railroad.
- Description
- Black ink on paper, printed copy of [An / Address / Delivered Before A Meeting / Of The / Members And Friends / Of The / Pennsylvania Anti-Slavery Society / During The Annual Fair / December 19, 1849 / By W.H. Furness.]. The publisher’s information can be found on the bottom of the cover page: [Philadelphia: Merrihew & Thompson, Printers, No. 7 Carter’s Alley. 1850.] The cover is a faded green paper and is worn around the edges. The address has 16 interior pages written in black ink on white paper.
- Place depicted
- Philadelphia, Pennsylvania, United States, North and Central America
- Place printed
- Philadelphia, Pennsylvania, United States, North and Central America
- Classification
- Documents and Published Materials
- Slavery and Freedom Objects
- Movement
- Anti-slavery movements
- Type
- sermons
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.59.12
- Restrictions & Rights
- Public Domain
-
My Bondage and My Freedom
- Written by
- Douglass, Frederick, American, 1818 - 1895
- Published by
- Miller, Orton & Co.
- Subject of
- Smith, Gerrit, American, 1794 - 1874
- Date
- 1857
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- ink on paper, cardboard, leather
- Dimensions
- H x W x D: 7 1/2 x 5 1/2 x 1 3/4 in. (19.1 x 14 x 4.4 cm)
- H x W x D (IN SPECIALLY MADE STAND): 5 1/8 × 7 5/16 × 7 1/2 in. (13 × 18.6 × 19.1 cm)
- Description
- Hardcover book entitled "My Bondage and My Freedom" with an illustration of Frederick Douglass as frontispiece. This slave narrative is dedicated to Gerrit Smith.
- Place printed
- New York City, New York, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- narratives
- hardcover books
- Topic
- Antislavery
- Caricature and cartoons
- Identity
- Literature
- Slavery
- Social reform
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elizabeth Cassell
- Object number
- 2011.43.2
- Restrictions & Rights
- Public domain
-
CC0
American Anti-Slavery Almanac Vol. II, No. I
- Published by
- Benedict, S. W., American
- Subject of
- American Anti-Slavery Society, American, 1833 - 1870
- Date
- 1842
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ink on paper
- Dimensions
- H x W: 7 3/8 x 4 5/8 in. (18.7 x 11.7 cm)
- Description
- American Anti-Slavery Almanac for 1842 published by S. W. Benedict. The almanac is printed on off white paper in black ink. Printed below the title is “CALCULATED FOR THE HORIZON AND MERIDIAN OF BOSTON, NEW YORK, / BALTIMORE, AND CHARLESTON: AND FOR USE IN / EVERY PART OF THE COUNTRY.” An engraved image is at center. The image portrays a Caucasian woman holding a book up in her left hand. A burst of light is behind her. Men, women and children are around her watching. A ship and a building being constructed are in the background. The interior pages feature astronomical information, calendars and weather forecasts. Printed on the back is an article titled "Principles of Christian Fellowship" and a short parable titled "What has become of that Leather?"
- Transcription Center Status
- Transcribed by digital volunteers
- Place printed
- Brooklyn, New York City, New York, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- almanacs
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.1.12
- Restrictions & Rights
- Public Domain
-
CC0
Carte-de-visite portrait of Emma V. Brown
- Photograph by
- M.P & A.I. Rice, American, 1874 - 1876
- Subject of
- Montgomery, Emma V., American, 1846 - 1902
- Rice, Moses P., born 1839
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1874-1876
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 5/8 × 2 5/16 in. (9.2 × 5.8 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Emma V. Brown shown in half portrait. Her body faces the camera but her head is turned one quarter to her right and she looks off frame. Her hair is gathered loosely and in long ringlets that hang down behind her head. She wears a dark bodice with a ruffled front and collar with a white ruffled lace standing collar under it. A circular brooch is pinned at her center front neck. She wears circular dangling earrings. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in ink below the photograph on the mount is the text, "Emma V. Brown / my pupil & friend". There is a mark for M.P & A.I. Rice on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "E. V. Brown" and at the bottom left of the album page is the text "M P Rice / 1217 Washington DC".
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.37
- Restrictions & Rights
- Public domain
-
CC0
Tintype portrait of Col. C. W. Folsom
- Photograph by
- Unidentified
- Subject of
- Col. Folsom, Charles W., American, 1826 - 1904
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- collodion and silver on iron with lacquer
- Dimensions
- H x W (Image): 1 3/16 × 15/16 in. (3 × 2.4 cm)
- H x W (Image and Mount): 1 5/8 × 2 1/2 in. (4.1 × 6.3 cm)
- Description
- Tintype of Colonel Charles William Folsom shown in half portrait. Folsom's body faces the camera, but his head is turned one quarter to his right and he looks off frame. He is slightly baling and has a full beard and mustache. He wears spectacles with thin wire frames. He is wearing a dark suit jacket and vest, white shirt, and black bowtie. The tintype is housed in its original "Potters Patent" die-cut paper frame, with an oval frame cut out to show the image. A double line border is embossed around the oval cut out.
- Handwritten in graphite on the mount below the tintype is the text "Col. C. W. Folsom".
