Designed by

Travilla, William, American, 1920 - 1990

Worn by

Carroll, Diahann, American, born 1935

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

taffeta, chiffon, rayon thread, lace, and metal closures

Dimensions

H x W x D (Dress on form): 61 × 26 1/4 × 17 in. (154.9 × 66.7 × 43.2 cm)

Type

dresses

Place used

United States, North and Central America

Date

1968-1971

Description

Dress worn by Diahann Carroll as the character Julia Baker on the television show "Julia." The pink and cream dress is a full-length, long-sleeved gown with a high neck. A sleeveless bodice and full skirt made from pink taffeta is overlaid with a double layer of pale cream chiffon, with the chiffon covering the entire skirt and forming the upper bodice and sleeves. Large floral sprays are machine embroidered in cream thread on the chiffon. The hem of the skirt, the cuffs of the sleeves, and the neck are edged with cream lace in an openwork design. The dress closes with a zipper at the center back. The cuffs and the neck fasten with metal hook-and-eye closures, two (2) at each cuff and three (3) at the center back neck. There is a pale pink satin belt with a self fabric-covered decorative buckle at the high waistline that closes with three (3) metal snaps and three (3) metal hook-and-eyes.

The pink lower bodice and skirt of the dress are self-lined, with an additional paler pink petticoat attached under the lining of the skirt. The upper bodice is lined with a brown net, giving a darker hue to this section of the gown under the chiffon overlay. The sleeves are not lined.

Topic

African American

Clothing and dress

Costume

Sitcoms

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.38

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Exhibition

Watching Oprah: The Oprah Winfrey Show and American Culture

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Grace Costumes Inc., founded 1966

Worn by

Taylor, Clarice, American, 1917 - 2011

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

Gown: synthetic fiber, satin, velvet, net, and metal

Petticoat: synthetic fiber

Jacket: synthetic fiber, satin, velvet, sequins, rhinestones, and metal

Type

ensembles (costume)

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This costume is comprised of three (3) pieces, a teal and blue gown, a petticoat, and a matching jacket worn by Clarice Taylor as Addaperle in "The Wiz: The Super Soul Musical 'Wizard of Oz'" on Broadway.

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.10

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Worn by

Taylor, Clarice, American, 1917 - 2011

Created by

Grace Costumes Inc., founded 1966

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

synthetic fiber, satin, velvet, net, and metal

Dimensions

H x W x D (On form (a)): 62 1/4 × 27 1/2 × 24 in. (158.1 × 69.9 × 61 cm)

H x W x D (In box (a)): 60 × 22 3/4 × 8 1/2 in. (152.4 × 57.8 × 21.6 cm)

L x W x D (from center back bodice with train extended (a)): 71 in. (180.3 cm)

H x W x D (In box (b)): 32 × 22 × 8 in. (81.3 × 55.9 × 20.3 cm)

Waist (at widest point (b)): 34 in. (86.4 cm)

Type

gowns

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This teal and blue floor-length gown and purple petticoat are part of a costume worn by Clarice Taylor as Addaperle in "The Wiz: The Super Soul Musical 'Wizard of Oz'" on Broadway. The sleeveless gown (a) has a fitted bodice and a full skirt with a ruffled hem and short train, and is decorated in a patchwork style with pieces of blue, teal, green and purple fabrics. The petticoat (b) is made of a multi-layered purple synthetic taffeta.

The bodice of the gown is made of teal satin synthetic fiber lined with drill. The bodice is sleeveless, fitted, and has an open scoop neck. Two (2) patches of velvet, one dark blue and one dark teal, are hand-sewn to the center front of the bodice. The interior front of the bodice has five (5) pieces of boning tape sewn lengthwise from top to waist, but the boning has been removed from all but the two outermost tapes.

