NMAAHC Collections Search

Directed by

Hobson, Charles, American, 1936 - 2020

Interview of

Bond, J. Max Jr., American, 1935 - 2009

De Vore, Dan, American

Bowser, LeRoy, American, ca. 1929 - 1986

Davidoff, Paul, American, 1930 - 1984

Flores, José, American

Román, Francisco A., American

Dr. Carroll, J. D., American

Written by

Bowser, LeRoy, American, ca. 1929 - 1986

Created by

Garcia, Jose, American

Edited by

Jackson, Bob, American

Composed by

Taylor, Rheet, American

Produced by

Chambra Productions

United States Department of Housing and Urban Development, American, founded 1965

Created by

Symes, Art, American, born ca. 1935

Owned by

Bowser, Pearl, American, born 1931

Date

1971

Medium

acetate film and metal

Dimensions

Duration: 23 Minutes

Length (Film): 900 Feet

Title

16mm motion picture film of It's The Same Old Game

Caption

“It’s the Same Old Game” is a 16mm color film on urban studies directed by Charles Hobson. It was made to encourage citizen participation in the planning process, and shows examples of poor urban planning and development in which the residents had no voice. This film features interviews with children about their neighborhood, community activists, and planners that advocate for community involvement.

Description

A 16mm color film that features interviews with children about their neighborhood, interviews with community activists, and planners that advocate for community involvement. Aimed at the local citizen, this film encourages citizen participation in the planning process. Footage shows problematic aspects of poor urban planning, including air pollution caused by trucks, water pollution, and other problems with industrial areas to close to residential areas. Footage also includes a contentious meeting on the construction of a new high school near Carroll Gardens in Brooklyn.

The film begins with a voiceover narration and a soft music soundtrack. The narration explains that without citizen involvement in the planning process, then planning will be, as the title suggests, "the same old game." The film then shows three men standing over a table with a model of a city plan on it. The next scene features Leroy Bowser standing with a pole over a large floor model of New York City. As he discusses housing in the city, he moves around the model and points to different neighborhoods. The next scenes show houses and streets in Jamaica, Queens. Children are interviewed, and they discuss problems with crime and sanitation. The next interview is with Dan De Vore, and he talk about problems with housing that shares neighborhood space with industrial businesses. The footage then shows more street scenes and interviews with the same group of children from earlier in the film. The next scene features a group of planners looking at plans on a table. The next interview is with Max Bond, and he discusses the importance of community power. An unidentified woman joins in and remarks about the "game," and the struggle to figure out how to leverage it to the community's advantage. Max Bond agrees and suggests one way to change the "game" is to that elect people from the neighborhood onto planning commissions and into other offices. The next person to speak is Art Symes, and he remarks that even with getting community people involved in planning commissions, the old methods require change as well. The next scene shows street scenes in Harlem, and then an aerial view of the streets from the top of a building. The next interview is with Paul Davidoff, and he discusses the problems with white professional planners making decisions on planning without working with people on the street and understanding what they need and the problems to fix. The next scenes show various problems with housing near industrial districts. In particular, the film shows the problems in Red Hook, Brooklyn, such as the air pollution close to recreation areas for children. The film continues to show a variety of industrial blight mixed in with housing in south Brooklyn. The next interview is with José Flores, and he discusses how to improve neighborhood aesthetics and the problems with heavy trucks traveling through the neighborhood. The next scenes show the problem with a highway cutting through a neighborhood. The next scene shows a community meeting about a planned high school for Carroll Gardens, Brooklyn. About a half dozen residents speak out about the planning process and how decisions are made. The main issue appears to be black and white children attending the high school together. There are also many shots of the audience at the meeting. The next interview is with Francisco A. Román as he is in the process of moving his mother out of her apartment because of his concerns about rising crime in the Red Hook neighborhood. The next interview is with Dr. J.D. Carroll, and he talks about the planning in a broader sense of how all of the smaller parts fit together across the entire region and the problems with competing interests. The next scene features Greenburg, New York, where low density, low income housing exists away from industrial areas. There are several shots of children walking around and playing basketball. The final scenes area a montage of clips from the film. The film ends with a shot of traffic coming towards the camera as the film credits are displayed.

Place filmed

Carroll Gardens, Brooklyn, New York City, New York, United States, North and Central America

Jamaica, Queens, New York City, New York, United States, North and Central America

Collection title

Pearl Bower Collection

Classification

Media Arts-Film and Video

Type

color films (visual works)

16mm (photographic film size)

Topic

Activism