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CC0
Tintype portrait of Miss Allen
- Photograph by
- Unidentified
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1865
- Medium
- collodion and silver on iron with lacquer
- Dimensions
- H x W (Image): 1 15/16 × 1 11/16 in. (4.9 × 4.3 cm)
- H x W (Image and Mount): 3 7/8 × 2 5/16 in. (9.8 × 5.9 cm)
- Description
- Tintype of Miss Allen shown in bust portrait. She is turned one quarter to her left, but is looking at the camera. Her cheeks are tinted pink. Her hair is parted at the center and gathered in a chignon at the nape of her neck. She wears a light colored blouse with a dark oval brooch pinned at her front neck. A long, dark, single strand beaded necklace is around her neck. The tintype is placed in its original "Potters Patent" die-cut paper frame, with an oval cut out to display the image. Around the cut out is a heavily ornate embossed frame.
- Handwritten in graphite on the mount below the tintype is the text "Miss Allen Freedmen / teacher / 1865"
- The tintype is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- tintypes
- portraits
- Topic
- Antislavery
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.23
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Lydia Maria Child
- Photograph by
- Whipple, John Adams, American, 1822 - 1891
- Subject of
- Child, Lydia Maria, American, 1802 - 1880
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 1/4 in. (9 × 5.7 cm)
- H x W (Image and Mount): 4 1/8 × 2 7/16 in. (10.5 × 6.2 cm)
- Description
- Carte-de-visite of Lydia Maria Child shown in half portrait. Child is seated behind the corner of a white columned banister, possibly on a balcony outside a house with wooden siding next to a window with a lace curtain. Her left elbow is propped on the railing and her left hand rests on her chin. She holds a book in her right hand, which she is reading. Her hair is parted at the center and gathered into curls or braided above her ears, then pulled behind her head. She wears a dark colored bodice and skirt with dropped bell sleeves and white lace collar. There is a ring with a dark stone on her left hand ring finger.
- The text "John A. Whipple / 297 Washington Street / Boston." is printed on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "L. M. Child". Handwritten in the lower left corner of the album page in graphite is the text "John A. Whipple / 247 WASH. St. Boston".
- Place captured
- Boston, Suffolk County, Massachusetts, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Literature
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.21
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Carrie Lining
- Photograph by
- Barnard, George N., American, 1819 - 1902
- Subject of
- Lining, Carrie
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1875
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 5/16 in. (9.3 × 5.8 cm)
- H x W (Image and Mount): 4 1/8 × 2 1/2 in. (10.5 × 6.4 cm)
- Description
- Carte-de-visite of Carrie Lining shown in half portrait. Lining is turned one quarter to her right, with her head facing the camera though she looks slightly off frame. Her hair is parted at the center and gathered at the nape of her neck. She wears hoop earrings and a dark colored bodice with a standing collar. A white collar tied in a bow at the center neck is tucked under the dark standing collar of her bodice.
- Handwritten on the photograph below the image is "Carrie Lining" with "Charleston, S.C." written below that on the mount. There is a mark on the back of the photograph for Barnard's studio.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place printed
- Charleston, South Carolina, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.26
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Agnes and Slocum Howland
- Photograph by
- Van Gorden, C.E., American, 1847 - 1925
- Subject of
- Howland, Agnes, American, 1859 - 1925
- Howland, Slocum, American, 1870 - 1922
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1875
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 4 × 2 3/16 in. (10.1 × 5.5 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Agnes and Slocum Howland. Agnes is seated and facing the camera, with Slocum standing to her left and also facing the camera. Agnes has her hair pulled away from her face and left loose in back. She wears a dark colored dress with a large white bow tied around her neck. Slocum wears a frock and short jacket in a medium color trimmed in dark velvet. His right elbow is propped on Agnes's left thigh and her right hand rests in her lap next to his arm.
- The text "C.E. Van Gorden, / 93 Main Street, / CATSKILL, N.Y." is printed on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Agnes + Slocum Howland".