The skirt of the gown is floor-length and very full, lengthening in the back with a short train. Teal satin synthetic fiber is sewn in box pleats to the bodice at the waist. The skirt has several large patches of fabric machine-sewn in a random pattern to the teal ground using a zigzag stitch. The patches are of dark blue velvet, dark teal velvet, light green satin and medium green satin. Some of the light green patches are sewn so that the wrong side of the fabric is facing out. Additionally, there are four (4) "envelopes" attached to the skirt, which are white satin rectangles with flaps trimmed in blue ribbon to look like mailing envelopes. The envelopes are only attached along the bottom and the sides, leaving the top open as a pocket. Two envelopes have Velcro closures, making them function as additional pockets. There are three (3) white gloves sewn to the skirt at the wrists and fingertips, each of which is stuffed with foam. A flounce made of medium teal synthetic fiber, trimmed at the top edge with purple velvet and at the bottom edge with purple grosgrain ribbon, is sewn along the bottom of the skirt. The skirt is not lined, but there is a net underskirt with a ruffled hem doubled over and attached across the back interior of the skirt. The interior waistband of the skirt is made of a white grosgrain ribbon that closes at the center back with a hook on the proper right back and two eyes for adjustable fit on the proper left back. A silver zipper begins below the waist of the center back skirt and ends at the top of the bodice neck. A hook-and-eye closure is sewn above the zipper at the center back neck.

The petticoat (b) is made of a multi-layered purple synthetic taffeta. Like the gown, it is shorter in front. Two tiers of ruffles are sewn at the hemline, each edged in synthetic net stiffener. The waistband is adjustable with hook and eye fasteners, including six (6) eyes ranging from 29 - 34" waist. As an alteration, one (1) additional eye was sewn onto the waistband at 25".

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.10.1ab

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Grace Costumes Inc., founded 1966

Worn by

Bridgewater, Dee Dee, American, born 1950

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

Dress: synthetic fiber, net (textile), and chiffon

Headdress: synthetic fiber, straw, wire, rhinestones, and metal

Dimensions

On form - dress with train (a) with hat (b): 92 × 50 × 28 in. (233.7 × 127 × 71.1 cm)

Type

ensembles (costume)

Place used

New York City, New York County, New York, United States, North and Central America

Date

1975

Description

This costume is comprised of two (2) pieces, a gown and an accompanying headdress, worn by Dee Dee Bridgewater as the character Glinda in the Broadway production of "The Wiz".

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.11

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Grace Costumes Inc., founded 1966

Worn by

Edmead, Wendy, American, born 1956

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

chiffon, crepe, muslin, passementerie, metal, and elastic

Dimensions

H x W x D (In box): 59 × 22 1/2 × 2 3/4 in. (149.9 × 57.2 × 7 cm)

H x W x D (On form): 61 × 28 × 15 1/2 in. (154.9 × 71.1 × 39.4 cm)

Type

jump suits

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This jumpsuit is part of a costume worn by Wendy Edmead as a Quadling in "The Wiz: The Super Soul Musical 'Wonderful Wizard of Oz'" on Broadway. The jumpsuit is made from a diaphanous, coral-colored synthetic fabric. The bodice of the jumpsuit and its lower section attach only at the center front, leaving exposed the sides of the wearer's stomach and lower back.

The bodice of the jumpsuit is made of a coral crepe synthetic fiber that is covered in pleated coral chiffon synthetic fiber. The full length sleeves are made of the same coral chiffon fabric, which has been ironed into an accordian pleat and cut in a flared trumpet shape. Elastic loops are attached to the wrist area of each sleeve. The bodice is lined in plain muslin, and closes at the center back with a zipper and a hook-and-eye closure at the neck.

On the lower section of the jumpsuit, coral chiffon synthetic fiber attaches at the waist and reaches to the ankles to form wide-legged, accordian-pleated pants. There is a bikini bottom attached to the waistband. The bikini bottom is a coral crepe synthetic fiber on the recto, lined in plain muslin on the verso, and has an open crotch. This lower section of the jumpsuit closes at the center back with a zipper and a hook-and-eye closure at the waist. A length of coral tape is sewn in a loop at the interior proper left and proper right sides.

