This portrait depicts Mary Jane Hale Welles, wife of Secretary of the Navy Gideon Welles, in a funeral dress. The dress is said to have been sewn and designed by Elizabeth Keckley for the funeral of her son Hubert Gideon Welles in 1862, and again worn by Welles at the funeral of President Lincoln in 1865.
This is a cabinet card portrait of Mary Jane Hale Welles in a funeral dress, on a Henry Ulke mount that has a narrow black border. This full length portrait shows Mary Jane Hale Welles standing in a three quarters turn away from the camera. Wearing a dark colored full-length dress with a train and a dark colored lace shawl, she gazes directly at the viewer. Her right hand rests on a small side table next to her with two books stacked on it. The print is on a card mount with text on the reverse that reads "Henry Ulke, / 278 Pennsylvania Avenue. / Washington, D.C. / 1866."
Carte-de-visite of a young boy identified as Hubert Gideon Welles, dressed in an outfit said to be sewn by Elizabeth Keckley. The child wears a light colored blouse under a checked long sleeve jacket, fastened closed at the collar. On the bottom he wears a matching checked skirt with a wide solid color band towards the hem. The child stands next to an ornate wood chair, holding on to the chair back. On the reverse of the card is text that reads "HENRY ULKE, / 278 Pennsylvania Avenue, / Washington, D.C. / 1865."
A piece of a photographic postcard featuring an unidentified woman wearing a jacket, pants, and a wide brimmed hat. The postcard has been torn on the left side. The woman stands towards the camera with her left hand in her jacket pocket. The back of the photographic postcard has [POST CARD] printed in black at the top]. In the upper right corner there is a [AZO] stamp.
A photographic postcard of three unidentified women standing in front of a studio backdrop. The woman to the left is wearing striped knickers and laced high-heeled boots with a button-front cardigan over a collared shirt and tie. She also wears a brimmed hat with ribbon band and holds a carved wooden cane in her proper right hand. The woman in the center wears knickers and boots, a turtleneck sweater, and a hat with a tall feather and other vertical elements. The third woman, to the right, wears long pants and a jacket with a collared shirt and tie and a wide brimmed hat. She stands with her proper left hand in her jacket pocket. All three women are looking towards the camera. The back of the photographic postcard is unused and has [POST CARD] printed in black at the top and blank spaces for [CORRESPONDENCE HERE] and [NAME AND ADDRESS HERE]. In the upper right corner there is a [AZO] stamp with triangles pointing up in all four corners of the stamp.