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Your search found 9 result(s).
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Glossy color concert poster for Labelle at the Metropolitan Opera House
- Created by
- Unidentified
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- paper (fiber product)
- Dimensions
- H x W: 29 1/8 × 23 in. (74 × 58.4 cm)
- Description
- A glossy color poster of a concert Labelle performed at the Metropolitan Opera House. The top two-thirds of the poster is the color image of Labelle's album cover Nightbird, which depicts deliberately blurred images (to show movement) of Patti LaBelle wearing green, Nona Hendryx wearing yellow, and Sarah Dash wearing orange, set against a black background. The figures vary in size. The text on top of the color portion of the poster reads, along the top border, in orange print: "LABELLE/NIGHTBIRDS" and at the center left border, in orange print, at an angle: "LADY MARMALADE / SOMEBODY SOMEWHERE / ARE YOU LONELY? / IT TOOK A LONG TIME / DON'T BRING ME DOWN" and "WHAT CAN I DO FOR YOU? / NIGHTBIRD / SPACE CHILDREN / ALL GIRL BAND / YOU TURN ME ON." The bottom one-third of the poster is white with black centered type, and reads: "LABELLE AT THE MET. / Labelle In Concert at the Metropolitan Opera House, Sunday, October 6, 8PM / Tickets: $10, 7.50, 7.25, 7, 6.25, 4.50. / Available now at the Metropolitan Opera box office, / Lincoln Center, Broadway at 65th Street, / and at Ticketron outlets. NO MAIL ORDERS. / For information call 541-7290 / WEAR SOMETHING SILVER".
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- posters
- Topic
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.1
- Restrictions & Rights
- Unknown - Restrictions Possible
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Feathered headdress from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- feather, satin, wood, metal, leather, and Velcro™
- Dimensions
- H x W x D (On form): 33 × 29 × 31 in. (83.8 × 73.7 × 78.7 cm)
- Description
- This headdress is part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The headdress (.1) consists of a fauxhawk with feathers and black leather side straps that fasten under the chin. The fauxhawk section is made of two pieces of hard material, probably wood, that is covered in black satin and decorated with convex silver rounded nail head metal studs on the exterior sides. Short black iridescent feathers, alternating with very long off-white feathers, are glued around the top edges of each hard side. The two sides are connected with a wide strip of black satin that is nailed and stapled along the bottom edge of each side. On the top area, pieces of wire connect to the inner sides of the hard pieces, allowing the sides to hinge outward slightly and to conform to the curve of the wearer's head. The top is filled with short black iridescent feathers. At the bottom outside edge of each hard side of the fauxhawk, two (2) straps of black leather are nailed. Each set of two straps is decorated with convex silver rounded nail head metal studs, and extends down the wearer's head so that one (1) strap goes in front of the ear and one (1) strap goes behind the ear. The two sets of straps fasten under the chin with a large metal snap. There are three (3) small silver grommets on the end of each strap that may have functioned as a lacing system for an additional tie closure.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Type
- headdresses
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.1
- Restrictions & Rights
- No Known Copyright Restrictions
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Black cape from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- synthetic fiber, metal, batting, and wire
- Dimensions
- H x W x D (On form): 68 × 26 × 25 in. (172.7 × 66 × 63.5 cm)
- Description
- This cape is part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The floor-length cape (.2) is made of a black synthetic fabric with a shiny finish. The cape is open in the front, with no armholes, and closes with a silver metal zipper that runs from the upper edge of the bustline to the upper neck just below the chin. A tight-fitting hood, made from the same black material, is attached at the back neck. The collar and shoulders of the cape have attached padded decorations consisting of a wide collar made of two layers of the black material with batting between them that are quilted in undulating concentric lines. The sides of the bib are folded in an accordion fashion to create a wing-like structure on each shoulder. The edges of these wings contain stiff wire that is molded to the shape and sewn inside the outermost edge of the layers of black material. The seams of the quilted lines are obscured by lengths of small silver ball chain. Long lengths of the ball chain extend from the end of the shoulders with both ends attached, creating long loops in a concentric half-oval down the sides of the cape. The hem of the cape is padded and quilted with three (3) parallel lines, with the seams also covered in the silver ball chain.