Coral passementerie is sewn to the bottom edge of the bodice, forming an x at the center front attachment, and continuing along the top edge of the pants. Two (2) metal discs, each stamped with a head in profile and surrounded by a circle of five-pointed stars, are sewn to the top and bottom of the x and at the center front attachment. Coral tasseled fringe is sewn along the collar line of the bodice and at the hip line of the lower section of the jumpsuit, below the passementerie decoration. Stamped metal discs are sewn all along the fringe at the collar and the hip.

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.12

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Worn by

Mills, Stephanie, American, born 1957

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

cotton, lace, ribbon, plastic, elastic, and metal

Dimensions

H x W x D (On form (ab)): 32 1/2 × 20 × 18 3/4 in. (82.6 × 50.8 × 47.6 cm)

H x W x D (Flat (b)): 1 5/8 × 10 1/2 × 9 1/2 in. (4.1 × 26.7 × 24.1 cm)

Type

dresses

belts (costume accessories)

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This dress and belt were worn by Stephanie Mills as Dorothy in "The Wiz: The Super Soul Musical 'Wonderful Wizard of Oz'" on Broadway. The short-sleeved off-white cotton dress (a) falls just above the knee and has a circle skirt with a flounce. The v-neck bodice has bust darts and ends at the natural waistline. The neck opening is outlined with decorative, machine-made, off-white lace that has a central ladder design bordered by flowers. Two (2) rows of this lace continue down the center-front of the bodice to the waist. Red grosgrain ribbon is woven into the middle of the lace. The full, pouf sleeves are elbow-length and have thin elastic strips sewn inside the hem, creating gathered cuffs. Each cuff is bordered with machine-made, off-white lace that has a design of large circles bordered by smaller circles, through which red grosgrain ribbon has been woven. Lace flounces with a floral design are sewn into the hem of each cuff and hang 2 3/4 inches below the sleeve.

The skirt is heavily gathered at the waist, creating a very full skirt. A 5 1/2-inch flounce with box pleats is sewn around the hem. Above this flounce is a strip of the same lace as on the bodice, also with red grosgrain ribbon woven through the center of the lace. Above the decorative lace and ribbon are two pin tucks. The dress closes at the center back with five (5) off-white plastic buttons. The bottom button is different than the others, and may be a replacement. A single hook-and-eye closure is placed at the interior center back waistline. The back of the skirt is open with no apparent closure method.

The belt (b) is made of a shiny red plastic, and has a square metal buckle faced in the red plastic.

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.6ab

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Nihda, Fred, 1931 - 1997

Worn by

Haynes, Tiger, American, 1914 - 1994

Subject of

Black Fashion Museum, American, 1979 - 2007

Type

ensembles (costume)

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This costume was worn by Tiger Haynes as Tin Man in "The Wiz: The Super Soul Musical 'Wizard of Oz'" on Broadway. It consists of a headpiece (.1.1), cuirass (.1.2), left arm and right arm armor and arm harness (.1.3abc), left leg armor (.1.4), right leg armor (.1.5), shoes (.2ab), union suit (.3), and prop oil can (.4).

Topic

African American

Actors

Clothing and dress

Costume

Men

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.7

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Nihda, Fred, 1931 - 1997

Used by

Haynes, Tiger, American, 1914 - 1994

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

metal

Dimensions

H x W x D: 12 1/2 × 3 3/4 × 2 in. (31.8 × 9.5 × 5.1 cm)

Type

güiros

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This oil can güira prop is part of a costume used by Tiger Haynes as Tin Man in "The Wiz: The Super Soul Musical 'Wizard of Oz'" on Broadway. It is a cylindrical tube of sheet metal with cone-shaped pieces soldered onto each long end. A rectangular hammered metal handle is nailed lengthwise to the join of the cylinder with nails. The bottom third of the cylinder has a series of hammered raised dots. When used as a percussive instrument, called a güira, these dots are scraped using a comb-like metal device to create sound.