- Place made
- Catskill, Greene County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Children
- Photography
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.27
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Sally Cadwallader Ely
- Photograph by
- Phillips, Henry C., American, 1843 - 1911
- Subject of
- Ely, Sarah Cadwallader, American, 1836 - 1918
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1862-1869
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 5/16 in. (9.1 × 5.8 cm)
- H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm)
- Description
- Carte-de-visite of Sarah "Sally" Cadwallader Ely shown in three-quarter length portrait. She is seated with her body turned so that her left side is foremost to the camera. Her right arm is propped on a table covered with a floral cloth and her right hand is resting on her right cheek. Her left arm rests in her lap and she is holding a book with her thumb inside the pages and the book partially open. Her hair is parted at the center and then pinned in ringlets on the sides of her head. Her cheeks are tinted pink. She wears a dark colored dress with a high neck, full-length fitted sleeves, a fitted bodice, and a full skirt. The heavily decorative carved back of the chair she is seated in is partially visible behind her. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in graphite at the bottom of the print and onto the mount is the text "1868 / Sally Cadwallader Ely". Printed on the back of the photograph is a mark for H.C. Phillips.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten on the album page in the lower left corner in graphite is the text "H C PHILLIPS".
- Place made
- Philadelphia, Pennsylvania, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.4
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Miss Laura W. Stebbins
- Photograph by
- Thompson, Lucius
- Subject of
- Stebbins, Laura W., American, 1821 - 1870
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/16 × 2 1/4 in. (8.7 × 5.7 cm)
- H x W (Image and Mount): 3 15/16 × 2 7/16 in. (10 × 6.2 cm)
- Description
- Carte-de-visite of Miss Laura W. Stebbins shown in bust portrait. She is facing the camera directly. Her hair is parted and smoothed down tightly then gathered behind her head. She wears a dark colored bodice with a plain white collar and a large oval brooch is pinned at her center front neck. The edges of the image are purposefully faded in the popular style of the time.
- Handwritten in graphite below the image on the photograph is the text "Miss Laura W. Stebbins" with "died 1870" written below the print on the mount. Printed on the back of the photograph is the text "L. Thompson / 12 Shetucket St., Norwich, Conn."
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite at the bottom left of the album page is the text "L. THOMPSON / Norwich Conn. Died 1870".
- Place made
- Norwich, New London County, Connecticut, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.38
- Restrictions & Rights
- Public domain
-
CC0
Albumen portrait of Fanny Seward mounted on paper
- Photograph by
- Unidentified
- Subject of
- Seward, Frances Adeline, American, 1844 - 1866
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1860
- Medium
- albumen and silver on photographic paper
- Dimensions
- H x W (Image): 1 1/4 × 1 in. (3.2 × 2.6 cm)
- H x W (Image and Mount): 2 9/16 × 2 7/16 in. (6.5 × 6.2 cm)
- Description
- Albumen print of Fanny Seward shown in bust portrait. The print is cut in an oval and adhered to a paper mount. Seward is facing the camera with her hair parted at the center and gathered in a snood behind her head. She wears a dark colored bodice, white standard collar, and a light and dark colored ribbon is tied in a bow at the front of her neck.
- Handwritten in graphite on the bottom center of the mount is the text "Fanny Seward / died 1865".
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.45
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Phebe M. Coffin
- Photograph by
- Unidentified
- Subject of
- Coffin, Phebe M., American, 1817 - 1904
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1857
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 5/16 in. (9.1 × 5.9 cm)
- H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm)
- Description
- Carte-de-visite of Phebe M. Coffin shown in seated full portrait. She is turned one quarter to her right and looks off frame. Her hair is parted in the middle and gathered into a dark colored snood behind her head. She wears a dark colored dress, a white lace collar, and a wide ribbon tied in a bow at her front neck. A large dark colored shawl heavily embellished with lace and fringe is draped over her arms and pinned with a large brooch at her front chest. She is seated in a carved side chair with a high padded back and her right elbow is resting on a table covered in a damask cloth. Her left hand rests in her lap.
