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    • Buttons (information artifacts) 5 [-]
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Your search found 53 result(s).
Print
  • Spring--Delightful Flower Bed

    Created by
    Alma Thomas, American, 1891 - 1978
    Date
    1967
    On View
    Culture/Fourth Floor, 4 052
    Exhibition
    Visual Art and the American Experience
    Medium
    acrylic paint on canvas
    Dimensions
    H x W x D (unframed): 36 × 36 in. (91.4 × 91.4 cm)
    H x W x D (framed): 39 1/2 × 39 1/2 × 1 1/2 in. (100.3 × 100.3 × 3.8 cm)
    Description
    This is an abstract and colorful mosaic-style painting with concentric circles filling a square space with a light green background. Each circle is composed of rectangular shapes of similar color and size, but each circle varies in color and width.
    Place made
    Washington, District of Columbia, United States, North and Central America
    Classification
    Visual Arts
    Type
    oil paintings
    Topic
    Art
    Local and regional
    Nature
    Resistance
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of William J. and Brenda L. Galloway and Family
    Object number
    2015.151
    Restrictions & Rights
    © Charles Thomas Lewis
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd5b06433a4-e9f4-4f06-8e52-66e19141aa06
  • CC0 Creative Commons - No Rights Reserved icon

    Pinback button with "I Believe Anita Hill"

    Manufactured by
    Unidentified
    Subject of
    Hill, Anita, American, born 1956
    Thomas, Clarence, American, born 1948
    Date
    1991
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    ink on paper with metal and plastic
    Dimensions
    H x W: 3 3/16 × 3 3/16 in. (8.1 × 8.1 cm)
    Description
    A pink and black pinback button in support of Anita Hill. The front of the button is a pink background with black text reading [I believe Anita Hill]. The back of the button has a pin with a hook.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Type
    buttons (information artifacts)
    Topic
    Activism
    Feminism
    Gender
    Government
    Justice
    Law
    Local and regional
    Men
    Politics
    Sexuality
    U.S. History, 1969-2001
    Women
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Cash Bestebreurtje
    Object number
    2019.32
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd5b03c9b63-bca3-4f4c-a4e0-1e3582d21f8a
  • Pinback button stating "The National African American Museum is coming..."

    Manufactured by
    Unidentified
    Subject of
    Smithsonian Institution, American, founded 1846
    Date
    ca. 1995
    On View
    Concourse, C X06
    Exhibition
    A Century in the Making
    Medium
    ink on paper with metal and plastic
    Dimensions
    H x W: 2 1/8 × 2 1/8 × 3/8 in. (5.4 × 5.4 × 1 cm)
    Description
    Square pinback button featuring a black and white image of the Smithsonian Arts and Industries building. To the left of the black and white photograph is red type that reads, [THE / NATIONAL / AFRICAN / AMERICAN / MUSEUM / Is coming…]. Border of button's back has red type on all sides that reads, [DESIGNED AS THE NATION'S FIRST / MUSEUM, THE NATIONAL MUSEUM / COMPLETED 1881, RENAMED ARTS / AND INDUSTRIES BUILDING 1916].
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Type
    buttons (information artifacts)
    Topic
    Associations and institutions
    Local and regional
    Museums
    Politics
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of Lonnie G. Bunch III
    Object number
    2016.124
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd534098c02-0f57-43d8-be67-192a64e87d89
  • CC0 Creative Commons - No Rights Reserved icon

    Keepsake pocket bank for the National Negro Memorial

    Commissioned by
    National Memorial Association, American, 1916 - 1933
    Manufactured by
    Unidentified
    Date
    ca. 1926
    On View
    Concourse, C X06
    Exhibition
    A Century in the Making
    Medium
    metal , celluloid , and ink
    Dimensions
    H x W x D: 2 9/16 × 2 9/16 × 3/8 in. (6.5 × 6.5 × 1 cm)
    Description
    Three-dimensional cylinder with Bakelite ivory tone top and bottom covers; top cover features image of 1926 original design intent for the National Negro Memorial.
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Type
    souvenirs
    Topic
    Associations and institutions
    Identity
    Local and regional
    Politics
    U.S. History, 1919-1933
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Ball-Hoagland family in honor of Robert Ball
    Object number
    2016.74
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd51445d7cf-ac77-4343-b200-235116b5356f
  • Do It Now, Vol. IX., No. 4

