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-
Welcome to New York... - it’s a small world after all….
- Published by
- MelPat Associates, American, 1965 - 1986
- Created by
- Patrick, C. Melvin, American, died 1985
- Subject of
- Motley, Constance Baker, American, 1921 - 2005
- Wagner, Robert F., American, 1877 - 1953
- Randolph, A. Philip, American, 1889 - 1979
- Zeta Phi Beta Sorority, American, founded 1920
- National Insurance Association, American, founded 1921
- Sigma Gamma Rho Sorority, Inc., founded 1922
- National Funeral Directors and Morticians Association, Inc., American, founded 1924
- Harlem Cultural Council, Inc., American
- New York Giants, American, founded 1925
- Powell, Adam Clayton Jr., American, 1908 - 1972
- Frontiers International, Inc., American, founded 1936
- National Funeral Directors and Morticians Association, Inc., American, founded 1924
- Date
- 1965
- Medium
- ink on paper
- Dimensions
- H x W x D: 12 × 8 7/8 × 3/16 in. (30.5 × 22.5 × 0.5 cm)
- Description
- A magazine titled [Welcome to New York... - it’s a small world after all….] published by MelPat Associates. The cover of the magazine is divided into two horizontal sections. The top section features a blue and white image of a globe against a sky with black text printed across the top reading [WELCOME TO NEW YORK]. The bottom section is yellow and pink with an image of dolls playing instruments. The image is black and white except for the musicians' shirts, which are red and pink striped. The image is set in front of a bright yellow background and on top of a bright pink background, with white text across the bottom reading [...it's a small world after all...]. The magazine content begins with tourist information on the Statue of Liberty, a portrait of Manhattan borough president Constance Baker Motley, a message from the mayor, Robert F. Wagner, and an article entitled "The Day RFK Came to Harlem." The content continues within additional tourist information on New York City, including Harlem and Brooklyn, profiles of professional organizations coming to New York for conventions or other events, and profiles of many different prominent people including business leaders, labor leaders, fraternity and sorority members, funeral directors, Democratic party leaders, prominent Republicans, church leaders, journalists, artists, and others. There are approximately 67 pages, with black and white photographs and advertisements. The back cover has a color advertisement for Vat Gold scotch.
- Place made
- Harlem, New York City, New York, United States, North and Central America
- Place depicted
- New York City, New York, United States, North and Central America
- Brooklyn, New York City, King County, New York, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Topic
- Associations and institutions
- Business
- Caricature and cartoons
- Communities
- Fraternities
- Funeral customs and rites
- Labor
- Mass media
- Men
- Political organizations
- Professional organizations
- Religious groups
- Sororities
- Travel
- U.S. History, 1961-1969
- Urban life
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
- Object number
- 2012.167.1
- Restrictions & Rights
- Public domain
-
Elmer Dixon Oral History Interview
- Created by
- Civil Rights History Project, American, founded 2009
- Interview of
- Dixon, Elmer, American
- Interviewed by
- Cline, David P. Ph. D., American, born 1969
- Subject of
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Student Nonviolent Coordinating Committee, American, 1960 - 1970s
- Carmichael, Stokely, Trinidadian American, 1941 - 1998
- Black Panther Party, American, 1966 - 1982
- Seale, Bobby, American, born 1936
- Dr. Newton, Huey P., American, 1942 - 1989
- Dixon, Aaron, American, born 1949
- Date
- February 28, 2013
- Medium
- digital
- Dimensions
- Duration: 02:32:32
- Description
- The oral history consists of eleven digital files: 2011.174.57.1a, 2011.174.57.1b, 2011.174.57.1c, 2011.174.57.1d, 2011.174.57.1e, 2011.174.57.1f, 2011.174.57.1g, 2011.174.57.1h, 2011.174.57.1i, 2011.174.57.1j, and 2011.174.57.1k.
- Elmer Dixon discusses his childhood in Chicago, Illinois and Seattle, Washington, where he marched with Martin Luther King, Jr., and heard Student Nonviolent Coordinating Committee (SNCC) leader Stokely Carmichael speak. At 17 he met Black Panthers Bobby Seale and Huey Newton in Oakland and established, with his brother Aaron Dixon as Defense Captain, the Seattle chapter of the Black Panther Party. Dixon discusses his work with the Panthers, the survival of several of the programs he started, including a health clinic, his work after the Panther chapter closed down in 1978, and his current position as director of an executive consulting firm specializing in diversity issues.