Topic

African American

Actors

Clothing and dress

Costume

Men

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.7.4

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Musical Instruments

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Grace Costumes Inc., founded 1966

Worn by

De Shields, André, American, born 1946

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

Jumpsuit (.1): synthetic fiber, rhinestones, and Velcro™

Cape (.2): synthetic fiber, fur, sequins, and rhinestones

Headpiece (.3): synthetic fiber, batting, rhinestones, and Velcro™

Boots (.4): leather, wood, paint, and metal

Type

ensembles (costume)

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This costume is comprised of four (4) pieces, a jumpsuit (.1), a cape (.2), a headpiece (.3), and a pair of boots (.4ab) worn by André De Shields as The Wizard in "The Wiz: The Super Soul Musical 'Wonderful Wizard of Oz'" on Broadway.

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.8

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Holder, Geoffrey, Trinidadian American, 1930 - 2014

Created by

Grace Costumes Inc., founded 1966

Worn by

King, Mabel, American, 1932 - 1999

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

synthetic fiber, taffeta, velvet, net, cotton, yarn, plastic, passementerie, rhinestones, wire, feathers, metal, and elastic

Dimensions

H x W x D (On form (ab)): 66 × 41 × 51 in. (167.6 × 104.1 × 129.5 cm)

H x W x D (On form (b)): 45 × 33 × 33 in. (114.3 × 83.8 × 83.8 cm)

Type

petticoats

gowns

Place used

New York City, Manhattan, New York, United States, North and Central America

Date

1975

Description

This gown and petticoat are part of a costume worn by Mabel King as Evillene in "The Wiz: The Super Soul Musical 'Wizard of Oz'" on Broadway. The floor-length gown (a) is made from a black synthetic fiber and has a bejeweled open-neck bodice, puffed sleeves, decorative eyes covering the bosom, and a very full skirt with a purple and deep rose ruffled trim and a slight train. The petticoat (b) is made of a multi-layered black synthetic taffeta.

The bodice of the dress has a sweetheart neckline, with two (2) thick shoulder straps edged with black velvet. A triangular panel of brown net is attached at the center front bodice, wrapping around the neck to the proper back. This net is decorated with red and black rhinestones, black tape with beaded fringe, gold beaded paillettes, and a single black beaded bobble at the center front. Affixed to the front of the bodice are two (2) large eyes with eyelids and eyelashes. The eyes are made of clear hard plastic, lined with undyed muslin. At the center of each eye, between the muslin and the plastic, a black plastic disk is attached depicting the pupil, and a red rhinestone is sewn to the inside corner of each eye, depicting the tear duct. The bottoms of the eyes are edged with black velvet ribbon. The eyelids are made of black spandex, edged with black plastic eyelashes. Fishing line is attached at the center bottom of each eyelid and strung throught the velvet eyeball edging and under the dress's black velvet waistband. Below the waistband are short lengths black nylon braid with pom-poms attached at the end; when these pom-poms are pulled, the eyelids close partially over the eyeballs.

Each sleeve is made of multiple layers of black tulle gathered into a large puff and ending at the elbow. The sleeves are attached to the bodice at the front and back underarm, left open to reveal the shoulders. The sleeves are attached with elastic black cord at the top of each shoulder. Two black yarn pom-poms attach to each sleeve at the top of the shoulder. Between the pom-poms on the proper right sleeve are two brown and black marbled feather quills, which have the appearance of once having been longer plumes that broke off.

The waist of the dress has a wide band of black velvet, which closes over the center back zipper using snaps and hook-and-eyes. The skirt is made of several panels of black synthetic fiber. Black velvet ribbon is stitched over the seams of the panels on the exterior of the skirt. Two wide ruffled panels are sewn around the hem of the skirt. The top ruffle is made of a purple synthetic fabric with a metallic sheen, and the bottom ruffle is made of a rose synthetic taffeta. Synthetic net stiffener is sewn to the top and bottom edges of both ruffles. Black yarn pom-poms are attached around the black portion of the skirt at regular intervals, increasing in size from the waist to the hem.

The entire interior of the bodice is lined with cream drill, and boning tape is sewn at regular intervals. A pocket of black synthetic fabric is sewn in the center front interior and over the interior proper left breast to hold the wearer's microphone. The interior waist has a length of black grograin ribbon that attaches at the center back with a single hook-and-eye. The skirt is not lined, but there is a net underskirt with a ruffled hem doubled over and attached across the back interior of the skirt.

