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Wedding scrapbook compiled by Lollaretta Pemberton
- Manufactured by
- C.R. Gibson and Company, American, founded 1870
- Subject of
- Allen, Lollaretta Pemberton, American, 1895 - 1979
- Allen, Grover Joseph, American, 1889 - 1984
- Date
- 1939
- On ViewConcourse 2, C 2053
- Medium
- leather, ink on paper, newsprint and pressure-sensitive tape
- Dimensions
- Closed: 10 3/4 × 8 1/8 × 3/8 in. (27.3 × 20.6 × 1 cm)
- Description
- This is a "Wedding Memories" scrapbook made by Lollaretta Pemberton for her wedding to Grover Allen on July 10, 1939. The scrapbook has a white leather cover with stylized gold-leaf leaves and the words "Wedding Memories" embossed across the front. Inside Lollaretta included her wedding invitation, a newspaper clipping of her dream wedding dress, and lists of guests and their gifts.
- Transcription Center Status
- Transcribed by digital volunteers
- Place depicted
- Chicago, Cook County, Illinois, United States, North and Central America
- Marshall, Harrison County, Texas, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- scrapbooks
- Topic
- American West
- Communities
- Families
- Marriage customs and rites
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Rita C. Organ and Pemberton Family
- Object number
- 2012.30.5
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Jet vol. 27 no. 3
- Published by
- Johnson Publishing Company, American, founded 1942
- Edited by
- Johnson, John Harold, American, 1918 - 2005
- Johnson, Robert Edward, American, 1922 - 1996
- Subject of
- Senator Robert F. Kennedy, American, 1925 - 1968
- Date
- October 22, 1964
- Medium
- ink on paper with metal
- Dimensions
- H x W x D (Closed): 5 7/8 × 4 1/4 × 1/16 in. (15 × 10.8 × 0.2 cm)
- H x W x D (Open): 5 7/8 × 8 3/8 × 1/2 in. (15 × 21.2 × 1.3 cm)
- Description
- Jet Magazine, volume 27, number 3 from October 22, 1964. The front cover features a black and white image of New York Senatorial candidate, Robert F. Kennedy, set against a red background. Kennedy is depicted in the left foreground of the image standing above, and facing, a large crowd of people. Kennedy’s hands are outstretched in front of him and he is clasping the hands of two people in the crowd below. The crowd of people in the right foreground have hands extended towards Kennedy. A row of policemen stand between Kennedy and the crowd. A caption printed in white text, right of center, at the bottom of the image reads, [The Kennedy touch / is magic in Harlem]. The associated cover line, running along the bottom of the cover in a red banner, is printed in white type that reads, [ROBERT KENNEDY BATTLES FOR NEGRO VOTE]. The top third of the front cover is the mast head in white text [JET] on the left side, and the date line, printed below in black text that reads, [Oct. 22. 1964]. The magazine price is printed in the top left corner in white text in a black circle, [20c]. To the right of the masthead, is the cover line, [HOW MOVIE STARS / AID FIGHT FOR / FAIR HOUSING] written in black text in a small white field. The interior pages are white with black and red text, black-and-white photographs, and illustrations. The magazine’s cover article about Kennedy’s candidacy for a New York Senate seat is titled, “Robert Kennedy Battles For Negro Vote.” The back cover features an advertisement for Old Hickory Bourbon. This magazine issue is sixty-six (66) pages.
- Place printed
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Clarence, Mary, and Robert Bryant
- Object number
- 2017.88.6
- Restrictions & Rights
- @Johnson Publishing Company. Permission required for use.
-
Ebony Vol. XXVII No. 10
- Published by
- Johnson Publishing Company, American, founded 1942
- Subject of
- Ebony, American, founded 1945
- Date
- August 1973
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper
- Dimensions
- Closed: 13 5/16 × 10 1/4 × 3/8 in. (33.8 × 26 × 1 cm)
- Open: 13 5/16 × 19 3/4 × 1 in. (33.8 × 50.2 × 2.5 cm)
- Description
- An August 1973 issue of Ebony Magazine titled, The Black Middle Class. The front cover of the magazine is a fish-eye lens view of a photograph of a man walking down a street in a city. The man is dressed in a suite and carries a briefcase. The street is lined with high-rises and several other people walk along the sidewalk. Parked cars are also visible in the photograph. The top of the front cover of the magazine has a black background with white type. The type reads: [A Johnson Publication / EBONY / SPECIAL ISSUE]. The magazine name, Ebony, is set against a red background. Blue type over at the center reads: THE BLACK MIDDLE CLASS]. The bottom left corner of the front cover has additional white type that reads: [AUGUST 1973 75¢]. The bottom center of the front cover has a white address label sticker with black type. The interior of the magazine consists of 180 pages. The back cover has a Winston cigarette advertisement. The top of the back cover has a black background with white type that reads: [HOW GOOD IT IS! / THAT'S WINSTON]. The main portion of the back cover is filled with an image for the advertisement of a man (left) holding a cigarette and a woman (right) with her arms around his shoulders. The bottom of the cover has a warning from the Surgeon General.
- Place printed
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Topic
- Business
- Identity
- Mass media
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift
- Object number
- 2015.22
- Restrictions & Rights
- © Ebony. Permission required for use.