- The interior of the cape is not lined. There are custom-made oversized shoulder pads to support the quilted collar and wings.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Type
- capes (outerwear)
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.2
- Restrictions & Rights
- No Known Copyright Restrictions
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Platform boots from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- plastic, synthetic fiber, leather, metal, batting, and Velcro™
- Dimensions
- H x W x D (a): 19 × 9 1/4 × 3 3/4 in. (48.3 × 23.5 × 9.5 cm)
- H x W x D (b): 18 × 3 3/4 × 9 3/8 in. (45.7 × 9.5 × 23.8 cm)
- Description
- These boots are part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The two platform boots (.5ab) are both alike, made from modified open-toed ankle-strap platform heel shoes with customized uppers. The leg covers were permanently attached to the platform heel shoes, using small brads and larger flat-headed nails. The shoes have wooden platforms, black satin toe straps, and ankle straps. The ankle straps close at the outer ankle with a silver metal buckle. Black Velcro™ is nailed to each back side of the platform heel, with both sides of the Velcro™ stuck together and having an unclear purpose. Convex silver rounded metal nail head studs are nailed around all sides of the platform. The uppers of the foot and the leg covers are made from a single layer of black leather. An additional piece of black leather is wrapped around padding and sewn along the top edge to form a three-dimensional decorative element. The leather is decorated all over with convex silver rounded metal nail head studs. The covers close up the center back with a silver metal zipper. There are two (2) studs in the bottom of the right shoe (b), one on the back edge of the ball of the foot, the other on the outer edge of the heel. There is a stamp on the insole of the right shoe (b) that reads "Oran[ge?]" in white print.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Type
- boots
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.5ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Costume worn by Nona Hendryx of Labelle
- Designed by
- LeGaspi, Larry, American, 1950 - 2001
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1975
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- Skullcap: synthetic fiber and batting
- Bodysuit: synthetic fiber, metal zipper
- Vest: synthetic fiber, batting, metal, and elastic
- Boot Covers: synthetic fiber, batting, Velcro™, and elastic
- Dimensions
- H x W x D (Skullcap (flat)): 20 1/4 × 11 × 1 1/4 in. (51.4 × 27.9 × 3.2 cm)
- H x W x D (Skullcap (on form)): 20 1/2 × 9 × 9 1/2 in. (52.1 × 22.9 × 24.1 cm)
- H x W (Bodysuit (flat)): 55 1/2 × 29 in. (141 × 73.7 cm)
- H x W x D (Bodysuit (on form)): 54 1/2 × 18 × 11 in. (138.4 × 45.7 × 27.9 cm)
- H x W (Bodysuit (inseam)): 29 in. (73.7 cm)
- H x W x D (Vest (flat)): 55 × 28 1/2 × 1/2 in. (139.7 × 72.4 × 1.3 cm)
- H x W x D (Vest (on form)): 27 × 26 × 12 1/2 in. (68.6 × 66 × 31.8 cm)
- H x W x D (Boot cover (.a, left, flat)): 23 × 8 × 1 in. (58.4 × 20.3 × 2.5 cm)
- H x W x D (Boot cover (.b, right, flat)): 23 1/2 × 8 1/4 × 1 in. (59.7 × 21 × 2.5 cm)
- H x W x D (Boot cover (.a, left, on form)): 23 1/2 × 4 1/2 × 7 1/2 in. (59.7 × 11.4 × 19.1 cm)
- H x W x D (Boot cover (.b, right, on form)): 22 × 4 1/2 × 7 3/4 in. (55.9 × 11.4 × 19.7 cm)
- Description
- This costume was worn by Nona Hendryx of Labelle during a live performance on the television show "The Midnight Special" in 1975. The costume consists of a silver skullcap (.1), a silver unitard (.2), a silver overbodice (.3), and silver boot covers (.4ab).
- Skullcap, .1: The silver metallic skullcap is similar in style to an aviator's cap. It is made from two (2) layers of silver synthetic fiber that serve as the facing and the lining fabrics. The fabric is quilted in a series of parallel lines along the top of the cap from the forehead to the nape of the neck. The area covering the ears is not quilted and extends into two thinner strips, one on each side of the head, with rounded tops. The seams of the quilted sections are left exposed on the interior of the cap, but are finished with serge stitching.