    Published by
    National Organization for Women, American, founded 1966
    Subject of
    National Organization for Women, American, founded 1966
    Date
    1976
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    ink on paper
    Dimensions
    H x W x D: 11 × 8 7/16 × 1/16 in. (27.9 × 21.4 × 0.2 cm)
    Description
    An issue of the National Organization for Women newsletter, Do It Now, May 1976, Volume IX, No. 4. The front cover reads, in white type on a black ground at the top: "DO IT NOW NOW NOW NOW" with the "O" in each stacked "NOW" being the logo of the National Organization for Women. Below the title, printed in black type on a white ground the cover reads: "VOL. IX, No. 4 NATIONAL ORGANIZATION FOR WOMEN MAY, 1976". The bottom half of the cover includes a print of a black and white photograph of five (5) women marching in a city street holding banners reading "ERA NOW", in reference to the Equal Rights Amendment. A credit line identifying the women pictured is typed below the photograph reading, "Junior Bridge, Karen DeCrow, Lillian Ciarrochi, Suzy Sutton, Nada Chandler on the march for ERA. Photo: Betty Curtis." The interior pages of the newsletter, fourteen (14) total, are matte white paper with black type and black-and-white images. The contents of the newsletter include reports regarding activities and meetings of members and committees, and announcements of future member gatherings. The back cover has black type on a white ground with the organizations logo on the top and a list of task forces with contact information below it. On the proper left center is a sidebar with information about subscribing to Ms. Magazine. On the proper right lower three-quarters side is a sidebar with information about the background and ordering of the ERA Medallion. A white mailing address sticker with black type is adhered to the center top of the back cover.
    Place printed
    Washington, District of Columbia, United States, North and Central America
    Classification
    Documents and Published Materials-Published Works
    Type
    newsletters
    Topic
    Local and regional
    Mass media
    Politics
    Women
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift
    Object number
    2014.198
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd5b99220a4-8d12-4f09-8104-dd984d1f38a1
  • Pinback button promoting the Housing Now! National March

    Manufactured by
    Unidentified
    Owned by
    Bailey, Jan, American, 1942 - 2010
    Date
    1989
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    metal
    Dimensions
    Diameter: 2 1/4 × 3/8 in. (5.7 × 1 cm)
    Description
    Round pin-back button featuring blue and red type against a white background. Type reads, [HOUSING / NOW! / NATIONAL MARCH / OCTOBER 7, 1989 / U.S. CAPITOL].
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Movement
    African American - Latinx Solidarity
    Type
    buttons (information artifacts)
    Topic
    Activism
    Justice
    Local and regional
    Politics
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2013.201.1.51
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd5d6679043-a4ce-455a-a709-025c3287a627
  • Poster for African Liberation Day

