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- name:"Williams, Spencer"
Your search found 11 result(s).
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Two-Gun Man from Harlem
- Directed by
- Kahn, Richard C., American, 1897 - 1960
- Written by
- Myton, Fred, American, 1885 - 1955
- Kahn, Richard C., American, 1897 - 1960
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Jeffries, Herb, American, 1913 - 2014
- Brooks, Clarence, American, 1896 - 1969
- Moreland, Mantan, American, 1902 - 1973
- Williams, Spencer, American, 1893-1969
- Whitten, Marguerite, American, 1913 - 1990
- Brooks, Jess Lee, American, 1894 - 1944
- Southern, Tom, American, 1906 - 1980
- Turner, Mae, American, 1908 - 1999
- Beard, Mathew Jr., American, 1925 - 1981
- Lincoln, Rosalie, American, 1909 - 1992
- The Cats and the Fiddle, American, 1937 - 1951
- The Four Tones, American
- Blackman, Paul
- Date
- 1938
- Medium
- acetate film
- Dimensions
- Duration: 66 Minutes
- Length (Film Reel 1): 600 Feet
- Length (Film Reel 2): 1600 Feet
- Description
- A 16mm release print of the feature film Two-Gun Man from Harlem. It consists of two reels of positive, black-and-white, 16mm acetate film with variable-density optical sound.
- The film opens with Bob Blake (Herb Jeffries), a cowboy, leading The Four Tones, a quartet, in a musical performance under a tree. A fifth man decides to join them in chorus, but Bob accuses him of being a bad singer. The rest of the film follows Bob, who is framed for his boss’ murder. Bob flees to Harlem, New York, where he meets Deacon, a Harlem gangster with whom he bears a striking resemblance. Deacon is murdered by rival gangsters and Bob ceases the opportunity to assume the dead man’s identity. In the closing scene, Bob explains to the sheriff that he is innocent, and the real murderer is arrested.
- Place depicted
- Wyoming, United States, North and Central America
- Place filmed
- Hollywood, Los Angeles, California, United States, North and Central America
- Place depicted
- Harlem, Manhattan, New York City, New York, United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Topic
- Actors
- American West
- Hollywood (Film)
- Race films
- Urban life
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.21.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
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The Bronze Buckaroo
- Directed by
- Kahn, Richard C., American, 1897 - 1960
- Subject of
- Jeffries, Herb, American, 1913 - 2014
- Williams, Spencer, American, 1893-1969
- Brooks, Clarence, American, 1896 - 1969
- Brooks, Lucius, American, 1911 - 1999
- Young, Artie, American, 1915 - 1989
- Murray's Dude Ranch, American, 1922 - 1960
- Morris, Earle, American, born 1897
- Miller, Flournoy, American, 1885 - 1971
- Williams, Spencer, American, 1893-1969
- Calmes, Lee
- The Four Tones, American
- Date
- 1939
- Medium
- acetate film
- Dimensions
- Duration: 60 Minutes
- Length (Film Reel 1): 1200 Feet
- Length (Film Reel 2): 900 Feet
- Description
- A 16mm release print of a feature film entitled The Bronze Buckaroo. It consists of two reels of positive 16mm acetate film (a) and (b), is in black-and-white and contains sound. A single row of perforations runs along one edge of each film strip, while a variable-area optical-sound (audio on film) track runs along the other.
- In the opening scene, four cowboys ride through a desert before stopping and having a drink. They then engage in a conversation about their missing friend Joe, before resuming their journey. In the next scene, a man sits on a wooden fence reading from a paper as the camera cuts to four animals that surround him: a barking dog, a cow, a donkey and a chicken. At one point the man reads, “To throw the voice for a greater distance, it is imperative that…” before the camera cuts back to the group of riding cowboys.
- The film continues by chronicling the experiences the four cowboys encounter as they search for Joe. Upon their arrival to Joe’s ranch, the men are informed by Joe’s sister that Joe has been missing for weeks. They eventually realize that Joe’s neighbors are holding him hostage over a land dispute.
- Place depicted
- Arizona, United States, North and Central America
- Place filmed
- San Bernardino County, California, United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.4.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
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Dirty Gertie from Harlem U.S.A.
- Directed by
- Williams, Spencer, American, 1893-1969
- Written by
- Thompson, True T., American, 1896 - 1973
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Everett, Francine, American, 1915 - 1999
- Wilson, Don
- Moore, Katherine
- Hawkins, Alfred
- Boykin, David
- Lewis, L.E.
