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-
Journal of Dr. Ionia Rollin Whipper
- Created by
- Lefax, Inc., American, c. twentieth century
- Owned by
- Dr. Whipper, Ionia Rollin, American, 1872 - 1953
- Date
- 1939
- Medium
- ink on paper with metal and leather
- Dimensions
- H x W: 7 1/4 × 5 1/2 in. (18.4 × 14 cm)
- Caption
- This journal provides insight into the spiritual and intellectual life of Dr. Ionia Rollin Whipper, doctor and social reformer. A 1903 graduate of Howard Medical School, Dr. Whipper was an obstetrician working in the Maternity Ward of Freedmen's Hospital. She encountered many teenage mothers in her work, mentoring them through their pregnancies and caring for their infants. With a small group of women from the community of her church, AME St. Luke's, Whipper raised money to open a home for unwed pregnant girls. In 1931, the Ionia R. Whipper Home for Unwed Mothers opened in Northeast Washington, DC and remained the only maternity home for black women in the Washington area for decades.
- Description
- Journal of Dr. Ionia Rollin Whipper. The journal has a leather cover and binder with unlined pages. On the front cover is the manufacturer, [LEFAX]. Each page is covered with inspirational quotes about religion and life. Each thought or sentence is divided by a handdrawn line. Along with the quotes are lists of attendees at Meetings. There is a break halfway through with blank pages, then the journal continues until the last page. On the inner back cover, printed in gold ink, is the manufacturer's information. [NO. 675 / LEFAX / PHILADELPHIA, PA. / MADE IN U.S.A.].
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Type
- diaries
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Carole Ione Lewis Family Collection
- Object number
- 2018.101.5
-
Delegate
- Published by
- MelPat Associates, American, 1965 - 1986
- Created by
- Patrick, C. Melvin, American, died 1985
- Subject of
- Sen. Brooke, Edward, American, born 1919
- Morris Brown College, American, founded 1881
- Interracial Council for Business Opportunity, American, founded 1963
- Opportunities Industrialization Center of America, Inc., American, founded 1964
- Humphrey, Hubert Horatio Jr., American, 1911 - 1978
- General James, Daniel Jr., American, 1920 - 1978
- Wilkins, Roy, American, 1901 - 1981
- Shorter, Rufus B., American
- National Association of Black Social Workers, American, founded 1968
- National Association of Market Developers, American, founded 1953
- National Medical Association, American, founded 1895
- Ancient and Accepted Scottish Rite of Freemasonry
- Prince Hall Freemasonry, founded 1784
- Howard University, American, founded 1867
- National Newspaper Publishers Association, American, founded 1827
- Young Men's Christian Association (YMCA), International, founded 1844
- Avon, founded 1886
- Lambda Kappa Mu Sorority, Inc., American, founded 1937
- National Association for the Advancement of Colored People, American, founded 1909
- The Links, Incorporated, American, founded 1946
- National United Church Ushers Association of America, Inc., American, founded 1919
- National Medical Association, American, founded 1895
- National Dental Association, American, founded 1913
- Sigma Gamma Rho Sorority, Inc., founded 1922
- Phi Beta Sigma Fraternity, American, founded 1914
- National Urban League, American, founded 1910
- Iota Phi Lambda Sorority, Inc., American, founded 1929
- Alpha Kappa Alpha Sorority, Incorporated, founded 1908
- Zeta Phi Beta Sorority, American, founded 1920
- Alpha Phi Alpha Fraternity, Inc., American, founded 1906
- Eta Phi Beta Sorority, Inc., American, founded 1943
- National Association of University Women, American, founded 1910
- National Association of Market Developers, American, founded 1953
- Chi Eta Phi Sorority, Inc., American, founded 1932
- American Bridge Association, American, founded 1932
- Ashe, Arthur Jr., American, 1943 - 1993
- The Salvation Army, American, founded 1865
- National Dental Association, American, founded 1913
- Shriners International, American, founded 1870
- Davis, Sammy Jr., American, 1925 - 1990
- Congressional Black Caucus, American, founded 1971
- Rev. King, Martin Luther Sr, American, 1899 - 1984
- Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
- Southern Christian Leadership Conference, American, founded 1957
- National Urban League Guild, American, founded 1946
- Association for the Study of African American Life and History, American, founded 1915
- 369th Veterans Association, American
- Prince Hall Freemasonry, founded 1784
- One Hundred Black Men, Inc., American, founded 1963
- Phi Beta Sigma Fraternity, American, founded 1914
- Date
- 1978
- Medium
- ink on paper
- Dimensions
- H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
- Description
- A 1978 issue of Delegate magazine published by MelPat Associates. The cover of the magazine features a pink ribbon that reads [1978 / DELEGATE] on a collage of cropped black and white photographic portraits with an orange tint. The magazine has a white spine with black text that reads [DELEGATE 1978 - The 2nd Year of the 3rd Century].