- Unitard, .2: The silver metallic unitard has full-length sleeves and ankle-length legs, with a collarless crew neck. It is made from a silver stretch synthetic fiber. The unitard closes at the center back with a metal zipper that reaches from the lower back to the neck. There are additional zippers at each ankle and wrist. It is fully lined with an off-white stretch synthetic fabric.
- Overbodice, .3: Silver metallic overbodice garment worn over the bodysuit (.2). It is made from a silver metallic synthetic fiber used on the facing and the lining sides, quilted all over in parallel lines. The overbodice wraps around the wearer's chest and shoulders and secures with hook-and-eye fasteners in the front. When worn, the garment has a leaf-shaped front panel covering the stomach, wide shoulder wings that extend beyond the wearer's body, a v-shaped back panel that covers the spine, and a horizontal crescent-shaped panel that covers the wearer's buttocks. The bottom center of the crescent-shaped back panel is sewn to a wide band of elastic, attaching the back panel to the bottom tip of the leaf-shaped front stomach panel. The garment closes with metal hook-and-eye fasteners, one hook (1) at each side of the center front neck fastens to one (1) eye at the tip of the stomach panel, one (1) hook at each top outside edge of the back crescent-shaped panel wraps around to the front side and fastens to one (1) eye at each outside edge of the stomach panel. There is a thick metal rod, bent to form around the shoulder wing and keep it stiff, sewn inside the outermost quilted layer on the proper right side only; the proper left wing has no apparent interior support.
- Leg covers, .4ab: Two lower leg covers, both alike, made from silver metallic synthetic fabric. The fabric is quilted in three (3) parallel lines that run from top to bottom down the center front, surrounded by a series of quilted parallel lines oriented at an angle. The covers are angled with a longer tip at the center front on the top and bottom edges. Both are lined with the silver facing fabric, and close at the center back of the leg with Velcro sewn at the left and right outer edges of the reverse. A length of elastic tape woven with silver metallic and white thread is sewn on the reverse exterior bottom edge of each cover, with a large metal hook at the loose end that attaches to a metal eye sewn on the reverse interior bottom edge.
- Classification
- Clothing-Costume
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.3.1-.4ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
Prop handcuffs from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- metal and leather
- Dimensions
- H x W x D (On form): 7 3/4 × 4 3/4 × 2 in. (19.7 × 12.1 × 5.1 cm)
- H x W x D (Flat): 4 5/8 × 10 3/8 × 1 in. (11.7 × 26.4 × 2.5 cm)
- Description
- These prop handcuffs are part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The handcuffs (.6) attached at the proper left hip of the white long-sleeved ankle-length unitard. The handcuffs are standard silver stainless steel, with rotating arm holes hinged to a ratchet mechanism for adjustable fit. The cuffs are attached together with a short length of heavy metal chain. One (1) strip of black leather wraps over the chain. The leather is decorated with convex silver rounded metal nail head studs and is tacked together at the sides. Two (2) large metal hooks are attached to the inside of the leather wrap, so that the cuffs dangle down from the leather wrap when they are hooked to the unitard.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Topic
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.6
- Restrictions & Rights
- No Known Copyright Restrictions
-
Wrist cuffs from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- leather, metal, and batting
- Dimensions
- H x W x D ((a) On form): 7 1/2 × 4 × 4 in. (19.1 × 10.2 × 10.2 cm)
- H x W x D ((b) On form): 7 1/2 × 4 1/4 × 3 3/4 in. (19.1 × 10.8 × 9.5 cm)
- Description
- These wrist cuffs are part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The wrist cuffs (.4ab) are alike, shaped to be wider at the forearm and tapering to the wrist. They are made from a single layer of three (3) pieces of black leather, including a gusset sewn at the center, with the edges turned to the reverse and hemmed. The forearm edge has an additional piece of leather wrapped around padding to form a three-dimensional detail. The cuffs are decorated all over with convex silver rounded metal nail head studs. They close with a silver metal zipper that starts at the wrist, with the toggle at the forearm when the cuffs are closed.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.4ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
Collar, breast covers, and codpiece from a costume worn by Nona Hendryx
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- leather and metal
- Dimensions
- H x W x D ((a) On form): 7 × 20 1/2 × 8 in. (17.8 × 52.1 × 20.3 cm)
- H x W x D ((b) On form): 7 × 1/2 × 3 1/2 in. (17.8 × 1.3 × 8.9 cm)
- H x W x D ((c) On form): 7 × 7 × 4 in. (17.8 × 17.8 × 10.2 cm)
- H x W x D ((d) On form): 5 3/16 × 3 1/2 × 2 3/8 in. (13.2 × 8.9 × 6 cm)
- Description
- These four (4) black leather covers are part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The four (4) black leather covers (.3a-d) are decorated with convex silver rounded nail head metal studs. They were worn with a white long-sleeved, ankle-length unitard. The unitard is not part of the museum collection, but it is presumed that the snaps on the reverse of the covers attached to snaps that were sewn onto the unitard.