    Manufactured by
    Unidentified
    Attributed to
    All-African People's Revolutionary Party, founded 1958
    Owned by
    Bailey, Jan, American, 1942 - 2010
    Date
    1977
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    paper, printing ink
    Dimensions
    H x W: 16 13/16 × 11 1/16 in. (42.7 × 28.1 cm)
    Description
    The poster's background is split diagonally by two colors with the red taking up the upper left and right corners down toward the lower left corner and the yellow taking up the lower left and right corners extending up toward the upper right corner. In the center is a large green and black graphic of the continent of Africa. Within the center of Africa is a large fist. Above and to the left of the first is a quote ["THE CORE OF THE BLACK/REVOLUTION IS IN AFRICA"...!"]. Below the first is an additional quote ["SOUTH AFRICA, RHODESIA/AND ISRAEL: ENEMIES OF/AFRICA AND ALL MANKIND!"]. Along the top, in an arch is a large line of text with the letters "A," "L," and "D" emphasized [AFRICAN LIBERATION DAY]. Below this line is the date [SATURDAY, MAY 28, 1977]. To the left of the continent, below center, is additional information in black text [MARCH AND RALLY/MALCOM X/PARK 10/AM/WASHINGTON, D. C.]. Below the continent is the rally information, also in black text [2/ND/NATIONAL BLACK LEADERSHIP/SYMPOSIUM/MAY 27, 1977/CRAMPTON AUDITORIUM/Noon -10 P.M./HOWARD UNIVERSITY WASH, D.C.]. In the lower right corner is contact information for the rally [FOR FURTHER INFOMRATION CONTACT:/ALL-AFRICAN PEOPLES REVOLUNTIONARY/PARTY (A-APRP) P.O. BOX 3307/WASHINGTON, D.C. 20009 TEL (202)387-8996]. In the lower left corner is a small logo for the All-African People’s Revolutionary Party. The logo consists of two (2) concentric rings with an outline of the continent of Africa within the rings. Over the top of the continent is a large black, five-pointed star. Within the rings is text [ALL AFRICAN PEOPLES/REVOLUTIONARY PARTY]. Separating the two (2) lines of text within the logo are small, black, five-pointed stars.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Type
    posters
    Topic
    Activism
    Africa
    Associations and institutions
    Communication
    Local and regional
    Politics
    Resistance
    U.S. History, 1969-2001
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of Catherine M. Bailey
    Object number
    2013.200.3.1-3
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd5bf50caf0-52a9-4096-9379-95826c568a19
  • CC0 Creative Commons - No Rights Reserved icon

    Block of Aquia Creek sandstone removed from the East Front of US Capitol

    Commissioned by
    Architect of the Capitol, American, founded 1793
    Date
    1824-1826
    On View
    Concourse 3, C3 053
    Exhibition
    Slavery and Freedom
    Medium
    sandstone
    Dimensions
    Overall with Weight: 15 3/4 × 21 1/4 × 14 1/2 in., 318 lb. (40 × 54 × 36.8 cm, 144.2 kg)
    Caption
    Enslaved African Americans, leased out by their slave owners, mined sandstone from local quarries and built the United States Capitol, the White House, and the Smithsonian Castle. Congress, the institution that guarded the peoples’ freedom, held sessions in a building constructed by forced labor, and the legislators would have witnessed lines of shackled slaves marching by daily en route to the Deep South. The block was quarried near Aquia Creek, Virginia, by free and enslaved workers and used in the construction of the Capitol building in 1824.
    Source: Nancy Bercaw, Curator, Slavery and Freedom
    Description
    A rectangular block of sandstone. One short side of the block has a smooth, finished surface. The other five sides are rough-hewn and pitted, showing evidence of quarry tool markings, softened by weathering. One of the long sides has mechanical tool markings across the surface, forming a cross-hatch pattern. The block predominantly is beige, with reddish-brown veins of color running lengthwise. The smooth side shows most clearly the variegation of reddish-brown strata. There is a loss at the lower-left corner of the smooth side.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Place collected
    Aquia Creek, Stafford County, Virginia, United States, North and Central America
    Classification
    Slavery and Freedom Objects
    Buildings and Structures
    Type
    blocks (shaped masses)
    structural elements and structural element components
    Topic
    Architecture
    Building Arts
    Free communities of color
    Government
    Labor
    Local and regional
    Politics
    Slave hire system
    U.S. History, 1815-1861
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2013.182
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd591da1639-8f87-43bb-9128-5c8ee6561cac
  • CC0 Creative Commons - No Rights Reserved icon

