Collection Search Results
Applied Filters: clear all filters
-
Included:
- name:"Vaughan, Sarah"
Your search found 7 result(s).
-
Photograph of Billy Eckstine conducting his band
- Photograph by
- Charles "Teenie" Harris, American, 1908 - 1998
- Subject of
- Billy Eckstine, American, 1914 - 1993
- Parker, Charlie, American, 1920 - 1955
- Gillespie, Dizzy, American, 1917 - 1993
- Blakey, Art, American, 1919 - 1990
- Vaughan, Sarah, American, 1924 - 1990
- McGhee, Howard, American, 1918 - 1987
- Potter, Tommy, American, 1918 - 1988
- Date
- August 1944
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 8 × 10 in. (20.3 × 25.4 cm)
- Description
- A black and white photograph of Billy Eckstine conducting his band on stage at the Aragon Ballroom in Pittsburgh, Pennsylvania. Charlie Parker plays the saxophone (third from the left) in the first row of seated musicians. Art Blakey is on drums while Tommy Potter is on bass; Dizzy Gillespie and Howard McGhee are also pictured. Sarah Vaughan stands at the microphone in front of the band. The back of the photograph has six stickers with barcode, numbers, reproduction information, caption information and a handwritten inscription of numbers.
- Place depicted
- Pittsburgh, Allegheny County, Pennsylvania, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- gelatin silver prints
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift from Charles A. Harris and Beatrice Harris in memory of Charles "Teenie" Harris
- Object number
- 2014.302.49
- Restrictions & Rights
- © Carnegie Museum of Art, Charles "Teenie" Harris Archive
-
Rhythm and Blues Revue
- Created by
- Studio Films, Inc., American, 1951 - 1956
- Produced by
- Frye, Ben, American
- Subject of
- Lionel Hampton, American, 1908 - 2002
- Adams, Faye, American, born 1923
- Bailey, Bill, American, 1912 - 1978
- Jeffries, Herb, American, 1913 - 2014
- Milburn, Amos, American, 1927 - 1980
- Vaughan, Sarah, American, 1924 - 1990
- Basie, Count, American, 1904 - 1984
- Big Turner, Joe, American, 1911 - 1985
- The Delta Rhythm Boys, American, 1934 - 1987
- Davis, Martha, American, 1917 - 1960
- Little Buck, American
- Cole, Nat King, American, 1919 - 1965
- Moreland, Mantan, American, 1902 - 1973
- Russell, Nipsey, American, 1918 - 2005
- Calloway, Cab, American, 1907 - 1994
- Brown, Ruth, American, 1928 - 2006
- Owned by
- Bowser, Pearl, American, born 1931
- Date
- 1955
- Medium
- acetate film
- Dimensions
- Duration: 72 Minutes
- Length (Film): 1850 Feet
- Length (Film): 1560 Feet
- Length (Film): 1650 Feet
- Length (Film): 1450 Feet
- Title
- 35mm motion picture film of Rhythm and Blues Revue
- Caption
- "Rhythm and Blues Revue", is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Faye Adams, Bill Bailey, Ruth Brown, Cab Calloway, Nat King Cole, Count Basie, Martha Davis, The Delta Rhythm Boys, Freddy and Flo, Lionel Hampton, Herb Jefferies, The Larks, Little Buck, Amos Milburn, Mantan Moreland, Nipsey Russell, Big Joe Turner, Sarah Vaughan and Willie Bryant.
- Description
- 35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s. It consists of four 35mm prints (a-d).