- The magazine’s content opens on the first page with an untitled editorial note recounting events of the past year, including the failed mayoral campaign of Percy Sutton, affirmative action, and the disappointments of the Carter administration. There is also a masthead, set in white text against a bright blue background reading [DELEGATE, 1977], followed by a table of contents.
- The content then continues with a feature on Senator Edward W. Brooke and an article about the Bakke case, followed by profiles of African American business organizations, business leaders, community organizations, sororities, fraternities, doctors, dentists, politicians, actors, and journalists. This includes Boggs Academy, Opportunities Industrial Centers, Canadian Club, Bottle and Cork Club, Johnson & Johnson, Rufus Shorter, National Association of Black Social Workers, National Urban Affairs Council, Association of Market Developers, Empire State Medical, Ponds, Prince Hall Grand Lodge, Dr. George Alexander, National Newspaper Publishers Association, NBC, Clifford Alexander, Kraft, Lambda Kappa Mu Sorority, NAACP, Links, National Church Ushers, National Medical Association, National Dental Association, Sigma Gamma Rho Sorority, Jeffrey Goldsen, Phi Beta Sigma Fraternity, National Urban League, ABC-TV, Iota Phi Lambda Sorority, Alpha Kappa Alpha Sorority, Zeta Phi Beta Sorority, Alpha Phi Alpha Fraternity, Eta Phi Beta Sorority, National Association of University Women, CBS Records, National Bar Association, Gulf Oil, Whitfield, American Bridge Association, Shriners and the Daughters of Isis, Center for Social Change, Elks of the World, Southern Christian Leadership Conference, The Association for the Study of Afro-American Life and History, 369th Veterans Association, Brenda Schofield and Willa Benge, and Judge Constance Motley. There are sections on California, Houston, Minneapolis, Detroit, Washington, DC, Atlanta, Chicago, and New York, as well as a travel section featuring Jamaica, Barbados, Oak Bluffs, and West Africa.
- There are approximately 284 pages with black and white photographs and advertisements throughout, as well as a few advertisements in color. The back cover of the magazine features a full page advertisement for Kool cigarettes.
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- Harlem, New York City, New York, United States, North and Central America
- Place depicted
- California, United States, North and Central America
- Houston, Texas, United States, North and Central America
- Minneapolis, Hennepin County, Minnesota, United States, North and Central America
- Detroit, Wayne County, Michigan, United States, North and Central America
- Chicago, Cook County, Illinois, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Jamaica, Caribbean, North and Central America
- Barbados, Caribbean, North and Central America
- Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
- West Africa, Africa
- Classification
- Documents and Published Materials-Published Works
- Topic
- Advertising
- Associations and institutions
- Business
- Communities
- Fraternal organizations
- Fraternities
- Government
- HBCUs (Historically Black Colleges and Universities)
- Journalism
- Labor
- Mass media
- Men
- Political organizations
- Politics
- Professional organizations
- Religious groups
- Social life and customs
- Sororities
- Travel
- U.S. History, 1969-2001
- Urban life
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
- Object number
- 2012.167.12
- Restrictions & Rights
- Public domain
-
Delegate
- Published by
- MelPat Associates, American, 1965 - 1986
- Created by
- Patrick, C. Melvin, American, died 1985
- Subject of
- National Association for the Advancement of Colored People, American, founded 1909
- National Urban League, American, founded 1910
- Sigma Phi Rho Fraternity, American, founded 1978
- National Association for Equal Opportunity in Higher Education, American, founded 1969
- Association of Black Women Attorneys, American, founded 1976
- National Urban Affairs Council, American, founded 1971
- Jordan, Raymond A. Jr., American, born 1943
- National Association of Market Developers, American, founded 1953
- The Links, Incorporated, American, founded 1946
- Northside Center for Child Development, Inc., founded 1946
- National Newspaper Publishers Association, American, founded 1827
- Prince Hall Freemasonry, founded 1784
- Chi Delta Mu Fraternity, Inc., American, founded 1913
- Top Ladies of Distinction, Inc., American, founded 1964
- Lambda Kappa Mu Sorority, Inc., American, founded 1937