- Newell, Inez
- Frank, Piano
- King, John
- Ross, Shelly
- Watson, Hugh
- Gilbert, Don
- Williams, Spencer, American, 1893-1969
- Orr, Robert, American
- Galloway, Howard
- Date
- 1946
- Medium
- acetate film
- Dimensions
- Duration: 60 Minutes
- Length (Film Reel 1): 1150 Feet
- Length (Film Reel 2): 1100 Feet
- Description
- A 16mm release print of the feature film Dirty Gertie from Harlem U.S.A. It consists of two reels of positive 16mm acetate film (a) and (b), is in black and white and contains sound. A single row of perforations runs along one edge of each film strip, while a variable-area, optical-sound (audio on film) track runs along the other.
- The film tells the story of Gertie LaRue, a Harlem nightclub dancer who leaves her boyfriend and relocates to the fictitious island of “Rinidad.” Her arrival is marked by a reception at the Paradise Hotel, hosted by the hotel’s proprietor Mr. Diamond Joe. Gertie is offered the hotel’s “best room,” the bridal room. The film ends with Gertie’s ex-boyfriend, Al, breaking into her room in the night.
- Place depicted
- Harlem, New York City, New York County, New York, United States, North and Central America
- Place purchased
- Bahamas, Caribbean, North and Central America
- Place filmed
- United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Topic
- Dance
- Nightlife
- Race films
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.6.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
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Juke Joint
- Directed by
- Williams, Spencer, American, 1893-1969
- Written by
- Thompson, True T., American, 1896 - 1973
- Produced by
- Alfred N. Sack, American, 1898 - 1969
- Newell, Inez
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Orr, Robert, American
- Williams, Spencer, American, 1893-1969
- Newell, Inez
- Duncan, Leonard
- Moore, Dauphine
- Duncan, Melody
- Moore, Katherine
- Patterson, Tilford
- Smith, Albert
- Galloway, Howard
- Beamon, Clifford
- McHugh, Frances
- Gilbert, Don
- Date
- 1947
- Medium
- acetate film
- Dimensions
- Duration: 68 Minutes
- Length (Film Reel 1): 1175 Feet
- Length (Film Reel 2): 1175 Feet
- Description
- A 16mm release print of the feature film Juke Joint. It consists of two reels of positive, black-and-white, 16mm acetate film with variable-area optical sound.
- It opens as the protagonists Bad News Johnson (Spencer Williams) and July Jones (also known as “Cornbread Green” in the film) deboard an automobile in Dallas, Texas. Both men thank their driver and after the vehicle pulls away Johnson tells Jones, “Well, here we are. Mr. Jones, you are now in the great South West.” In response to one of Jones’ question about where they will be headed next, Johnson states “Mr. Jones, we are following the advice of Horace Greeley. Mr. Greely said, ‘go west young man, and do your best; then come east and spend your grease.’” Jones later reminds Johnson that they only have twenty-five cents with them.
- The rest of the film chronicles how the two men pass themselves off as beauty pageant coaches in exchange for free room and board in the home of Mrs. Louella "Mama Lou" Holiday (Inez Newell). The final scene takes place in a juke joint were Mama Lou discovers her daughters celebrating winning the pageant.
- Place filmed
- Dallas, Dallas County, Texas, United States, North and Central America
- San Antonio, Bexar County, Texas, United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.10.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
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Son of Ingagi
- Directed by
- Kahn, Richard C., American, 1897 - 1960
- Written by
- Williams, Spencer, American, 1893-1969
- Produced by
- Kahn, Richard C., American, 1897 - 1960
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Williams, Spencer, American, 1893-1969
- Williams, Zack, American, 1884 - 1958
- Bowman, Laura, American, 1881 - 1957
- Grant, Alfred, American, 1912 - 1984
- Bufford, Daisy, American, 1913 - 1987
- Graves, Jesse, American, 1879 - 1949
- Ray, Arthur, American, 1888 - 1942
- Morris, Earle, American, born 1897
- The Four Toppers, American
- Date
- 1940
- Medium
- acetate film, metal and cardboard
- Dimensions
- Duration: 70 Minutes
- Length (Film Reel 1): 1000 Feet
- Length (Film Reel 2): 900 Feet
- Description
- A 16mm release print of the feature film Son of Ingagi. It consists of two reels of positive, black-and-white, 16mm acetate film (a) and (b) with variable-area optical sound. Two (2) metal film reels (c) and (d), and a film shipping box (e) also accompany the 16mm films. A pink and white label is taped onto the shipping box, with ["SON OF INGAGI"/ +/ "LYING LIPS"/ (SAFETY)] handwritten onto it in black ink; [WALD TRANSFER & STORAGE CO.] is printed on the bottom of the label in pink uppercase letters. There are three (3) other labels on the shipping box, all of which are blue and white. Two (2) of the other labels also have information handwritten onto them.
