Rock-N-Roll Revue

35mm motion picture film of Rock-N-Roll Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Directed by

Kohn, Joseph

Produced by

Frye, Ben, American

Subject of

Apollo Theater, founded 1934

Ellington, Duke, American, 1899 - 1974

Lionel Hampton, American, 1908 - 2002

Vaughan, Sarah, American, 1924 - 1990

Russell, Nipsey, American, 1918 - 2005

Coles & Atkins, American, 1940 - 1959

Darnell, Larry, American, 1921 - 1983

Bryant, Willie, American, 1908 - 1964

The Clovers, American, founded 1946

Washington, Dinah, American, 1924 - 1963

Cole, Nat King, American, 1919 - 1965

Big Turner, Joe, American, 1911 - 1985

Reed, Leonard, American, 1907 - 2004

Owned by

Bowser, Pearl, American, born 1931

Medium

35mm Film (a): acetate film;

35mm Film (b): acetate film;

35mm Film (c): acetate film;

35mm Film (d): acetate film

Dimensions

Duration: 70 Minutes

Length (Film) - Reel 1: 1630 Feet

Length (Film) - Reel 2: 1765 Feet

Length (Film) - Reel 3: 1520 Feet

Length (Film) - Reel 4: 1440 Feet

Type

motion pictures (information artifacts)

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Place depicted

Harlem, New York City, New York, United States, North and Central America

Date

1955

Caption

"Rock-n-Roll Revue" is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. The film includes performances by Duke Ellington, Larry Darnell, Coles and Atkins, The Clovers, Dinah Washington, Nat King Cole, Big Joe Turner, Willie Bryant, and Leonard Reed.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.

Consists of: Four 35mm Film Prints (a-d) and Original Film Reels (e-h).

2012.79.1.84.1a-d: 35mm film. The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. He begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Duke Ellington. The curtain parts and Ellington and his orchestra perform “The Mooche.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Larry Darnell. Darnell performs “What More Do You Want Me To Do.” After the performance ends, the curtains close while Darnell bows and the audience cheers. Willie Bryant then emerges onstage as the curtains re-open and Darnell bows in Bryant’s direction. The two men then exchange playful gestures and Bryant tells a joke. Bryant segues into an introduction of the tap dancing duo, Coles & Atkins. The duo then perform a short routine. After the routine, Bryant, Coles and Atkins perform a comedic piece based around Bryant interrupting their performance. Coles & Atkins then goad Bryant into dancing with them and the three men perform a brief routine. There are multiple shots of the audience cheering when they leave the stage. Bryant then introduces The Clovers, who perform “Your Cash Ain’t Nothin’ But Trash.” After the song ends, there is another comedy routine with Willie Bryant, Coles & Atkins, and Leonard Reed. There are multiple shots of the audience before Bryant introduces Dinah Washington, who performs “Only a Moment Ago.” Bryant then introduces Nat King Cole, who performs “The Trouble With Me Is You.” After multiple shots of the audience when the song concludes, Bryant again introduces Duke Ellington, who performs “The Hawk Talks” with his orchestra. There are multiple shots of the drummer Louie Bellson as he performs a drum solo during the song. Bryant introduces Big Joe Turner by way of a comedy bit with Leonard Reed. Turner performs “Oke-She-Moke-She-Pop” with backing by the Paul Williams Band. The film concludes with a shot of the audience cheering.

2012.79.1.84.1e-h: Original film reels.

Topic

Comedy

Entertainers

Film

Jazz (Music)

Musical films

Musicians

Rhythm and blues (Music)

Rock and roll (Music)

Tap dancing

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.84.1a-d

Restrictions & Rights

Unknown - Restrictions Possible

Basin Street Revue

35mm motion picture film of Basin Street Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Directed by

Kohn, Joseph

Produced by

Frye, Ben

Subject of

Apollo Theater, founded 1934

Reed, Leonard, American, 1907 - 2004

Bryant, Willie, American, 1908 - 1964

Vaughan, Sarah, American, 1924 - 1990

Lionel Hampton, American, 1908 - 2002

Adams, Faye, American, born 1923

Jeffries, Herb, American, 1913 - 2014

Calloway, Cab, American, 1907 - 1994

The Clovers, American, founded 1946

Davis, Martha, American, 1917 - 1960

Frank Foster, American, 1928 - 2011

Moreland, Mantan, American, 1902 - 1973

Russell, Nipsey, American, 1918 - 2005

Milburn, Amos, American, 1927 - 1980

Coles & Atkins, American, 1940 - 1959

Williams, Paul, American, 1915 - 2002

Owned by

Bowser, Pearl, American, born 1931

Medium

35mm Film (a): acetate film;

35mm Film (b): acetate film;

35mm Film (c): acetate film;