-
Ebony Vol. LX, No. 12
- Created by
- Unidentified
- Published by
- Johnson Publishing Company, American, founded 1942
- Edited by
- Leavy, Walter, American
- Norment, Lynn, American
- Subject of
- Johnson, John Harold, American, 1918 - 2005
- Ebony, American, founded 1945
- Date
- October 2005
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ink on paper
- Dimensions
- H x W x D: 10 13/16 × 8 3/16 × 5/16 in. (27.5 × 20.8 × 0.8 cm)
- Description
- Ebony magazine, Volume LX, Number 12. This edition honors the life of John H. Johnson, the founder of Johnson Publishing Company, publisher of Ebony magazine. The front cover features a photographic portrait of Johnson. Johnson stands with his forearms resting on the back of an orange-red upholstered chair, looking at the camera. He is wearing a blue-gray suit, white shirt, and a red patterned tie. His hands are clasped in front of him and a gold cuff link can be seen on his proper left sleeve. Johnson stands in front of a blurry brown background. Behind his head, in the upper left corner, the publication mast head, a red partially obscured banner, outlined in white with white block lettering that reads: [EBONY] with the letters [NY] completely obscured. Over Johnson's chest, in the center of the front cover, is the main cover line in white text that reads [Celebrating / The Life / And Legacy Of / John H. Johnson / 1918-2005]. In the lower left corner is a white rectangle with a barcode. Below the rectangle is the publication website in white text [www.ebony.com]. In the lower right corner, in dark yellow text, is the publication date and price: [OCTOBER 2005 / USA $3.50 / CANADA $4.99]. Below the price is the publisher information [A JOHNSON PUBLICATION]. The back cover of the magazine features a full length Chevrolet advertisement for the Cobalt SS. The advertisement features three images: a red landscape with a blue road in the top left corner, the silver colored [SS] car emblem in the top right corner, and the car against a blue background on the bottom. There are 217 (two hundred and seventeen) interior pages with color and black-and-white images.
- Place printed
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials
- Topic
- Business
- Mass media
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Bunch Family
- Object number
- 2015.26
- Restrictions & Rights
- © Johnson Publishing Company, LLC. All rights reserved. Permission required for use.
-
The Supreme Wisdom
- Published by
- Muhammad University of Islam, American, founded 1934
- Written by
- Muhammad, Elijah, American, 1897 - 1975
- Subject of
- Nation of Islam, American, founded 1930
- Date
- ca. 1957
- Medium
- ink on paper
- Dimensions
- H x W (image): 8 11/16 x 6 in (22.06 x 15.24 cm)
- Description
- This paperback booklet depicts a photograph of Elijah Muhammad at the center right margin of the cover. Next to the photograph is a red oval with white text that reads "The Supreme Wisdom." Beneath the oval, in green text are the words "By the Honorable Elijah Muhammad." On the cover's top right corner is a green oval with the words "Volume Two." On the top left corner is a red rectangle with a white star and crescent moon.
- Statement
- Objects depicting symbols of hate or related to organized hate groups may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate history and culture.
- Place made
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials
- Type
- booklets
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.150.11.11
- Restrictions & Rights
- © Estate of Lloyd W. Yearwood
-
Globe
- Created by
- Replogle Globes, American, founded 1930
- Subject of
- Covert Consolidated School, American
- Date
- 1930-1945
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- metal, paper
- Dimensions
- H x W x D: 15 1/2 × 12 × 11 in. (39.4 × 30.5 × 27.9 cm)
- Description
- Globe of the Earth attached to a metal axis and base. Ring of metal measuring latitude circles the globe. Base is a shallow cone shape with a lipped rim around the edge. Globe features all continents and oceans with major cities and waterways depicted. In the North Pacific Ocean is a graphic of the manufacturer in a scalloped oval. Within the oval is the name brand and place of manufacturer. Additional text found on the bottom border surrounding the oval. [10 INCH / STANDARD / GLOBE / MADE BY / REPLOGLE GLOBES / INC. / CHICAGO, ILL. / CLEAR" / "ACCURATE" / "UP-TO-DATE]. An analemma diagram is positioned in the East Pacific Ocean near Central America.
- Place made
- Chicago, Cook County, Illinois, United States, North and Central America
- Place used
- Van Buren County, Michigan, United States, North and Central America
- Classification
- Tools and Equipment-Occupational
- Type
- terrestrial globes
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Covert Historical Museum
- Object number
- 2014.17.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
Riot
- Written by
- Gwendolyn Brooks, American, 1917 - 2000
- Illustrated by
- Donaldson, Jeff, American, 1932 - 2004
- Published by
- Broadside Press, founded 1965
- Owned by
- Furious Flower Poetry Center, American, founded 1999
- Subject of
- AfriCOBRA, founded 1968
- Date
- 1970
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper
- Dimensions
- 8 7/16 × 5 1/2 × 3/16 in. (21.5 × 14 × 0.4 cm)
- Description
- This is a paperback volume of poetry with black cover and the word "RIOT" in red san-serif typeface within a white irregular circle. The name "GWENDOLYN BROOKS" in white serif typeface are centered in the middle of the cover. The words "BROADSIDE PRESS $1.00" are visible in the lower left corner. On the back cover is a large black and white photograph of the author that fills two-thirds of the surface. The photograph depicts a woman with short hair, wearing a button down collared shirt. There is a dark window behind her. The remaining third of the cover shows text that read "RIOT/ is a poem in three parts, only one part of / which has appeared in print before. It arises from/ the disturbances in Chicago after the assassination of Martin Luther King in 1968. / RIOT, BY GWENDOLYN BROOKS, $1.00/ BROADSIDE PRESS/ 12651 Old Mill Place Detroit Michigan 48238." On the frontispiece is a reproduction of a painting by Jeff Donaldson. It depicts two young men, both wearing white shirts and khaki pants. The taller man holds a small African statue in his right hand and presses his left hand up against a clear sheet of glass the stands between the him and the viewer. The younger man stands behind him and also presses his hand against the glass surface. The glass is indicated by a few semi-transparent vertical lines and several iterations of the word "glass" in various sizes across the surface of the painting. Beneath the image are the words ""Allah Shango," by Jeff Donaldson / This painting was the Purchase Award Winner at the exhibit "Black/ Expressions '69" at the Southside Community Art Center, Chicago."