- The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. Before he can begin speaking, Bryant is interrupted by the comedian Freddie Lucas (Part of the Freddie & Flo comedy duo), who begs to be on the show. Later in the skit, Florence Hill (Flo) appears as a mind reading librarian. At the conclusion of the skit, Bryant announces the first performer, Lionel Hampton and his orchestra who perform “Jam Session.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Faye Adams who performs “Everyday” in front of the curtain. After the song ends there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Bill Bailey. Bailey performs a tap dancing routine that includes dance moves from his teacher Bill “Bojangles” Robinson and concludes with a moonwalk. At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant appears to announce the next performer, Herb Jeffries who sings “In My Heart.” When the song ends, the curtain closes and there are multiple shots of the audience cheering as Freddie & Flo rush onto the stage to perform a comedy routine. After their routine there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Amos Milburn, who sings “Bad Bad Whiskey” with backing from the Paul Williams Band. At the conclusion of the song, the curtain closes and then reopens so that Milburn can bow. Bryant appears to announce the next performers, The Larks, who sing “The World Is Waiting For The Sunrise.” At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Bryant brings Freddie & Flo back onto the stage for some comedic banter. Bryant then introduces Lionel Hampton who performs “Bongo Interlude.” Two unnamed women dance during the performance. The curtain closes and there are multiple shots of the audience cheering. When curtain opens, the stage is set up as a tobacconist and Leonard Reed is behind the counter listening to a Brooklyn Dodgers baseball game on the radio. Willie Bryant appears and the two men engage in a brief skit. Bryant then presents the next performer, Sarah Vaughan, who sings “Perdido.” The curtain closes and there are multiple shots of the audience cheering as Bryant returns to the stage. Nipsy Russell sneaks onto the stage behind Bryant and the two engage in comedic banter before Bryant presents the next performer, Count Basie who performs “Basie’s Conversation.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Big Joe Turner who sings “Shake Rattle And Roll.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers, The Delta Rhythm Boys, who perform the spiritual “Dem Bones.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers Martha Davis and her husband, Calvin Ponder, who perform “Just Goodbye.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performer, Little Buck, who performs a tap dance routine. The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Little Buck for more applause. Bryant then introduces the next performer, Nat King Cole, who sings “Calypso Blues.” The curtain closes, there are multiple shots of the audience cheering, and Nipsy Russell and Mantan Moreland come out for a comedy routine. Moreland leaves the stage and Russell continues on his own. Following Russell’s routine, Bryant introduces Cab Calloway who performs “Minnie The Moocher.” The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Ruth Brown for some stage banter before she performs “Teardrops From My Eyes” with backing by the Paul Williams Band. The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Count Basie for the film’s final performance, “One O’Clock Jump.”
- Place depicted
- Harlem, New York City, New York, United States, North and Central America
- Collection title
- Pearl Bowser Collection
- Classification
- Media Arts-Film and Video
- Topic
- Actors
- Comedy
- Entertainers
- Film
- Jazz (Music)
- Musical films
- Musicians
- Rhythm and blues (Music)
- Tap dancing
- Variety shows (Television)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
- Object number
- 2012.79.1.105.1a-d
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Rock-N-Roll Revue
- Created by
- Studio Films, Inc., American, 1951 - 1956
- Directed by
- Kohn, Joseph
- Produced by
- Frye, Ben, American
- Subject of
- Apollo Theater, founded 1934
- Ellington, Duke, American, 1899 - 1974
- Lionel Hampton, American, 1908 - 2002
- Vaughan, Sarah, American, 1924 - 1990
- Russell, Nipsey, American, 1918 - 2005
- Coles & Atkins, American, 1940 - 1959
- Darnell, Larry, American, 1921 - 1983
- Bryant, Willie, American, 1908 - 1964
- The Clovers, American, founded 1946
- Washington, Dinah, American, 1924 - 1963
- Cole, Nat King, American, 1919 - 1965
- Big Turner, Joe, American, 1911 - 1985
- Reed, Leonard, American, 1907 - 2004
- Owned by
- Bowser, Pearl, American, born 1931
- Date
- 1955
- Medium
- acetate film
- Dimensions
- Duration: 70 Minutes
- Length (Film) - Reel 1: 1630 Feet
- Length (Film) - Reel 2: 1765 Feet
- Length (Film) - Reel 3: 1520 Feet
- Length (Film) - Reel 4: 1440 Feet
- Title
- 35mm motion picture film of Rock-N-Roll Revue
- Caption
- "Rock-n-Roll Revue" is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. The film includes performances by Duke Ellington, Larry Darnell, Coles and Atkins, The Clovers, Dinah Washington, Nat King Cole, Big Joe Turner, Willie Bryant, and Leonard Reed.
- Description
- 35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.It consists of four 35mm film prints (a-d).
- The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. He begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Duke Ellington. The curtain parts and Ellington and his orchestra perform “The Mooche.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Larry Darnell. Darnell performs “What More Do You Want Me To Do.” After the performance ends, the curtains close while Darnell bows and the audience cheers. Willie Bryant then emerges onstage as the curtains re-open and Darnell bows in Bryant’s direction. The two men then exchange playful gestures and Bryant tells a joke. Bryant segues into an introduction of the tap dancing duo, Coles & Atkins. The duo then perform a short routine. After the routine, Bryant, Coles and Atkins perform a comedic piece based around Bryant interrupting their performance. Coles & Atkins then goad Bryant into dancing with them and the three men perform a brief routine. There are multiple shots of the audience cheering when they leave the stage. Bryant then introduces The Clovers, who perform “Your Cash Ain’t Nothin’ But Trash.” After the song ends, there is another comedy routine with Willie Bryant, Coles & Atkins, and Leonard Reed. There are multiple shots of the audience before Bryant introduces Dinah Washington, who performs “Only a Moment Ago.” Bryant then introduces Nat King Cole, who performs “The Trouble With Me Is You.” After multiple shots of the audience when the song concludes, Bryant again introduces Duke Ellington, who performs “The Hawk Talks” with his orchestra. There are multiple shots of the drummer Louie Bellson as he performs a drum solo during the song. Bryant introduces Big Joe Turner by way of a comedy bit with Leonard Reed. Turner performs “Oke-She-Moke-She-Pop” with backing by the Paul Williams Band. The film concludes with a shot of the audience cheering.