- The film opens with a couple, Eleanor (Daisy Bufford) and Bob Lindsay (Alfred Grant), getting married inside a church. On their way out of the church, they are greeted by Mr. Bradshaw (Earle Morris), a divorce attorney, who congratulates them on their nuptials. Shortly after, two other individuals, Dr. Helen Jackson (Laura Bowman) and Detective Nelson (Spencer Williams), join Mr. Bradshaw. The rest of the film follows Dr. Jackson’s attempt to conceal a creature she brought back from a recent trip to Africa.
- Place filmed
- United States, North and Central America
- Place depicted
- United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Topic
- Domestic life
- Race films
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.18.1a-e
- Restrictions & Rights
- No known copyright restrictions
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Harlem Rides the Range
- Directed by
- Kahn, Richard C., American, 1897 - 1960
- Written by
- Williams, Spencer, American, 1893-1969
- Miller, Flournoy, American, 1885 - 1971
- Produced by
- Alfred N. Sack, American, 1898 - 1969
- Kahn, Richard C., American, 1897 - 1960
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Jeffries, Herb, American, 1913 - 2014
- Brooks, Lucius, American, 1911 - 1999
- Christmas, Leonard, American, 1897 - 1982
- Brooks, Clarence, American, 1896 - 1969
- Young, Artie, American, 1915 - 1989
- Williams, Spencer, American, 1893-1969
- Southern, Tom, American, 1906 - 1980
- Dumas, Wade, American, 1905 - 1983
- Miller, Flournoy, American, 1885 - 1971
- Thomas, John, American, 1914 - 1981
- The Four Tones, American
- The Four Blackbirds
- Murray's Dude Ranch, American, 1922 - 1960
- Date
- 1939
- Medium
- acetate film
- Dimensions
- Duration: 58 Minutes
- Length (Film Reel 1): 1100 Feet
- Length (Film Reel 2): 1100 Feet
- Description
- A 16mm release print of the feature film Harlem Rides the Range. It consists of two reels of positive, black-and-white, 16mm acetate film strips with variable-area optical sound.
- In the opening scene, Jim Dennison (Leonard Christmas), a homesteader, is approached by two men, Bradley (Clarence Brooks) and Jim Connors (Tom Southern), for outstanding mortgage. Dennison refuses to pay or acquiesce to giving the men a fifty-percent share of his mine. A fight ensues which leaves Dennison unresponsive. The rest of the film chronicles how a cowboy named Bob (Herb Jeffries) and his sidekick Dusty (Lucius Brooks) assist Mr. Dennison with his financial problems.
- Place depicted
- Arizona, United States, North and Central America
- Place filmed
- Sindewinder Valley, Apple Valley, San Bernadino County, California, United States, North and Central America
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.9.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Advertisement for Amos 'n' Andy Television Show sponsored by Blatz
- Commissioned by
- Valentin Blatz Brewing Company, American, 1851 - 1959
- Published by
- Life Magazine, 1883 - 2007
- Subject of
- Amos 'n' Andy, American, 1928 - 1960
- Childress, Alvin, American, 1907 - 1986
- Williams, Spencer, American, 1893-1969
- CBS Broadcasting, Inc., American, founded 1927
- Date
- June 25, 1951
- Medium
- ink on paper
- Dimensions
- H x W (2015.64a: unfolded): 14 1/16 × 20 3/4 in. (35.7 × 52.7 cm)
- H x W (2015.64a: folded): 14 1/16 × 10 3/8 in. (35.7 × 26.4 cm)
- H x W (2015.64b: unfolded): 14 1/16 × 20 3/4 in. (35.7 × 52.7 cm)
- H x W (2015.64b: folded): 14 1/16 × 10 3/8 in. (35.7 × 26.4 cm)
- Description
- A black and white magazine advertisement for the television show “The Amos 'n Andy Show” from Life Magazine, Volume 30, Number 26, pages 98–99. The advertisement features images of the head of Alvin Childress as cabdriver Amos Jones on page 98 (2015.64.4a) and the head of Spencer Williams as Andy Brown on page 99 (2015.64.4b). Childress is wearing a New York City taxi driver hat, while Williams is wearing a dark derby hat with a silk band and is smoking a cigar. The top third of the advertisement runs across both pages and reads, [Blatz / presents… / Amos ‘n’] on 2015.64.4a, and [Andy on TV!] on 2015.64.4b, with an image of a taxi cab driver hat hanging on the “A” over [Amos] and a derby hat hanging on the “A” over [Andy]. On the bottom of 2015.64.4b, the left half of the page text reads, [Meet a legend / face to face… / World premiere, / week of June 24th / At last, you can see America’s / most heartwarming cast of comedians / in the finest entertainment television / has ever produced. See them all… / Amos, Andy, Kingfish, Lightenin’, / Tune in…meet a legend face to face! / Proudly presented by / Blatz Beer…Milwaukee’s finest / on behalf of its dealers everywhere. / Blatz Brewing Company, Milwaukee, Wis.]