- Place printed
- Detroit, Wayne County, Michigan, United States, North and Central America
- Place made
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Movement
- BAM (Black Arts Movement 1965-1976)
- Type
- paperbacks
- Topic
- Civil rights
- Communities
- Literature
- Poetry
- Race discrimination
- Violence
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.255
- Restrictions & Rights
- © Gwendolyn Brooks. Permission required for use.
-
Esquire, Vol. 69, No. 4
- Published by
- Hearst Corporation, American, founded 1887
- Subject of
- Ali, Muhammad, American, 1942 - 2016
- Date
- 1968
- On ViewCommunity/Third Floor, 3 052
- Exhibition
- Sports: Leveling the Playing Field
- Medium
- ink on paper
- Dimensions
- H x W: 10 15/16 × 13 3/4 in. (27.8 × 35 cm)
- Description
- Esquire magazine volume 69, number 4. The magazine’s cover depicts Muhammad Ali being pierced by six arrows. Text below the image reads: [The Passion of Muhammad Ali]. The magazine contains166 pages of articles, advertisements, fiction writing, and pictured essays.
- Place made
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Type
- periodicals
- Topic
- Activism
- Athletes
- Boxing
- Mass media
- Men
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.248
- Restrictions & Rights
- © Carl Fischer/Artists Rights Society (ARS) New York.. Permission required for use.
-
Delegate
- Published by
- MelPat Associates, American, 1965 - 1986
- Created by
- Patrick, C. Melvin, American, died 1985
- Subject of
- Sen. Brooke, Edward, American, born 1919
- Morris Brown College, American, founded 1881
- Interracial Council for Business Opportunity, American, founded 1963
- Opportunities Industrialization Center of America, Inc., American, founded 1964
- Humphrey, Hubert Horatio Jr., American, 1911 - 1978
- General James, Daniel Jr., American, 1920 - 1978
- Wilkins, Roy, American, 1901 - 1981
- Shorter, Rufus B., American
- National Association of Black Social Workers, American, founded 1968
- National Association of Market Developers, American, founded 1953
- National Medical Association, American, founded 1895
- Ancient and Accepted Scottish Rite of Freemasonry
- Prince Hall Freemasonry, founded 1784
- Howard University, American, founded 1867
- National Newspaper Publishers Association, American, founded 1827
- Young Men's Christian Association (YMCA), International, founded 1844
- Avon, founded 1886
- Lambda Kappa Mu Sorority, Inc., American, founded 1937
- National Association for the Advancement of Colored People, American, founded 1909
- The Links, Incorporated, American, founded 1946
- National United Church Ushers Association of America, Inc., American, founded 1919
- National Medical Association, American, founded 1895
- National Dental Association, American, founded 1913
- Sigma Gamma Rho Sorority, Inc., founded 1922
- Phi Beta Sigma Fraternity, American, founded 1914
- National Urban League, American, founded 1910
- Iota Phi Lambda Sorority, Inc., American, founded 1929
- Alpha Kappa Alpha Sorority, Incorporated, founded 1908
- Zeta Phi Beta Sorority, American, founded 1920
- Alpha Phi Alpha Fraternity, Inc., American, founded 1906
- Eta Phi Beta Sorority, Inc., American, founded 1943
- National Association of University Women, American, founded 1910
- National Association of Market Developers, American, founded 1953
- Chi Eta Phi Sorority, Inc., American, founded 1932
- American Bridge Association, American, founded 1932
- Ashe, Arthur Jr., American, 1943 - 1993
- The Salvation Army, American, founded 1865
- National Dental Association, American, founded 1913
- Shriners International, American, founded 1870
- Davis, Sammy Jr., American, 1925 - 1990
- Congressional Black Caucus, American, founded 1971
- Rev. King, Martin Luther Sr, American, 1899 - 1984
- Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
- Southern Christian Leadership Conference, American, founded 1957
- National Urban League Guild, American, founded 1946
- Association for the Study of African American Life and History, American, founded 1915
- 369th Veterans Association, American
- Prince Hall Freemasonry, founded 1784
- One Hundred Black Men, Inc., American, founded 1963
- Phi Beta Sigma Fraternity, American, founded 1914
- Date
- 1978
- Medium
- ink on paper
- Dimensions
- H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
- Description
- A 1978 issue of Delegate magazine published by MelPat Associates. The cover of the magazine features a pink ribbon that reads [1978 / DELEGATE] on a collage of cropped black and white photographic portraits with an orange tint. The magazine has a white spine with black text that reads [DELEGATE 1978 - The 2nd Year of the 3rd Century].
- The magazine’s content opens on the first page with an untitled editorial note recounting events of the past year, including the failed mayoral campaign of Percy Sutton, affirmative action, and the disappointments of the Carter administration. There is also a masthead, set in white text against a bright blue background reading [DELEGATE, 1977], followed by a table of contents.
- The content then continues with a feature on Senator Edward W. Brooke and an article about the Bakke case, followed by profiles of African American business organizations, business leaders, community organizations, sororities, fraternities, doctors, dentists, politicians, actors, and journalists. This includes Boggs Academy, Opportunities Industrial Centers, Canadian Club, Bottle and Cork Club, Johnson & Johnson, Rufus Shorter, National Association of Black Social Workers, National Urban Affairs Council, Association of Market Developers, Empire State Medical, Ponds, Prince Hall Grand Lodge, Dr. George Alexander, National Newspaper Publishers Association, NBC, Clifford Alexander, Kraft, Lambda Kappa Mu Sorority, NAACP, Links, National Church Ushers, National Medical Association, National Dental Association, Sigma Gamma Rho Sorority, Jeffrey Goldsen, Phi Beta Sigma Fraternity, National Urban League, ABC-TV, Iota Phi Lambda Sorority, Alpha Kappa Alpha Sorority, Zeta Phi Beta Sorority, Alpha Phi Alpha Fraternity, Eta Phi Beta Sorority, National Association of University Women, CBS Records, National Bar Association, Gulf Oil, Whitfield, American Bridge Association, Shriners and the Daughters of Isis, Center for Social Change, Elks of the World, Southern Christian Leadership Conference, The Association for the Study of Afro-American Life and History, 369th Veterans Association, Brenda Schofield and Willa Benge, and Judge Constance Motley. There are sections on California, Houston, Minneapolis, Detroit, Washington, DC, Atlanta, Chicago, and New York, as well as a travel section featuring Jamaica, Barbados, Oak Bluffs, and West Africa.