- The photograph is housed in the album 2017.30.The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "P. M. Coffin 1857".
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.24
- Restrictions & Rights
- Public domain
-
CC0
Tintype portrait of Mrs. Annie Cox
- Photograph by
- Hall's Tintype & Ferrotype Gallery, American
- Subject of
- Cox, Annie
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- collodion and silver on iron with lacquer
- Dimensions
- H x W (Image): 3 1/8 × 1 15/16 in. (8 × 5 cm)
- H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm)
- Description
- Tintype of Mrs. Annie Cox shown in three quarter portrait. Cox is seated and leaning with her arms crossed on the arm of a chair. She is turned slightly to her left and looks off frame. Her curly hair is parted at the center and loosely gathered into a ponytail at the nape of her neck. She wears a dark bodice and a plaid skirt. There is a ring on her right hand ring finger. The tintype is housed in its original "Potters Patent" die-cut paper frame.
- Information for Hall's Tintype & Ferrotype Gallery is printed on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Mrs. Anna Cox".
- Place made
- Chicago, Cook County, Illinois, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- tintypes
- portraits
- Topic
- Antislavery
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.28
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Charles Sumner
- Photograph by
- Brady, Mathew, American, 1822 - 1896
- Printed by
- E. and H.T. Anthony and Company, American, founded 1852
- Subject of
- Sumner, Charles, American, 1811 - 1874
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1860s
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 3/8 × 2 1/8 in. (8.5 × 5.4 cm)
- H x W (Image and Mount): 4 × 2 3/8 in. (10.2 × 6.1 cm)
- Description
- Carte-de-visite of Charles Sumner in full length seated profile. Sumner is pictured with his left profile facing the camera. His hands are resting in his lap and his left leg is crossed over his right leg at the knee. He is wearing a light colored vest and trousers with a white shirt, dark tie, and dark jacket. Spats peak out below his pant legs, partially covering his dark colored low-heeled shoes. His hair is moderately long and he has long sideburns. Sumner is seated in a carved armchair with an upholstered seat with a round wooden side table behind him. A stack of books, some loose papers, and possibly an inkstand are placed on the table. The floor of the room is covered in a geometric patterned carpet. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- Printed on the back of the photograph is E. and H.T. Anthony's mark.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the bottom of the printed frame of the window on the album page is the text "Charles Sumner". Handwritten in the lower left corner of the album page in graphite is the name "E ANTHONY-BRADY".
- Place printed
- New York City, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.1
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Mary Anna Longstreth
- Photograph by
- Wenderoth, Taylor, & Brown, American, 1866 - 1884
- Subject of
- Longstreth, Mary Anna, American, 1811 - 1884
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1870-1880
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 5/16 in. (9.1 × 5.8 cm)
- H x W (Image and Mount): 4 × 2 1/2 in. (10.1 × 6.3 cm)
- Description
- Carte-de-visite of Mary Anna Longstreth shown in bust portrait. Her body is turned one quarter to her right, but her face is turned straight to the camera. Her hair is parted at the center and pulled into a high bun at the back of her head. Her cheeks are tinted pink. She wears a pinstriped dress, a white folded collar, and a white lace shawl is draped over her shoulders. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in graphite along the bottom of the print is the text "Mary Anna Longstreth" with "M.A. Longstreth" written below the print on the mount. A mark for Taylor & Brown is printed on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "TAYLOR & BROWN".
- Place printed
- Philadelphia, Pennsylvania, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.14
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of John W. Menard
- Photograph by
- Leeson, William H., American
- Subject of
- Menard, John Willis, American, 1838 - 1893
- Swymmer and Leeson, American, 1866 - 1868
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1868-1870
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 3/16 in. (9.1 × 5.6 cm)
- H x W (Image and Mount): 3 15/16 × 2 3/8 in. (10 × 6.1 cm)
- Description
- Carte-de-visite of John W. Menard shown in bust portrait. Menard's body is turned nearly in profile with his left side foremost, but his head is turned only one quarter and he looks slightly off frame. His hair is parted at his left side and smooth down on the top, but curly on the sides. He has a mustache. Menard wears a dark colored jacket, white shirt, and dark bowtie. The bottom portion of the image is purposefully faded in the popular style of the time. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- Handwritten in graphite at the bottom of the print is the text "J. Willis Menard". All of the mark on the back of the photograph for Swymmer & Leeson except "& LEESON, No. STREET." has been crossed out, with "167 Poydras Street" inscribed at the bottom in ink.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "Swymmer / Leeson".
