Carte-de-visite portrait of Carrie N. Lacy

Photograph by

Ulke, Henry, German-American, 1821 - 1910

Subject of

Lacy, Caroline N., American, 1838 - 1898

Owned by

Howland, Emily, American, 1827 - 1929

Medium

albumen and silver on photographic paper on card mount

Dimensions

H x W (Image): 3 3/4 × 2 7/16 in. (9.6 × 6.2 cm)

H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.7 × 6.3 cm)

Type

cartes-de-visite

albumen prints

portraits

Collection title

Emily Howland Photograph Album

Classification

Slavery and Freedom Objects

Media Arts-Photography

Place printed

Washington, District of Columbia, United States, North and Central America

Date

1865

Description

Carte-de-visite of Caroline "Carrie" N. Lacy shown in full portrait. Lacy stands with her body facing one quarter to her right but her face is turned straight to the camera. Her right hand resting on the back of a carved Gothic revival style side chair. Her left hand is at her side and she is holding a black beaver hat with a heavily embellished ruffled lace hat band. Her hair is parted at the center and braided on the sides extending to the nape of her neck. Her cheeks and lips are tinted pink. She wears a dark colored dress and a dark cloak over it. A chatelaine is pinned at her front neck with a long chain and a long ribbon extending from it, though the objects at the ends are not visible and appear to be tucked into her waist or under her cloak.

A mark for Henry Ulke is printed on the back of the photograph.

The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Carrie N. Lacy". Handwritten in graphite in the lower left corner of the album page is the text "HENRY ULKE".

Topic

Antislavery

Communities

Photography

Reconstruction (United States History, 1865-1877)

United States--History--Civil War, 1861-1865

Women

Credit Line

Collection of the National Museum of African American History and Culture shared with the Library of Congress

Object number

2017.30.13

Restrictions & Rights

Public domain

Photograph album owned by Emily Howland

Manufactured by

James B. Smith & Co., American

Signed by

Lacy, Caroline N., American, 1838 - 1898

Received by

Howland, Emily, American, 1827 - 1929

Subject of

Tubman, Harriet, American, 1822 - 1913

Menard, John Willis, American, 1838 - 1893

Sumner, Charles, American, 1811 - 1874

Child, Lydia Maria, American, 1802 - 1880

Channing, William Henry, American, 1810 - 1884

Phillips, Wendell, American, 1811 - 1884

Freedmen's Bureau, American, 1865 - 1872

Medium

leather, metal, and ink on paper

Dimensions

H x W x D (closed): 6 1/4 × 5 1/4 × 2 7/8 in. (15.9 × 13.3 × 7.3 cm)

H x W (open with clasps): 6 1/4 × 11 in. (15.9 × 27.9 cm)

H x W (open without clasps): 6 1/4 × 9 in. (15.9 × 22.9 cm)

H x W x D (Storage container): 5 7/8 × 11 1/4 × 11 7/16 in. (15 × 28.5 × 29 cm)

Type

photograph albums

Collection title

Emily Howland Photograph Album

Classification

Slavery and Freedom Objects

Media Arts-Photography

Exhibition

Slavery and Freedom

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 3, C3 053

Place used

Camp Todd, Arlington County, Virginia, United States, North and Central America

Date

1864

Caption

Caroline “Carrie” Nichols (later Carrie N. Lacy; see 2017.30.13) presented this carte-de-visite album to her friend and fellow teacher Emily Howland on January 1, 1864, at Camp Todd, a freedmen’s camp and school located in Arlington, Virginia. Emily Howland was an abolitionist, educator, philanthropist, and suffragist who founded, financially supported, and taught in numerous schools for African Americans for more than 70 years from 1857 until her death in 1929 at the age of 101.

Typical of a CDV album during this period, the Howland Album contains photographs of Howland’s family, friends, and colleagues, as well as souvenir images of notable abolitionists and famous figures during the 1860s and 1870s. Based on the photograph dates and later inscriptions, it is clear that Howland added photographs to the album as she collected them throughout the mid- to late 19th century.

Description

Black leather photograph album owned by Emily Howland containing photographs of friends, family, and celebrities. The album covers and binding are made from embossed black leather with gold gilt decorations on the covers and spine. Both covers are the same, with a scallop-edged diamond outlined in gold at the center and geometric borders surrounding it, ending in a thin gold gilt geometric border around the edges. Gilt text is stamped on the spine reading "PHOTOGRAPHS". The front and back interior covers have decorative paper with small gold repeating stylized dots on a white ground adhered to them. There are four (4) sheets of paper at the front of the album, followed by twenty-five (25) thicker pages that each feature a window for holding two (2) photographs per page, and one (1) sheet of paper at the back of the album. There is room for fifty (50) photographs, though the album contains only forty-seven (47) photographs plus one (1) loose photograph too large to fit into the windowed pages. Windows 20, 21, and 47 are empty. The windows are rectangular with rounded corners and are surrounded by a gold printed border. The front pages include a page with information about the album publisher and an Index page with two printed columns of numbered lines for identifying the photographs. The Index page is not filled out. There is an inscription written in black ink on the first page that reads "To / Emily Howland / From her friend / Carrie Nichols / Jan 1st, 1864 / Camp Todd / Virginia". All of the interior pages are edged in gilt with a design impressed into the top, right side, and bottom edges of the pages that creates a floral spray when the album is closed. The album fastens on the right side with two (2) metal hinged bars that are attached to the back cover and close over metal pins attached to the front cover. The bars are embellished with a three-dimensional metal design imitating a floral fabric looped through a metal buckle.

Topic

Antislavery

Education

Families

Feminism

Local and regional

Military

Photography

Politics (Practical)

Reconstruction (United States History, 1865-1877)

Religion

Social reform

United States Colored Troops

United States--History--Civil War, 1861-1865

Credit Line

Collection of the National Museum of African American History and Culture shared with the Library of Congress

Object number

2017.30

Restrictions & Rights

No Known Copyright Restrictions