- There are approximately 284 pages with black and white photographs and advertisements throughout, as well as a few advertisements in color. The back cover of the magazine features a full page advertisement for Kool cigarettes.
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- Harlem, New York City, New York, United States, North and Central America
- Place depicted
- California, United States, North and Central America
- Houston, Texas, United States, North and Central America
- Minneapolis, Hennepin County, Minnesota, United States, North and Central America
- Detroit, Wayne County, Michigan, United States, North and Central America
- Chicago, Cook County, Illinois, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Jamaica, Caribbean, North and Central America
- Barbados, Caribbean, North and Central America
- Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
- West Africa, Africa
- Classification
- Documents and Published Materials-Published Works
- Topic
- Advertising
- Associations and institutions
- Business
- Communities
- Fraternal organizations
- Fraternities
- Government
- HBCUs (Historically Black Colleges and Universities)
- Journalism
- Labor
- Mass media
- Men
- Political organizations
- Politics
- Professional organizations
- Religious groups
- Social life and customs
- Sororities
- Travel
- U.S. History, 1969-2001
- Urban life
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
- Object number
- 2012.167.12
- Restrictions & Rights
- Public domain
-
Abbott's Monthly Vol. II No. 5
- Created by
- Abbott's Monthly, American, 1929 - 1933
- Published by
- Abbott, Robert Sengstacke, American, 1830 - 1940
- Edited by
- Harper, Lucius Clinton, American, 1895 - 1952
- Date
- May 1931
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ink on paper
- Dimensions
- H x W x D: 11 3/8 x 8 9/16 x 1/4 in. (28.9 x 21.7 x 0.6 cm)
- Description
- The May 1931 (Vol. II No. 5) issue of Abbott's Monthly. The front cover features an image of a woman wearing a white hat looking off to the left. The cover shows significant wear along the edges with tape along the binding. There are approximately 87 pages.
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- 3435 Indiana Avenue, Chicago, Cook County, Illinois, United States, North and Central America
- Place depicted
- Uruguay, Latin America, South America
- Classification
- Documents and Published Materials-Published Works
- Topic
- Literature
- Mass media
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
- Object number
- 2012.84.1
- Restrictions & Rights
- Public domain
-
Abbott's Monthly Vol. II No. 1
- Created by
- Abbott's Monthly, American, 1929 - 1933
- Published by
- Abbott, Robert Sengstacke, American, 1830 - 1940
- Edited by
- Harper, Lucius Clinton, American, 1895 - 1952
- Date
- January 1931
- Medium
- ink on paper
- Dimensions
- H x W x D: 11 3/8 x 8 9/16 x 1/4 in. (28.9 x 21.7 x 0.6 cm)
- Description
- The January 1931 (Vol. II No. 1) issue of Abbott's Monthly. The front cover features an image of a woman with a basket on her head, standing next to a cow and in front of a log cabin. The cover shows significant wear along the edges.There are approximately 93 pages.
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- 3435 Indiana Avenue, Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Topic
- Literature
- Mass media
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
- Object number
- 2012.84.2
- Restrictions & Rights
- Public domain
-
Negroes in Brazil: A Study of Race Contact at Bahia
- Written by
- Pierson, Donald, American, 1900 - 1995
- Illustrated by
- Debret, Jean-Baptiste, French, 1768 - 1848
- Published by
- University of Chicago Press, American, founded 1890
- Date
- 1947
- Medium
- ink on paper (fiber product), cardboard, and thread
- Dimensions
- H x W x D: 7 11/16 × 5 1/2 × 1 7/16 in. (19.6 × 14 × 3.6 cm)
- Description
- A 392-page hard bound book entitled Negroes in Brazil: A study of Race Contact at Bahia by Donald Pierson. The cover is green with yellow text and graphics. The cover shows an outline of a map of South America with all countries except for Brazil filled in with yellow. Brazil has horizontal yellow lines crossing through its entirety. These lines continue to the left side of the South America outline. The uppermost and bottommost lines extend to the right side of the continent and frame the title of the book [NEGROES / IN BRAZIL] and the author’s name [DONALD PIERSON], which are both in yellow. The spine of the book is green with [PIERSON] underlined along the top edge. The title of the book is written between two sets of horizontal yellow lines. The University of Chicago Press publisher’s insignia is along the bottom edge.
- The first page of the book includes a portrait of woman with the caption: [TYPICAL BAHIAN NEGRO GIRL].
- In the Preface the author writes that the book will “contribute toward making better known and understood one aspect of Brazilian life, namely, the career of the Brazilian Negro.” The book hopes to answer the question: “What happened to the Africans who were imported in such large numbers into this part of the New World?” The book focuses on Bahia, the main Brazilian entry point for enslaved Africans. The first part of the book analyzes the racial, economic, and cultural factors that shape Bahian society. The second part examines the slave trade and race relations. The third part details miscegenation and the fading color line. The fourth part surveys with the racial composition of the classes in Bahia. The fifth section examines elements of the African culture that have survived in Bahia. The sixth section is a summary of Pierson’s findings and he argues that class over race is the determining factor in social position in Bahia.
- There are a variety of illustrations and graphics in the book.
- Page 5 has a geopolitical map of South America with [BAHIA] in Brazil filled in with thin diagonal lines. The caption for this photo is [MAP OF SOUTH AMERICA SHOWING BAHIA AND SURROUNDING AREA].