- LOC ID: afc2010039_crhp0057
- Place collected
- Seattle, King County, Washington, United States, North and Central America
- Place depicted
- Chicago, Cook County, Illinois, United States, North and Central America
- Oakland, Alameda County, California, United States, North and Central America
- Collection title
- Civil Rights History Project
- Classification
- Media Arts-Film and Video
- Movement
- Civil Rights Movement
- Black Power (Black Pride)
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Activism
- American West
- Associations and institutions
- Civil rights
- Medicine
- Social reform
- U.S. History, 1961-1969
- U.S. History, 1969-2001
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
- Object number
- 2011.174.57.1a-k
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture and The American Folklife Center, Library of Congress
-
The Rev. Dr. Samuel Berry McKinney Oral History Interview
- Created by
- Civil Rights History Project, American, founded 2009
- Interview of
- Rev. Dr. McKinney, Samuel Berry, American, born 1926
- Interviewed by
- Cline, David P. Ph. D., American, born 1969
- Subject of
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- United States Army Air Corps, American, 1926 - 1941
- Morehouse College, American, founded 1867
- Liberty Bank, American, 1968 - 1988
- Central Area Civil Rights Committee (CACRC), American, founded 1963
- Date
- April 17, 2013
- Medium
- digital
- Dimensions
- Duration: 01:48:53
- Description
- The oral history consists of seven digital files: 2011.174.85.1a, 2011.174.85.1b, 2011.174.85.1c, 2011.174.85.1d, 2011.174.85.1e, 2011.174.85.1f, and 2011.174.85.1g.
- The Reverend Dr. Samuel Berry McKinney recalls growing up in Cleveland, Ohio, and attending Morehouse College, where he got to know fellow freshman Martin Luther King, Jr. After service in the Army Flight Corps during World War II and finishing his college education, McKinney became a minister at a church in Seattle, Washington, where he contributed to the creation of the Liberty Bank. He discusses his role in founding the Central Area Civil Rights Committee in Seattle.
- LOC ID: afc2010039_crhp0085
- Place collected
- Seattle, King County, Washington, United States, North and Central America
- Place depicted
- Cleveland, Cuyahoga County, Ohio, United States, North and Central America
- Collection title
- Civil Rights History Project
- Classification
- Media Arts-Film and Video
- Movement
- Civil Rights Movement
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Activism
- American West
- Associations and institutions
- Civil rights
- Education
- HBCUs (Historically Black Colleges and Universities)
- Military
- Religion
- Social reform
- U.S. History, 1953-1961
- U.S. History, 1961-1969
- World War II
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
- Object number
- 2011.174.85.1a-g
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture and The American Folklife Center, Library of Congress
-
Aaron Dixon Oral History Interview
- Created by
- Civil Rights History Project, American, founded 2009
- Interview of
- Dixon, Aaron, American, born 1949
- Interviewed by
- Cline, David P. Ph. D., American, born 1969
- Subject of
- Black Panther Party, American, 1966 - 1982
- Black Student Union at the University of Washington, American, founded 1968
- University of Washington, American, founded 1861
- Hutton, Robert James, American, 1950 - 1968
- Date
- May 11, 2013
- Medium
- digital
- Dimensions
- Duration: 02:27:31
- Description
- The oral history consists of eleven digital files: 2011.174.87.1a, 2011.174.87.1b, 2011.174.87.1c, 2011.174.87.1d, 2011.174.87.1e, 2011.174.87.1f, 2011.174.87.1g, 2011.174.87.1h, 2011.174.87.1i, 2011.174.87.1j, and 2011.174.87.1k.
- Aaron Dixon describes his childhood in the Midwest and in Seattle and how he became a leader in the Black Panther Party, helping to found the Seattle chapter of the Party. He helped Dixon describes in detail his family history and the influence of oral tradition on his racial consciousness. He discusses the role of the Black Student Union at the University of Washington and details how the murder of Little Bobby Hutton influenced him profoundly and led him to join the Black Panther Party. He describes the Party's influence in Seattle and Oakland, his role in the Party, tensions with the police, tensions among members, and how the goals of the Black Panther Party shifted over the during 1960s and 1970s.
- LOC ID: afc2010039_crhp0087
- Place collected
- Seattle, King County, Washington, United States, North and Central America
- Collection title
- Civil Rights History Project
- Classification
- Media Arts-Film and Video
- Movement
- Civil Rights Movement
- Black Power (Black Pride)
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Activism
- American West
- Associations and institutions
- Civil rights
- Education
- Race relations
- Social reform
- U.S. History, 1961-1969
- U.S. History, 1969-2001
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
- Object number
- 2011.174.87.1a-k
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture and The American Folklife Center, Library of Congress
-
William “Bill” Russell Oral History Interview
- Created by
- Civil Rights History Project, American, founded 2009
- Interview of
- Bill Russell, American, born 1934
- Interviewed by
- Branch, Taylor, American, born 1947
- Subject of
- University of San Francisco, American, founded 1855
- National Basketball Association, American, founded 1946
- Boston Celtics, American, founded 1946
- Major League Baseball, American, founded 1869
- Boston Red Sox, American, founded 1901
- Date
- May 12, 2013
- Medium
- digital
- Dimensions
- Duration: 03:07:25
- Description
- The oral history consists of eleven digital files: 2011.174.88.1a, 2011.174.88.1b, 2011.174.88.1c, 2011.174.88.1d, 2011.174.88.1e, 2011.174.88.1f, 2011.174.88.1g, 2011.174.88.1h, 2011.174.88.1i, 2011.174.88.1j, and 2011.174.88.1k.
