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CC0
Twelve Years A Slave
- Written by
- Northup, Solomon, American, 1808 - 1875
- Published by
- Derby and Miller, American, 1848 - 1853
- Date
- 1853
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- ink on paper with gold, cloth, and cardboard
- Dimensions
- H x W x D (Closed): 7 3/4 × 5 1/2 × 1 5/16 in. (19.7 × 14 × 3.4 cm)
- H x W x D (Open): 7 3/4 × 11 1/2 × 4 1/8 in. (19.7 × 29.2 × 10.5 cm)
- H x W x D (open at 90 degrees): 7 3/4 × 6 × 6 1/4 in. (19.7 × 15.2 × 15.9 cm)
- H x W x D (open at 60 degrees): 7 3/4 × 5 3/4 × 5 3/4 in. (19.7 × 14.6 × 14.6 cm)
- Description
- This book is a first edition, seventeenth thousand printing copy of “Twelve Years A Slave Narrative of Solomon Northup, A Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, and Rescued in 1853, From a Common Plantation Near the Red River, in Louisiana." The book has a brown cloth binding. The exterior spine is embossed with two lines running across the top and bottom of the spine. The title of the book has been embossed in gilt lettering [TWELVE/YEARS/A/SLAVE] across the top third of the spine and is surrounded by engraved flourishes. The name of the publishers [DARBY & MILLER] is embossed in gilt across the bottom of the spine. The front and back cover boards have been embossed with identical designs: two flourishes within two rectangles. The book has yellow end papers, a dedication to Harriet Beecher Stowe, a quote by Cowpee, an editor’s preface, twenty-two chapters and an appendix. The frontispiece is a portrait of Solomon Northup seated on a bench with his arms crossed. A facsimile of his signature is below the picture with a caption that reads, “IN HIS PLANTATION SUIT.” Three hundred and thirty-six pages with seven black and white plates.
- Place printed
- Auburn, Cuyahoga County, New York, United States, North and Central America
- Place depicted
- New Orleans, Orleans Parish, Louisiana, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Classification
- Slavery and Freedom Objects
- Documents and Published Materials-Published Works
- Movement
- Abolitionist movement
- Type
- narratives
- hardcover books
- Topic
- American South
- Antislavery
- Caricature and cartoons
- Domestic slave trade
- Free communities of color
- Law
- Literature
- U.S. History, 1815-1861
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.262
- Restrictions & Rights
- Public Domain
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Black Studies: Threat or Challenge?
- Published by
- Kennikat Press
- Written by
- Ford, Nick Aaron, American, 1904 - 1982
- Edited by
- Shenton, James Patrick, American, 1925 - 2003
- Date
- 1973
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper
- Dimensions
- H x W: 9 x 6 in. (22.9 x 15.2 cm)
- Description
- A book by Nick Aaron Ford titled "Black Studies: Threat or Challenge?" published in Port Washington, New York by the National University Publications Kennikat Press in 1973. The book is signed by the author and dated [To Syl Shannon Sincerely Nick Aaron Ford 3/19/1975]. The book cover features a large red question mark with text on top of it, over a white background. Black text in the bottom portion of the cover reads: [Nick Aaron Ford / Black Studies / Threat or Challenge? / An Eminent Educator's Analysis and Recommendations]. The book has 217 pages and contains information and an analysis of Black Studies as a field of education. The back cover features a photograph and brief biography of Ford, as well as, publishing information.
- Place made
- Port Washington, Nassau County, New York, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Type
- books
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Herman Thomas
- Object number
- 2013.189.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
The Life and Adventures of James P. Beckwourth, Mountaineer, Scout, and Pioneer, and Chief of the Crow Nation of Indians
- Subject of
- Beckwourth, Jim, American, 1798 - 1866
- Created by
- Beckwourth, Jim, American, 1798 - 1866
- Bonner, T. D., American
- Published by
- Harper & Brothers, American, 1817 - 1962
- Date
- 1856
- On ViewCommunity/Third Floor, 3 051
- Exhibition
- Power of Place
- Medium
- ink on book paper , cloth and cardboard
- Dimensions
- H x W x D: 8 x 5 1/2 x 1 1/4 in. (20.3 x 14 x 3.2 cm)
- H x W x D (Open at 60 Degrees): 8 × 6 1/2 × 6 3/8 in. (20.3 × 16.5 × 16.2 cm)
- Description
- Embossed brown cloth, hardcover book with 537-pages, 2 pages of ads, frontispiece and many illustrations with engraving of James P. Beckwourth in hunter's costume on frontispiece.