- Facing page 16 shows an image of a large structure in the Portuguese colonial style labelled [THE RICOS OF THE RIDGES] which translated to the “The Rich of the Ridges”.
- Facing page 19 shows an image of multiple, cramped homes with tile rooves and other features common in regional vernacular architecture. The image is labeled [THE POBRES OF THE VALLEYS] which translates to “The Poor of the Valleys”.
- Facing page 76 shows a painting by Jean-Baptiste Debret with the caption [A BRAZILIAN FAMILY OF THE EARLY NINETEENTH CENTURY]. This graphic shows a Brazilian family leaving their home dressed in gala attire for a [customary Sunday promenade]. The family is in a single file line, led by the patriarch, followed by two young daughters and the mother. At least six enslaved individuals follow behind the family as they leave their home.
- Facing page 78 shows another painting by Jean-Baptiste Debret with the caption [A DOMESTIC SCENE IN COLONIAL BRAZIL]. This painting shows a Portuguese woman and children and five enslaved individuals engaging in a variety of domestic activities. The scene looks peaceful, but at the far-left side of the sofa sits a whip, suggesting that the scene could turn violent at any given moment.
- Page 259 shows an artistic duplicate of [SYMBOLS OF THE SOOTHSAYER’S ART PAINTED ON THE WALL OF A NEGRO DWELLING IN MATATU]. This artistic depiction is circular in form, with vines making up the bottom two thirds of the circle. Two decorative sugar bowls are depicted at the top of the image. Below the sugar bowls there is a circle with an illustration of an upside-down U-shaped object with circular shapes throughout. Above the circle is a book open to pages that read [THE LORD / IS MY / HELPER / WAIT ON / THE LORD / AND KEEP / HIS WAY]. On the left side of the circle, there is a flogger and, on the right, a knife. Two pears are below the circle. There is a phrase at the top of the image which reads [Suru ni ogun aiye] which translates to “Calm/patience conquers the world”.
- Facing page 287 is an image of a woman in traditional Candomblé festival attire with a white garment and layers of long and short necklaces. The caption reads [FILHA DE SANTO IN CEREMONIAL COSTUME READY TO ASSIST IN Candomblé RITUAL / In her hand is the symbol of Xangô, the orixá of lightning. (Photo- / graph by Friar Tomaz.)].
- Appendix B, which begins on page 262 features [COMMON SAYINGS REGARDING THE NEGRO] which are composed of misconceptions and stereotypes.
- The book has no markings, signatures, or inscriptions on the exterior or interior of the object.
- Place depicted
- Bahia, Brazil, Latin America, South America
- Place printed
- Chicago, Illinois, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Type
- hardcover books
- Topic
- African diaspora
- Colonialism
- Communities
- Cooking and dining
- Emancipation
- Families
- Folklife
- Foodways
- Free communities of color
- Holidays and festivals
- Portuguese colonialism
- Race relations
- Religion
- Stereotypes
- Trans Atlantic slave trade
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.1.247
- Restrictions & Rights
- © Donald Pierson. Permission required for use.
-
Commemorative football from Super Bowl XLI signed by Tony Dungy and Lovie Smith
- Created by
- Wilson Sporting Goods Co., American, founded 1914
- Owned by
- Dungy, Tony, American, born 1955
- Signed by
- Dungy, Tony, American, born 1955
- Smith, Lovie, American, born 1958
- Subject of
- Fritz Pollard Alliance, American, founded 2003
- National Football League, American, founded 1920
- Indianapolis Colts, American, founded 1953
- Chicago Bears, American, founded 1919
- Date
- February 4, 2007
- Medium
- leather
- Dimensions
- H x W x D: 7 × 11 × 7 in. (17.8 × 27.9 × 17.8 cm)
- Caption
- Tony Dungy was named one of Time magazine's 100 most influential people in 2007 after becoming the first African American coach to win a Super Bowl.
- Description
- "Game ball" football from Super Bowl XLI autographed by Tony Dungy and Lovie Smith. Ball is four panels stitched together. Three of the panels are white, and the fourth is brown as seen in a regulation NFL football. One white panel reads [SUPER BOWL XLI] followed by the signatures of Tony Dungy and Lovie Smith, with [LIMITED EDITION 0 of 125] at the bottom of the panel. Another white panel reads [AN HISTORIC EVENT]. Beneath that are the scores of the involved teams and the Super Bowl XLI logo. Beneath that is [FRITZ POLLARD ALLIANCE]. Last white panel reads [Wilson] above [MADE / IN U.S.A / K] / [INFLATE / 13 LBS / Y]. Brown panel features NFL logo at center with ["THE DUKE." / Wilson] to the left and Commissioner Roger Goodell's signature to the right.
- Place depicted
- Miami Gardens, Miami-Dade County, Florida, United States, North and Central America
- Chicago, Cook County, Illinois, United States, North and Central America
- Indianapolis, Marion County, Indiana, United States, North and Central America
- Type
- footballs
- Topic
- Football
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Tony Dungy
- Object number
- 2018.32.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
"Game ball" football from Super Bowl XLI
- Created by
- Wilson Sporting Goods Co., American, founded 1914
- Owned by
- Dungy, Tony, American, born 1955
- Subject of
- Dungy, Tony, American, born 1955
- National Football League, American, founded 1920
- Indianapolis Colts, American, founded 1953
- Chicago Bears, American, founded 1919
- Date
- February 4, 2007
- Medium
- leather
- Dimensions
- H x W x D: 7 × 11 × 7 in. (17.8 × 27.9 × 17.8 cm)
- Caption
- Tony Dungy was named one of Time magazine's 100 most influential people in 2007 after becoming the first African American coach to win a Super Bowl.
