Collection Search Results
Applied Filters: clear all filters
Your search found 208 result(s).
-
Box signed by Jimmy Carter housing a cuff link worn by Eugene Allen
- Created by
- Unidentified
- Worn by
- Allen, Eugene, American, 1919 - 2010
- Signed by
- President Carter, Jimmy, American, born 1924
- Date
- 1977-1981
- Medium
- cardboard, coated paper, synthetic fiber, ink
- Dimensions
- H x W x D: 3 3/16 × 2 5/16 × 1 in. (8.1 × 5.9 × 2.5 cm)
- Description
- Box signed by President Jimmy Carter containing one cuff link from a White House butler uniform worn by Eugene Allen. The white box is signed on the lid by Carter in green ink. The white box is slightly discolored. There is an insert inside the box with two (2) hand-made holes to secure cuff links. Only one cuff link is in the box and the second opening is empty.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Tools and Equipment-Occupational
- Type
- boxes (containers)
- Topic
- Business
- Clothing and dress
- Government
- Labor
- Local and regional
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charles E. Allen in memory of Eugene Allen & Helene Allen
- Object number
- 2018.5.1.9.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Pinback button with "I Believe Anita Hill"
- Manufactured by
- Unidentified
- Subject of
- Hill, Anita, American, born 1956
- Thomas, Clarence, American, born 1948
- Date
- 1991
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W: 3 3/16 × 3 3/16 in. (8.1 × 8.1 cm)
- Description
- A pink and black pinback button in support of Anita Hill. The front of the button is a pink background with black text reading [I believe Anita Hill]. The back of the button has a pin with a hook.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Feminism
- Gender
- Government
- Justice
- Law
- Local and regional
- Men
- Politics
- Sexuality
- U.S. History, 1969-2001
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Cash Bestebreurtje
- Object number
- 2019.32
- Restrictions & Rights
- No Known Copyright Restrictions
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 11/16 × 12 15/16 in. (22 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of men and women sitting on or around a car stopped on the side of the road. In the foreground at left is a tree with a sign propped against it reading [no more / HUNGER / USA.]. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.10
- Restrictions & Rights
- © Jill Freedman
-
Digital image of Michelle Obama poster at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- First Lady Michelle Obama, American, born 1964
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. At the center of the photograph is a poster of Michelle Obama depicted like the World War Two Rosie the Riveter poster. The top of the poster has the text [Yes We Can]. Under the text, Obama raises an arm and makes a muscle. The crowd of marchers heads to left of the photograph and a news van is visible in the background.
- 126.59 MB
- Place depicted
- 4th Street SW, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.3
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of Carmen Perez, Linda Sarsour, and Tamika Mallory
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Perez-Jordan, Carmen, American, born 1977
- Mallory, Tamika, American, born 1980
- Sarsour, Linda, American, born 1980
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of the leaders of the Women's March taken on Independence Avenue, off the main entrance of National Museum of the American Indian. From left to right: Carmen Perez, Linda Sarsour, and Tamika Mallory. The three stand in conversation in Washington, DC on the day of the march, January 21, 2017.
- 102.55 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.9
- Restrictions & Rights
- © Leah L. Jones
-
Rev. Shari-Ruth Goodwin Oral History Interview
- Created by
- National Museum of African American History and Culture, American, founded 2003
- Recorded by
- Patrick Telepictures, Inc., American
- Interview of
- Rev. Goodwin, Shari-Ruth, American, born 1962
- Interviewed by
- Pretzer, William S., American
- Subject of
- Goodwin, Ruth Virginia, American, 1923 - 2007
- National Black Political Convention, 1971 - 1972
- Date
- July 25, 2016
- Medium
- digital
- Dimensions
- Duration (2016.129.8.1a): 31.9 minutes
- Duration (2016.129.8.2a): 31.9 minutes
- Description
- The oral history consists of 2016.129.8.1a and 2016.129.8.2a: two versions (unedited, and edited) of a single digital video recording.
- 50.07391 GB
- Shari-Ruth Goodwin was interviewed as part of the NMAAHC Donor Oral History Collection. Ms. Goodwinn donated several items related to the 1972 Black National Political Convention to the National Museum of African American History and Culture.