. The text on the bottom right corner reads [Another TV triumph from CBS / Consult your local newspaper / for date, time, and channel.]. 2015.64.4a also includes pages 23, 24 and 97. 2015.64.4b also includes pages 21, 22, and 100. Page 21 indicates that this issue dates to June 25, 1951.
- Statement
- Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
- Type
- advertisements
- Topic
- Comedy
- Men
- Segregation
- Sitcoms
- Stereotypes
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kathleen M. Kendrick
- Object number
- 2015.64.4ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
Lobby card for the film Juke Joint
- Printed by
- Unidentified
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Goldberg, Bert, American
- Alfred N. Sack, American, 1898 - 1969
- Williams, Spencer, American, 1893-1969
- Orr, Robert, American
- Date
- 1947
- Medium
- ink on paper
- Dimensions
- H x W: 11 × 13 15/16 in. (27.9 × 35.4 cm)
- Description
- Lobby card for the 1947 film Juke Joint. The card is white with colored images and blue, red and yellow text. In the top left corner is a blue-and-white image of a man and woman dancing. A Sack Amusement Enterprises logo is over the dancers. Printed below the dancers on the right side is [ALFRED N. SACK / presents / JULY / JONES / SPENCER / WILLIAMS]. A large color photographic image of men playing pool is at the center of the card. In the top right corner are two blue-and-white images of a man and woman dancing. In the bottom left corner is a black-and-white photographic image of a man on one knee looking through a keyhole. At the bottom of the card printed in yellow ink on a red background is [in JUKE JOINT] in large text. Printed below this in black ink on a white background is [A BERT GOLDBERG PRODUCTION] and [Distributed by SACK AMUSEMENT ENTERPRISES]. The right side of the card is stained and torn. The back of the card is blank.
- Place used
- United States, North and Central America
- Place depicted
- Dallas, Dallas County, Texas, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- lobby cards
- Topic
- Actors
- Advertising
- Film
- Race films
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2019.22.19
- Restrictions & Rights
- Public domain
-
Lobby card for Girl in Room 20
- Subject of
- Williams, Spencer, American, 1893-1969
- Brock, Geraldine, American, born 1929
- Created by
- United Films, active ca. 1940s
- Date
- ca. 1949
- On ViewCulture/Fourth Floor, 4 054
- Exhibition
- Taking the Stage
- Medium
- paper (fiber product)
- Dimensions
- H x W: 11 x 14 in. (27.9 x 35.6 cm)
- Description
- A lobby card for the movie Girl in Room 20. The card is comprised of several images. One is a black-and-white image of two men and a woman. The woman (Geraldine Brock) is cowering in a chair and looking at one of the men who is making a fist and threatening the other man, who is down on the floor looking back up at him. There is another black-and-white image of the same woman standing in front of a counter in an office signing a document. She is dressed in a suit and hat and holding a purse. There is a man in a suit standing on the other side of a counter. In the upper proper right corner there is a red image of a woman dressed in a fur coat and holding a gun. In the lower proper right corner there is a a cartoon drawing also printed in red of a man punching another man. In the center and lower proper left there is text that reads [GERALDINE BROCK/ AS THE/ GIRL in ROOM 20/ Spencer WILLIAMS. July JONES/ OUTSTANDING COLORED CAST SMASH HIT].