- Description
- "Game ball" football from Super Bowl XLI. Ball is four leather panels stitched together. One panel reads [SUPER BOWL XLI CHAMPIONS] followed by the Indianapolis Colts logo with the scores of the Colts 929) and the Chicago Bears (17) to the left and right, respectively. Another panel features a heat stamped NFL logo above [CHICAGO / BEARS) · (INDIANAPOLIS / COLTS) / SOUTH FLORIDA · FEBRUARY 4, 2007 / NATIONAL FOOTBALL LEAGUE / Wilson / MADE IN U.S.A.]. Next panel has large Super Bowl XLI logo at center with ["THE DUKE." / WILSON] on the left and [(Roger Goodell signature) / COMMISSIONER] to the right. Fourth and final panel is blank.
- Place depicted
- Miami Gardens, Miami-Dade County, Florida, United States, North and Central America
- Indianapolis, Marion County, Indiana, United States, North and Central America
- Chicago, Cook County, Illinois, United States, North and Central America
- Type
- footballs
- Topic
- Football
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Tony Dungy
- Object number
- 2018.32.3
- Restrictions & Rights
- No Known Copyright Restrictions
-
Armchairs used on The Oprah Winfrey Show
- Created by
- Unidentified
- Subject of
- Harpo, Inc., American, founded 1986
- Used by
- Winfrey, Oprah, American, born 1954
- Date
- 1996-1998
- Medium
- leather, foam, wood, metal, and cloth
- Dimensions
- H x W x D (.1): 34 1/2 × 37 × 35 1/2 in. (87.6 × 94 × 90.2 cm)
- H x W x D (.2): 35 1/2 × 37 1/2 × 36 1/2 in. (90.2 × 95.3 × 92.7 cm)
- Description
- These two ochre textured leather armchairs, both alike, were used on the set of The Oprah Winfrey Show. Each chair is shaped with a deep, rectangular seat, padded arms with a slight, rounded curve, and a padded back with a scalloped top edge. The padded seat cushion for each chair is attached at the back of the chair with two (2) lengths of black elastic with a metal D-ring that fasten to corresponding metal clips on the cushion. Four (4) dark-stained short wooden legs extend from each bottom corner of the chairs. Decorative piping in the ochre leather is sewn around the edges of the back, the front arms, and the seat cushion. Under the cushion, the chair is lined with matching ochre heavy-weight fabric. A label for the upholstery company Weber Furniture Service LLC is adhered to the lining at the front edge of the seat.
- Place used
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Tools and Equipment-Props and set design
- Type
- chairs
- Topic
- Actors
- Entertainers
- Mass media
- Television
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Oprah Winfrey
- Object number
- 2014.324.4.1-.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Table used on The Oprah Winfrey Show
- Created by
- Unidentified
- Used by
- Winfrey, Oprah, American, born 1954
- Subject of
- Harpo, Inc., American, founded 1986
- Date
- 1996-1998
- Medium
- a: wood and wrought iron;
- b: glass
- Dimensions
- H x W x D (ab): 17 15/16 × 42 1/4 × 42 1/4 in. (45.6 × 107.3 × 107.3 cm)
- H x W x D (a): 17 3/16 × 42 1/4 × 42 1/4 in. (43.7 × 107.3 × 107.3 cm)
- H x W x D (b): 3/16 × 34 5/8 × 34 5/8 in. (0.5 × 87.9 × 87.9 cm)
- Description
- A circular wrought iron and wood table (a) with a glass top (b) used on the set of The Oprah Winfrey Show. The table base is made from wrought iron, with four (4) legs resembling a reverse scroll style, positioned in cardinal directions. Wrought iron is also formed into a non-functional shelf with a scrollwork design forming heart shapes. Below the shelf a scalloped line of wrought iron runs around the circumference of the table. The top rim of the table base is made from wood stained a dark brown, with the center of the top left open to the wrought iron heart design.
- A circular glass table top (b) with a beveled edge sits on top of the wooden rim of the table base.
- Place used
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Tools and Equipment-Props and set design
- Type
- coffee tables
- Topic
- Actors
- Entertainers
- Mass media
- Television
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Oprah Winfrey
- Object number
- 2014.324.5ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
Piano from Pilgrim Baptist Church used by Thomas Dorsey
- Created by
- The Cable Piano Company, American, founded 1880
- Used by
- Dorsey, Thomas Andrew, American, 1899 - 1993
- Subject of
- Pilgrim Baptist Church, American, founded 1922
- Date
- 1930s
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- wood, metal, wire and vinyl
- Dimensions
- H x W x D (piano main body): 38 × 55 1/2 × 57 in. (96.5 × 141 × 144.8 cm)
- H x W (piano leg at wideset point): 24 × 17 in. (61 × 43.2 cm)
- Caption
- This piano once resided in the historical Pilgrim Baptist Church of Chicago, Illinois, where it was used as a rehearsal piano by music director, Thomas A. Dorsey, the "Father of Gospel Music." Hired by influential pastor Junius C. Austin in the 1930s, Dorsey helped make Pilgrim one of the largest churches in the country. With Dorsey as its music director, the church became known as the birthplace of gospel music. Albertina Walker, Mahalia Jackson, Sallie Martin, Aretha Franklin, James Cleveland, The Staple Singers and The Edwin Hawkins singers are among those who have sung at the church. Famous members of the congregation include Bessie Coleman. When Pilgrim purchased new instruments for its music program, this piano was given to Pastor Austin. It would be played by Dorsey and others when they visited his home.