- In this oral history interview, Shari-Ruth Goodwin discusses her mother, Pastor Ruth Goodwin's, participation in the 1972 Black National Political Convention and her memories of her mother’s political activities.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Gary, Lake County, Indiana, United States, North and Central America
- Collection title
- The Collection Donor Oral History Project
- Classification
- Media Arts-Film and Video
- Type
- video recordings
- oral histories
- digital media - born digital
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.129.8.1a-.2a
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Senator Robert F. Kennedy, American, 1925 - 1968
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 12 15/16 × 9 in. (32.8 × 22.9 cm)
- H x W (Sheet): 14 × 10 7/8 in. (35.5 × 27.7 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a man wearing a shirt and tie and smoking a cigarette. The man wears his jacket over his head. A partially obstructed pinback button attached to his shirt or jacket reads [WE MOURN OUR LOSS / 1925 / 1968 / ROBERT F. KENNEDY] with an image of Kennedy appearing at center. The man holds a small flag of Puerto Rico in his right hand. The print is signed on the back in graphite [Jill Freedman].
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Puerto Rico, United States, Caribbean, Latin America, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- portraits
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.6
- Restrictions & Rights
- © Jill Freedman
-
Digital image of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 1109pixels × 1700pixels (1109 × 1700 cm)
- Description
- A black and white digital image of marchers at the Women's March in Washington, DC on January 21, 2017. The low-angle image, features a marcher at center holding a handmade poster that reads: [Black / Women / Matter]. The marchers stand outside the National Museum of the American Indian.
- 10.82 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Black Lives Matter
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.10
- Restrictions & Rights
- © Leah L. Jones
-
T-shirt stating "Ba-racked the Vote" worn during the Women's March on Washington
- Created by
- Barack the Vote, LLC, American, 2007 - 2013
- Manufactured by
- American Apparel, American, founded 1989
- Designed by
- Broussard, Lorielle, American
- Subject of
- President Barack Obama, American, born 1961
- Women's March, American, founded 2017
- Date
- 2008
- Medium
- ink on cotton (textile)
- Dimensions
- H x W: 25 7/8 × 16 9/16 in. (65.7 × 42 cm)
- Description
- A black, XL, short sleeve T-shirt with red and white printed lettering on the front that reads: [BA-RACKed / THE / VOTE]. The text [BA-] and [ed] are printed in red in script and cursive respectively. The letter [V] doubles as a large red checkmark and is partially covered by the white block text. Along the left diagonal edge of the checkmark is the text [www.barackthevote.com] and the letters [TM] printed in small white text at the base of the checkmark. Red splatter marks are dotted around some of the white letters. On the back of the shirt, printed in large red type outlined in white, is the number [44]. A manufacturer's fabric label for American Apparel is sewn at the interior center back neck with a second tag sewn below it with fiber content, care, and style information. Printed in white script on the interior center back neck is information about Barackawear Inc., the history of the company, care information, manufacturing information, and sizing.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Los Angeles, California, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- T-shirts
- Topic
- Activism
- Clothing and dress
- Local and regional
- Politics
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.3
- Restrictions & Rights
- Unknown - Restrictions Possible
-
CC0
Flyer advertising a donation drive to support African Freedom Fighters
- Created by
- Revolutionary Student Brigade, American, 1974 - 1980
- Subject of
- Zimbabwe African National Union, Zimbabwean, 1963 - 1987
- National United Workers Organization, American, founded 1977
- Date
- May 1977
- Medium
- ink on paper
- Dimensions
- H x W (Sheet): 11 × 8 1/2 in. (27.9 × 21.6 cm)
- Description
- This flyer advertises a donation drive to support African Freedom Fighters to students and faculty at Brooklyn College. The flyer is yellow with black text and features an illustration of a figure standing with a book held aloft in his raised proper right hand and a rifle in the other hand. The top of the flyer reads: [SUPPORT AFRICAN FREEDOM FIGHTERS]. Large block letters in the center of the flyer read: [MATERIAL / AID WEEK]. Text inside of a box below the illustration reads: [AFRICAN LIBERATION DAY / MAY 28, Washington, D.C. / JOIN THE / SOWETO / CONTINGENT / Join the Soweto Contingent of youth and / students for the African Liberation Day / March on May 28th in Washington, D.C. / BUS TICKETS AVAILABLE - 284-2514]. The back of the flyer discusses union elections of the United Workers Organization.
