Created by

Columbia Pictures Industries, Inc., founded 1919

Subject of

Poitier, Sidney, American, born 1927

Houghton, Katharine, American, born 1945

Directed by

Kramer, Stanley, 1913 - 2001

Medium

ink on paper

Dimensions

H x W: 11 × 14 in. (27.9 × 35.6 cm)

Type

lobby cards

Place printed

Culver City, Los Angeles, California, United States, North and Central America

Date

1967

Description

Lobby card features a color still from the film Guess Who's Coming to Dinner Sidney Poitier and Katharine Houghton's torsos face each other while both have their heads turned towards to the right of the frame; their glances are focused on something or someone off camera. Houghton wears a sleeveless, cream-colored blouse while Poitier wears a navy blue suit jacket and a patterned tie with repeated concentric circles. A white box with blue and red text in the bottom right corner reads, [Columbia Pictures presents a / Stanley Kramer / production / Spencer / Tracy / Sidney / Poitier / Katharine / Hepburn / guess who's / coming to dinner / and introducing / Katharine Houghton / Music by DeVol · Written by William Rose / Produced and directed by Stanley Kramer · Technicolor®]. Black type in the bottom left corner of the lobby card reads, [Copyright ©1967 by Columbia Pictures Corporation. All Rights Reserved].

Topic

African American

Actors

Hollywood (Film)

Race relations

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.108.9.8

Restrictions & Rights

© 1967 Columbia Pictures Corporation. All rights reserved. Permission required for use.

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National Museum of African American History and Culture Collection

Classification

Memorabilia and Ephemera-Advertisements

Data Source

National Museum of African American History and Culture

Produced by

Marzani, Carl, 1912 - 1994

Union Films, 1946 - 1953

Owned by

Bowser, Pearl, American, born 1931

Medium

16mm Film (a): acetate film.

Dimensions

Duration: 21 minutes

Length (Film): 775 Feet

Type

motion pictures (information artifacts)

Place filmed

Los Angeles, California, United States, North and Central America

Date

1947

Caption

A previously thought-to-be-lost Union Film, produced by Carl Marzani. "Made with the collaboration of the Los Angeles-based H. Arthur Klein, this film defended and publicized the circumstances of San Pedro, Calif., fishermen, who were being accused of monopolistic practices and price fixing."

Description

16mm black and white Union Film production, produced by Carl Marzani in association with the International Fisherman and Allied Workers of America (IFAWA) and the Congress of Industrial Organizations (CIO). The film advocates for fishermen in the San Pedro neighborhood of Los Angeles, California, who were being accused of price fixing and monopolization.

Consists of: 16mm Film (a).