- Place printed
- Franklin Square, Nassau County, New York, United States, North and Central America
- Type
- narratives
- hardcover books
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.19
- Restrictions & Rights
- Public Domain
-
CC0
The Song of Hiawatha Op.30
- Published by
- Novello & Company, British
- Written by
- Coleridge-Taylor, Samuel, British, 1875 - 1912
- Date
- 1900
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- ink on paper
- Dimensions
- H x W x D: 10 3/16 x 6 3/4 x 1/2 in. (25.9 x 17.1 x 1.3 cm)
- Description
- Full score for the opera, "The Song of Hiawatha Op. 30", written by the Anglo-African composer, Samuel Coleridge-Taylor. "The Song of Hiawatha Op. 30" is a trilogy of cantatas by Samuel Coleridge-Taylor, produced between 1898 and 1900, which included "Hiawatha's Wedding Feast", "The Death of Minnehaha", and "Hiawatha's Departure". The first part, "Hiawatha's Wedding Feast", was particularly famous for many years and it made the composer's name known throughout the world.
- Place depicted
- London, England, Europe
- New York, United States, North and Central America
- Classification
- Documents and Published Materials-Sheet music
- Type
- scores
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2011.57.29.2
- Restrictions & Rights
- Public domain
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Djuka: The Bush Negros of Dutch Guiana
- Written by
- Kahn, Morton Charles, American, 1896 - 1959
- Published by
- Viking Press, founded 1925
- Date
- 1931
- Medium
- ink on paper (fiber product), cardboard, and thread
- Dimensions
- H x W x D: 8 7/16 × 6 × 1 5/16 in. (21.4 × 15.2 × 3.3 cm)
- Description
- A 233-page first edition hardcover book entitled Djuka the Bush Negroes of Dutch Guiana. The front cover has a dark brown imprint of a close-up depiction of an African maroon from Dutch Guiana. The spine of the book has a brown decorative print with a border along the upper and lower edges. The spine reads [DJUKA / THE / BUSH / NEGROES / OF / DUTCH / GUIANA]. Beneath the title the author’s name is imprinted [ MORTON C. / KAHN]. [ VIKING ] is located just above the lower decorative print.
- The interior end leaf of the book includes a map of the continents of South America, Africa, and a small portion of North America. This entire graphic is brick-red and light yellow in color. The light yellow continent of Africa is on the right side of the map. The early twentieth century boundary lines of Gambia, Guinea-Bissau, Guinea, Sierra Leone, Liberia, Côte d’Ivoire, Ghana/British Gold Coast, Togoland, Nigeria, and Cameroon are filled in with the brick red color. The Niger River and the Congo River are also noted on the map. The interior of Africa has an illustration of individuals from their necks up. They all have coffles around their necks linking them together and the group is headed towards the western coast of Africa. The left side of the end leaf shows [SOUTH AMERICA], the [WEST INDIES] and the top of Florida labelled [N / A] presumably signifying North America. South America is light yellow, but [GUIANA] is blocked out in the same brick red color as the west African countries. The interior of South America has an illustrated depiction of a group of maroons with a dwelling behind them. The [SLAVE ROUTES] between these continents are depicted with bulleted arrows. The arrow starts at western Africa and branches to Guiana, the West Indies, and North America. The tip of the arrow pointing to Guiana has the labels of [BRITISH / DUTCH / FRENCH].
- The book includes 65 photographs. Among them are benches almost identical to those of the Ashanti in West Africa, drums, carved calabash gourds used for eating, carved wooden combs, images of transportation along waterways, and other images of daily life, dress, and culture.
- There is an inscription on the page facing the title page which appears to have been written in 1999 and was for documentation purposes.