The petticoat (b) is made of a multi-layered black synthetic taffeta. Like the gown, it is shorter in front. Two tiers of ruffles are sewn at the hemline, each edged in synthetic net stiffener. The waistband of the petticoat attaches with hook-and-eyes. There are five (5) eyes on the exterior back left waist, one (1) eye on the exterior right side waist, and three (3) hooks on the interior back right waist for an adjustable fit. Two lengths of black twill tape are sewn as loops at each side.

Topic

African American

Actors

Clothing and dress

Costume

Musical Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.9ab

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Davy, Peter, Vincentian, 1944 - 1990

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

spandex satin, net, sequins, and beads, with metal and plastic zipper

Dimensions

H x W x D (flat): 58 5/8 × 18 3/4 × 15/16 in. (148.9 × 47.6 × 2.4 cm)

H x W x D (on form): 58 × 18 × 12 1/2 in. (147.3 × 33 × 31.8 cm)

Type

dresses

Place made

New York City, New York, United States, North and Central America

Date

1985-1990

Description

A black spandex satin dress with a hand-shaped cut-out decoration designed by Peter Davy. The dress has a sweetheart neckline in the front and a plunging V-neck at the back, and one shoulder strap on the proper right side. The bodice is fitted and the skirt is straight with a thigh-high slit at the proper left front side. The stomach and waist of the dress has a large oval cut-out reaching from the proper left front around the proper right side and ending at the proper left back made from light brown net fabric. A black satin hand is sewn at the proper right side seam of the cut-out with the fingers outstretched and reaching toward the proper left side. The hand is bordered with a line of black sequins and beads, with all-over black sequins and beading on the hand and bright red sequins and beads on each fingernail to mimic red nail polish. Three (3) small red sequin and beaded leaves are sewn at the bottom proper left side of the cut-out. The cut-out is trimmed in a band of black sequins, as are the neckline and the proper right strap. An undulating line of the small red sequin and beaded leaves begins at the top of the shoulder strap and extends down the back side of the strap, ending at the center back. Four (4) strands of fringe made from small round black beads each ending in a large flat round black sequin are sewn at the shoulder seam of the strap. Lengths of this same style of beaded and sequin fringe are sewn along the sides of the slit in the skirt, thirty (30) in total. The dress closes at the proper left side with a black metal and plastic zipper.

The dress is lined in black synthetic fabric only at the bodice above the cut-out section. Boning is sewn between the facing and the lining at each center front side. Black hanger loops are sewn at each interior side seam. A white fabric label with black printed text is sewn at the interior proper left back side that reads, "An Original / by / Peter Davy" with three (3) black diamonds down the proper left side of the label.

Topic

African American

Clothing and dress

Fashion

Fashion design

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.102

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Fashion

Data Source

National Museum of African American History and Culture

Designed by

Davy, Peter, Vincentian, 1944 - 1990

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

synthetic organza, synthetic satin, synthetic lace, sequins, and beads, with metal and plastic fasteners

Dimensions

H x W x D (flat): 58 3/4 × 24 × 6 in. (149.2 × 61 × 15.2 cm)

Type

dresses

Place made

New York City, New York, United States, North and Central America

Date

1985-1990

Description

A red organza and satin dress with a ruffled collar and lace, bead, and sequin embellishments designed by Peter Davy. The body of the dress is made from red satin overlaid in red organza. The bodice of the dress has a low-cut straight front neckline and a high back neckline. A panel similar to a stomacher is sewn at the front bodice, ending in a point at the waist, made from white satin fabric overlaid in red net floral lace decorated in red sequins and beads. A pleated ruffle made from the red organza borders the stomacher panel and continues over the shoulders and around the high back neck. A panel of the white satin overlaid in red lace with sequin and beading decoration is sewn across the back neck to make a standing collar, with the organza ruffle extending above it. The dress is fitted through the bodice with a sheath skirt that has a thigh-high slit at the proper left front. A paillette made from white synthetic knit fabric overlaid in red net floral lace and decorated with red sequins and beads is sewn above the slit. The full-length sleeves are made from the sheer red organza. The tapered cuffs of each sleeve are embellished with white synthetic knit fabric overlaid in red net floral lace, which is decorated with red sequins and beads. The dress closes at the center back with a red metal and plastic zipper. One (1) metal snap is attached at the center back to join the sides of the organza ruffle.