- The tintype is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- tintypes
- portraits
- Topic
- Antislavery
- Military
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.18
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Harriet Tubman
- Photograph by
- Powelson, Benjamin F., American, 1823 - 1885
- Subject of
- Tubman, Harriet, American, 1822 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1868-1869
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
- H x W (Image and Mount): 3 15/16 × 2 7/16 in. (10 × 6.2 cm)
- Description
- A carte-de-visite of Harriet Tubman seated in an interior room. She is positioned slightly turned to the right and gazes off camera. Her right hand rests on the back of a wooden chair and her left hand rests in her lap. A body patterned carpet covers the floor and the wall or drop behind her is a blank light color. Tubman wears a black bodice that buttons at the center front and has dropped sleeves with heavy ruching and ruffled details on the sleeves. There is a panel of lighter fabric around the yoke, with the upper neck the same dark color as the body of the bodice. A white lace collar with short tails is crossed and pinned at the front of her neck. Her hair is parted at the center and gathered at the nape of her neck. Tubman's full skirt is made from a light and dark patterned gingham check. It drapes slightly on the floor and hides her feet completely. The text "Harriet Tubman" is handwritten in graphite across the bottom of her skirt. The print is mounted on card stock and a double-lined red border is printed around the front edges of the card framing the print.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page with this photograph is the text "Powelson photog. / Auburn Ny".
- Place captured
- Auburn, Cayuga County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Freedom
- Photography
- Reconstruction, U.S. History, 1865-1877
- Slavery
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.47
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Wendell Phillips
- Photograph by
- Fredricks, Charles DeForest, American, 1823 - 1894
- Subject of
- Phillips, Wendell, American, 1811 - 1884
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm)
- H x W (Image and Sheet): 4 1/8 × 2 5/8 in. (10.4 × 6.7 cm)
- Description
- Carte-de-visite of Wendell Phillips shown in half portrait. Phillips is seated and turned one quarter to his right. His hair is combed down over his ears and he is clean shaven. He is wearing a dark jacket with a velvet collar detail, a white shirt with a high collar, a dark neck tie, and plaid pants. The print is cut in an oval shape and adhered onto the paper mount.
- There is a mark for Charles D. Fredericks & Co. on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Wendell Phillips." Handwritten in graphite at the bottom left of the album page is the text "cd Fredricks / 581 Broad."
- Place made
- New York City, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.46
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Eugene Dowe
- Photograph by
- Thompson, Lucius
- Subject of
- Dow, Francis Eugene, American, 1842 - 1924
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/16 × 2 1/4 in. (8.7 × 5.7 cm)
- H x W (Image and Mount): 3 15/16 × 2 7/16 in. (10 × 6.2 cm)
- Description
- Carte-de-visite of Eugene Dowe shown in bust portrait. He faces the camera directly and his hair is parted on his right side and smoothed down on the top of his head, but left curling on the sides. He has a mustache. Dowe wears a dark colored jacket and vest, a white shirt, and a light colored bowtie. The edges of the image are purposefully faded in the popular style of the time.
- Handwritten in graphite on the bottom of the print is the text "Eugene Dowe". Printed on the back of the photograph is the text "L. Thompson / 12 Shetucket St., Norwich, Conn."
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place made
- Norwich, New London County, Connecticut, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.39
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Abby D. Munro
- Photograph by
- Barnard, George N., American, 1819 - 1902
- Subject of
- Munro, Abby Davis, American, 1837 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1876
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Abby D. Munro shown in half portrait profile. She is sitting with her back facing foremost but her head turned in profile and her left side facing the camera. Her hair is parted at the center and then braided and wrapped into a bun at the back of her head. She wears a dark bodice with a high neck and a white ruffled lace collar. The print is cut into an oval shape and mounted on the card mount.
- Handwritten in graphite on the photograph below the image is the text "A. D. Manro Charleston" and "Miss Abby D. Manro 1876" is handwritten in ink on the mount below the print. There is a mark on the back of the photograph for Barnard's studio.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "BARNARD 1876 / 263 King St. Charleston".
- Place made
- Charleston, South Carolina, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.16
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Anna M. Stanton
- Photograph by
- Horning's Photographic Rooms, American
- Subject of
- Stanton, Anna M., American, 1832 - 1915
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1869-1877
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 15/16 × 2 1/4 in. (10 × 5.7 cm)
- H x W (Image and Mount): 4 1/8 × 2 7/16 in. (10.5 × 6.2 cm)
- Description
- Carte-de-visite of Anna M. Stanton shown in full portrait. Stanton is standing with her body turned to the side and her left side foremost. Her head is turned to the camera. She wears her hair parted at the center and gathered into an updo behind her head. She has on a dark colored bodice and a bustle skirt. A chatelaine or watch chain is visible hanging from her chest down underneath her left arm. She is standing in front of an interior backdrop painted with a parlor mantel and draperies. Her hands are resting on top of each other on the top of the back of a carved armchair with a tufted padded back.
- Handwritten in ink on the back of the photograph above the photographer's mark is the text, "Anne M. Stanton".
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Anne M. Stanton" and in the lower left corner of the album page is the text "ANNE M. STANTON?".
- Place made
- Philadelphia, Pennsylvania, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.25
- Restrictions & Rights
- Public domain