Formative years, 1895-1917 -- Amy Jacques and the UNIA -- I only live to perpetuate the ideas of my husband -- Our women and what they think -- Back to Jamaica and forward to Europe -- New freedoms, new constraints -- Single motherhood -- Decade of unity -- Fifth Pan-African Congress, 1945 -- Essays and literature for a Pan-African world -- Activism closer to home -- Progressive radical
"In this biography, Ula Taylor explores the life and ideas of one of the most important, if largely unsung, Pan-African freedom fighters of the twentieth century: Amy Jacques Garvey (1895-1973). Taylor examines the many roles Jacques Garvey played throughout her life, as feminist, black nationalist, journalist, dauther, mother, and wife. Tracing her political and intellectual evolution, the book illuminates the leadership and enduring influence of this remarkable activist."--Cover.
I. Origins -- A movement arises -- The New Left -- New organizational forms -- Feminist theory -- II. Bodies -- Health -- Reproductive rights -- Sexuality -- Objectification, harassment, violence -- III. Institutions -- Family -- Education -- Work -- Culture
Machine generated contents note: ch. One Women's Grassroots Political Activism in the 1960s -- ch. Two Race and Feminism in a Southern City: Durham, North Carolina -- ch. Three Feminist Coalitions and the era: Indianapolis -- ch. Four "Not by Tearing Down": Politics and Feminism in Denver -- ch. Five Responses to Conservatism and the Evolution of Political Tactics
"In the 1970s the women's movement created tremendous changes in the lives of women throughout the United States. Millions of women participated in a movement that fundamentally altered the country' ideas about how women could and should contribute to American society. Revolutionizing Expectations tells the story of some of those women, many of whom took part in the movement in unexpected ways. By looking at feminist activism in Durham, Denver, and Indianapolis, Melissa Estes Blair uncovers not only the work of local NOW chapters but also the feminist activism of Leagues of Women Voters and of women's religious groups in those pivotal cities. Through her exploration of how women's organizations that were not explicitly feminist became channels for feminism, Blair expands our understanding of who feminists were and what feminist action looked like during the high tide of the women’s movement. Revolutionizing Expectations looks beyond feminism’s intellectual leaders and uncovers a multifaceted women’s movement of white, African American, and Hispanic women from a range of political backgrounds and ages who worked together to bring about tremendous changes in their own lives and the lives of generations of women who followed them"--Publisherd description.
Published on the occasion of an exhibition at the Brooklyn Museum, April 21-September 17, 2017.
The artists represented in the exhibition include Emma Amos, Camille Billops, Kay Brown, Vivian E. Browne, Linda Goode Bryant, Beverly Buchanan, Carole Byard, Elizabeth Catlett, Barbara Chase-Riboud, Ayoka Chenzira, Christine Choy and Susan Robeson, Blondell Cummings, Julie Dash, Pat Davis, Jeff Donaldson, Maren Hassinger, Janet Henry, Virginia Jaramillo, Jae Jarrell, Wadsworth Jarrell, Lisa Jones, Loïs Mailou Jones, Barbara Jones-Hogu, Carolyn Lawrence, Samella Lewis, Dindga McCannon, Barbara McCullough, Ana Mendieta, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, Alva Rogers, Alison Saar, Betye Saar, Coreen Simpson, Lorna Simpson, Ming Smith, and Carrie Mae Weems.
This "Sourcebook gathers selected writings in order to situate radical art-making within the broader sociopolitical context of the period. It highlights the artists' and writers' own voices, in primary sources and original documents pertaining to several significant historical events, activist artist groups, and key exhibitions." --page 19.