- Collar, .a: The shaped collar has a rounded front center dip, and long sides with rounded ends that fully cover both shoulders. The collar is open at the back. It is made from a single layer of four (4) pieces of black leather seamed at the center front and on each shoulder, and left raw on the outside edges except at the front neck area where it is turned to the back and hemmed. The collar is decorated all over with convex silver rounded nail head metal studs. There are three (3) large metal snaps on the back of the collar, one male snap at the center front and one female snap at each back side. A silver safety pin is stuck through the fabric at the tip of the proper right back side of the collar.
- Breast covers, b, c: Both the breast covers are alike, roughly circular in shape with a slight roundness to them achieved by a seam near the middle. They are made from a single layer of black leather turned around the edges and hemmed on the reverse. The breast covers are decorated all over with convex silver rounded nail head metal studs. There are four (4) large metal female snaps on the reverse of each cover spaced evenly around the outer edge. A silver safety pin is stuck through near the edge on each of the breast covers.
- Codpiece-style cover, d: The codpiece-like cover is shaped like an upside-down teardrop when attached to the unitard. It is made from a single layer of black leather turned around the edges and hemmed on the reverse. The cover is decorated all over with convex silver rounded nail head metal studs. There is one large silver hook sewn on the front of the pointed end. There are two (2) large metal male snaps on the reverse at each corner of the wider rounded end.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Type
- codpieces
- collars (neckwear)
- Topic
- Clothing and dress
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.3a-d
- Restrictions & Rights
- No Known Copyright Restrictions
-
Prop riding crop from a costume worn by Nona Hendryx of Labelle
- Designed by
- Blakely, Dorian
- Worn by
- Hendryx, Nona, American, born 1944
- Subject of
- Labelle, American, founded 1962
- Date
- 1974
- Medium
- reinforced plastic, paint, leather, and metal
- Dimensions
- H x W x D (On form): 25 5/8 × 11/16 × 3/4 in. (65.1 × 1.7 × 1.9 cm)
- H x W x D (Flat): 25 5/8 × 2 1/2 × 3/4 in. (65.1 × 6.4 × 1.9 cm)
- Description
- This prop riding crop is part of a costume worn by Nona Hendryx of Labelle. The costume consists of a headdress (.1), a cape (.2), silver studded black leather collar, breast covers, and codpiece (.3a-d), wrist cuffs (.4ab), platform boots (.5ab), prop handcuffs (.6), and a prop riding crop (.7).
- The riding crop (.7) is a slightly flexible plastic tapered shaft covered with black braided synthetic fiber. The entire crop is spray painted with metallic silver paint. On the thin end of the crop shaft is a short loop of black leather (the keeper). Attached to the thicker end of the crop is a thin loop of black leather to be worn over the wearer's wrist. There is a silver cap on the thicker end of the crop at its handle. One (1) bead of black scored plastic is attached to the shaft approximately 6 1/2 inches from the tip of the metal cap. There is one (1) metal hook sewn on the handle so it can attach at the proper right hip of the white long-sleeved ankle-length unitard.
- This costume is very similar to a costume worn by Hendryx during a performance at the Metropolitan Opera House on October 6, 1974.
- Place used
- Metropolitan Opera House, New York City, Manhattan County, New York, United States, North and Central America
- Classification
- Clothing-Costume
- Topic
- Costume
- Disco (Music)
- Funk (Music)
- Rhythm and blues (Music)
- Rock and roll (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Nona Hendryx of Labelle
- Object number
- 2014.246.2.7
- Restrictions & Rights
- No Known Copyright Restrictions