    Flyer advertising student strike against the Vietnam War

    Created by
    Unidentified
    Owned by
    Bailey, Jan, American, 1942 - 2010
    Date
    1968
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    paper, ink
    Dimensions
    H x W: 11 1/16 × 8 9/16 in. (28.1 × 21.7 cm)
    Description
    White flyer with black text covering the whole of the front and back. Text is a combination of typed text and handwritten text. On the front, in the middle third on the left, are two (2) black and white images. The top image is of wounded and dead soldiers on the ground near buildings. The lower image is of police officers standing over bodies lying on the ground surrounded by smoke. At the top third is handwritten text [ON FRIDAY APRIL 26 THOUSANDS OF BLACK STUDENTS IN/EVERY PART OFHTE U.S. AND THROUGHOUT THE THIRD WORLD/WILL STAY OUT OF CLASSES IN A ONE-DAY INTERNATIONAL/STUDENT STRIKE/AGAINST THE VIETNAM WAR/AND THE RACIST DRAFT]. On the back in the upper half is large handwritten text [WASHINGTON'S BLACK/STUDENT STRIKE/AGAINST THE WAR/FRIDAY 26TH/THOUSANDS OF D.C. BLACK/STUDENTS WILL PARTICIPATE].
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Type
    fliers (printed matter)
    Topic
    Education
    International affairs
    Local and regional
    Politics
    Resistance
    Vietnam War, 1961-1975
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2013.201.11.1-.2
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd5d26924b8-d61a-4130-a1cb-1532891004b4
  • Mothership (Capsule)

    Created by
    Pinder, Jefferson, American, born 1970
    Subject of
    President Barack Obama, American, born 1961
    Ra, Sun, American, 1914 - 1993
    Wonder, Stevie, American, born 1950
    Date
    2009
    On View
    Culture/Fourth Floor, 4 052
    Exhibition
    Visual Art and the American Experience
    Medium
    tin, wood, chrome, loudspeakers, audiovisual equipment and mixed media
    Dimensions
    H x W x D: 92 1/2 × 75 × 86 in., 571 lb. (235 × 190.5 × 218.4 cm, 259 kg)
    Description
    An abstracted replica of the NASA Mercury space capsule. The sculpture is made from pieces of tin that were salvaged from structures in and around Baltimore, Maryland, and re-purposed lumber gathered from President Obama’s 2009 inaugural platform. The sculpture is displayed angled onto its side. Inserted into the top of the sculpture is an Altec (R) model 416-8A sub-woofer speaker, and the base of the sculpture is a 24" chrome alloy (wheel) rim. In the interior of the sculpture is a Philips DVD player (HTS3371D), with a Philips audio cable connecting the player to the speaker, and a remote to control the player externally. A DVD plays from inside the sculpture on a loop, bass tones only: “Space is the Place” by Sun Ra and “Living in the City” by Stevie Wonder.
    Place made
    Washington, District of Columbia, United States, North and Central America
    Classification
    Visual Arts
    Type
    multimedia works
    Topic
    African diaspora
    Art
    Funk (Music)
    Identity
    Local and regional
    Politics
    Technology
    Transportation
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of Henry Thaggert III in memory of Burnell P. Thaggert
    Object number
    2013.234
    Restrictions & Rights
    © Jefferson Pinder. Permission required for use.
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd574c1cea8-a520-4428-99e1-efcaebee5152
  • CC0 Creative Commons - No Rights Reserved icon