REVOLUTIONARY HOPE: LANDMARK WRITINGS, 1965 -- 85 / Rujeko Hockley -- SPIRAL, THE BLACK ARTS MOVEMENT, AND "WHERE WE AT" BLACK WOMEN ARTISTS / Connie H. Choi -- 1. Why Spiral? (1966) / Jeanne Siegel -- 2. Any Day Now: Black Art and Black Liberation (1969) / Larry Neal -- 3. Africobra: African Commune of Bad Relevant Artists, 10 in Search of a Nation (1970) / Jeff Donaldson -- 4. "Where We At" Black Women Artists (1972) / Kay Brown -- RACE AND WOMEN'S LIBERATION / Rujeko Hockley -- 5. Argument for Black Women's Liberation as a Revolutionary Force (1969) / Mary Ann Weathers -- 6. What the Black Woman Thinks About Women's Lib (1971) / Toni Morrison -- 7. In Search of Our Mothers' Gardens: The Creativity of Black Women in the South (1974) / Alice Walker -- 8. Black Feminism: A New Mandate (1974) / Margaret Sloan -- 9. Litany for Survival (1978) / Audre Lorde -- FAITH RINGGOLD'S RADICAL ACTIVISM / Catherine Morris -- 10. For the Women's House: Interview with Faith Ringgold (1972) / Michele Wallace -- COLLECTIVE ARTIST ACTIONS IN NEW YORK / Carmen Hermo -- 11. Demands of Art Workers Coalition (1969) / Art Workers' Coalition -- 12. To the Viewing Public for the 1970 Whitney Annual Exhibition (undated) Women Artists in Revolution, Women's Ad Hoc Committee, and Women Students and Artists for Black Art Liberation -- 13. Letter of withdrawal from Contemporary Black Artists in America, Whitney Museum of American Art, 1971 (1971) / William T. Williams -- 14. Letter in defense of the Judson Three (1971) / Robert Projansky -- 15. Letter of support for the Judson Three (1971) / The Committee to Defend the Judson Three -- 16. Color Scheming (1981) / Lucy R. Lippard -- JUST ABOVE MIDTOWN GALLERY / Rujeko Hockley -- 17. Letter to her parents (1967) / Linda Goode Bryant -- 18. Cover artwork (undated) for Black Currant 1, no. 1 (May 1982) / Janet Henry -- 19. B Culture 1, no. 1 (1986) / Craig Dennis Street -- 20. Interview with Linda Goode Bryant (1994) / Tony Whitfield -- SENGA NENGUDI'S FREEWAY FETS / Rujeko Hockley -- 21. Announcement card for Freeway Fets (1978) / Senga Nengudi -- COMBAHEE RIVER COLLECTIVE / Rujeko Hockley -- 22. Black Feminist Statement (1977) / The Combahee River Collective -- STRUGGLING FOR DIVERSITY IN HERESIES / Catherine Morris -- 23. Letters between Combahee River Collective and Heresies Lesbian Issue Collective in "Women's Traditional Arts -- The Politics of Aesthetics," Heresies, issue 4 (1978) -- 24. Third World Women Speak (1978) / Lowery Stokes Sims -- 25. Editorial Statement in "Third World Women -- The Politics of Being Other," Heresies, issue 8 (1979) / Naeemah Shabazz -- 26. Mile Bourgeoise Noire Goes to the New Museum, in "The Women's Pages," Heresies, issue 14 (1982) / Lorraine O'Grady -- 27. Editorial Statement and Heresies Collective Statement in "Racism Is the Issue," Heresies, issue 15 (1982) / Sylvia Witts Vitale -- 28. Some Do's and Don'ts for Black Women Artists, in "Racism Is the Issue," Heresies, issue 15 (1982) / Emma Amos -- 29. Untitled, in "Racism Is the Issue," Heresies, issue 15 (1982) / Lorna Simpson -- 30. Black Dreams, in "Racism Is the Issue," Heresies, issue 15 (1982) / Lorraine O'Grady -- ANA MENDIETA'S DIALECTICS OF ISOLATION / Stephanie Weissberg -- 31. Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, excerpts (1980) -- Introduction / Ana Mendieta -- Artist's statement / Beverly Buchanan -- Artist's statement / Janet Henry -- Artist's statement / Senga Nengudi -- Artist's statement / Howardena Pindell -- 32. On Making a Video -- Free, White and 21 (1992) / Howardena Pindell -- GENDER POLITICS AT THE INTERSECTION OF RACE, CLASS, AND SEXUAL IDENTITY / Carmen Hermo -- 33. Speaking in Tongues: A Letter to Third World Women Writers (1981) / Gloria Anzaldua -- 34. Revolutionary Hope: A Conversation Between James Baldwin and Audre Lorde (1984) / Audre Lorde -- EIGHTIES / Rujeko Hockley -- 35. Art (World) & Racism: Testimony, Documentation and Statistics (1987) / Howardena Pindell -- 36. Confession -- Filming Family: An Interview with Artist and Filmmaker Camille Billops (1996) / Bell Hooks -- 37. Photo spread of Rodeo Caldonia (1987) -- 38. She Came with the Rodeo (1994) / Lisa Jones
"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking." --Brooklyn Museum website, viewed April 11, 2017.