- Classification
- Memorabilia and Ephemera-Advertisements
- Type
- lobby cards
- Topic
- Race films
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of David A. Lowrance
- Object number
- 2011.160.5
- Restrictions & Rights
- public domain
-
Lobby card for Go Down, Death!
- Distributed by
- Sack Amusement Enterprises, American, 1920 - 1979
- Subject of
- Alfred N. Sack, American, 1898 - 1969
- Williams, Spencer, American, 1893-1969
- Hemmings, Myra, American, 1895 - 1968
- The Heavenly Choir, American
- Jimmie Green's Orchestra, American
- Johnson, James Weldon, American, 1871 - 1938
- Date
- 1944
- On ViewSecond Floor, 2 050
- Medium
- ink on paper
- Dimensions
- H x W (image): 9 15/16 × 12 7/8 in. (25.2 × 32.7 cm)
- H x W (sheet): 11 × 14 in. (27.9 × 35.6 cm)
- Description
- Lobby card for "Go Down, Death!".
- The lobby card features a large tinted photograph of a scene from the film depicting a large congregation seated in pews inside a church. A large stained-glass window is on the far wall. The black and white image has had bright colors added to the stained-glass window and the clothing of some of the congregation members. Above the congregation is printed [ALFRED N. SACK / REVERENTLY PRESENTS] in small white text followed by [GO DOWN, DEATH!] in large yellow print and [THE STORY OF JESUS AND THE DEVIL] in white text. At the bottom left corner in yellow text is [ALL-COLORED CAST / WITH / SPENCER WILLIAMS / MYRA HEMMINGS / THE HEAVENLY CHOIR / JIMMIE GREEN'S ORCHESTRA / Story by JAMES WELDON JOHNSON]. There is a white and blue seal in the bottom right corner which reads [MARK OF MERIT / SACK / ATTRACTIONS]. There is a border around the image. There is blue text on the bottom proper right corner in the border which reads [*COUNTRY OF ORIGIN U.S.A.*]. On the back are black handwritten numbers going down horizontally on the left side which read [1416]. There are black handwritten numbers going up horizontally on the right side which read [4315]. In the top right corner there is handwriting in blue ink. The number "100" is crossed out. There is additional text which reads [N / 3707 / 100-].
- Transcription Center Status
- Transcribed by digital volunteers
- Place used
- United States, North and Central America
- Collection title
- A Cinema Apart: African American Film Memorabilia (Larry Richards Collection)
- Classification
- Memorabilia and Ephemera-Advertisements
- Type
- lobby cards
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.118.107.1
- Restrictions & Rights
- Public domain
-
Poster for Brother Martin, Servant of Jesus
- Distributed by
- Bourgeois-Jenkins Pictures, American, active 1940s
- Subject of
- Williams, Spencer, American, 1893-1969
- Date
- 1942
- On ViewCulture/Fourth Floor, 4 054
- Exhibition
- Taking the Stage
- Medium
- ink on paper (fiber product)
- Dimensions
- H x W (image): 39 × 25 1/8 in. (99 × 63.8 cm)
- H x W (sheet): 41 1/16 × 27 3/16 in. (104.3 × 69 cm)
- Description
- A poster for the film Brother Martin Servant of Jesus depicting a crucifix in the top half and two scenes from the movie in the bottom half. Positioned on the right-hand side of the sheet, the cross is portrayed as brown wood with a white statue-like Christ figure. It is set against a yellow and black background. in the top left-hand corner is text that reads [(John) Jenkins & (O.K.) Bourgeois / present]. To the right and below the crucifix is text in large letters that reads [BROTHER / MARTIN / SERVANT OF / JESUS / featuring / SPENCER WILLIAMS / and a great supporting cast]. To the right is black text on a highlighted light background that reads [FULL LENGTH FEATURE / THE STORY OF A NEGRO / WHO LOVED GOD]. Below the text are two color scenes; on the right is a scene of a doctor and nurse bending over a patient lying in bed. In the left-hand scene is a seated man turning towards a standing little girl. The man wears a light-colored shirt and dark pants, and the little girl wears a plaid jumper over a white blouse. At the bottom left corner in black text against a pink background is [HEAR - the celebrated "NOBODY KNOWS / THE TROUBLE / I'VE SEEN"]. At the very bottom left corner is [Country of Origin U.S.A.] and in the bottom right is [34141].
- Place used
- United States, North and Central America
- Classification
- Memorabilia and Ephemera-Advertisements
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.118.19
- Restrictions & Rights
- Public domain