- Place used
- Brooklyn, New York City, New York, United States, North and Central America
- Place depicted
- Zimbabwe, Africa
- Washington, District of Columbia, United States, North and Central America
- South Africa, Africa
- Namibia, Africa
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Pan Africanism
- Topic
- Activism
- Africa
- Black power
- Decolonization
- International affairs
- Labor
- Local and regional
- Politics
- U.S. History, 1969-2001
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2015.97.27.42
- Restrictions & Rights
- Public domain
-
Sign from Women's March on Washington with Martin Luther King Jr. quote
- Created by
- Unidentified
- Subject of
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- markers, ink, tape on Fome-Cor (TM)
- Dimensions
- H x W: 11 × 29 1/8 in. (28 × 74 cm)
- Description
- Handwritten poster from the 2017 March on Washington. The white poster has purple text which reads [We need leaders not in love with, / money but in love with justice / Not in love with publicity but / IN LOVE WITH HUMANITY. – Martin / Luther / King Jr. [smaller]]. The poster has a blue and green tape border with metallic detailing. The reverse has a repeating back print for United Industries.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.20
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Poster from Women's March on Washington with "Women are Perfect"
- Printed by
- The Amplifier Foundation, American
- Designed by
- Sabogal, Jessica, Colombian American, born 1987
- Subject of
- Unidentified Child or Children
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 17 15/16 in. (61 × 45.5 cm)
- Description
- Poster with artist Jessica Sabogal's print “Women are Perfect (If You Let Them)” from the 2017 Women’s March on Washington. The poster is printed in shades of yellow and brown. At the top [WOMEN ARE PERFECT] is printed in yellow. The center of the poster has the image of a smiling young girl. The artist's mark of two interlocking branches with leaves is printed on the girl's chest. She has natural hair and is looking upward. At the bottom right in brown is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + JESSICA SABOGAL]. The design is repeated on the back.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.5
- Restrictions & Rights
- © Jessica Sabogal. Permission required for use.
-
Mule Train from Mississippi going through the city of Washington, D.C. June, 1968
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5070 pixels × 7569 pixels (5070 × 7569 cm)
- Description
- A black and white digital image of a mule train from Mississippi passing through Washington, D.C.
- There are several mule-drawn wagons in a line going down a street. There are some people riding in uncovered wagons and there are others walking alongside the wagons. The wagon in the back of the line is covered and a man and woman are sitting on the back of it. The woman has her proper right arm resting on the side of the wagon and her proper left leg is crossed over her right leg. The man's legs are crossed at his ankles and his proper left arm is bent and resting on the side of the wagon. His head is resting on his left hand and his proper right hand is resting on his right knee.
- There is a police officer on a motorcycle at the back of the "train". There are cars and trucks in the background as well as a large building with columns, a tower, and arched windows. There is a street sign in the foreground on the proper left side of the image. It is slightly out of focus and reads [PEDESTRIANS / USE NORTH / CROSSWALK] with an arrow underneath.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.4
- Restrictions & Rights
- © Laura Jones
-
General Colin L. Powell Oral History Interview
- Created by
- National Museum of African American History and Culture, American, founded 2003
- Recorded by
- Patrick Telepictures, Inc., American
- Interview of
- General Powell, Colin L., American, born 1937
- Interviewed by
- Bunch, Lonnie G. III, American, born 1952
- Subject of
- President Bush, George W., American, born 1946
- United States Army, American, founded 1775
- Date
- August 2016
- Medium
- digital
- Dimensions
- Duration (2016.129.15.1a): 57.2 minutes
- Duration (2016.129.15.2a): 56.4 minutes
- Description
- The oral history consists of 2016.129.15.1a and 2016.129.15.2a: two versions (unedited, and edited) of a single digital video recording.
- 93.98498 GB
- General Colin Powell was interviewed as part of the NMAAHC Donor Oral History Collection. General Powell donated several items including a uniform that is on display to the National Museum of African American History and Culture.
- In this interview conducted by National Museum of African American History and Culture Director Lonnie Bunch, General Colin Powell discusses his early life as the son of Jamaican immigrants and the journey to a long and distinguished military career that culminated in being appointed the first African American Secretary of State under President George W. Bush.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Jamaica, Caribbean, North and Central America
- Collection title
- The Collection Donor Oral History Project
- Classification
- Media Arts-Film and Video
- Type
- video recordings
- oral histories
- digital media - born digital
- Topic
- Immigration
- International affairs
- Military
- Museums
- Politics
- Race relations
- U.S. History, 1961-1969
- U.S. History, 1969-2001
- U.S. History, 2001-
- Vietnam War, 1961-1975
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.129.15.1a-.2a
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
CC0
Pennant from The March on Washington for Jobs and Freedom
- Manufactured by
- Unidentified
- Subject of
- March on Washington for Jobs and Freedom, American, founded 1963
- Date
- August 28, 1963
- Medium
- ink on paper with pressure-sensitive tape
- Dimensions
- H x W: 10 1/16 × 16 7/16 in. (25.5 × 41.7 cm)
- Description