2012.79.1.10.1a: 16mm black and white film. Film opens with footage of fishing ships in the harbor while the introduction credits appear on the screen. The voiceover narration begins as fishermen are seen working on the deck of a ship. The narration describes the hard working conditions of fishermen as the footage continues to show the fishermen working. Then the footage shows newspaper headlines from August 23, 1946, and a document about allegations the fishermen violated the Sherman Anti-trust Act because the union cannot represent the fishermen since they are classified as independent businessmen and not employees. The document further alleges a price-fixing conspiracy between the fishermen and the fish dealers. The voiceover narration repeats the businessmen allegations as the footage again shows fishermen at work on boats. The voiceover narrator has a sarcastic tone as he compares the fishermen's work to office work. The narrator explains that the government considers the fishermen businessmen because they are paid according to a share of the catch rather than with wages. The footage continues to show workers on the boats. The next scenes show boats being repaired and boats coming in from the ocean and unloading the fish at a dock. The narrator explains that fishermen can only get better prices from the dealers by acting as a group through collective bargaining because the dealers have multiple options for preserving the fish, but fishermen must sell their catch immediately. This attempt by the fishermen to bargain collectively for fish prices before they go fishing is the main issue for the federal government. The footage shows one of the men mentioned in the case, George Knowlton, talking to a dealer on the docks. The next scene shows Knowlton at home with a woman knitting, probably his wife. The next scene shows the exterior of a labor union building while the narrator discusses the CIO. The footage includes CIO General Counsel Lee Pressman, and he explains the problems with the suit against the fisherman, particularly referring to the union as a monopoly. He speaks directly to the camera and also consults books about the definition of a monopoly. The scene cuts to fisherman in boats on the ocean before cutting back to Pressman. A graphic appears on the screen to illustrate the growth of fishermen due to the support of the labor union. After some footage of fishermen on the docks working, the footage shows Pressman again before another graphic appears that shows the growth in fish caught from 1936 to 1946. The next graphic explains that fishermen are not responsible for the eventual price consumers pay because of the involvement of other sectors of the fishing industry. Pressman uses the illustrations to make his point that the fishermen do not have a monopoly, especially when compared with concentration of wealth and control by corporations. A graphic shows how much eight corporations control of the economy, and an illustration of eight shadows of rich men turns an octopus. This represents their control of the economy through monopolies, price-fixing, and restraint of trade. The narrator contrasts this with the fishermen that want a decent standard of living for themselves and their families. To illustrate this, the footage includes several different domestic scenes. The next scene shows a meeting in a union hall, and the narrator explains the tradition of fisherman unions on the west coast and introduces the International Fishermen and Allied Workers of America, Local 33 of the CIO. There is a montage of fishermen engaged in various activities while the narrator discusses important achievements by the union. An illustration shows that more federal aid goes to farmers than fishermen, and the narrator discusses various advantages the farmer has compared to the fisherman. The film ends with a montage of fishermen working on boats while the narrator explains the unfair actions by the attorney general against the fishermen.

Topic

African American

Business

Labor

Professional organizations

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.10.2a

Restrictions & Rights

Public Domain

See more items in

National Museum of African American History and Culture Collection

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture

Directed by

Bourne, St. Clair, American, 1943 - 2007

Produced by

Chamba Productions, founded 1971

Composed by

Hancock, Herbie, American, born 1940

Subject of

Nairobi College, founded 1969

Created by

California State University, Los Angeles, American, founded 1947

Subject of

The City College of the City University of New York, American, founded 1847

St. Petersburg College, American, founded 1927

Clark Atlanta University, American, founded 1988

Morehouse College, American, founded 1867

Owned by

Bowser, Pearl, American, born 1931

Medium

16mm Film (a): acetate film;

Dimensions

Duration: 30 Minutes

Length (Film): 1190 Feet

Type

motion pictures (information artifacts)

Place filmed

East Palo Alto, San Mateo County, California, United States, North and Central America

Los Angeles, California, United States, North and Central America

Saint Petersburg, Pinellas County, Florida, United States, North and Central America

Harlem, New York City, New York County, New York, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Date

1971

Caption

16mm color film directed by St. Clair Bourne and produced by his production company, Chamba Productions, for the College Entrance Examination Board. The film provides various perspectives on the college experience and presents resources to encourage minority youth to attend college.

Description

16mm color film directed by St. Clair Bourne and produced his production company, Chamba Productions, for the College Entrance Examination Board. The film provides various perspectives on the college experience and presents resources to encourage minority youth to attend college.

Consists of: 16mm Film (a).

