This 16mm film is a short documentary made by Madeline Anderson for National Education Television's Black Journal television program to commemorate the four year anniversary of the assassination of Malcolm X.
This 16mm black and white film print is a short documentary made for the National Education Television's Black Journal television program. Editor Madeline Anderson compiled footage of Malcolm X to commemorate the four year anniversary of his assassination.
Consists of: 16mm Film (a), Original 600 foot metal Film Reel (b), and Original 600 foot metal Film Canister (c).
2012.79.1.37.1a: 16mm film. This film opens with footage of the public attending the funeral/wake of Malcolm X, and a voice-over of a male narrator recounts the sentiments of some individuals describing what Malcolm X meant to the African American community during his life and after his assassination. Malcolm X's wife, Betty Shabazz, discusses Malcolm's early childhood roots, family, stints in foster care and boys' homes, and his struggle to stay on the straight and narrow in Boston, MA. The narrator then picks back up describing Malcolm X's biography and attitude towards race relations and integration in America. Excerpts from various television interviews with Malcolm X play. During the first interview clip, Malcolm explains why he believes integration has not been successful and cannot be successful (during that particular point in time) unless certain issues are addressed. In the second interview clip, Malcolm discusses why he was silenced by the Nation of Islam for a comment he made shortly after the assassination of President John F. Kennedy. He elaborates on what he actually meant by saying that "chickens are coming home to roost" amid an unaddressed climate of hate in the United States. The third interview is with Malcolm after he returned from his pilgrimage to Mecca. American reporters ask him about his feelings on integration in America, now that he has returned from Mecca, where Muslims from all over were participating in the pilgrimage to Mecca together. Malcolm states that his feelings on integration have not changed as a result of the brotherhood he experienced during his trip Mecca. An interview with Betty Shabazz picks up again, and she further explains her late husband's beliefs concerning integration and his wish to redirect the goal of the black struggle from civil rights to human rights by internationalizing the struggle and aligning African Americans with other marginalized groups around the world. Another interview with Malcolm X plays, and he explains, in his own words, how human rights is an international issue that should be addressed by the United Nations. Footage of a civil rights demonstration plays. Malcolm X addresses students in Selma, Alabama and talks about charging the United States with human rights violations. Further, he tells a story in which he defines what he believes to be the difference in mentality between what he calls a "field negro" and a "house negro". He states that he is a "field negro" ready to fight for his freedom.
2012.79.1.37.1b: Original 600 foot film reel.
2012.79.1.37.1c: Original 600 foot film canister. The metal can has two sticker labels, one on each side, with the name of the film and the film distribution company or organization.
A black-and-white photograph of a young boy taken in Harlem in 1963 by the photographer Leonard Freed. The boy photographed in right profile from the waist up. He is shirtless and has his head turned toward the camera, showing his face covered in sweat or droplets of water. His right arm is raised and flexing. In the foreground the forearm and elbow of another child is visible. Behind the children rowhouses are visible. The date and place the photo was taken are inscribed on the back along with the photographer's stamp.
A black-and-white photograph of a woman in a ballgown walking down a runway at a fashion show in Harlem, NY by photographer Leonard Freed. The woman wears a white dress and is walking down an illuminated runway with a spotlight on her from behind. There is an audience seated at tables on either side of the runway, including one standing man the woman seems to be looking at. The date and place the photo was taken are inscribed on the back along with the photographer's stamp.