The dress is not lined. White hanger loops are sewn at each interior shoulder seam. Red net encased in the red organza is gathered and sewn at the interior of each sleeve shoulder seam. The interior hem and skirt slit are trimmed in red floral lace. A white fabric label with black printed text is sewn at the interior proper right back side that reads, "An Original / by / Peter Davy" with three (3) black diamonds down the proper left side of the label.

Topic

African American

Clothing and dress

Fashion

Fashion design

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.103

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Fashion

Data Source

National Museum of African American History and Culture

Designed by

Davy, Peter, Vincentian, 1944 - 1990

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

synthetic velvet, lamé, synthetic net, and synthetic knit fiber, with metal and plastic zipper

Dimensions

H x W x D (flat): 54 1/4 × 27 × 4 in. (137.8 × 68.6 × 10.2 cm)

H x W x D (on form): 55 1/2 × 26 × 15 3/4 in. (141 × 37.5 × 40 cm)

Type

dresses

Place made

New York City, New York, United States, North and Central America

Date

1985-1990

Description

A black and silver dress with silver lamé ruffle details designed by Peter Davy. The strapless bodice is made from black velvet. It has a sweetheart neckline and a dropped waistline. The bodice is shaped and fitted, including at the natural waist and hips. Accordion pleated silver lamé ruffles are sewn around the top of the bodice and around the waistline. The full, floor-length skirt is gathered at the waistline and is made from black synthetic fabric overlaid with black net lace with an all-over pattern of small silver lamé dots. The dress closes at the center back with a black metal and plastic zipper.

The bodice of the dress is lined in black knit synthetic fabric. Boning is sewn between the facing and lining of the bodice at each front side, each side, and each back side, making six (6) pieces in total. The skirt is not lined. Black hanger loops are sewn at the interior bodice at each side. There are no labels in the dress.

Topic

African American

Clothing and dress

Fashion

Fashion design

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.104

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Fashion

Data Source

National Museum of African American History and Culture

Designed by

Davy, Peter, Vincentian, 1944 - 1990

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

crepe, synthetic fiber, and sequins, with metal and plastic zipper

Dimensions

H x W x D (flat): 55 3/4 × 23 1/2 × 1 1/2 in. (141.6 × 59.7 × 3.8 cm)

Type

dresses

Place made

New York City, New York, United States, North and Central America

Date

1985-1990

Description

A chocolate brown crepe dress with metallic embellishments designed by Peter Davy. The dress has a high, rounded neckline, full-length blousy sleeves with fitted cuffs, and a straight skirt falling below the knee with a high slit at the center back. The body is made from a double-layer of brown crepe, while the sleeves are made from a single layer of the crepe. Pieces of metallic copper and black synthetic fabric trimmed in gold sequins are sewn around the neck opening, at each fitted cuff, along the proper left front near the sleeve opening, and in an undulating line that begins at the proper right front side sleeve seam and extends diagonally across the body to the proper left front hip. Rays of the copper fabric emanate from below the undulating line, getting progressively longer moving from proper right to proper left across the front skirt. The dress closes at the center back with a gray metal and plastic zipper.

The dress is not lined and there are no labels.

Topic

African American

Clothing and dress

Fashion

Fashion design

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.107

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Fashion

Data Source

National Museum of African American History and Culture

Designed by

Lowe, Ann, American, 1898 - 1981

Worn by

Dowd, Barbara Baldwin, American

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

silk, tulle, linen, metal, and elastic

Dimensions

Waist: 23", Length: 53", Hem: 85"

Storage: 25.4 x 152.4 x 55.9 cm (10 x 60 x 22 in.)

