The glasses have round, circular lenses and thin metal temple bars made of the same material that frames the lenses. There are small, browned nose pads attached to the bridge. The glasses rest on a small, worn pink cloth inside of a velvet lined case. The case is metal and mostly covered with a patterned black material. Fading, illegible silver lettering is centered on the top lid of the case.
Banjo made in the style of William Esperance Boucher, Jr. (circa 1850s). The banjo has a circular head, with a tension head pulled tight across the front. There is a slightly tilted bridge on the head, with a tailpiece at the bottom holding the strings bottom in place along the rim. Both the tailpiece and the bridge are made of the same medium brown wood. There are metal brackets surrounding the rim of the banjo. This banjo is an early style of five-string banjos, which has four full-length strings alongside a short fifth-string. The neck and fingerboard of the banjo is made of the same medium glossy wood as the back of the head. There are four wooden turning keys and pegs on the top, with a 5th string turning peg, also made of wood, about halfway up the neck or fingerboard.
A wooden four poster bed frame with head board and foot board. The side rails screw into the frame providing greater strength and limited hiding places for vermin. This type of frame is known as the "Boyd Bedstead."
This quilted petticoat may have been made from a repurposed wholecloth bedcover or refashioned from a once larger skirt. The front of the textile is faced with a small-scale printed floral vine design in white, yellow, purple, and red blossoms with green leaves on a light brown ground. The back of the textile is faced with an orange striped cotton. A layer of cotton batting was quilted between the front and back facing fabrics. It was hand quilted with off-white cotton thread in an offset grid pattern with a leafy vine border design. The floral printed fabric was turned and hand stitched to the back fabric as binding. The fabrics and quilted motifs indicate it was probably made in the 1830s or 1840s. The fabric may have been imported from France.
The cut textile is turned under and the edges left raw at the interior waistline of the petticoat and the cotton batting can be seen along these raw edges. A small piece of printed cotton with a small-scale repeating design of purple flowers on a yellow ground is stitched at the interior proper left front waist. A long length of off-white cotton twill tape is attached around the back waist to hold gathers in the petticoat. The twill tape remains loose on the front so that the front of the petticoat has a flat silhouette. The petticoat is closed by tying these loose lengths of twill tape at the front waist.The hem of the petticoat is the original binding of the bedcover and the quilted vine border of the bedcover is turned horizontal around the bottom of the petticoat. The textile was probably repurposed into its current form as a petticoat between the 1870s and 1890s due to the flat front and gathered back waist.