- Carats, Inc., American, founded 1959
- Chi Eta Phi Sorority, Inc., American, founded 1932
- National United Church Ushers Association of America, Inc., American, founded 1919
- Iota Phi Lambda Sorority, Inc., American, founded 1929
- National Medical Association, American, founded 1895
- Dr. Alexander, Leslie L., Jamaican American, 1917 - 2002
- Smithsonian Institution, American, founded 1846
- Signed by
- Alpha Phi Alpha Fraternity, Inc., American, founded 1906
- Subject of
- National Sorority of Phi Delta Kappa, Inc., American, founded 1906
- Morehouse College, American, founded 1867
- Delta Sigma Theta Sorority, American, founded 1913
- Shriners International, American, founded 1870
- Dr. Mays, Benjamin Elijah, American, 1894 - 1984
- Basie, Count, American, 1904 - 1984
- National Coalition of 100 Black Women, American, founded 1981
- National Bankers Association, American, founded 1927
- 369th Veterans Association, American
- One Hundred Black Men, Inc., American, founded 1963
- Association for the Study of African American Life and History, American, founded 1915
- Date
- 1985
- Medium
- ink on paper
- Dimensions
- H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
- Description
- The 1985 20th Anniversary issue of Delegate magazine published by MelPat Associates. The cover has a white background featuring a grid of twenty-eight (28) portrait photographs. Under each photograph the name of the man or woman pictured is printed in red. At the upper left of the cover is a red ribbon badge with white text on a black background. It reads [1985]. To the right of the ribbon is [DELEGATE] in decorative blue & white block lettering with [20th ANNIVERSARY] printed underneath in red. Red text in the lower right corner reads [WASHINGTON / The Seat of / Government / & Education / 1900-1985 / Page 359]. The spine of the magazine is white with blue text that reads [DELEGATE, 1985 - The 9th Year of the 3rd Century].
- The magazine’s content opens with an untitled editorial note recounting the events since the first issue of Delegate was published in 1965. This is followed by a masthead, set in white text against a black background reading [DELEGATE, 1983], and a table of contents.
- The content then continues with profiles of African American business organizations, business leaders, events, community organizations, sororities, fraternities, doctors, dentists, politicians, actors, and journalists. This includes the NAACP, National Urban League, Bottle and Cork Club, Sigma Phi Rho Fraternity, National Association for Equal Opportunity in Higher Education, Black Achievers in Industry, The Northeasterners, National Association of Black Women Attorneys, The Beaux Arts Ball, Interracial Council for Business Opportunity, National Urban Affairs Council, Raymond A. Jordan Jr, Frederick Douglass Awards Dinner, National Association of Market Developers, Somerset Importers, Northside Center for Child Development, John Hunter Camp Fund, National Newspaper Publishers Association, Prince Hall Grand Lodge, Chi Delta Mu Fraternity, National Association of Urban Bankers, The Upward Fund, PHelps-Stokes Center for Human Development, Top Ladies of Distinction, Lambda Kappa Mu Sorority, Carats, Chi Eta Phi Sorority, National United Church Ushers Association, National Women of Achievement, Iota Phi Lambda Sorority, National Medical Association, Leslie Alexander, Smithsonian Institution, Chesebrough-Ponds, Ciba-Geigy, Alpha Phi Alpha Fraternity, Phi Delta Kappa, Tuskegee Airmen, National Association of Negro Business and Professional Women’s Clubs, Phi Beta Sigma, Morehouse School of Medicine, Equitable’s 12th Black Achievement Recognition Dinner, Delta Sigma Theta Sorority, Ancient Egyptian Arabic Order Nobles Mystic Shrine, Kool City Jam Concert, Harlem Day Parade, Charles Buchanan, John Connors, George Meares Memorial Scholarship Fund, Dr. Benjamin Mays, Count Basie, Communications Excellence to Black Audiences, 100 Black Women, East Harlem Triangles Association, National Association for Sickle Cell Disease, National Bankers Association, 369th Veterans Association, The Edges Group, Association for the Study of Afro-American Life and History, American Wheelchair Association, National Association of Media Women, One Hundred Black Men, Associated Black Charities, E.P.C. International Inc. Evening of Elegance, The Nor-Jer-Men, Epsilon Sigma Chapter, Epsilon Beta Sigma Chapter, and Comus Social Club. There are also several wedding announcements and a feature on Oak Bluffs, Massachusetts. The issue ends with an extended feature story on Washington, DC.
