A Mitchell & Ness San Francisco 49ers throwback jersey signed by Jerry Rice. The jersey is all red with white details. The front of the jersey has a white number  stitched on at center. In the top right of the chest there is a NFL 75th anniversary patch sewn on. The patch has a blue and green background with a  and the NFL logo at center. In the bottom right corner of the front of the jersey, there is a throwback patch. The patch has a depiction of a football player and text that reads: [Throwback / (NFL logo) / Authentic / Nostalgia Co. / Mitchell & Ness / Philadelphia, PA / NFL Players]. Below the throwback patch, a sewn on tag reads: [1994 / Jerry Rice]. Three white bars adorn each sleeve. At the interior neck, there are two small tags on top of one another. The first tag is white with red lettering that reads [Nostalgia Co. / Mitchell & Ness / Philadelphia, PA. U.S.A.]. The second tag, underneath the white tag, is red with white lettering and reads: [44 (L) / Made in China]. Inside the bottom hem are two white tags with black lettering. The first tag has materials and care instructions. The second tag has serial numbers, the Mitchell & Ness logo and a QR code. The back of the jersey has the name [RICE] sewn on white lettering at the top. At center, the number  is sewn on in white. Jerry Rice’s signature in black ink is located inside the .
Document of the "Constitution of the Lay Organization" from the California Conference of the A.M.E. Church. The typed document has three (3) sheets of paper stapled together in the upper right corner. The black text is only printed on the front side of each page. The constitution begins with Article II which reads [The object and purpose of this organization is to organize and train the lay members....] before stating objectives a-h. The second page has a history of Bethel A.M.E. Church lay organization from 1941-1990. Committee members are listed on the last page. There is an inscription [554 B] on the reverse. The papers have a crease in the middle from being folded.
A black-and-white poster with a non-glossy surface. The poster features a black-and-white photograph of Marlon Riggs. Riggs stands in the foreground looking at the camera, wearing a leather vest with nothing underneath, a necklace, and a fedora with bow on bottom of its proper left crown standing. Two men stand behind Riggs and hug with their faces looking towards the camera. They are all in front of a white background with graffiti on it. The graffiti designs include: stick figures holding hands a sun, text that reads [Brothers], etc. Text above the photograph in white and white-outlined type reads: [MARLON RIGGS / IN PERSON!]. Text in white type, below the photograph, reads: [TUE - WED, NOV 5-6]. Underneath, in a solid white line bordered box, in two columns, white type text reads: left column [Tuesday / TONGUES UNTIED and ANTHEM / TUES at 6:30 and 9:45 / ETHNIC NOTIONS, LONG TRAIN RUNNING and AFFIRMATIONS / TUES at 7:40 / Marlon Riggs will speak from 9:10 until 9:45]; right column [Wednesday / COLOR ADJUSTMENT In Marlon Riggs' brand new film viewers will see the familiar - primetime TV - with new insight, and will examine how network entertainment has shaped, mirrored and sometimes distorted the social reality of black/white relations since the civil rights movement. Color. 90 mins. 1991 / WED at 1:00, 3:00, 5:00, 7:00 and 9:30 / Marlon Riggs will speak between 8:30 and 9:30]. Along bottom center is the Roxie Cinema logo, which reads: [ROXIE CINEMA / 3117 16th (at Valencia) 863-1087] in white type, with horizontal white lines running on top of the text Roxie Cinema. The back of the poster is white and mostly blank. There is a small inscription written in bottom left corner in pencil that reads: .
A flyer for a benefit hosted by the African-American Resource Machine advertising a presentation by Eldridge Cleaver. The flyer is mostly off-white with a black silhouette of a man dominating the center left side of the flyer. The top and bottom of the flyer have thick black bands with the name [ELDRIDGE] and [CLEAVER] writing in negative space, off-white text. There is a small red design in the black band in the top right corner. Printed vertically and along the right edge, and horizontally along the bottom edge, is repeating black text that reads [African-American Resource Machine]. Next to the silhouette, at the center right, is the benefit information printed in black text that reads [Saturday, / April 14 / Artist's Television Access 2pm / 992 Valencia St. / San Francisco / 824-3890 / BENEFIT: A A R M]. The ticket price is printed in black vertical text next to Cleaver’s last name, [$18]. There is a quote by Cleaver printed in negative space, off-white text over the shoulders of the silhouetted figure that reads: “The system is evil. It is criminal; it is / murderous. And it is in control. It is in / power. It is arrogant. It is crazy. And / it looks upon the people as its proper- / ty. So much so that cops, who are pub- / lic servants, feel justified in going onto / a school campus, and spraying Mace in / the faces of the people.” The back of the flyer is blank with two handwritten pencil inscriptions in the top left corner.