- Description
- This piano is paneled with wood and structured around a cast iron frame. When the piano's fallboard is open, the piano 'name' or maker is seen in the center of the fallboard's underside in stylized gold lettering which reads [Conover]. The piano has all 88 keys of its key board still in place. There is also a small locking mechanism in the center of the key bed. The cast iron frame is tinted gold with manufacturer and patent information stamped throughout in varying methods and sizes. On the second frame metal bar closest to the keyboard there is raised text which reads [CUPOLA CONSTRUCTON BELL METAL FRAME CAPO D'ASTRO BRIDGE]. In a small triangular depression in the frame on the right, close to the keyboard, is the manufacturer's stamp as well as the piano serial number [66/CONOVER/MFR'D BY/The/Cable/Company/Chicago/259608]. On the top right side of the plate are the patent dates stamped near the treble bridge [1 6 20/PAT. 11 23 20/5 3 21]. On the front right portion of the plate is the name of the frame style in script lettering surrounded in an oval of stylized foliage [FAIRY GRAND]. On the wood of the sound board, centered above the hammer rail, is the soundboard trademark logo in a dark green rectangle with square, gold corners. The letters inside the logo are gold [CROWNSTAY/REG. U.S. PAT. OFF.]. In the middle of the left edge of the frame is the stamped number [66]. At the back edge of the frame are additional stamped numbers [7-17]. The top board prop for the lid is located on the right side of the frame.
- Place used
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Musical Instruments
- Type
- baby grand pianos
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Rev. Richard C. Keller, Jr., Mr. Edward G. Keller and Ms. Paulene Austin Keller
- Object number
- 2015.134.1a-g
- Restrictions & Rights
- No Known Copyright Restrictions
-
Studs' Place
- Created by
- WENR-TV Chicago, American, 1948 - 1953
- Subject of
- Jackson, Mahalia, American, 1911 - 1972
- Terkel, Louis "Studs", American, 1912 - 2008
- Date
- 1949
- Medium
- 16mm Film (a): acetate film;
- Film Reel (b): metal;
- Film Shipping Box (c): cardboard
- Dimensions
- Duration: 24 Minutes
- Length (Film): 1065 Feet
- Title
- 16mm motion picture film of Studs' Place
- Caption
- The Christmas Eve 1949 episode of Studs Terkel's improvisational television drama guest stars Mahalia Jackson. Together with Studs and his coterie of players, Mahalia Jackson performs: "Go Tell It On The Mountain" and "His Eyes Are on the Sparrow."
- Description
- 16mm black and white kinescope film features a performance by Mahalia Jackson on "Studs' Place," an unscripted television drama that often featured famous people. This episode is a Christmas episode from 1949. It is a prime example of the late-1940s "Chicago School" of television in early broadcast television history.
- Consists of: 16mm Film (a), Original 1200 foot Film Reel (b), and Original Film Shipping Box (c).
- 2014.141.1.1a: 16mm film. This film opens with a shot of store sign that reads "Studs' Place, Fine Eats, Fine Friends, The Place To Meet and Eat." The narrator welcomes the audience and invites them inside to see who is in attendance that night. Inside, a man and woman, Grace, decorate a tree and converse. The phone rings, and Studs Terkel enters the room for a brief moment before leaving to answer the phone. Another man enters the room and offers to add tinsel to the Christmas tree. Eventually, all three men and Grace are standing around the tree talking about the tree and other things. They begin to talk about the one customer who is still in the restaurant and wonder why she's there alone on Christmas Eve. One of the men grabs his guitar and begins to play "Mockingbird," and the young girl walks over to the Christmas tree to talk with them. The man continues to play and the young girl starts to cry. Grace checks in on her to see if she's ok and offers to accompany her to the powder room, so she can talk to her in private. Studs Terkel enters the room again and is briefly happy to learn the young girl is no longer there, before learning she only went to the bathroom. The third gentleman reenters the room, and is aggravated to learn the girl is in fact still there as well. Mahalia Jackson enters in a fur coat and the men are excited to see her. They all sit around the table to talk and catch up. She tells them that she dropped in to try Louie's famous ribs, one of the chefs who is absent on account of it being Christmas Eve. The man who was playing the guitar offers to go fix the ribs in Louie's absence. Studs invites Mahalia to a Christmas party they're all attending later that evening, but she tells them she's very tired from touring so much. Even though she's tired, they convince her to sing. The man gets up and begins playing the piano. Mahalia slowly walks over the piano and sings "Go Tell It On The Mountain." After, they applaud her singing and go check on the ribs being prepared in the kitchen. Grace and the young girl reenter the room, and the woman introduces the young girl as Nancy Nichols. The woman tells Mahalia that Nancy isn't feeling very well, and Mahalia insists that Nancy tell her what's ailing her. Grace leans over to the man and tells him that they can't just leave poor Nancy in this state. A title card that reads "Get In The Scrap" appears as the narrator describes how important scrap dealers are to the nation's defense. The program continues. One of the men inform Mahalia that he accidentally burned the first batch and the second batch will be done very soon. Grace gathers all three men and tells them how Nancy is sad because she is pregnant and her husband is away in the Army. They plot to try to reach her husband for her on the payphone to surprise Nancy on Christmas Eve and cheer her up. Grace explains to Mahalia what they're trying to do for Nancy. One of the men plays the piano for Nancy in an attempt to cheer her up. Nancy tries to leave, but Mahalia convinces her to stay and listen to her sing. Mahalia sings "His Eye Is On The Sparrow." When she finishes, the payphone rings, and it's Nancy's husband. She's very excited! Mahalia begins to sing again. When she finishes, Nancy thanks everyone for what they did. They all decide to attend the Christmas party together. The narrator says the show will be right back and talks about another show viewers should check out. The credits play for "Studs' Place."
- Terkel's and a young girl who becomes separated from her loved ones on Christmas Eve. Together with Studs and his coterie of players, Mahalia Jackson attempts to cheer up the young woman by singing. It features two musical performances: "Go Tell It On The Mountain" and "His Eyes Are on the Sparrow."
- 2014.141.1.1b: Original 1200 foot film reel.
- 2014.141.1.1c: Original cardboard film shipping box. The top of the shipping box has an adhesive shipping label from the American Broadcasting Company addressed to [Miss Mahalia Jackson]. Handwritten on the bottom of the shipping box is [Studs/ Terkel] with a circle drawn around it.