2012.79.1.54.1a: 16mm film. Film begins with an introduction animated segment of a young black man walking down a city sidewalk and then entering a doorway with the word College written over it. A musical soundtrack accompanies the animation. He walks down the hallway past doors and a trophy case while the voiceover narration begins. The narration focuses on thinking about how to get started on applying for college. The animation sequence depicts the prospective student collecting paperwork and talking to the appropriate people to take to the door with a college sign next to it. The animated introduction ends and the film transitions to live action and the title of the film. A man runs out of a storefront across a parking lot to his car. The next scene shows a professor leading a class discussion in a classroom. Then there is an exterior shot of Nairobi College and the man from earlier in the film running in the front door. The college is located in a small house. The narrator introduces the college and the man joins the classroom conversation. The narrator introduces Nate Perry, the man that has been in the film, and he talks about enrolling in Nairobi College. The narrator explains that the purpose of the college is to teach leaders for non-white communities and break down the separation of the college and the community by holding classes in different locations. The next scene shows the Nairobi College Cultural Center and students playing music and dancing. The next subject of the film is California State College (California State University) in Los Angeles. The narrator discusses the importance of the college for the Mexican American community. There is a shot of the front door of College Recruitment for Educational Opportunity (CREO). The door also has a sign for Community Relations for Educational Opportunity (also CREO). People are shown walking into the office and talking to someone in the office and he answers questions about gaining admission to college. A man is shown talking outside and a group discussion ensues about confronting the power structure. An inside classroom discussion also shows students talking about similar problems as those in the outside discussion. The next scene shows New York City and the narrator begins talking about City College of New York in Harlem and the importance of providing both financial assistance as well as special counseling and tutoring. However, the narrator points out that black and Puerto Rican students demanded an open admissions policy. A group of students is shown discussing education issues and going back to the community to work and raise awareness. The narrator introduces Megan McLaughlin, and she describes through a voiceover narration the Search for Elevation, Education, and Knowledge (SEEK) Program. She is shown walking on sidewalks during the voiceover narration. The next scene features St. Petersburg College, and the narrator discusses attending a junior college before attending a four-year institution. Students share their experiences and how students can benefit from attending a junior college. The smaller classes are beneficial and the opportunity to balance home life with attending college are among those benefits. The scene is filmed inside of a moving car while Don Gekkins, director of the Service Center Program, talks about how the program works. The next scene shows him entering a classroom where children are reciting words displayed on cards held by a tutor from the junior college. Don Gekkins is then shown leaving his house with his two sons and playing with them. Gekkins, in a voiceover narration, describes growing up in a depressed area of St. Petersburg. The next scene shows a college marching band leading a parade down a street. The narrator discusses this parade in the context of a four-year university and the distractions of a four-year university, particularly sports events. The university being discussed appears to be Howard University in Washington, D.C. After footage of cheerleaders and a football game, a football player is interviewed about attending college on a scholarship. After the interview, there is footage of a football practice. The next scene includes an interview with Tom Nelson, a college graduate and ex-professional football player. The next scene shows two men picking up trash on the sidewalk, then some other men performing municipal trash service. There is footage of a college campus, probably Clark University in Atlanta, while the narrator discusses the main reasons for attending college. The next scene shows a woman walking on a sidewalk and into a building while the narrator begins a discussion about financial aid. The woman enters an office and talks to a financial aid officer while the narrator discusses the difference between types of financial aid. The next scene shows a student from Nigeria at Morehouse College in Atlanta, and he discusses studying science to bring back knowledge to Nigeria. The film ends with the narrator presenting a summary of what has been discussed, and there is a montage of images from the entire film.

Topic

African American

Dance

Education

Football

Urban life

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.54.1a

Restrictions & Rights

Public Domain

See more items in

National Museum of African American History and Culture Collection

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture

Directed by

Bourne, St. Clair, American, 1943 - 2007

Produced by

Chamba Productions, founded 1971

Composed by

Hancock, Herbie, American, born 1940

Subject of

Nairobi College, founded 1969

California State University, Los Angeles, American, founded 1947

The City College of the City University of New York, American, founded 1847

St. Petersburg College, American, founded 1927

Clark Atlanta University, American, founded 1988

Morehouse College, American, founded 1867

Owned by

Bowser, Pearl, American, born 1931

Medium

16mm Film (a): acetate film;

Dimensions

Duration: 30 Minutes

Length (Film): 1190 Feet

Type

motion pictures (information artifacts)

Place filmed

East Palo Alto, San Mateo County, California, United States, North and Central America

Los Angeles, California, United States, North and Central America

Saint Petersburg, Pinellas County, Florida, United States, North and Central America

New York City, Harlem, New York, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Date

1971

Caption

16mm color film directed by St. Clair Bourne and produced by his production company, Chamba Productions, for the College Entrance Examination Board. The film provides various perspectives on the college experience and presents resources to encourage minority youth to attend college.