- Place depicted
- Suriname, South America
- Place printed
- New York, United States, North and Central America
- Place depicted
- Netherlands, Europe
- Cultural Place
- West Africa, Africa
- Classification
- Documents and Published Materials-Published Works
- Type
- hardcover books
- Topic
- African diaspora
- Caricature and cartoons
- Colonialism
- Communities
- Dance
- Dutch colonialism
- Foodways
- Free communities of color
- Music
- Race relations
- Religion
- Resistance
- Rural life
- Self-liberation
- Trans Atlantic slave trade
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.1.253
- Restrictions & Rights
- Unknown - Restrictions Possible
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Memoir of Pierre Toussaint: Born a Slave in St. Domingo
- Written by
- Lee, Hannah Farnham Sawyer, American, 1780 - 1865
- Published by
- Crosby, Nichols, and Company, American, 1844 - 1864
- Subject of
- Toussaint, Pierre, Haitian American, 1766 - 1835
- Owned by
- C. Burr Artz Library, American, founded 1936
- Steadman, Melvin Lee Jr, American, 1932 - 1987
- Date
- 1854
- Medium
- ink on paper (fiber product), leather, and thread
- Dimensions
- H x W x D: 7 5/16 × 4 7/8 × 9/16 in. (18.5 × 12.4 × 1.5 cm)
- Description
- An 124-page hard bound book entitled Memoir of Pierre Toussaint, born a slave in St. Domingo by Hannah Farnham Sawyer Lee. The cover is dark green with a blind-stamped geometrical design on the cover. There are floral motifs on the top and bottom edges of the design and along the outer borders. The spine has gilt lettering and graphics. There are whimsical designs with long curves and flowers along the upper and mid to lower edges. [Pierre / Toussaint / H. F. Lee] is written in a gothic style font along the first quarter of the spine. Particles of the spine are beginning to flake off.
- An inscription written on the right side of the endleaf reads [Melvin Lee Steadman / Hamilton, Virginia / July 31, 1966].
- A detached engraved portrait frontispiece image with tissue paper covering is laying on top of the title page. It has an illustration of Pierre Toussaint with an inscription written in French with his signature below. The frontispiece and the tissue show signs of aging.
- The title page shows the formal title, other works by the author, and the publisher’s information. A former owner, the C. Burr Artz Public Library has also embossed their name on the title page.
- Hannah Farnham Sawyer Lee wrote the book using Toussaint's correspondence with various relatives and acquaintances along with personal interactions with Toussaint. In addition to Toussaint's life in St. Domingo, the author also provides information about St. Domingo's economy, political climate, and a brief account of Toussaint L’Ouverture, a well-known leader of the Haitian Revolution. During the unrest on the island, Pierre Toussaint, his sister, Rosalie and their enslaver, John Bérard, moved to New York, where Toussaint was trained as a hairdresser, and soon developed a growing clientele. Following the death of Bérard, Toussaint cared for Bérard’s widow, paying her debts and using his savings to buy her luxuries. Upon her death, she freed Toussaint. Toussaint then purchased his sister and his wife’s freedom. In the memoir, Toussaint does not claim to be an abolitionist, stating that he did not witness violence and bloodshed while he was enslaved. In the remainder of the narrative, he describes the development of his most important relationship, that with his wife, Juliette and his niece, Euphemia who he and his wife adopted early on in her life.
- At the end, there is a short appendix which highlights Toussaint’s death announcements from New York newspapers.
- Place depicted
- Haiti, Caribbean, Latin America, North and Central America
- New York, New York, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Type
- hardcover books
- Topic
- Beauty culture
- Caricature and cartoons
- Emancipation
- Families
- Labor
- Law
- Slavery
- Urban life
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.1.259
- Restrictions & Rights
- Public domain
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Slavery in the West Indies
- Written by
- Wilberforce, William, British, 1759 - 1833
- Macaulay, Zachary, British, 1768 - 1838
- Published by
- Greenwood Press, Inc., American, 1967 - 2008
- Date
- 1823; republished 1969
- Medium
- ink on paper (fiber product), cardboard, and thread
- Dimensions
- H x W x D: 8 7/8 × 5 11/16 × 5/8 in. (22.5 × 14.5 × 1.6 cm)
- Description
- A 148-page hardbound book entitled Slavery in the West Indies. The entire cover is made of a brown woven material. The front and back covers are blank. The spine reads [SLAVERY IN THE WEST INDIES] vertically and includes the Negro Universities Publishing logo at the bottom. All text on the spine is gold. The original publication of this volume was in 1823. This book was reprinted in 1969 by Negro Universities Press, a division of Greenwood Publishing Press.
- This book is composed of two separate essays compiled into one volume, as noted on the Contents page. The first essay is “An Appeal to the Religion, Justice, and Humanity of the Inhabitants of the British Empire, in Behalf of the Negro Slaves in the West Indies” written by William Wilberforce. The second essay is “Negro Slavery ; Or, a View of Some of the More Prominent Features of That State of Society, as It Exists in the United States of America and in the Colonies of the West Indies, especially Jamaica” by Zachary Macaulay.
- There are no inscriptions or signatures anywhere on the object.