- Place captured
- New Orleans, Orleans Parish, Louisiana, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Colonization movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.35
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Mary Ann Donaldson
- Photograph by
- Ulke, Julius, German-American, 1833 - 1910
- Subject of
- Donaldson, Mary Ann, American, 1798 - 1881
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1875
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/8 × 2 3/16 in. (9.9 × 5.5 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Mary Ann Donaldson shown in half portrait. She is turned one quarter to her left and looks off frame. Her hair is parted at the center and smoothed down to just above her ears where it is curled in ringlets. She wears a white lace cap with lace tails and black rosettes at the ears on the back part of her head. She has on a dark colored bodice and a white lace collar. Printed below the image is the text "JULIUS ULKE, WASH., D.C.".
- There is a mark for Julius Ulke on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite on the album page below the printed frame of the window is the text "Miss Donaldson of Washington."
- Place made
- Washington, District of Columbia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.41
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Harold M. White
- Photograph by
- Tousley, H. S., American, 1825 - 1895
- Subject of
- White, Harold M., American, 1832 - 1862
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1860-1862
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/16 × 2 1/8 in. (8.7 × 5.4 cm)
- H x W (Image and Mount): 4 × 2 3/8 in. (10.1 × 6.1 cm)
- Description
- Carte-de-visite of Harold M. White shown in bust portrait. White has short hair and a beard. He wears a dark jacket, white shirt, and dark bowtie. The edges of the image are purposefully faded in the popular style of the time.
- Handwritten on the back of the photograph is an account of White's death.
- The photograph is housed in the album 2017.30. TThe album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is partially erased text reading "Little slave girl". Handwritten in graphite in the lower left of the album page is the text "Harold M. White / In the Battle of Shiloh, died of fever / Dec. 3 1862".
- Place made
- Keeseville, Clinton County, New York, United States, North and Central America
- Keeseville, Essex County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.43
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Nancy M. Johnson
- Photograph by
- Unidentified
- Subject of
- Johnson, Nancy Maria, American, 1794 - 1890
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1875
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/8 × 2 3/16 in. (9.9 × 5.5 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Nancy Maria Donaldson Johnson shown in half portrait. She is turned one quarter to her right and looks off frame. Her hair is parted at the center and smoothed down to just above her ears where it is curled in ringlets. She wears an ornate lace and ribbon cap with lace tails on the back part of her head. She has on a dark colored bodice with a black velvet yoke embellishment, a white lace collar, and a chatelaine is pinned at her center front neck with the chain extending underneath and below her lace collar toward her left side waist. There is a gold border around the outside edge of the front of the mount.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite on the album page below the printed frame of the window is the text "Mrs. Johnson Washington sister of / Lived to be over 90."
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.40
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Eugene Dowe
- Photograph by
- Thompson, Lucius
- Subject of
- Dow, Francis Eugene, American, 1842 - 1924
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- ca. 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/16 × 2 1/4 in. (8.7 × 5.7 cm)
- H x W (Image and Mount): 3 15/16 × 2 7/16 in. (10 × 6.2 cm)
- Description
- Carte-de-visite of Eugene Dowe shown in bust portrait. He faces the camera directly and his hair is parted on his right side and smoothed down on the top of his head, but left curling on the sides. He has a mustache. Dowe wears a dark colored jacket and vest, a white shirt, and a light colored bowtie. The edges of the image are purposefully faded in the popular style of the time.