- A paper pennant from The March on Washington for Jobs and Freedom, August 28, 1963. The pennant is triangular in shape with a red, white and blue American flag design. The left side of the pennant is a blue, trapezoidal-shaped field with white block text that reads, [We Shall Overcome] printed vertically. The text is bordered by a box of white, five-pointed stars. The field on the right is red and white striped triangle with blue text in varying fonts that reads, [I MARCHED / FOR EQUALITY IN THE / FREEDOM PARADE / AUGUST 28, 1963 / WASHINGTON, D.C.] above two blue stars. There is an inscription in pencil on the back of the pennant.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Civil Rights Movement
- March on Washington for Jobs and Freedom
- Type
- pennants
- Topic
- Activism
- Civil rights
- Freedom
- Local and regional
- Politics
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.90.6
- Restrictions & Rights
- No Known Copyright Restrictions
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 5/8 × 12 15/16 in. (21.9 × 32.8 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of four uniformed police officers sitting in folding chairs while a fifth stands holding a sign for the Jewish Community Council of Greater Washington. The officers, all men, appear smiling amid a large number of empty folding chairs. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Religion
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.2
- Restrictions & Rights
- © Jill Freedman
-
Journalist pass for an Inauguration Day event at the Newseum owned by Jim Vance
- Printed by
- Unidentified
- Distributed by
- Newseum, American, founded 1997
- Owned by
- Jim Vance, American, 1942 - 2017
- Subject of
- President Barack Obama, American, born 1961
- NBC4 Universal, American
- Date
- January 21, 2013
- Medium
- ink on paper, plastic, metal, nylon
- Dimensions
- H x W x D: 24 7/16 × 3 1/8 × 3/8 in. (62 × 8 × 1 cm)
- H x W (2018.107.7a): 5 7/16 × 3 1/8 in. (13.8 × 8 cm)
- H x W x D (2018.107.7b): 19 × 3/8 × 3/8 in. (48.2 × 1 × 1 cm)
- Description
- A journalist pass from the January 21, 2013 Inauguration Day event at the Newseum owned by Jim Vance. The badge has a yellow lanyard (2018.107.7b) with a metal clasp. The badge (2018.107.7a) is red, blue and yellow with white text. The badge has a hologram on the front at the top with two images that change depending on how it is viewed. One image depicts President Barack Obama with text that reads “PRESIDENT / BARACK OBAMA / 44th President of the United States.” The other image in the hologram is a picture of the Newseum with text that reads “2013 INAUGURATION DAY / AT THE / NEWSEUM / January 21, 2013.” Printed below the hologram in black and white text is “MEDIA ACCESS / LEVELS 6 2 / GROUP / NBC4 (WRC-TV). The back of the badge has additional information about the opening of the Newseum and terms and conditions of the badge.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- passes (tickets)
- Topic
- Identity
- Journalism
- Local and regional
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Estate of James H. Vance, III
- Object number
- 2018.107.7ab
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Mule Train on 14th Street
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5034 pixels × 7593 pixels (5034 × 7593 cm)
- Description
- A black and white digital image of a man on a mule drawn wagon.
- A man in a brimmed straw hat is driving a "Prairie Schooner" covered wagon. He is wearing a plaid button down collared shirt with the sleeves rolled up just below his elbows. He is wearing pants with the cuffs rolled up. He is sitting in the foreground, in the proper right seat and holding onto the reins. There is a man with a mustache sitting behind him. On the proper left side of the image there is the back end of a mule. It has studded straps going across it. On the proper right side of the image part of the covered wagon is visible. It has a white fabric covering and a wooden bottom. There is a car in the background next to the wagon.
- There is a building in the background. The main part of the building has two wings, one on either side, coming out towards the foreground. Two women, a young boy, and a man are standing on a sidewalk near a traffic light and street sign. The traffic light is green (the bottom light is on), and the street sign reads [SW 14 ST]. There is a sign with black text on a pole. It is on the ground behind the street sign. It is partially covered by the horse reins but reads [SIGHTSEEING / (?)ISCHARGE AR(?) / FOR BUREAU OF ENGRAVING PRINT].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.1
- Restrictions & Rights
- © Laura Jones
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 5/8 × 12 15/16 in. (21.9 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Title
- Photograph of a woman playing a guitar and singing
- Description
- A silver gelatin print depicting a black-and-white image of a woman playing a guitar and singing while a man reaches over her to also play the same guitar. The two are outdoors in the shade of trees, with a crowd of people in the background. She wears a striped hat, eye glasses, and a pinback button on her chest reading [POOR PEOPLE'S CAMPAIGN / PUERTORRIQUEÑOS MARCHAN]. He wears a hat and button-down shirt with his glasses in his pocket. The pair are under a tree and there are people in chairs visible in the background. The guitar has sticker of the flag of Puerto Rico on the soundboard. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.17
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Child or Children
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 7/16 × 12 15/16 in. (21.5 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of women marching in the street. The women walk with their hands on the shoulders of the person in front of them. Some of the marchers are barefoot and many of them are smiling. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.8
- Restrictions & Rights
- © Jill Freedman