- Place depicted
- Jamaica, Caribbean, North and Central America
- Barbados, Caribbean, North and Central America
- Saint Vincent and the Grenadines, Caribbean, North and Central America
- Trinidad and Tobago, Caribbean, North and Central America
- Bahamas, Caribbean, North and Central America
- Place printed
- New York, United States, North and Central America
- Cultural Place
- England, Europe
- Classification
- Documents and Published Materials-Published Works
- Type
- hardcover books
- Topic
- Activism
- Agriculture
- Antislavery
- British colonialism
- Caricature and cartoons
- Colonialism
- Law
- Slavery
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2010.1.261
- Restrictions & Rights
- Public domain
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Latin-Soul-Rock
- Recorded by
- Fania All Stars, founded 1968
- Published by
- Fania Records, Inc., founded 1964
- Recorded by
- Pacheco, Johnny, Dominican, born 1935
- Manu Dibango, Cameroonian, 1933 - 2020
- Betancourt, Justo, Cuban, born 1940
- Colón, William, American, born 1950
- Miranda, Ismael, Puerto Rican, born 1950
- Mongo Santamaría, Cuban American, 1917 - 2003
- Santana, Jorge, Mexican American, 1951 - 2020
- Hammer, Jan, Czechoslovakian American, born 1948
- Cobham, Billy, Panamanian American, born 1944
- Date
- 1973; published 1974
- Medium
- vinyl and cardboard, with ink on paper (fiber product)
- Description
- A record album with the title "Fania All Stars Latin-Soul-Rock." The album consists of a single vinyl (2015.195.1a), which features a green-and-brown label with a notched center hole. The top half of the label has the words [FANIA / FANIA ALL STARS / LATIN—SOUL—ROCK]. The bottom half of the label lists the songs as well as their respective artists and track length. Side A features songs such as “Viva Tirado,” “Chanchullo,” “Smoke,” “There You Go,” and “Mama Guela;” while Side B lists songs such as “El Raton,” “Soul Makossa” and “Congo Bongo.”
- An album jacket (2015.195.1b) accompanies the vinyl record. The front cover of the album jacket is black, with white writings. On the top, [FANIA ALL STARS / latin ~ soul ~ rock / How It Was! How It Ended! How It Was Going To Be!] is printed. Below, there is a collage of 13 photographs of performances. Inside the album jacket is white and features a New York Post article entitled “‘Our Latin Thing’ Draws 40, 000.” The second page has a six grayscale photographs of performances. [Live at Yankee Stadium, Aug. 24, 1973] is printed in white letters. Below, there is a large color photograph of a performance; a smaller photograph is embedded in the bottom right-hand corner of the larger photo.
- Some of the persons credited in the production and distribution of this album include: Pete "Conde" Rodriguez, Paquito Navarro, Cheo Feliciano, Santos Colon, Ismael Quintana, Hector Colon, Dick Sugar, Bobby Cruz, Ray Barretto, Larry Harlow, Roberto Roena, Jerry Masucci, Edmund Newton, Bobby Valentin, Lee Marshall, Tom Monaster and Ron Levine.
- Place made
- Bronx, Bronx, New York, United States, North and Central America
- Puerto Rico, United States, North and Central America
- Classification
- Media Arts-Audio Recordings
- Type
- record covers
- long-playing records
- Topic
- Funk (Music)
- Instrumentalists (Musicians)
- Jazz (Music)
- Rock and roll (Music)
- Salsa (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2015.195.1ab
- Restrictions & Rights
- © 1974 Fania Records. Permission required for use.
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Ring of the Grand Basileus of Omega Psi Phi fraternity with storage pouch
- Manufactured by
- Fourteen Karat Plus, Inc., American, founded 1988
- Subject of
- Omega Psi Phi Fraternity, Inc., American, founded 1911
- Date
- after 1988
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ring: gold with amethyst and diamond;
- pouch: leather with metal and plastic
- Dimensions
- H x W x D (ring): 1 1/4 × 1 × 7/8 in. (3.2 × 2.5 × 2.2 cm)
- H x W x D (pouch): 4 1/2 × 3 1/2 × 3/8 in. (11.4 × 8.9 × 1 cm)
- Description
- 2015.102.1.1: This is a gold ring with thick band, the Official Ring of the International President, Grand Basileus, of the Omega Psi Phi Fraternity. The center of ring top has an amethyst rectangle with rounded edges with a gold 8-point star at the center, with each point having a small inlaid diamond, with a larger inlaid diamond at the center. Around the edge in relief gold lettering reads "GRAND BASILEUS" around the top and "OMEGA PSI PHI" along the bottom, with dots between the two phrases. On both the PL and PR side, in relief, is a depiction of the Omega Psi Phi fraternity shield; a shield with a five-point star, "O ? F]" with a genie-like lamp at the bottom, surrounded by dotted border, with two crossing swords behind, the bust of a set of armor at the top, all surrounded by a wreath. The initials “A.R." and "F.K. +10k" is etched onto the interior of the ring.