- There are approximately 480 pages with black and white photographs and advertisements throughout, as well as a few advertisements in color. The back cover of the magazine features a full page advertisement for Kool cigarettes.
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- Harlem, New York City, New York, United States, North and Central America
- Place depicted
- Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Topic
- Advertising
- Associations and institutions
- Business
- Communities
- Fraternal organizations
- Fraternities
- Government
- HBCUs (Historically Black Colleges and Universities)
- Journalism
- Labor
- Mass media
- Men
- Political organizations
- Politics
- Professional organizations
- Religious groups
- Social life and customs
- Sororities
- U.S. History, 1969-2001
- Urban life
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
- Object number
- 2012.167.19
- Restrictions & Rights
- Public domain
-
Dr. Juanita Patience Moss Oral History Interview
- Created by
- National Museum of African American History and Culture, American, founded 2003
- Recorded by
- Patrick Telepictures, Inc., American
- Interview of
- Dr. Moss, Juanita Patience, American, born 1932
- Interviewed by
- Hyppolite, Joanne
- Subject of
- C. Edgar Patience, American, 1906 - 1972
- Date
- November 3, 2016
- Medium
- digital
- Dimensions
- Duration (2016.129.17.1a): 38.1 minutes
- Duration (2016.129.17.2a): 37.7 minutes
- Description
- The oral history consists of 2016.129.17.1a and 2016.129.17.2a: two versions (unedited, and edited) of a single digital video recording.
- 63.81855 GB
- Dr. Juanita Patience Moss was interviewed as part of the NMAAHC Donor Oral History Collection. Dr. Moss donated some of her father, C. Edgar Price's equipment and art work to the National Museum of African American History and Culture.
- In this oral history interview Dr. Juanita Patience Moss discusses her father C. Edgar Patience’s life and work at length-including the Anthracite coal industry and how he became an artist in this medium. She also discusses the African American community of West Pittston, Pennsylvania.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- West Pittston, Luzerne County, Pennsylvania, United States, North and Central America
- Collection title
- The Collection Donor Oral History Project
- Classification
- Media Arts-Film and Video
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Art
- Communities
- Families
- Labor
- Museums
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.129.17.1a-.2a
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
Charles David Kleymeyer Oral History Interview
- Created by
- National Museum of African American History and Culture, American, founded 2003
- Recorded by
- Patrick Telepictures, Inc., American
- Interview of
- Dr. Kleymeyer, Charles David, American, born 1944
- Interviewed by
- Navies, Kelly Elaine, American
- Subject of
- Juan García Salazar, Ecuadorian, 1944 - 2017
- Inter-American Foundation, American, founded 1969
- Date
- December 7, 2016
- Medium
- digital
- Dimensions
- Duration (2016.129.18.1b): 85.1 minutes
- Duration (2016.129.18.2a): 85.1 minutes
- Description
- The oral history consists of 2016.129.18.1a and 2016.129.18.2a: two versions (unedited, and edited) of a single digital video recording.
- 128.98321 GB
- Dr. Charles D. Kleymeyer was interviewed as part of the NMAAHC Donor Oral History Collection. Dr. Kleymeyer is a close friend and research partner of Juan Garcia. Juan Garcia Salazar, an Afro-Ecuadorean, donated the very first item to the National Museum of African American History and Culture, a carved stool of clear tropical hardwood etched with a spider web motif, symbolizing West African folklore character, Anansi the Spider. This item is featured in our Cultural Expression Gallery. Dr. Kleymeyer, who lives in the DC Metropolitan area, has often acted as interpreter for Garcia Salazar and was present when the stool was delivered to NMAAHC Director Lonnie Bunch.