Description

16mm color film directed by St. Clair Bourne and produced his production company, Chamba Productions, for the College Entrance Examination Board. The film provides various perspectives on the college experience and presents resources to encourage minority youth to attend college.

Consists of: 16mm Film (a).

2012.79.1.54.2a: 16mm film. Film begins with an introduction animated segment of a young black man walking down a city sidewalk and then entering a doorway with the word College written over it. A musical soundtrack accompanies the animation. He walks down the hallway past doors and a trophy case while the voiceover narration begins. The narration focuses on thinking about how to get started on applying for college. The animation sequence depicts the prospective student collecting paperwork and talking to the appropriate people to take to the door with a college sign next to it. The animated introduction ends and the film transitions to live action and the title of the film. A man runs out of a storefront across a parking lot to his car. The next scene shows a professor leading a class discussion in a classroom. Then there is an exterior shot of Nairobi College and the man from earlier in the film running in the front door. The college is located in a small house. The narrator introduces the college and the man joins the classroom conversation. The narrator introduces Nate Perry, the man that has been in the film, and he talks about enrolling in Nairobi College. The narrator explains that the purpose of the college is to teach leaders for non-white communities and break down the separation of the college and the community by holding classes in different locations. The next scene shows the Nairobi College Cultural Center and students playing music and dancing. The next subject of the film is California State College (California State University) in Los Angeles. The narrator discusses the importance of the college for the Mexican American community. There is a shot of the front door of College Recruitment for Educational Opportunity (CREO). The door also has a sign for Community Relations for Educational Opportunity (also CREO). People are shown walking into the office and talking to someone in the office and he answers questions about gaining admission to college. A man is shown talking outside and a group discussion ensues about confronting the power structure. An inside classroom discussion also shows students talking about similar problems as those in the outside discussion. The next scene shows New York City and the narrator begins talking about City College of New York in Harlem and the importance of providing both financial assistance as well as special counseling and tutoring. However, the narrator points out that black and Puerto Rican students demanded an open admissions policy. A group of students is shown discussing education issues and going back to the community to work and raise awareness. The narrator introduces Megan McLaughlin, and she describes through a voiceover narration the Search for Elevation, Education, and Knowledge (SEEK) Program. She is shown walking on sidewalks during the voiceover narration. The next scene features St. Petersburg College, and the narrator discusses attending a junior college before attending a four-year institution. Students share their experiences and how students can benefit from attending a junior college. The smaller classes are beneficial and the opportunity to balance home life with attending college are among those benefits. The scene is filmed inside of a moving car while Don Gekkins, director of the Service Center Program, talks about how the program works. The next scene shows him entering a classroom where children are reciting words displayed on cards held by a tutor from the junior college. Don Gekkins is then shown leaving his house with his two sons and playing with them. Gekkins, in a voiceover narration, describes growing up in a depressed area of St. Petersburg. The next scene shows a college marching band leading a parade down a street. The narrator discusses this parade in the context of a four-year university and the distractions of a four-year university, particularly sports events. The university being discussed appears to be Howard University in Washington, D.C. After footage of cheerleaders and a football game, a football player is interviewed about attending college on a scholarship. After the interview, there is footage of a football practice. The next scene includes an interview with Tom Nelson, a college graduate and ex-professional football player. The next scene shows two men picking up trash on the sidewalk, then some other men performing municipal trash service. There is footage of a college campus, probably Clark University in Atlanta, while the narrator discusses the main reasons for attending college. The next scene shows a woman walking on a sidewalk and into a building while the narrator begins a discussion about financial aid. The woman enters an office and talks to a financial aid officer while the narrator discusses the difference between types of financial aid. The next scene shows a student from Nigeria at Morehouse College in Atlanta, and he discusses studying science to bring back knowledge to Nigeria. The film ends with the narrator presenting a summary of what has been discussed, and there is a montage of images from the entire film.