- 2015.102.1.2: A beige leather pouch, meant to hold the Grand Basileus Omega Psi Phi ring. This is a rectangular pouch with a top flap secured with a central beige plastic topped metal button. In dark red type the words "Fourteen Karat Plus, Inc." is typed on the bottom of the front, center.
- Place used
- Rochester, Monroe County, New York, United States, North and Central America
- Classification
- Adornment
- Type
- signet rings
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Andrew A. Ray
- Object number
- 2015.102.1.1-.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Great Migration Home Movie Study Collection
- smithsonian online virtual archive
- Record
- Creator
- National Museum of African American History and Culture (U.S.)
- name
- Church of God
- WHUT Howard University Television
- Mid-Atlantic Regional Moving Image Archive (MARMIA)
- Most Worshipful Prince Hall Grand Lodge of District of Columbia
- inclusive dates
- 1940 - Ongoing
- 1940 - Ongoing
- Physical description
- 825 Digital files
- Abstract
- The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.
- Preferred Citation
- Collection of the Smithsonian National Museum of African American History and Culture. Supported by the Robert Frederick Smith Fund of the National Museum of African American History and Culture.
- Restrictions
- Collection is available online for open research.
- Scope and Contents
- The collection contains 825 digitized audiovisual media objects. However, as an ongoing project the scope of the collection will continue to increase over time. The scope will be updated as is appropriate.
- The content of the collection consists predominantly of amateur recordings created by families to document their lives. This includes major life events, such as birthdays, as well as family vacations and holidays. Additionally, the collection includes footage produced by professionals for broadcast on television. This particular footage entered the collection through partnerships with other memory institutions.
- Physical description
- 825 Digital files
- Abstract
- The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.
- Preferred Citation
- Collection of the Smithsonian National Museum of African American History and Culture. Supported by the Robert Frederick Smith Fund of the National Museum of African American History and Culture.
- Restrictions
- Collection is available online for open research.
- Scope and Contents
- The collection contains 825 digitized audiovisual media objects. However, as an ongoing project the scope of the collection will continue to increase over time. The scope will be updated as is appropriate.
- The content of the collection consists predominantly of amateur recordings created by families to document their lives. This includes major life events, such as birthdays, as well as family vacations and holidays. Additionally, the collection includes footage produced by professionals for broadcast on television. This particular footage entered the collection through partnerships with other memory institutions.
- object type
- Archival materials
- topic
- Amateur films
- Families
- Travel
- Parties
- African Americans
-
Program for the 47th International Grand Lodge Convention of the I.B.P.O.E. of W
- Created by
- Unidentified
- Subject of
- Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
- Date
- 1946
- Medium
- ink on paper (fiber product)
- Dimensions
- H x W x D: 11 × 8 3/8 × 3/16 in. (27.9 × 21.3 × 0.5 cm)
- Description
- Program from The 47th International Post War Grand Lodge Convention of the I.B.P.O.E. of W. Dated August 1946. White pages between a textured, off-white paper cover and bound with three (3) staples. Cover features purple text and an image of an elk with leaves. Text is surrounded by a double-line border; the outer line has decorative corners. Text on the cover reads [BUFFALO / THE CITY OF/ GOOD NEIGHBORS / AND ALL OF WESTERN NEW YORK / WELCOMES / THE 47th INTERNATIONAL POST WAR / GRAND LODGE CONVENTION / AUGUST 25-30 1946 / Entertaining Units / FRONTIER LODGE No. 1024 - ELITE LODGE No. 119 / I. B. P. O. E. of W.]
- Place depicted
- Buffalo, Erie County, New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- programs
- Topic
- Fraternal organizations
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.46.17.12
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Carte-de-visite portrait of Mrs. Maj. Hall
- Photograph by
- Unidentified
- Subject of
- Hall, Maria Miller, American, 1831 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1864
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 9/16 × 2 1/8 in. (9 × 5.4 cm)
- H x W (Image and Mount): 4 × 2 3/8 in. (10.1 × 6.1 cm)
- Description
- Carte-de-visite of Maria Miller Woodhull Hall photographed in bust portrait. Her face is turned one quarter to her right and she looks off camera. She is wearing a black cap with ruffled or ribbon details on the back of her head and a plaid dress with a large oval brooch at her front neck. Hall's head is at the center of the print, with the background behind it fading at the edges in the popular style of the time. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- Handwritten in graphite at the bottom of the photograph is the text "Mrs. Maj. Hall / 1864". Handwritten in ink on the back of the photograph "Mrs. W. C. J. Hall / Jamestown / N.Y."