- Basketball player William "Bill" Russell remembers his childhood in Louisiana and Oakland, California, in the 1940s. After winning two Final Fours with the University of San Francisco, he won an Olympic gold medal and an NBA championship playing for the Boston Celtics, one of thirteen Russell would win, including eight in a row. Russell had a difficult relationship with the sports media in Boston, but a better one with his Celtics teammates. He defends the organization as progressive on racial matters (as opposed to the Red Sox) and describes a post-retirement reconciliation with Boston that resulted in considerable Red Sox support for his mentoring organization and a statue of him, erected in 2013.
- LOC ID: afc2010039_crhp0088
- Place collected
- Seattle, King County, Washington, United States, North and Central America
- Place depicted
- Louisiana, United States, North and Central America
- Oakland, Alameda County, California, United States, North and Central America
- San Francisco, California, United States, North and Central America
- Boston, Suffolk County, Massachusetts, United States, North and Central America
- Collection title
- Civil Rights History Project
- Classification
- Media Arts-Film and Video
- Movement
- Civil Rights Movement
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Activism
- American West
- Athletes
- Baseball
- Basketball
- Civil rights
- Education
- Olympics
- Race relations
- Social reform
- U.S. History, 1933-1945
- U.S. History, 1945-1953
- U.S. History, 1953-1961
- U.S. History, 1961-1969
- U.S. History, 1969-2001
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
- Object number
- 2011.174.88.1a-k
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture and The American Folklife Center, Library of Congress
-
Broadside for a James Brown concert at The Showbox
- Designed by
- Chantry, Art, American, founded 1954
- Owned by
- Brown, James, American, 1933 - 2006
- Subject of
- The Showbox, American, founded 1939
- Modern Productions, American, founded 1979
- Modern Enterprises, LLC, American, founded 1979
- KYAC, American, 1965-1981
- Date
- 1980
- Medium
- ink on paper
- Dimensions
- H x W: 17 × 10 11/16 in. (43.2 × 27.2 cm)
- Description
- A broadside advertising a James Brown concert at The Showbox. The broadside is white with a black-and-white image of a young James Brown in profile and black-and-white text. The image of James Brown is on the left side of the poster. The text on the right side of the poster reads “”MODERN PRODUCTIONS / & 1250 KYAC WELCOME / THE ONE AND ONLY / JAMES / BROWN / NOVEMBER 16…” The time ticket price address and name of the venue and multiple locations of where tickets can be purchased are also included. A company logo for Modern Enterprises is in the lower right corner.
- Place used
- Seattle, King County, Washington, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Advertisements
- Type
- broadsides
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2008.7.20
- Restrictions & Rights
- No Known Copyright Restrictions
-
Builders: Stained Glass Window
- Created by
- Lawrence, Jacob, American, 1917 - 2000
- Subject of
- Unidentified
- Date
- 2000
- On ViewCulture/Fourth Floor, 4 050
- Exhibition
- Cultural Expressions
- Medium
- printing ink on rag paper
- Dimensions
- H x W: 32 3/16 × 25 1/8 in. (81.8 × 63.8 cm)
- Description
- This silkscreen print depicts three individual figures with building implements in their hands. The figures and their clothing are formed by blocks of bright color. The middle figure, shown from the shoulders up, holds a hammer in his left hand and is passing a compass to a second individual with his right hand. The second figure, shown from the back, carries a saw in his right hand. The third figure, standing at the left margin, holds a hand drill. Behind the figures is a black arch in a red wall. Within the black arch is a red field with patches of green, yellow, black and brown. Surrounding the figures are geometric shapes in black, grey, and red. The print has a wide white margin. Under the bottom left corner of the image is the artist’s stamp and the numbers "44/135" handwritten in pencil. Below the bottom right corner is the artist's signature "Jacob Lawrence - 2000” handwritten in pencil.
- Place made
- Seattle, King County, Washington, United States, North and Central America
- Classification
- Visual Arts
- Type
- screen prints
- Topic
- Art
- Building Arts
- Labor
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.222
- Restrictions & Rights
- © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Permission required for use.