- In this oral history interview Dr. Charles D. Kleymeyer discusses his life and work at length, including his memories of growing up near the African American community of Lyles Station in Indiana and the extensive work he did for many years with African and Indigenous peoples in Ecuador while working for the Inter-American Foundation (IAF). It was his work with the IAF that brought him into contact with Juan Garcia Salazar and he discusses their relationship in detail.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Indiana, United States, North and Central America
- Ecuador, Latin America, South America
- Collection title
- The Collection Donor Oral History Project
- Classification
- Media Arts-Film and Video
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Activism
- Africa
- Communities
- Folklife
- Museums
- Travel
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.129.18.1a-.2a
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
Kenneth Royster Oral History Interview
- Created by
- National Museum of African American History and Culture, American, founded 2003
- Recorded by
- Patrick Telepictures, Inc., American
- Interview of
- Royster, Kenneth, American, born 1944
- Interviewed by
- Bryant, Aaron
- Date
- July 14, 2016
- Medium
- digital
- Dimensions
- Duration (2016.129.4.1a): 101.8 minutes
- Duration (2016.129.4.2a): 101.3 minutes
- Description
- The oral history consists of 2016.129.4.1a and 2016.129.4.2a: two versions (unedited, and edited) of a single digital video recording.
- 166.46723 GB
- Ken Royster was interviewed as part of the NMAAHC Donor Oral History Collection. Mr. Royster donated a collection of his photographs to the National Museum of African American History and Culture.
- During this oral history interview Ken Royster discusses his evolution as an artist and photographer and his approach to his work. Royster is known for his black and white photography of African American cultural rituals, such as baptisms. He also talks at length about growing up in Baltimore, Maryland.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Baltimore, Maryland, United States, North and Central America
- Collection title
- The Collection Donor Oral History Project
- Classification
- Media Arts-Film and Video
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Art
- Communities
- Museums
- Photography
- Religion
- Social life and customs
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.129.4.1a-.2a
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
Third World No. 9
- Created by
- Third World Newspaper, American, founded 1970
- Edited by
- Lewis, John W., Jr., American, born 1930
- Subject of
- X, Malcolm, American, 1925 - 1965
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- ca. 1965
- Medium
- newsprint, ink
- Dimensions
- H x W: 12 1/8 × 8 1/4 × 1/16 in. (30.8 × 21 × 0.2 cm)
- Description
- Third World magazine featuring a large black and white portrait drawing of Malcolm X. The illustration is a close up of Malcolm X's face depicting him squinting through his horn-rimmed glasses. The illustration is contained within a large rectangle bordered in a small black line that takes up the bottom two-thirds of the front. Over top of the illustration in the lower part of the image is white text on a black background [HONOR/MALCOLM X]. Above the second "M," on the PL cheek of Malcolm X is the artist's signature, vertically oriented [CHAMBERS]. At the top of the cover, contained within a smaller rectangle taking up the top third, is the publication title, number and price [THIRD WORLD/No. 9 25¢]. To the left of the publication title is a graphic of a globe with the number "3" on top.