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten on the page in the lower left corner in graphite is the text "JAMESTOWN NY".
- Place depicted
- Jamestown, Chautauqua County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.3
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Susie Bruce
- Photograph by
- Fowler, Sylvenus J.
- Subject of
- Bruce, Susan, American, 1850 - 1866
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1860-1863
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
- H x W (Image and Mount): 3 7/8 × 2 7/16 in. (9.9 × 6.2 cm)
- Description
- Carte-de-visite of Susie Bruce shown in full portrait. Bruce is seated with her body turned one quarter to her right, though her face is turned to the camera. Her left hand rests in her lap and her right elbow is propped on a table covered in a floral cloth. Her hair is gathered in a snood at the back of her head. She wears a dark colored dress with dropped sleeves and a full skirt. There is a double-lined border printed in gold ink surrounding the outside edges of the card mount.
- There is a mark on the back of the photograph for S.J. Fowler.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Susie Bruce". Handwritten in graphite at the bottom left of the album page is the text "S J FOWLER 77 GENESEE ST AUBURN NY".
- Place made
- Auburn, Cayuga County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.34
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Harold M. White
- Photograph by
- Tousley, H. S., American, 1825 - 1895
- Subject of
- White, Harold M., American, 1832 - 1862
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1860-1862
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 7/16 × 2 1/8 in. (8.7 × 5.4 cm)
- H x W (Image and Mount): 4 × 2 3/8 in. (10.1 × 6.1 cm)
- Description
- Carte-de-visite of Harold M. White shown in bust portrait. White has short hair and a beard. He wears a dark jacket, white shirt, and dark bowtie. The edges of the image are purposefully faded in the popular style of the time.
- Handwritten on the back of the photograph is an account of White's death.
- The photograph is housed in the album 2017.30. TThe album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is partially erased text reading "Little slave girl". Handwritten in graphite in the lower left of the album page is the text "Harold M. White / In the Battle of Shiloh, died of fever / Dec. 3 1862".
- Place made
- Keeseville, Clinton County, New York, United States, North and Central America
- Keeseville, Essex County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.43
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite portrait of Harriet Tubman
- Photograph by
- Powelson, Benjamin F., American, 1823 - 1885
- Subject of
- Tubman, Harriet, American, 1822 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1868-1869
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
- H x W (Image and Mount): 3 15/16 × 2 7/16 in. (10 × 6.2 cm)
- Description
- A carte-de-visite of Harriet Tubman seated in an interior room. She is positioned slightly turned to the right and gazes off camera. Her right hand rests on the back of a wooden chair and her left hand rests in her lap. A body patterned carpet covers the floor and the wall or drop behind her is a blank light color. Tubman wears a black bodice that buttons at the center front and has dropped sleeves with heavy ruching and ruffled details on the sleeves. There is a panel of lighter fabric around the yoke, with the upper neck the same dark color as the body of the bodice. A white lace collar with short tails is crossed and pinned at the front of her neck. Her hair is parted at the center and gathered at the nape of her neck. Tubman's full skirt is made from a light and dark patterned gingham check. It drapes slightly on the floor and hides her feet completely. The text "Harriet Tubman" is handwritten in graphite across the bottom of her skirt. The print is mounted on card stock and a double-lined red border is printed around the front edges of the card framing the print.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page with this photograph is the text "Powelson photog. / Auburn Ny".
- Place captured
- Auburn, Cayuga County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Freedom
- Photography
- Reconstruction, U.S. History, 1865-1877
- Slavery
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.47
- Restrictions & Rights
- Public domain
-
CC0
Matte collodion print of Harriet Tubman
- Photograph by
- Lindsley, Harvey B., American, 1842 - 1921
- Subject of
- Tubman, Harriet, American, 1822 - 1913
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1871-1876; printed later
- Medium
- silver and collodion on printing out paper
- Dimensions
- H x W (Sheet): 5 3/8 × 3 7/16 in. (13.7 × 8.7 cm)
- Description
- Matte collodion photograph of Harriet Tubman standing in an interior room setting. The full-length portrait shows Tubman facing the photographer in the middle of the frame with her hands resting on the back of an upholstered chair. Tubman wears a dark bodice with metal buttons at the center front and full-length fitted sleeves. A white ruffled lace collar is tied at her neck. Her ankle length skirt is full with gathers at the waist and a wide decorative fabric band around the skirt near the hem. Her shoes with rounded toes are visible below her skirt. Her hair is parted at the center and pulled back at the nape of her neck. A coat or other article of clothing is draped over the chair and a hat is placed on the chair seat. Behind and to Tubman's right is a table covered in a patterned cloth with a book placed on the table top. The floor is carpeted and a painted drop with details mimicking wainscoting and a fluted column is visible in the background. Handwritten on the reverse along the bottom in graphite is the text "Harriet Tubman".