35mm Film (d): acetate film

Dimensions

Duration: 61 minutes

Length (Film) - Reel 1: 1520 Feet

Length (Film) - Reel 2: 1320 Feet

Length (Film) - Reel 3: 1290 Feet

Length (Film) - Reel 4: 1370 Feet

Type

motion pictures (information artifacts)

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Place depicted

Harlem, New York City, New York, United States, North and Central America

Date

1956

Caption

"Basin Street Revue is a 1956 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Willie Bryant, Sarah Vaughan, Lionel Hampton, Paul Williams, Jimmy Brown, Amos Milbur, Faye Adams, Coles and Atkins, Herb Jefferies, Cab Calloway, Count Basie, The Clovers, Nat King Cole, Martha Davis, Frank Foster, Mantan Moreland, Nipsey Russell, and Marie Bryant.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.

Consists of: Four 35mm Prints (a-d)

2012.79.1.85.1a-d: 35mm film. The film begins with a title sequence that announces each performer as a firework explodes behind their name. This is followed by a shot of a theater marquee with the title Basin Street Revue. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. As Bryant begins to speak, Nipsy Russell walks across the stage and interrupts Bryant with a joke about his mother in law. Bryant then begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Lionel Hampton and his orchestra. The curtain parts and Hampton and his orchestra perform “Ding Dong Baby.” An unknown woman joins Hampton on the stage as he sings, but does not sing herself; he gives her a kiss on the cheek before she exits. After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Sarah Vaughan, who performs “You’re Not The Kind.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performers, Jimmy Brown, the saxophonist from the Apollo Theater’s house band, the Paul Williams Band. Bryant and Brown engage in some stage banter before the performance of “My Love Is True.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performer, Martha Davis, who performs “We Just Couldn’t Say Goodbye.” Bryant mentions that Davis is performing with her spouse, bassist, Calvin Ponder. There are multiple insert shots of the audience during the performance. The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Nipsy Russell and Mantan Moreland enter the stage. They perform a short comedy routine together before Bryant introduces the next performer, Amos Milburn. He performs “Bewildered.” The song concludes, the curtain closes, and Bryant has the curtain reopened so Milburn can take a bow. The curtain again closes and Bryant invites Faye Adams onto the stage. The engage in some brief stage banter before she performs “Somebody, Somewhere” in front of the curtain. Jimmy Brown emerges from behind the curtain to perform a solo. The song concludes, there are multiple shots of the cheering audience, and Bryant introduces the next performers, The Clovers, who perform “Lovey Dovey.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce Sarah Vaughan for a performance of “These Things I Offer You (For A Lifetime).” The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Coles & Atkins. The duo sing and them perform a tap dance routine. Their performance concludes, they bow and Bryant introduces Herb Jeffries by way of a brief skit. Jeffries performs “A Woman Is A Worrisome Thing” from the balcony of a fire escape. The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Cab Calloway, who performs “Calloway Boogie.” Calloway dances with an unknown female dancer. A “The End” title card appears as the song and the film conclude.

Topic

Actors

Comedy

Dance

Entertainers

Film

Jazz (Music)

Musical films

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.85.1a-d

Restrictions & Rights

© Studio Films, Inc. Permission required for use.

At Her Best, Sarah Vaughan

Created by

Schwartz, Joe, American, 1913 - 2013

Subject of

Vaughan, Sarah, American, 1924 - 1990

Medium

silver and photographic gelatin on photographic paper

Dimensions

H x W (Image and Sheet): 11 x 13 7/8 in. (27.9 x 35.2 cm)

Type

gelatin silver prints

Classification

Media Arts-Photography

Place depicted

Western Avenue, Central, Los Angeles, California, United States, North and Central America

Date

1950

Caption

At Her Best, Sarah Vaughan - Club Oasis, Western Avenue, Central Los Angeles, Calif., 1950

Joe Schwartz, Folk Photography: Poems I've Never Written (2000), 203.

Description

A black-and-white photograph of Sarah Vaughan singing at Club Oasis in Los Angeles, California. Vaughan wears a dress and looks at the camera out of the corner of her eye.

Topic

Jazz (Music)

Photography

Singers (Musicians)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joe Schwartz and Family

Object number

2010.74.150

Restrictions & Rights

© Joe Schwartz

Photograph of Billy Eckstine conducting his band

Photograph by

Charles "Teenie" Harris, American, 1908 - 1998

Subject of

Billy Eckstine, American, 1914 - 1993

Parker, Charlie, American, 1920 - 1955

Gillespie, Dizzy, American, 1917 - 1993

Blakey, Art, American, 1919 - 1990

Vaughan, Sarah, American, 1924 - 1990

McGhee, Howard, American, 1918 - 1987

Potter, Tommy, American, 1918 - 1988

Medium

silver and photographic gelatin on photographic paper

Dimensions

H x W: 8 × 10 in. (20.3 × 25.4 cm)

Type

gelatin silver prints

Classification

Media Arts-Photography

Place depicted

Pittsburgh, Allegheny County, Pennsylvania, United States, North and Central America

Date

August 1944

Description

A black and white photograph of Billy Eckstine conducting his band on stage at the Aragon Ballroom in Pittsburgh, Pennsylvania. Charlie Parker plays the saxophone (third from the left) in the first row of seated musicians. Art Blakey is on drums while Tommy Potter is on bass; Dizzy Gillespie and Howard McGhee are also pictured. Sarah Vaughan stands at the microphone in front of the band. The back of the photograph has six stickers with barcode, numbers, reproduction information, caption information and a handwritten inscription of numbers.