- Place printed
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Movement
- Civil Rights Movement
- Black Nationalism
- Type
- newspapers
- Topic
- African diaspora
- Civil rights
- Communities
- Local and regional
- Mass media
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.30
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Pinback button promoting the Million Family March
- Manufactured by
- Unidentified
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- 2000
- Medium
- metal
- Dimensions
- Diameter: 2 3/16 × 5/16 in. (5.6 × 0.8 cm)
- Description
- Round pin-back button featuring black, yellow and green type. Button reads, [Million/FAMILY/MARCH/®/OCTOBER 16, 2000/WASHINGTON, DC]. Button has green and yellow circular border.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Communities
- Local and regional
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.1.19
- Restrictions & Rights
- No Known Copyright Restrictions
-
Usher badge from New Bethany Baptist Church
- Manufactured by
- Unidentified
- Subject of
- New Bethany Baptist Church, American, founded 1935
- Used by
- Penn, Ruby, American
- Date
- mid-20th century
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- metal, aluminium, plastic
- Dimensions
- H x W x D: 3 5/8 × 2 5/16 × 5/16 in. (9.2 × 5.9 × 0.8 cm)
- Description
- This is a faux gold usher badge was worn by Ruby Penn, a onetime member on the usher board at New Bethany Baptist Church in Washington, D.C. The badge is comprised of two major sections - a horizontal bar from which a round pendant hangs suspended from two chains. The top section has a pin back on its reverse; the obverse is a white rectangle of plastic framed by an ornate faux gold foliage pattern of gold tinted metal. The white rectangle contains a line of capitalized black text which reads: [MEMBER]. This top section is then attached to the circular pendant by two chains hanging from either end of the horizontal bar. The pendant is also white plastic with lines of capitalized black text which read: [SR. USHER BOARD / NEW BETHANY / BAPTIST CHURCH / WASH. D. C.]. The pendant is also bordered by the faux gold foliage border. On the reverse, there is aluminum backing visible, indicating that the white plastic element is actually separate and being held in place by the adorned border.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- badges
- Topic
- Communities
- Local and regional
- Religion
- Religious groups
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of New Bethany Baptist Church
- Object number
- 2015.146
- Restrictions & Rights
- No Known Copyright Restrictions
-
Member badge for Daughters of the IBPOEW Temple 422
- Created by
- Unidentified
- Issued by
- Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
- Date
- ca. 1940s
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ribbon, metal, cord, plastic
- Dimensions
- H x W x D: 7 7/8 × 2 1/4 × 1/4 in. (20 × 5.7 × 0.6 cm)
- Description
- Daughters of I.B.P.O.E. of W. member badge. At the top is a rectangular gold-colored metal bar with a pin back. The front of the bar forms a frame for the word [MEMBER], in black against a gold background. Two (2) ribbons are attached through a hook on the reverse. The ribbon at the front is purple, while the ribbon on the back is black. Each ribbon features identical images and text. Decoration on the purple ribbon is in gold, while the black ribbon features silver decoration. Each features images of two hands shaking, an eagle, and an elk surrounded by a leaf motif. A gold pin-back button is attached overtop the elk picture on the purple ribbon. The round button features an identical elk image in black. Below the iconography is text that reads [COLUMBIA / TEMPLE NO. 422 / DAUGHTERS OF / I.B.P.O.E. OF W. / WASHINGTON, D.C.]. Gold fringe decorates the bottom of the ribbons.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- badges
- Topic
- Communities
- Fraternal organizations
- Local and regional
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.46.17.4
- Restrictions & Rights
- No Known Copyright Restrictions
-
Member badge for IBPOEW Lodge 85
- Created by
- Unidentified
- Issued by
- Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
- Date
- ca. 1940s
- Medium
- ribbon, metal, cord, plastic
- Dimensions
- H x W x D: 8 × 3 × 1/2 in. (20.3 × 7.6 × 1.3 cm)
- Description
- I.B.P.O.E. of W. member badge. At the top is a gold metal bar with a pin-back. The front of the bar features a decorative motif and creates a frame for the word [MEMBER], in black against an ivory background. A round medallion hangs from the bar on two metal chains. The medallion features a raised design around the circumference. On a raised platform at the center is an image of a clock with an elk in the middle. The gold and brown image is set against an ivory background. Also attached to the bar are two (2) ribbons. The ribbon at the front is black, while the ribbon on the back is purple. Silver text on the bottom half of the black ribbon reads [COLUMBIA / No. 85 / I.B.P.O.E. of the W. / WASHINGTON, D. C.]. Dark gold fringe decorates the bottom of the ribbons.