- The photograph was found tucked into the back of the album 2017.30, though it is too large to fit into the windowed pages of the album.
- Place captured
- Auburn, Cayuga County, New York, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Topic
- Antislavery
- Freedom
- Photography
- Reconstruction, U.S. History, 1865-1877
- Slavery
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.48
- Restrictions & Rights
- Public domain
-
CC0
The North Star, Volume 1, Number 22
- Created by
- The North Star, American, 1847 - 1859
- Edited by
- Douglass, Frederick, American, 1818 - 1895
- Published by
- Nell, William Cooper, American, 1816 - 1874
- Edited by
- Delany, Martin Robison, American, 1812 - 1885
- Written by
- Mott, Lucretia, American, 1793 - 1880
- Printed by
- Dick, John, British
- Date
- May 26, 1848
- Medium
- ink on paper
- Dimensions
- H x W (Folded): 25 × 18 1/4 in. (63.5 × 46.4 cm)
- H x W (Open): 24 13/16 × 36 5/16 in. (63 × 92.3 cm)
- Description
- The May 26, 1848 issue of the North Star, Volume 1, Number 22. The newspaper is one large sheet of paper that has been folded in half to create a four page spread. Each page is divided into seven columns of black text. On the front page mast head, large black text states [The North Star.] In the row below, the text on the far left reads [FREDERICK DOUGLASS / MR. DELANY, / EDITORS]. In the center, the text of the newspapers slogan reads, [RIGHT IS OF NO SEX - TRUTH IS OF NO COLOR- GOD IS THE FATHER OF US ALL, AND ALL WE ARE BROTHREN] The text on the right of the heading states, [WILLIAM C. NELL, PUBLISHER / JOHN DICK, PRINTER]. The third row has the printed text, [VOL I. NO. 22. / ROCHESTER, N.Y., FRIDAY, MAY 28, 1848. / WHOLE NO. - 22.]. Included on the second page in the second panel is the speech of Lucretia Mott at the American Anti-Slavery Society.
- Place printed
- Rochester, Monroe County, New York, United States, North and Central America
- Classification
- Documents and Published Materials
- Movement
- Abolitionist movement
- Type
- newspapers
- Topic
- Antislavery
- Communities
- Free communities of color
- Freedom
- Mass media
- Social reform
- U.S. History, 1815-1861
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.36.5
- Restrictions & Rights
- Public domain
-
Sample ballot for the 2008 Presidential election
- Printed by
- New York Board of Elections
- Subject of
- President Barack Obama, American, born 1961
- Vice President Biden, Joseph Robinette, Jr., American
- John McCain, American, 1936 - 2018
- Palin, Sarah, American, born 1964
- Democratic Party, American, founded 1828
- Republican Party, American, founded 1854
- Date
- 2008
- Medium
- ink on paper (fiber product) cardboard
- Dimensions
- H x W: 36 × 43 3/8 in. (91.5 × 110.1 cm)
- H x W x D (partly rolled): 36 × 43 3/8 × 7 1/16 in. (91.5 × 110.1 × 18 cm)
- Caption
- New York’s 31 Electoral Votes helped to secure the Presidential victory for Obama. In New York, then-Democratic nominee Barack Obama took 62.9% of the vote, defeating Republican nominee John McCain with a 26.9% margin. At the time, this was the highest Democratic vote share in New York since Johnson’s Victory over Goldwater in 1964. Four years later, Obama would defeat his own New York state record with 63.35% of the vote in 2012.