- Place depicted
- Harlem, New York City, New York, United States, North and Central America
- Collection title
- Pearl Bowser Collection
- Classification
- Media Arts-Film and Video
- Topic
- Comedy
- Entertainers
- Film
- Jazz (Music)
- Musical films
- Musicians
- Rhythm and blues (Music)
- Rock and roll (Music)
- Tap dancing
- Variety shows (Television)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
- Object number
- 2012.79.1.84.1a-d
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Basin Street Revue
- Created by
- Studio Films, Inc., American, 1951 - 1956
- Directed by
- Kohn, Joseph
- Produced by
- Frye, Ben
- Subject of
- Apollo Theater, founded 1934
- Reed, Leonard, American, 1907 - 2004
- Bryant, Willie, American, 1908 - 1964
- Vaughan, Sarah, American, 1924 - 1990
- Lionel Hampton, American, 1908 - 2002
- Adams, Faye, American, born 1923
- Jeffries, Herb, American, 1913 - 2014
- Calloway, Cab, American, 1907 - 1994
- The Clovers, American, founded 1946
- Davis, Martha, American, 1917 - 1960
- Frank Foster, American, 1928 - 2011
- Moreland, Mantan, American, 1902 - 1973
- Russell, Nipsey, American, 1918 - 2005
- Milburn, Amos, American, 1927 - 1980
- Coles & Atkins, American, 1940 - 1959
- Williams, Paul, American, 1915 - 2002
- Owned by
- Bowser, Pearl, American, born 1931
- Date
- 1956
- Medium
- acetate film
- Dimensions
- Duration: 61 minutes
- Length (Film) - Reel 1: 1520 Feet
- Length (Film) - Reel 2: 1320 Feet
- Length (Film) - Reel 3: 1290 Feet
- Length (Film) - Reel 4: 1370 Feet
- Title
- 35mm motion picture film of Basin Street Revue
- Caption
- "Basin Street Revue is a 1956 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Willie Bryant, Sarah Vaughan, Lionel Hampton, Paul Williams, Jimmy Brown, Amos Milbur, Faye Adams, Coles and Atkins, Herb Jefferies, Cab Calloway, Count Basie, The Clovers, Nat King Cole, Martha Davis, Frank Foster, Mantan Moreland, Nipsey Russell, and Marie Bryant.
- Description
- 35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s. It consists of four 35mm prints (a-d).
- The film begins with a title sequence that announces each performer as a firework explodes behind their name. This is followed by a shot of a theater marquee with the title Basin Street Revue. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. As Bryant begins to speak, Nipsy Russell walks across the stage and interrupts Bryant with a joke about his mother in law. Bryant then begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Lionel Hampton and his orchestra. The curtain parts and Hampton and his orchestra perform “Ding Dong Baby.” An unknown woman joins Hampton on the stage as he sings, but does not sing herself; he gives her a kiss on the cheek before she exits. After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Sarah Vaughan, who performs “You’re Not The Kind.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performers, Jimmy Brown, the saxophonist from the Apollo Theater’s house band, the Paul Williams Band. Bryant and Brown engage in some stage banter before the performance of “My Love Is True.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performer, Martha Davis, who performs “We Just Couldn’t Say Goodbye.” Bryant mentions that Davis is performing with her spouse, bassist, Calvin Ponder. There are multiple insert shots of the audience during the performance. The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Nipsy Russell and Mantan Moreland enter the stage. They perform a short comedy routine together before Bryant introduces the next performer, Amos Milburn. He performs “Bewildered.” The song concludes, the curtain closes, and Bryant has the curtain reopened so Milburn can take a bow. The curtain again closes and Bryant invites Faye Adams onto the stage. The engage in some brief stage banter before she performs “Somebody, Somewhere” in front of the curtain. Jimmy Brown emerges from behind the curtain to perform a solo. The song concludes, there are multiple shots of the cheering audience, and Bryant introduces the next performers, The Clovers, who perform “Lovey Dovey.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce Sarah Vaughan for a performance of “These Things I Offer You (For A Lifetime).” The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Coles & Atkins. The duo sing and them perform a tap dance routine. Their performance concludes, they bow and Bryant introduces Herb Jeffries by way of a brief skit. Jeffries performs “A Woman Is A Worrisome Thing” from the balcony of a fire escape. The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Cab Calloway, who performs “Calloway Boogie.” Calloway dances with an unknown female dancer. A “The End” title card appears as the song and the film conclude.