    Pen used by Lyndon B. Johnson to sign the 1964 Civil Rights Act

    Created by
    Esterbrook Pen Company, American, 1947 - 1967
    Used by
    President Johnson, Lyndon Baines, American, 1908 - 1973
    Date
    July 2, 1964
    On View
    Concourse 2, C 2053
    Exhibition
    Defending Freedom, Defining Freedom: The Era of Segregation, 1876-1968
    Medium
    metal , plastic , paper
    Dimensions
    L x W (pen): 6 1/4 x 1/2 x 1/2 in. (15.9 x 1.3 x 1.3 cm)
    L x W (box): 7 1/8 x 1 1/8 x 5/8 in. (18.1 x 2.9 x 1.6 cm)
    Description
    An Esterbrook pen with an Esterbrook 2668 nib. The pen has a black plastic grip and a clear plastic body, with [THE PRESIDENT- THE WHITE HOUSE] printed in white ink. [ESTERBROOK] and [MADE IN U.S.A.] are imprinted on the black pen grip. Type reading: [ESTERBROOK / 2668 / MADE IN USA] is imprinted on the nib. The pen was one of the pens President Lyndon B. Johnson used to sign the 1964 Civil Rights Act.
    Place used
    White House, Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Movement
    Civil Rights Movement
    Type
    fountain pens
    Topic
    Civil rights
    Law
    Local and regional
    Politics
    Race discrimination
    Race relations
    Segregation
    U.S. History, 1961-1969
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of James F. Dicke, II
    Object number
    2012.147ab
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd5427c85ea-1fc8-4de5-b97c-01ad5a2e167b
  • CC0 Creative Commons - No Rights Reserved icon

    Pinback button for the 1963 March on Washington

    Created by
    Unidentified
    Subject of
    March on Washington for Jobs and Freedom, American, founded 1963
    Date
    1963
    On View
    Concourse 2, C 2053
    Exhibition
    Defending Freedom, Defining Freedom: The Era of Segregation, 1876-1968
    Medium
    metal, ink on paper
    Dimensions
    H x W x D: 1 15/16 x 1 3/4 x 3/16 in. (4.9 x 4.4 x 0.5 cm)
    Description
    A white pin-back button with black text. Around the edges of the front, on the top and bottom, is text surrounding more inner text. Inside the outside circle of text is the date for the March on Washington in 1963. [EMANCIPATION MARCH / AUGUST / 28 / 1963 / ON WASHINGTON]. On the reverse is a rectangular sticker with text [MLK I / HAVE A / DREAM / 912].
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Movement
    Civil Rights Movement
    Type
    buttons (information artifacts)
    Topic
    Activism
    Civil rights
    Local and regional
    Politics
    U.S. History, 1961-1969
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2012.159.10
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd5a8e51313-0b13-47c7-9c78-8d723a614309
  • The People’s Inauguration Project program

    Created by
    The Stafford Foundation, American, founded 2002
    Subject of
    People's Inaugural Project, American, 2009 - 2009
    President Barack Obama, American, born 1961
    Date
    January 19-20, 2009
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    ink on paper, metal
    Dimensions
    H x W x D: 8 1/2 × 5 1/2 × 1/16 in. (21.6 × 14 × 0.2 cm)
    Description
    Program for The People's Inaugural Project. The front cover has an image of the U.S. Capitol with five red stripes extending out from the Capitol dome. Each stripe has a series of white stars down its center. Blue type at the top of the page reads: [THE PEOPLE'S / INAUGURAL PROJECT]. The back of the program has a quote from the Bible and the logos of the sponsors of the event.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Type
    programs
    Topic
    Local and regional
    Politics
    U.S. History, 2001-
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Stafford Foundation
    Object number
    2012.142.7
    Restrictions & Rights
    Unknown - Restrictions Possible
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd597481a4c-f713-4a85-85ee-192a38ed3189
  • CC0 Creative Commons - No Rights Reserved icon

    Pen used by Lyndon B. Johnson to sign the 1965 Voting Rights Act

    Created by
    Esterbrook Pen Company, American, 1947 - 1967
    Used by
    President Johnson, Lyndon Baines, American, 1908 - 1973
    Date
    1965
    On View
    Concourse 2, C 2053
    Exhibition
    Defending Freedom, Defining Freedom: The Era of Segregation, 1876-1968
    Medium
    chrome steel and acrylic with ink on paper (fiber product)
    Dimensions
    H x W (Pen): 6 1/4 × 1/2 in. (15.9 × 1.3 cm)
    Description
    2010.45.1a: A pen with a silver-colored nib, black grip, and clear barrel. "The President - The White House" is molded into the clear handle in white lettering.
    2010.45.1b: Black ink on paper, a copy of S. 1564, an act to enforce the fifteenth amendment to the U.S. Constitution, and for other purposes. The act was passed August 6, 1965.
    2010.45.1c: Black ink on paper, a copy of H.R. 6400, a bill before the House of Representatives that purports to enforce the fifteenth amendment of the U.S. Constitution.
    2010.45.1d: A magazine clipping showing an image of Johnson signing the Voting Rights Act
    The four items were originally framed together in a commemorative display.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera-Political and Activist Ephemera
    Movement
    Civil Rights Movement
    Type
    fountain pens
    Topic
    Civil rights
    Government
    Law
    Local and regional
    Politics
    Race discrimination
    Race relations
    Segregation
    Suffrage
    U.S. History, 1961-1969
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2010.45.1a-d
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd5600bd221-9dab-475e-9c55-8108f61f8cf4
  • The Negro In Sports