- Description
- A sample ballot for the United States 2008 Presidential election in New York, New York. Printed in black ink on large off-white cardboard paper, the hyper visual ballot is designed with 11 top to bottom voting columns; voting machine instructions; voting party/group options from A to K, and an amendment proposal. Extensive voting machine instructions on the far left of the board are presented first in English, then again, in Spanish. To the right of the machine instructions, twenty rows of horizontal voting choices, A to K, list political parties and their candidates: Barack Obama/Joe Biden; John McCain/Sarah Palin; Roger Calero/Alsyon Kennedy; Gloria La Riva/Eugene Puryear; Ralph Nader/Matt Gonzalez; Cynthia McKinney/Rosa Clemente; Bob Barr/Wayne A Root; Martin Schoenfeld; Marcy L. Kahn; Judith J. Gische; Shirley Werner Kornreich; Nora S. Anderson; Nancy M. Bannon, Charles B. Rangel; Bill Perkins; Adam Clayton Powell; Edward Daniels; Norma Soriano; George L. Espada, Sr.; Martin Koppel and Craig Schley. The last voting column on the far right, with the number one inside, offers “yes” or “no” in English and Spanish, on a proposed amendment to Article 5, section 6 of the Constitution. A blue ink stamp from the Board of Elections [SAMPLE BALLOT] features towards the lower half of the board, and at the bottom of the of the last column are Chinese and Korean characters, instructing the use of the voting machine lever. There are no markings on the reverse of the ballot.
- Place printed
- Manhattan, New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Government
- Multilingual communication
- Politics (Practical)
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Karen J. Greene, Ph.D.
- Object number
- 2019.103.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
Sample ballot for the 2008 Presidential election
- Printed by
- New York Board of Elections
- Subject of
- President Barack Obama, American, born 1961
- Vice President Biden, Joseph Robinette, Jr., American
- John McCain, American, 1936 - 2018
- Palin, Sarah, American, born 1964
- Democratic Party, American, founded 1828
- Republican Party, American, founded 1854
- Date
- 2008
- Medium
- ink on paper (fiber product) cardboard
- Dimensions
- H x W: 36 × 43 3/8 in. (91.5 × 110.1 cm)
- H x W x D (partly rolled): 36 × 43 3/8 × 7 1/16 in. (91.5 × 110.1 × 18 cm)
- Caption
- New York’s 31 Electoral Votes helped to secure the Presidential victory for Obama. In New York, then-Democratic nominee Barack Obama took 62.9% of the vote, defeating Republican nominee John McCain with a 26.9% margin. At the time, this was the highest Democratic vote share in New York since Johnson’s Victory over Goldwater in 1964. Four years later, Obama would defeat his own New York state record with 63.35% of the vote in 2012.
- Description
- A sample ballot for the United States 2008 Presidential election in New York, New York. Printed in black ink on large off-white cardboard paper, the hyper visual ballot is designed with 11 top to bottom voting columns; voting machine instructions; voting party/group options from A to K, and an amendment proposal. Extensive voting machine instructions on the far left of the board are presented first in English, then again, in Spanish. To the right of the machine instructions, twenty rows of horizontal voting choices, A to K, list political parties and their candidates: Barack Obama/Joe Biden; John McCain/Sarah Palin; Roger Calero/Alsyon Kennedy; Gloria La Riva/Eugene Puryear; Ralph Nader/Matt Gonzalez; Cynthia McKinney/Rosa Clemente; Bob Barr/Wayne A Root; Martin Schoenfeld; Marcy L. Kahn; Judith J. Gische; Shirley Werner Kornreich; Nora S. Anderson; Nancy M. Bannon, Charles B. Rangel; Bill Perkins; Adam Clayton Powell; Edward Daniels; Norma Soriano; George L. Espada, Sr.; Martin Koppel and Craig Schley. The last voting column on the far right, with the number one inside, offers “yes” or “no” in English and Spanish, on a proposed amendment to Article 5, section 6 of the Constitution. A blue ink stamp from the Board of Elections [SAMPLE BALLOT] features towards the lower half of the board, and at the bottom of the of the last column are Chinese and Korean characters, instructing the use of the voting machine lever. There are no markings on the reverse of the ballot.
- Place printed
- Manhattan, New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Government
- Multilingual communication
- Politics (Practical)
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Karen J. Greene, Ph.D.
- Object number
- 2019.103.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Pinback button for Jesse Jackson's 1988 presidential campaign
- Manufactured by
- Unidentified
- Subject of
- Rev. Jackson, Jesse, American, born 1941
- Date
- 1988
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W x D: 2 1/4 × 2 1/4 × 1/4 in. (5.7 × 5.7 × 0.6 cm)
- Description
- A white pinback button with red and blue text supporting Jesse Jackson's 1988 presidential campaign. Text throughout the button reads [New Yorkers for Jesse Jackson Action '88]. The back of the button has a metal pin with a clasp.
- Place depicted
- New York, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Politics (Practical)
- U.S. History, 1969-2001
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray
- Object number
- 2013.68.43
- Restrictions & Rights
- Unknown - Restrictions Possible