Topic

Entertainers

Jazz (Music)

Photography

United States--History--1933-1945

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift from Charles A. Harris and Beatrice Harris in memory of Charles "Teenie" Harris

Object number

2014.302.49

Restrictions & Rights

© Carnegie Museum of Art, Charles "Teenie" Harris Archive

Rhythm and Blues Revue

35mm motion picture film of Rhythm and Blues Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Produced by

Frye, Ben, American

Subject of

Lionel Hampton, American, 1908 - 2002

Adams, Faye, American, born 1923

Bailey, Bill, American, 1912 - 1978

Jeffries, Herb, American, 1913 - 2014

Milburn, Amos, American, 1927 - 1980

Vaughan, Sarah, American, 1924 - 1990

Basie, Count, American, 1904 - 1984

Big Turner, Joe, American, 1911 - 1985

The Delta Rhythm Boys, American, 1934 - 1987

Davis, Martha, American, 1917 - 1960

Little Buck, American

Cole, Nat King, American, 1919 - 1965

Moreland, Mantan, American, 1902 - 1973

Russell, Nipsey, American, 1918 - 2005

Calloway, Cab, American, 1907 - 1994

Brown, Ruth, American, 1928 - 2006

Owned by

Bowser, Pearl, American, born 1931

Medium

35mm Film (a): acetate film;

35mm Film (b): acetate film;

35mm Film (c): acetate film;

35mm Film (d): acetate film.

Dimensions

Duration: 72 Minutes

Length (Film): 1850 Feet

Length (Film): 1560 Feet

Length (Film): 1650 Feet

Length (Film): 1450 Feet

Type

motion pictures (information artifacts)

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Place depicted

Harlem, New York City, New York, United States, North and Central America

Date

1955

Caption

"Rhythm and Blues Revue", is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Faye Adams, Bill Bailey, Ruth Brown, Cab Calloway, Nat King Cole, Count Basie, Martha Davis, The Delta Rhythm Boys, Freddy and Flo, Lionel Hampton, Herb Jefferies, The Larks, Little Buck, Amos Milburn, Mantan Moreland, Nipsey Russell, Big Joe Turner, Sarah Vaughan and Willie Bryant.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.

Consists of: Four 35mm Prints (a-d).

2012.79.1.105.1a-d: 35mm film. The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. Before he can begin speaking, Bryant is interrupted by the comedian Freddie Lucas (Part of the Freddie & Flo comedy duo), who begs to be on the show. Later in the skit, Florence Hill (Flo) appears as a mind reading librarian. At the conclusion of the skit, Bryant announces the first performer, Lionel Hampton and his orchestra who perform “Jam Session.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Faye Adams who performs “Everyday” in front of the curtain. After the song ends there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Bill Bailey. Bailey performs a tap dancing routine that includes dance moves from his teacher Bill “Bojangles” Robinson and concludes with a moonwalk. At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant appears to announce the next performer, Herb Jeffries who sings “In My Heart.” When the song ends, the curtain closes and there are multiple shots of the audience cheering as Freddie & Flo rush onto the stage to perform a comedy routine. After their routine there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Amos Milburn, who sings “Bad Bad Whiskey” with backing from the Paul Williams Band. At the conclusion of the song, the curtain closes and then reopens so that Milburn can bow. Bryant appears to announce the next performers, The Larks, who sing “The World Is Waiting For The Sunrise.” At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Bryant brings Freddie & Flo back onto the stage for some comedic banter. Bryant then introduces Lionel Hampton who performs “Bongo Interlude.” Two unnamed women dance during the performance. The curtain closes and there are multiple shots of the audience cheering. When curtain opens, the stage is set up as a tobacconist and Leonard Reed is behind the counter listening to a Brooklyn Dodgers baseball game on the radio. Willie Bryant appears and the two men engage in a brief skit. Bryant then presents the next performer, Sarah Vaughan, who sings “Perdido.” The curtain closes and there are multiple shots of the audience cheering as Bryant returns to the stage. Nipsy Russell sneaks onto the stage behind Bryant and the two engage in comedic banter before Bryant presents the next performer, Count Basie who performs “Basie’s Conversation.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Big Joe Turner who sings “Shake Rattle And Roll.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers, The Delta Rhythm Boys, who perform the spiritual “Dem Bones.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers Martha Davis and her husband, Calvin Ponder, who perform “Just Goodbye.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performer, Little Buck, who performs a tap dance routine. The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Little Buck for more applause. Bryant then introduces the next performer, Nat King Cole, who sings “Calypso Blues.” The curtain closes, there are multiple shots of the audience cheering, and Nipsy Russell and Mantan Moreland come out for a comedy routine. Moreland leaves the stage and Russell continues on his own. Following Russell’s routine, Bryant introduces Cab Calloway who performs “Minnie The Moocher.” The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Ruth Brown for some stage banter before she performs “Teardrops From My Eyes” with backing by the Paul Williams Band. The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Count Basie for the film’s final performance, “One O’Clock Jump.”