    Written by
    Henderson, Edwin Bancroft, American, 1883 - 1977
    Published by
    The Associated Publishers, Inc., American, 1921 - 2005
    Date
    1939
    On View
    Community/Third Floor, 3 052
    Exhibition
    Sports: Leveling the Playing Field
    Medium
    ink on paper
    Dimensions
    H x W x D: 8 × 6 × 7/8 in. (20.3 × 15.2 × 2.2 cm)
    Description
    The Negro In Sports by Edwin Bancroft Henderson. This book has a yellow jacket with black type and black photographs of various African American sports athletes. The title centered at the top of the cover reads, [THE NEGRO IN SPORTS / EDWIN BANCROFT HENDERSON]. The book jacket's spine reads, [THE NEGRO / IN SPORTS / HENDERSON / $2.00 / NET / ASSOCIATED / PUBLISHERS]. The back cover of the jacket features several more photographs of various African American athletes. The words [W Falconer / Captain CEC USNR / 1943] are handwritten on the inside of the book.
    Place made
    Washington, District of Columbia, United States, North and Central America
    Classification
    Documents and Published Materials-Published Works
    Type
    hardcover books
    Topic
    Athletes
    Caricature and cartoons
    Sports
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2015.3
    Restrictions & Rights
    Unknown - Restrictions Possible
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd5d8c46d68-8ea5-44bb-bc64-099d16801444
  • CC0 Creative Commons - No Rights Reserved icon

    Twelve Years A Slave

    Written by
    Northup, Solomon, American, 1808 - 1875
    Published by
    Derby and Miller, American, 1848 - 1853
    Date
    1853
    On View
    Concourse 3, C3 053
    Exhibition
    Slavery and Freedom
    Medium
    ink on paper with gold, cloth, and cardboard
    Dimensions
    H x W x D (Closed): 7 3/4 × 5 1/2 × 1 5/16 in. (19.7 × 14 × 3.4 cm)
    H x W x D (Open): 7 3/4 × 11 1/2 × 4 1/8 in. (19.7 × 29.2 × 10.5 cm)
    H x W x D (open at 90 degrees): 7 3/4 × 6 × 6 1/4 in. (19.7 × 15.2 × 15.9 cm)
    H x W x D (open at 60 degrees): 7 3/4 × 5 3/4 × 5 3/4 in. (19.7 × 14.6 × 14.6 cm)
    Description
    This book is a first edition, seventeenth thousand printing copy of “Twelve Years A Slave Narrative of Solomon Northup, A Citizen of New York, Kidnapped in Washington City in 1841, and Rescued in 1853, and Rescued in 1853, From a Common Plantation Near the Red River, in Louisiana." The book has a brown cloth binding. The exterior spine is embossed with two lines running across the top and bottom of the spine. The title of the book has been embossed in gilt lettering [TWELVE/YEARS/A/SLAVE] across the top third of the spine and is surrounded by engraved flourishes. The name of the publishers [DARBY & MILLER] is embossed in gilt across the bottom of the spine. The front and back cover boards have been embossed with identical designs: two flourishes within two rectangles. The book has yellow end papers, a dedication to Harriet Beecher Stowe, a quote by Cowpee, an editor’s preface, twenty-two chapters and an appendix. The frontispiece is a portrait of Solomon Northup seated on a bench with his arms crossed. A facsimile of his signature is below the picture with a caption that reads, “IN HIS PLANTATION SUIT.” Three hundred and thirty-six pages with seven black and white plates.
    Place printed
    Auburn, Cuyahoga County, New York, United States, North and Central America
    Place depicted
    New Orleans, Orleans Parish, Louisiana, United States, North and Central America
    Washington, District of Columbia, United States, North and Central America
    Classification
    Slavery and Freedom Objects
    Documents and Published Materials-Published Works
    Movement
    Abolitionist movement
    Type
    narratives
    hardcover books
    Topic
    American South
    Antislavery
    Caricature and cartoons
    Domestic slave trade
    Free communities of color
    Law
    Literature
    U.S. History, 1815-1861
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2014.262
    Restrictions & Rights
    Public Domain
    Usage
    CC0
    GUID
    http://n2t.net/ark:/65665/fd537167978-c6a5-4b5c-8aad-8b8ccdd82f33
  • Usher badge from New Bethany Baptist Church