- Greenish corrosion on top bar and hanging medallion. Black ribbon is stained, top center. Text wearing off. Purple ribbon is fraying and splitting throughout. Fraying is most significant at the top left. Purple ribbon is also discolored throughout, with numerous brown patches. Some fringe also fraying.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- badges
- Topic
- Communities
- Fraternal organizations
- Local and regional
- Men
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.46.17.5
- Restrictions & Rights
- No Known Copyright Restrictions
-
Carte-de-visite portrait of Carrie N. Lacy
- Photograph by
- Ulke, Henry, German-American, 1821 - 1910
- Subject of
- Lacy, Caroline N., American, 1838 - 1898
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1865
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 3/4 × 2 7/16 in. (9.6 × 6.2 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.7 × 6.3 cm)
- Description
- Carte-de-visite of Caroline "Carrie" N. Lacy shown in full portrait. Lacy stands with her body facing one quarter to her right but her face is turned straight to the camera. Her right hand resting on the back of a carved Gothic revival style side chair. Her left hand is at her side and she is holding a black beaver hat with a heavily embellished ruffled lace hat band. Her hair is parted at the center and braided on the sides extending to the nape of her neck. Her cheeks and lips are tinted pink. She wears a dark colored dress and a dark cloak over it. A chatelaine is pinned at her front neck with a long chain and a long ribbon extending from it, though the objects at the ends are not visible and appear to be tucked into her waist or under her cloak.
- A mark for Henry Ulke is printed on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "Carrie N. Lacy". Handwritten in graphite in the lower left corner of the album page is the text "HENRY ULKE".
- Place printed
- Washington, District of Columbia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.13
- Restrictions & Rights
- Public domain
-
Carte-de-visite portrait of Emma V. Brown
- Photograph by
- M.P & A.I. Rice, American, 1874 - 1876
- Subject of
- Montgomery, Emma V., American, 1846 - 1902
- Rice, Moses P., born 1839
- Owned by
- Howland, Emily, American, 1827 - 1929
- Date
- 1874-1876
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (Image): 3 5/8 × 2 5/16 in. (9.2 × 5.8 cm)
- H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
- Description
- Carte-de-visite of Emma V. Brown shown in half portrait. Her body faces the camera but her head is turned one quarter to her right and she looks off frame. Her hair is gathered loosely and in long ringlets that hang down behind her head. She wears a dark bodice with a ruffled front and collar with a white ruffled lace standing collar under it. A circular brooch is pinned at her center front neck. She wears circular dangling earrings. The bottom portion of the image is purposefully faded in the popular style of the time.
- Handwritten in ink below the photograph on the mount is the text, "Emma V. Brown / my pupil & friend". There is a mark for M.P & A.I. Rice on the back of the photograph.
- The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite inside the bottom border of the printed frame of the album page is the text "E. V. Brown" and at the bottom left of the album page is the text "M P Rice / 1217 Washington DC".
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Abolitionist movement
- Type
- cartes-de-visite
- albumen prints
- portraits
- Topic
- Antislavery
- Communities
- Education
- Photography
- Reconstruction, U.S. History, 1865-1877
- U.S. History, Civil War, 1861-1865
- Women
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30.37
- Restrictions & Rights
- Public domain
-
Tent with song lyrics - Resurection City, Wash., D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 2510pixels × 3899pixels
- Description
- This image depicts a temporary shelter in Resurrection City on the National Mall with the lyrics to two songs written on its sides. The tent, made of plywood and plastic sheeting, is situated on the National Mall, with trees and the Washington Monument visible behind it. The first song is titled "You Can't Keep Us Down" and the lyrics cover the left half of the tent wall. The other song is titled "In Resurrection City" and its lyrics cover the right side of the tent wall. For full lyrics, please see Notes Text Entries.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Local and regional
- Photography
- Resistance
- Social reform
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.47
- Restrictions & Rights
- © Robert Houston
-
Woman between tents - Resurrection City, Wash, D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 5285pixels × 5285pixels
- Description
- This image depicts a young woman seated between rows of tents at Resurrection City during the Poor People's Campaign. The woman, seated on a wooden folding chair, wears a light colored shirt with long sleeves pushed up, and a light colored and patterned skirt. She wears a scarf wrapped around her head and is barefoot. Her light colored sandals rest on the ground beside her. She sits sideways to the camera and looks at the viewer over her left shoulder, holding her left hand on her hip. She sits in the doorway of a tent made of yellow material, wood, and plastic sheeting. Folding cots are visible inside the tent opposite her. The alley is bare ground with sparse grass and a tree is visible in the distance over the roofs of the tents.