Topic

African American

Dance

Education

Football

Urban life

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.54.2a

Restrictions & Rights

Public Domain

See more items in

National Museum of African American History and Culture Collection

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture

Directed by

Randol, George Elwood, American, 1895 - 1973

Subject of

Dandridge, Ruby, American, 1900 - 1987

Produced by

Randol, George Elwood, American, 1895 - 1973

Medium

16mm Film (a): acetate film;

16mm Film (b): acetate film;

Dimensions

Duration: 57 Minutes

Length (Film Reel 1): 700 Feet

Length (Film Reel 2): 1240 Feet

Type

motion pictures (information artifacts)

Place depicted

Oklahoma, United States, North and Central America

Place filmed

Hollywood, Los Angeles, Los Angeles County, California, United States, North and Central America

Date

1939

Caption

In a small, quiet Oklahoma community, Prince Alihabad courts young Margaret Wilson. After a mysterious man burglarizes the house and murders Margaret's father, detectives scramble to solve the crime.

Description

2015.167.14.1ab: 16mm black and white films.

Mr. Wilson, a Texas landowner rich with oil, is murdered. Two young family friends set out to uncover the murderer. They journey to Shreveport where the crime is solved.

Over her mother Emma's objections, Margaret Wilson, an impressionable small-town beauty, encourages the romantic interests of the refined Prince Alihabad and rejects her longtime admirer, the sincere but poor Buster Barnett. Unknown to Margaret, Alihabad is a charlatan from the vaudeville circuit, whose interest in the East Texas oil field that her father Dan has set aside for her wedding present appears to be more than passing. After Dan shows him where the oil land deed is kept, Alihabad asks Margaret to leave with him on an extended overseas trip. While Margaret debates and finally rejects Alihabad's dubious invitation, a man watches her house. Later the man breaks into the Wilsons' home and, after drugging Emma and Dan, steals the deed. Margaret discovers her father dead the next morning and telephones Ernest Lingley, whose bumbling son Jr. is an aspiring private detective. While Jr. and his equally ineffectual partner, Lightfoot, rush to the crime scene, homicide detective Sergeant Ramsey questions Buster, who casts suspicion on Alihabad. Ramsey, who has learned that Dan had contacted an oil developer in Shreveport, Louisiana, about his land, orders his men to locate Alihabad, Jr. and Lightfoot take off for Shreveport. There they inform John Mason, the oil company agent, to expect a man to approach him with the Wilson deed. Mason notifies the local police, while Jr. and Lightfoot cover the train depot. Later that night, the killer shows up at Mason's office, presents the stolen deed, then demands cash for it at knifepoint. At the same time, Jr. and Lightfoot, having spent the day in fruitless pursuit, return to Mason's office just in time to alert the police and apprehend the killer. The mystery of Dan's death solved, Ramsey then corners Alihabad, who reveals his fakery and loses Margaret to the deserving, faithful Buster.

Sources:

AFI Catalog of Feature Films. Accessed August 11, 2016 (http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=2243)

WorldCat. Accessed August 11, 2016 (https://www.worldcat.org/title/midnight-shadow/oclc/15160578&referer=brief_results)

Topic

African American

American South

Business

Race films

Violence

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman

Object number

2015.167.14.1ab

Restrictions & Rights

Public Domain

See more items in

National Museum of African American History and Culture Collection

Collection title

Nieman Film Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture

Directed by

Fraser, Harry L., American, 1889 - 1974

Written by

Hoerl, Arthur, American, 1891 - 1968

Subject of

Louis, Joe, American, 1914 - 1981

Harris, Edna Mae, American, 1910 - 1997

Moreland, Mantan, American, 1902 - 1973

Medium

16mm Film (a): acetate film;

16mm Film (b): acetate film;

Dimensions

Duration: 65 Minutes

Length (Film Reel 1): 1300 Feet

Length (Film Reel 2): 1100 Feet

Type

motion pictures (information artifacts)

Place filmed

Hollywood, Los Angeles, Los Angeles County, California, United States, North and Central America

Place depicted

Birmingham, Jefferson County, Alabama, United States, North and Central America

Detroit, Wayne County, Michigan, United States, North and Central America

New York City, New York County, New York, United States, North and Central America

Date

1938

Caption

"Spirit of You" is a dramatic film based on the life of American heavyweight boxer Joe Louis. The lead character, Joe Thomas, is played by Joe Louis himself.