    Manufactured by
    Unidentified
    Subject of
    New Bethany Baptist Church, American, founded 1935
    Used by
    Penn, Ruby, American
    Date
    mid-20th century
    On View
    Community/Third Floor, 3 050
    Exhibition
    Making a Way Out of No Way
    Medium
    metal, aluminium, plastic
    Dimensions
    H x W x D: 3 5/8 × 2 5/16 × 5/16 in. (9.2 × 5.9 × 0.8 cm)
    Description
    This is a faux gold usher badge was worn by Ruby Penn, a onetime member on the usher board at New Bethany Baptist Church in Washington, D.C. The badge is comprised of two major sections - a horizontal bar from which a round pendant hangs suspended from two chains. The top section has a pin back on its reverse; the obverse is a white rectangle of plastic framed by an ornate faux gold foliage pattern of gold tinted metal. The white rectangle contains a line of capitalized black text which reads: [MEMBER]. This top section is then attached to the circular pendant by two chains hanging from either end of the horizontal bar. The pendant is also white plastic with lines of capitalized black text which read: [SR. USHER BOARD / NEW BETHANY / BAPTIST CHURCH / WASH. D. C.]. The pendant is also bordered by the faux gold foliage border. On the reverse, there is aluminum backing visible, indicating that the white plastic element is actually separate and being held in place by the adorned border.
    Place used
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Type
    badges
    Topic
    Communities
    Local and regional
    Religion
    Religious groups
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture, Gift of New Bethany Baptist Church
    Object number
    2015.146
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd5906fb5dd-ca03-4fe6-8d88-15f1b6dc7e75
  • Member badge for Daughters of the IBPOEW Temple 422

    Created by
    Unidentified
    Issued by
    Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898
    Date
    ca. 1940s
    On View
    Community/Third Floor, 3 050
    Exhibition
    Making a Way Out of No Way
    Medium
    ribbon, metal, cord, plastic
    Dimensions
    H x W x D: 7 7/8 × 2 1/4 × 1/4 in. (20 × 5.7 × 0.6 cm)
    Description
    Daughters of I.B.P.O.E. of W. member badge. At the top is a rectangular gold-colored metal bar with a pin back. The front of the bar forms a frame for the word [MEMBER], in black against a gold background. Two (2) ribbons are attached through a hook on the reverse. The ribbon at the front is purple, while the ribbon on the back is black. Each ribbon features identical images and text. Decoration on the purple ribbon is in gold, while the black ribbon features silver decoration. Each features images of two hands shaking, an eagle, and an elk surrounded by a leaf motif. A gold pin-back button is attached overtop the elk picture on the purple ribbon. The round button features an identical elk image in black. Below the iconography is text that reads [COLUMBIA / TEMPLE NO. 422 / DAUGHTERS OF / I.B.P.O.E. OF W. / WASHINGTON, D.C.]. Gold fringe decorates the bottom of the ribbons.
    Place depicted
    Washington, District of Columbia, United States, North and Central America
    Classification
    Memorabilia and Ephemera
    Type
    badges
    Topic
    Communities
    Fraternal organizations
    Local and regional
    Women
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2013.46.17.4
    Restrictions & Rights
    No Known Copyright Restrictions
    Usage
    Not determined
    GUID
    http://n2t.net/ark:/65665/fd52003c292-ad79-4c52-b352-2af3c8cd5756
  • April 4