Topic

Actors

Comedy

Entertainers

Film

Jazz (Music)

Musical films

Musicians

Rhythm and blues (Music)

Tap dancing

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.105.1a-d

Restrictions & Rights

Unknown - Restrictions Possible

Jet vol. 1 no. 7

Published by

Johnson Publishing Company, American, founded 1942

Edited by

Johnson, John Harold, American, 1918 - 2005

Burns, Ben, American, 1913 - 2002

Clayton, Edward T., American, 1921 - 1966

Subject of

Vaughan, Sarah, American, 1924 - 1990

Sampaio, Jurema, Brazilian

Medium

ink on paper with metal

Dimensions

H x W x D (Closed): 5 13/16 × 4 1/8 × 1/8 in. (14.7 × 10.5 × 0.3 cm)

Type

magazines (periodicals)

Classification

Documents and Published Materials

Place printed

Chicago, Cook County, Illinois, United States, North and Central America

Place depicted

Brazil, Latin America, South America

Date

December 13, 1951

Description

Jet Magazine, volume 1, number 7, featuring a black and white image of singer Sarah Vaughan, against a green background. Only her face and shoulders are visible. Vaughan is wearing a light colored strapless top with sequined flowers. She is facing forward with her proper right shoulder slightly back. Just above Vaughan’s proper right shoulder is the model’s credit with a caption in white ink, that reads [SARAH VAUGHAN: / She rates as No. 1 / among girl singers] and the associated cover line above that reads [TEN / BEST / GIRL /SINGERS] in white type. The top third of the front cover is the mast head in white text, [JET / THE WEEKLY NEGRO NEWS MAGAZINE], on the left side and the date line, price and publisher [Dec. 13, 1951 / A JOHNSON PUBLICATION / 15c], on the right. On the right, top third of the cover is the cover line [NEGROS WITH / WHITE SLAVES]. On the left, bottom third of the cover is the cover line, [WAR AGAIN AT / WILBERFORCE]. The back cover features a full length, black and white image of Jurema Sampaio, wearing a leaf bikini and white beads. The image has a caption that reads [MOVIE STAR IN BRAZIL / Stunning Jurema Sampaio, a Brazilian girl of mixed / Negro, Indian and Portuguese blood, is one of the bright- / est stars in the growing movie industry of the biggest / South American country. She is morena or mixed type / considered ideal of beauty in Brazil (See “Entertain- / ment”).]. This magazine issue is sixty-six (66) pages.

Topic

Business

Education

Mass media

Race relations

Singers (Musicians)

Women

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Courtesy of Johnson Publishing Company, LLC

Object number

2015.122.11

Restrictions & Rights

© Johnson Publishing Company, Inc. Permission required for use.

Great American Musicians

Created by

Schwartz, Joe, American, 1913 - 2013

Subject of

Vaughan, Sarah, American, 1924 - 1990

Armstrong, Louis, American, 1901 - 1971

Holiday, Billie, American, 1915 - 1959

Howard, David

Medium

silver and photographic gelatin on photographic paper

Dimensions

H x W: 11 x 13 7/8 in. (27.9 x 35.2 cm)

Type

gelatin silver prints

Classification

Media Arts-Photography

Place depicted

Los Angeles, California, United States, North and Central America

Date

1950s

Caption

Great American Musicians - Sarah Vaughan, Louis Armstrong, Billie Holliday, David Howard, Club Oasis, Western Ave., Central Los Angeles, California, 1950's

Joe Schwartz, Folk Photography: Poems I've Never Written (2000), 202.

Description

A black-and-white photograph of Sarah Vaughan, Louis Armstrong, Billie Holliday, and David Howard at Club Oasis in Los Angeles, California.

Topic

Instrumentalists (Musicians)

Jazz (Music)

Nightlife

Photography

Singers (Musicians)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joe Schwartz and Family

Object number

2010.74.148

Restrictions & Rights

© Joe Schwartz