- Handwritten in graphite on the bottom of the print is the text "Eugene Dowe". Printed on the back of the photograph is the text "L. Thompson / 12 Shetucket St., Norwich, Conn."
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print.
- Place made
- Norwich, New London County, Connecticut, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.39
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Emperor Maximilian
- Photograph by
- Burgess, Andrew, American, 1837 - 1908
- Printed by
- Bailey, French
- Subject of
- Emperor Maximilian I, Austrian, 1832 - 1867
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1864; printed later
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 1/2 × 2 1/16 in. (8.9 × 5.3 cm)
- H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm)
- Description
- Carte-de-visite of Emperor Maximilian of Mexico shown in three quarter portrait. He is standing and facing the camera with his right hand resting on the back of a side chair and his left hand hanging at his side near his sword. He has a full beard and mustache and is wearing a military dress uniform with several pins on his left breast and wide fringed epaulettes. Printed below the image is the text, "Photographie, Bailey, Paris. / MAXIMILIAN."
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Maximilian".
- Place depicted
- Mexico, Latin America, North and Central America
- Place printed
- France, Europe
- Place depicted
- Mexico, Latin America, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Media Arts-Photography
- Memorabilia and Ephemera
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Colonialism
- French colonialism
- International affairs
- Photography
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.29
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of S. J. Bowen
- Photograph by
- Ulke, Henry, German-American, 1821 - 1910
- Subject of
- Bowen, Sayles Jenks, American, 1813 - 1896
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1866
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/8 × 2 3/8 in. (9.8 × 6 cm)
- H x W (Image and Mount): 4 3/16 × 2 7/16 in. (10.7 × 6.2 cm)
- Description
- Carte-de-visite of Sayles Jenks Bowen in half bust portrait. Bowen's body faces to the camera, but his head is a quarter turn to his right and he looks off camera. His hair is parted on his left side and smoothed down and he has a full beard. His cheeks are tinted pink. He wears a dark jacket and vest, dark bowtie, and white shirt. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in graphite on the bottom of the print is the name "S. J. Bowen". There is a green and white 3 cent canceled revenue stamp on the back of the print featuring George Washington with HU / NY written over it in ink with Henry Ulke's mark printed above it.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite at the lower left corner of the album page is the text "HENRY ULKE PHOTO."
- Place depicted
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.8
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Abby D. Munro
- Photograph by
- Barnard, George N., American, 1819 - 1902
- Subject of
- Munro, Abby Davis, American, 1837 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1876
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Abby D. Munro shown in half portrait profile. She is sitting with her back facing foremost but her head turned in profile and her left side facing the camera. Her hair is parted at the center and then braided and wrapped into a bun at the back of her head. She wears a dark bodice with a high neck and a white ruffled lace collar. The print is cut into an oval shape and mounted on the card mount.
- Handwritten in graphite on the photograph below the image is the text "A. D. Manro Charleston" and "Miss Abby D. Manro 1876" is handwritten in ink on the mount below the print. There is a mark on the back of the photograph for Barnard's studio.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "BARNARD 1876 / 263 King St. Charleston".
- Place made
- Charleston, South Carolina, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.16
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of William Henry Channing
- Photograph by
- Unidentified
- Subject of
- Channing, William Henry, American, 1810 - 1884
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1862-1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 13/16 × 2 1/4 in. (9.7 × 5.7 cm)
- H x W (Image and Mount): 4 1/4 × 2 7/16 in. (10.8 × 6.2 cm)
- Description
- Carte-de-visite of William Henry Channing shown in full profile. He is standing in a carpeted room with a floral drapery at the right side of the image. Channing faces the camera with his arms crossed in front of his chest and his head a quarter turn to his right looking off camera. He is slightly balding and has a beard. His cheeks are tinted pink. Channing wears a black clergyman's robe over a suit.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Wm. H. Channing 1864".
- Place used
- United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Photography
- Reconstruction, U.S. History, 1865-1877
- Religion
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.7
- Restrictions & Rights
- Public domain