    Created by
    Gilliam, Sam, American, born 1933
    Subject of
    Dr. King, Martin Luther Jr., American, 1929 - 1968
    Date
    1972
    On View
    Culture/Fourth Floor, 4 052
    Exhibition
    Visual Art and the American Experience
    Medium
    acrylic paint on canvas
    Dimensions
    H x W (unframed): 72 1/2 × 48 in. (184.2 × 121.9 cm)
    Description
    This is an abstract painting from the Martin Luther King series. Done with a thick layer of color, the painting field is made up of splashes of color in a variety of shades of pinks, yellows, blues, greens, and reds. There is a larger, more continuous field of blue at the bottom left hand side of the painting. There is a thin stripe of the same splash pattern down the center running from top to bottom.
    Place made
    Washington, District of Columbia, United States, North and Central America
    Portfolio/Series
    Martin Luther King Series
    Classification
    Visual Arts
    Movement
    Civil Rights Movement
    BAM (Black Arts Movement 1965-1976)
    Type
    acrylic paintings
    Topic
    Art
    Civil rights
    Local and regional
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2011.37.1
    Restrictions & Rights
    © Sam Gilliam. Permission required for use.
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd5412469f3-dfca-4eee-be66-2b81f7c653de
  • Dress designed by Tracy Reese and worn by the First Lady in connection with the 50th Anniversary of the March on Washington

    Designed by
    Reese, Tracy, American, born 1964
    Worn by
    First Lady Michelle Obama, American, born 1964
    Date
    2013
    On View
    Concourse 1, C1 053
    Exhibition
    A Changing America: 1968 and Beyond
    Medium
    silk and rayon blend with glass and plastic beads, and plastic zipper
    Dimensions
    H x W x D (On Form): 40 1/4 × 22 1/2 × 14 in. (102.2 × 57.2 × 35.6 cm)
    Description
    A black dress with red poppy print and beaded details designed by Tracy Reese and worn by First Lady Michelle Obama on August 28, 2013. The sleeveless dress has a high rounded neckline in the front and a v-neckline in the back, with an A-line knee-length skirt. The fabric is a silk-rayon blend with a woven design of small raised assymetrical shapes. Large red poppy flowers are printed all over the black ground. Some of the flower centers have three-dimensional centers with clusters of short red bugle beads capped with a red seed bead interspersed with long black bugle beads capped with a black seed bead. The dress closes at the center back bodice with a black zipper that ends below the waist. There is a single black hook-and-eye closure at the top of the zipper.
    The interior of the bodice is lined with a black stretch net. The skirt is lined with black synthetic fabric. Between the skirt lining and facing is an attached black organdy petticoat. The designer label has been cut from the proper left back bodice of the dress. An additional manufacturer's label has been cut from the proper left side seam of the skirt lining near the hem.
    Place used
    National Mall, Washington, District of Columbia, United States, North and Central America
    Classification
    Clothing-Historical
    Clothing-Fashion
    Movement
    March on Washington for Jobs and Freedom
    Type
    dresses
    Topic
    Clothing and dress
    Fashion
    Fashion design
    Local and regional
    U.S. History, 2001-
    Credit Line
    Collection of the Smithsonian National Museum of African American History and Culture
    Object number
    2015.177
    Restrictions & Rights
    © Tracy Reese
    Usage
    Usage conditions apply
    GUID
    http://n2t.net/ark:/65665/fd5273c7e8e-c1ea-461b-aa37-4836ae1145b2

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