Type

dresses

Place made

New York City, New York, United States, North and Central America

Date

1966-1967

Description

An ivory dress decorated with swirls of handmade fabric rose vines, designed by Ann Lowe. The variety of rose depicted on the dress is the American Beauty, which has led to it being called the "American Beauty" dress. The bodice of the dress is sleeveless, with a scoop neck front, princess seams and a deep "v" in the back reaching to the waist. The skirt of the dress has a flat front, and the skirt gathers toward the center-back waist with box pleats to create a small bustle silhouette. Green silk vines and leaves, covered in two-toned pink rose blooms and buds, begin at each front shoulder above the bust, cover both shoulders, and run along the edges of the open back bodice to the center back. On the proper right side, one (1) small vine continues below the waist and wraps around the hip to the front of the skirt. On the proper left side, two (2) longer vines continue below the waist and wrap around to the front of the skirt, the longest ending just above the hemline and wrapping all the way around to the proper right front. The dress closes up the center back with a silver zipper that begins below the center back waist and ends above the waist. Two (2) large roses in full bloom are attached at the center back waist.

The interior of the bodice is lined with ivory fabric. In the front and back of the bodice, boning is sewn at regular intervals to provide structure and shaping. Individual breast cups are shaped into the cut of the garment. A thin piece of elastic, attached in three places at the proper left, center front and proper right, provides support underneath the bust line. Thin shoulder straps made of the same material as the lining are tacked to the interior of the outer straps. A wider elastic band is tacked at the center front and closes in the center back with two hook-and-eyes to provide further bust support. An interior waistband of cream grosgrain ribbon is tacked to the interior waistline and closes at the center back with two (2) hook-and-eyes. The interior of the skirt is lined with light cream silk knit. The skirt has one (1) petticoat, made of ivory faille and lined with heavy linen that attaches to the waist at the center back with a hook-and-eye. The bottom of the petticoat has a tulle ruffle and is edged with stiffener.

Topic

African American

Clothing and dress

Fashion

Fashion design

United States--Social life and customs

Women

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.19

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Clothing-Fashion

Data Source

National Museum of African American History and Culture

Created by

Price, Louvenia, American, 1857 - 1935

Subject of

Black Fashion Museum, American, 1979 - 2007

Medium

silk velvet, silk satin, fur, and metal

Dimensions

H x W x D (On Form): 54 × 26 × 19 1/2 in. (137.2 × 66 × 49.5 cm)

H x W x D (In box): 52 × 22 × 6 in. (132.1 × 55.9 × 15.2 cm)

Type

evening coats

Place made

Boston, Suffolk County, Massachusetts, United States, North and Central America

Date

1870-1900

Caption

This wearable work of art was handed down to the maker's descendants. Louvenia Price, who was born enslaved, continued to work as a seamstress after she was emancipated. Price made this cape for her own use.

Description

This mid-calf length evening coat is made of a deep teal silk velvet with brown fur cuffs and a black silk satin lining. A decorative black silk cord is sewn to the exterior of the garment to form swirls, floral motifs, feather motifs, and other designs popular in the late Victorian period. The sleeves begin near the wearer's elbow, creating a cape-like silhouette from the proper front. The coat closes along the proper center front with a series of hook-and-eye closures, with the hooks and the eyes alternating along the proper left and proper right sides of the opening. The proper back is shaped to accommodate a large bustle. The band collar also contains applied braid designs, and closes at the proper front neck with two (2) hook-and-eye closures. The interior fabric is quilted in a diagonal pattern, but the quilting does not show through to the exterior of the garment. There is one set-in pocket on the proper left front of the interior. Attached at the center back of the interior are two accordion-like fabric pieces and two long black ribbons, likely used to adjust the fit at the waist line and to secure the coat to the wearer's body.

Topic

African American

Clothing and dress

Emancipation

Fashion

Freedom

Slavery

Women

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

Object number

2007.3.2

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Collection title

Black Fashion Museum Collection

Classification

Slavery and Freedom Objects

Clothing-Fashion

Data Source

National Museum of African American History and Culture