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Local and regional
- Photography
- Resistance
- Social reform
- U.S. History, 1961-1969
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.39
- Restrictions & Rights
- © Robert Houston
-
Yellow school bus - Resurrection City., Wash, D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 4539pixels × 4991pixels
- Description
- This image depicts a yellow school bus parked by the curb with five men's heads protruding from side windows and one man emerging from the door. The photograph is taken from the rear right side of the bus, looking towards the front. There are two hand-made signs taped to the bus' side, both handwritten on white paper. One, in black letters, reads "NEWARK, N.J. / VAN-GUARD/ POOR PEOPLES/ CAMPAIGN." The other sign, written in red ink reads “NEWARK, NJ." Painted in black and white script by the door's lower corner is the bus company's logo that reads "Mer(?)enthal(?)rs/ Bus Service." Five men lean out the upper half of five bus windows, looking over their right shoulders towards the viewer. Two of the men wear flat caps, and all five men wear over shirts or jackets in shades of khaki or dark blue. A sixth man in a dark blue jacket stands in the bus's open door.
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Local and regional
- Men
- Photography
- Resistance
- Social reform
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.46
- Restrictions & Rights
- © Robert Houston
-
Woman at tent doorway - Resurrection City, Wash., D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 3179pixels × 3157pixels
- Description
- This image depicts a young woman standing at the entrance of one of the yellow tents at Resurrection City during the Poor People's Campaign. Framed by the tent flaps of yellow material she gazes directly at the viewer. She is dressed in a blue knit shirt with a fold over collar and a vee-neckline. There is some clear and white material, possibly a wad of tape, stuck to one tent flap at head level.
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Local and regional
- Photography
- Resistance
- Social reform
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.34
- Restrictions & Rights
- © Robert Houston
-
Men with plastic at tent - Resurrection City, Wash., D.C. – 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 3179pixels × 2157pixels
- Description
- This image depicts four men building an A-frame tent in Resurrection City during the Poor People's Campaign. Two of the men, both wearing hats and jackets, stand on the tent's slanting wooden sides, one man on each side. They hold the large sheet of plastic to the top pf the wood frame while two men on the ground hold the sheet flat against the wall. One man on the ground, wearing a yellow shirt and dark hat, stretches his left hand and gazes towards one of the men on the slanting wall. Both men on the ground stand with their back to the viewer. There is another yellow tent in the background.
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Labor
- Local and regional
- Men
- Photography
- Resistance
- Social reform
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.36
- Restrictions & Rights
- © Robert Houston
-
Young girl in tent doorway - Resurrection City, Wash., D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Child or Children
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 3179pixels × 2157pixels
- Description
- This image depicts a young girl peering out between the flaps of a yellow tent in Resurrection City during the Poor People's Campaign. The girl leans slightly to her right to look around the edge of the yellow tent flap. She wears a pale yellow dress and beige button down cardigan. Her hair is braided and she has a pencil tucked through a braid on the crown of her head. Although facing forward, her eyes are focused to the right of the viewer. Behind the girl within the tent is a folding cot on which are four small children. A fifth small child in a red jacket stands at the end of the cot and looks towards the tent entrance.
- Cultural Place
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- Activism
- Children
- Civil rights
- Communities
- Families
- Local and regional
- Photography
- Resistance
- Social reform
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.38
- Restrictions & Rights
- © Robert Houston
-
Night scene at campfire - Resurrection City, Wash, D.C. - 1968
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- May 21, 1968- June 23, 1968
- Medium
- digital
- Dimensions
- H x W: 5288pixels × 5212pixels
- Description
- This image depicts a group of people gathered around a bonfire in Resurrection City on the National Mall. Two people sit on a variety of chairs around a bonfire in a barrel. Two individuals sit with their backs to the viewer, one man in a dark suit and hat, the other in a light colored shirt and pants. A third person stands leaning against the back of a chair. Several other individuals walk past in the dark. An overflowing trash can sits to the right of the bonfire. The bonfire is surrounded by rows of tents and temporary structures. Behind them are the silhouettes of trees. The illuminated Washington Monument can be seen in the background.
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Communities
- Local and regional
- Photography
- Resistance
- Social reform
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston
- Object number
- 2014.116.41
- Restrictions & Rights
- © Robert Houston