- Place filmed
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- motion pictures (information artifacts)
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Paul & Claire Blumenfeld
- Object number
- 2014.141.1.1abc
- Restrictions & Rights
- No known copyright restrictions
-
Agenda for National Black Organizations and Leaders in Arts and Culture meeting
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- 1972
- Medium
- ink on paper
- Dimensions
- H x W: 13 15/16 × 8 1/2 in. (35.4 × 21.6 cm)
- Description
- Agenda from the Second World Black Festival of Arts and Culture meeting of National Black Organizations and Leaders in Arts and Culture. The agenda is printed on legal paper listing the conveners of the meeting, the location and address of the meeting, as well as the agenda and invitation to the meeting. Top third [2nd WORLD BLACK FESTIVAL OF ARTS AND CULTURE/c"/"o CONSULATE GENERAL OF NIGERIA PHONE: PL2-1670/575 LEXINGTON AVENUE, N.Y. 10022/Meeting of National Black Organizations/and Leaders in Arts and Culture/DATE: Friday, June 23, 1972/VENUE: Johnson Publishing Co. Building/(10th Floor)/820 South Michigan Avenue/Chicago, Illinois 60605/TIME: 10 a.m/CHIEF CONVENER: MR. OSSIE DAVIS]. Middle third left column [Co-Conveners:-/Mr. Charles Diggs, Chairman/Congressional Black Caucus/Mr. Imamu Baraka/Congress of African People/Dr. Charles Wesley/Ass. for Study of Negro/Life and History/Dr. H.R. Branson/President, Lincoln Univ./Dr. Ms. Samelia Lewis/National Conference of/Artists]. Middle third right column [Mr. Samuel L. Evans/Philadelphia Bicentennial Corp./Rev. Jesse Jackson, Director/Operation Push, Chicago/Miss Dorothy Height/National Council of Negro/Women/Dr. Richard Long/Center for Afro-American/Studies, Atlanta]. Bottom third [(This list of co-conveners is not complete)/Dear Brother"/"Sister:/You are cordially invited to the above meeting in Chicago, on/Friday, June 23, 1972/Purpose of Meeting: To discuss the above Festival and the/organisation of Black American participation. A brief on the/Festival is attached./AGENDA/1. Opening Remarks: Mr. Ossie Davis/2. Address by President of the Festival and Chairman of the/International Committee, Chief Anthony Enahoro,/Federal Commissioner for Information & Labour, Nigeria./3. Selection of Vice-President of the Festival (American Zone)/4. -INTERMISSION-/5. Establishment of the American National Committee./6. National Sub-Committees./7. Date and Venue of first meeting of the American National Comm./8. General].
- Place used
- Chicago, Cook County, Illinois, United States, North and Central America
- Place depicted
- Consulate of Nigeria, New York City, New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- BAM (Black Arts Movement 1965-1976)
- Type
- agendas
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.154.5
- Restrictions & Rights
- Public domain
-
The Exile
- Directed by
- Oscar Micheaux, American, 1884 - 1951
- Owned by
- Bowser, Pearl, American, born 1931
- Date
- 1931
- Medium
- acetate film and plastic
- Dimensions
- Duration (Reel 1): 32 Minutes
- Length (Film): 1140 Feet
- Duration (Reel 2): 28 Minutes
- Length (Film): 1000 Feet
- Duration (Reel 3): 19 Minutes
- Length (Film): 700 Feet
- Title
- 16mm motion picture film of The Exile
- Description
- This 16mm black and white feature film, "The Exile", was Oscar Micheaux's first "talkie" (a feature film with a synchronized audio/dialogue track). The film was based on his novel "The Conquest, The Story of a Negro Pioneer" (1913).
- Consists of: 16mm Film (a), 16mm Film (b), 16mm Film (c), Original Film Reel (d)
- 2012.79.1.30.1a: Reel 1, 2012.79.1.30.1b: Reel 2, 2012.79.1.30.1c: Reel 3: 16mm film.
- Edith Duval, a former maid, occupies a Southside Chicago mansion after it is abandoned by its wealthy meat packer owner. She is part of a wild crowd that likes to gamble, dance and have a good time. One night, when she throws a huge party for her friends, Jean Baptiste, a sincere young black man, draws her away from the crowd and confesses his love for her. Edith is delighted and tells Jean her plans to turn the house into a gambling club. Outraged by the suggestion, Jean declares his desire to take her away to a farm in South Dakota to earn an honest living. Edith, however, scornfully sends him away. Five years later, Jean has become such a successful farmer that he needs a hand with the chores and asks his new neighbors for help. Jean and the head of the family agree that the son will work for him. Meanwhile, Agnes, the daughter, is very attracted to Jean and, although he returns her love, he breaks off the romance because she is white and he is afraid that she will face a difficult life if they marry. Brokenhearted, Jean returns to Chicago. There, he visits Edith's nightclub, and determined to put Agnes behind him, he proposes to Edith again. This time she happily accepts. Unfortunately, an old lover of Edith shoots her in a jealous rage and Jean is accused of her murder. Upon seeing his name in the paper, Agnes decides to go to his aid. Her father agrees, and before she goes, he tells her that her mother was of Ethiopian descent, so it is all right for her to marry Jean. Just as she arrives in Chicago, she meets Jean, who has been completely cleared of the crime. The two set off for a happy married life in South Dakota.
- Place filmed
- Greenwich Village, New York City, New York County, New York, United States, North and Central America
- Place depicted
- Chicago, Cook County, Illinois, United States, North and Central America
- South Dakota, United States, North and Central America
- Collection title
- Pearl Bowser Collection
- Classification
- Media Arts-Film and Video
- Type
- motion pictures (information artifacts)
- 16mm (photographic film size)
- Topic
- American West
- Film
- Literature
- Race films
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
- Object number
- 2012.79.1.30.1abc
- Restrictions & Rights
- Public Domain