- Place depicted
- Harlem, New York City, New York, United States, North and Central America
- Collection title
- Pearl Bowser Collection
- Classification
- Media Arts-Film and Video
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
- Object number
- 2012.79.1.85.1a-d
- Restrictions & Rights
- © Studio Films, Inc. Permission required for use.
-
At Her Best, Sarah Vaughan
- Created by
- Schwartz, Joe, American, 1913 - 2013
- Subject of
- Vaughan, Sarah, American, 1924 - 1990
- Date
- 1950
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W (Image and Sheet): 11 x 13 7/8 in. (27.9 x 35.2 cm)
- Caption
- At Her Best, Sarah Vaughan - Club Oasis, Western Avenue, Central Los Angeles, Calif., 1950
- Joe Schwartz, Folk Photography: Poems I've Never Written (2000), 203.
- Description
- A black-and-white photograph of Sarah Vaughan singing at Club Oasis in Los Angeles, California. Vaughan wears a dress and looks at the camera out of the corner of her eye.
- Place depicted
- Western Avenue, Central, Los Angeles, California, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joe Schwartz and Family
- Object number
- 2010.74.150
- Restrictions & Rights
- © Joe Schwartz
-
Great American Musicians
- Created by
- Schwartz, Joe, American, 1913 - 2013
- Subject of
- Vaughan, Sarah, American, 1924 - 1990
- Armstrong, Louis, American, 1901 - 1971
- Holiday, Billie, American, 1915 - 1959
- Howard, David
- Date
- 1950s
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 11 x 13 7/8 in. (27.9 x 35.2 cm)
- Caption
- Great American Musicians - Sarah Vaughan, Louis Armstrong, Billie Holliday, David Howard, Club Oasis, Western Ave., Central Los Angeles, California, 1950's
- Joe Schwartz, Folk Photography: Poems I've Never Written (2000), 202.
- Description
- A black-and-white photograph of Sarah Vaughan, Louis Armstrong, Billie Holliday, and David Howard at Club Oasis in Los Angeles, California.
- Place depicted
- Los Angeles, California, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joe Schwartz and Family
- Object number
- 2010.74.148
- Restrictions & Rights
- © Joe Schwartz
-
Jet vol. 1 no. 7
- Published by
- Johnson Publishing Company, American, founded 1942
- Edited by
- Johnson, John Harold, American, 1918 - 2005
- Burns, Ben, American, 1913 - 2002
- Clayton, Edward T., American, 1921 - 1966
- Subject of
- Vaughan, Sarah, American, 1924 - 1990
- Sampaio, Jurema, Brazilian
- Date
- December 13, 1951
- Medium
- ink on paper with metal
- Dimensions
- H x W x D (Closed): 5 13/16 × 4 1/8 × 1/8 in. (14.7 × 10.5 × 0.3 cm)
- Description
- Jet Magazine, volume 1, number 7, featuring a black and white image of singer Sarah Vaughan, against a green background. Only her face and shoulders are visible. Vaughan is wearing a light colored strapless top with sequined flowers. She is facing forward with her proper right shoulder slightly back. Just above Vaughan’s proper right shoulder is the model’s credit with a caption in white ink, that reads [SARAH VAUGHAN: / She rates as No. 1 / among girl singers] and the associated cover line above that reads [TEN / BEST / GIRL /SINGERS] in white type. The top third of the front cover is the mast head in white text, [JET / THE WEEKLY NEGRO NEWS MAGAZINE], on the left side and the date line, price and publisher [Dec. 13, 1951 / A JOHNSON PUBLICATION / 15c], on the right. On the right, top third of the cover is the cover line [NEGROS WITH / WHITE SLAVES]. On the left, bottom third of the cover is the cover line, [WAR AGAIN AT / WILBERFORCE]. The back cover features a full length, black and white image of Jurema Sampaio, wearing a leaf bikini and white beads. The image has a caption that reads [MOVIE STAR IN BRAZIL / Stunning Jurema Sampaio, a Brazilian girl of mixed / Negro, Indian and Portuguese blood, is one of the bright- / est stars in the growing movie industry of the biggest / South American country. She is morena or mixed type / considered ideal of beauty in Brazil (See “Entertain- / ment”).]. This magazine issue is sixty-six (66) pages.
- Place printed
- Chicago, Cook County, Illinois, United States, North and Central America
- Place depicted
- Brazil, Latin America, South America
- Classification
- Documents and Published Materials
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Courtesy of Johnson Publishing Company, LLC
- Object number
- 2015.122.11
- Restrictions & Rights
- © Johnson Publishing Company, Inc. Permission required for use.