Description

2015.167.19.1ab: 16mm black and white films.

Jefferson Thomas, a black foundry worker, is seriously injured when a heavy castor falls on his legs. No longer able to support his family, Jefferson's young son, Joe, decides to leave school and take a job. Many years later, Joe, now grown, gives his family all his savings and leaves Birmingham to make something of himself. Joe hitchhikes to Detroit, where he gets a job as a dishwasher and meets Creighton "Crickie" Fitzgibbons. When Crickie and Joe lose their jobs, they find work at a storage and shipping company, but are soon fired from the job when a foreman hits Crickie and Joe knocks him out with one punch. Impressed with his fighting abilities, Crickie encourages Joe to enter the Golden Gloves boxing tournament, and he is soon billed in the newspapers as the 'Dark Destroyer'. After winning the finals, manager Frankie Walburn offers to handle him as a professional. Joe accepts after consulting with his mother Nora, who now lives in the city, and who tells him to be honest and fair. As Joe wins bouts, Flora Bailey, a nightclub singer at the Bluebird Cafe´, who is in cahoots with gambler Duke Emblin, takes an interest in him. Their involvement worries Frankie, whose concern that he is ignoring his training antagonizes Joe. When Mary and Joe's sister Eleanor, visit Flora, they implore her to help get Joe back on track, but because Duke is now betting against Joe, Flora encourages his nightlife and drinking. Joe is knocked out in a match, and as he prepares for the heavyweight championship bout against Jack Stanley, he confesses to Flora that he loves Mary. When Flora sees that he does not have his heart in the fight, she brings Mary, now a schoolteacher, to the ring, and her presence spurs Joe to defeat Stanley in a knockout. Afterwards, he and Mary are guests of honor at a banquet at which Flora sings"

Source: AFI Catalog of Feature Films. Accessed on August 12, 2016 (http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=2226)

Consists of: 16mm Flim (a).

Topic

African American

Boxing

Families

Race films

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman

Object number

2015.167.19.1ab

Restrictions & Rights

Unknown - Restrictions Possible

See more items in

National Museum of African American History and Culture Collection

Collection title

Nieman Film Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture

Directed by

Kahn, Richard C., American, 1897 - 1960

Written by

Kahn, Richard C., American, 1897 - 1960

Subject of

Jeffries, Herb, American, 1913 - 2014

Brooks, Clarence, American, 1896 - 1969

Moreland, Mantan, American, 1902 - 1973

Williams, Spencer, American, 1893-1969

Medium

16mm Film (a): acetate film;

16mm Film (b): acetate film;

Dimensions

Duration: 66 Minutes

Length (Film Reel 1): 600 Feet

Length (Film Reel 2): 1600 Feet

Type

motion pictures (information artifacts)

Place depicted

Wyoming, United States, North and Central America

Place filmed

Hollywood, Los Angeles, Los Angeles County, California, United States, North and Central America

Place depicted

Harlem, New York City, New York County, New York, United States, North and Central America

Date

1938

Caption

When a cowboy is wrongfully accused of murder, he assumes the identity of a Harlem gangster; to whom he bears a striking resemblance.

Description

2015.167.21.1ab: 16mm black and white films.

Framed for his boss' murder by the victim's unfaithful wife, Bob Blake (A.K.A. 'The Singing Cowboy') escapes to New York. In Harlem he meets his look-alike, a gangster named Deacon. When Deacon is killed by a rival gang, Bob, disguised as the dead gangster, returns to his home town to clear his name.

Source:

WorldCat. Accessed on August 12, 2016 (https://www.worldcat.org/title/two-gun-man-from-harlem/oclc/32249820&referer=brief_results)

Topic

African American

American West

Race films

Urban life

Violence

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman

Object number

2015.167.21.1ab

Restrictions & Rights

Unknown - Restrictions Possible

See more items in

National Museum of African American History and Culture Collection

Collection title

Nieman Film Collection

Classification

Media Arts-Film and Video

Data Source

National Museum of African American History and Culture