Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Bryn Mawr College
Danforth Foundation (Saint Louis, Mo.)
United States.Commission to the Five Civilized Tribes
Edward F. Albee Foundation
Place of publication, production, or execution
New York (State)
Sound recording: 7 sound files (5 hr., 21 min.)
Transcript: 105 pages
Originally recorded as 7 sound files. Duration is 5 hr., 21 min.
Access Note / Rights
Transcript available on the Archives of American Art website.
An oral history interview of Kay WalkingStick conducted 2011 December 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at WalkingStick's studio, in Jackson Heights, Queens, New York.
WalkingStick speaks of her childhood experiences and her parents; her grandfather Simon Ridge Walkingstick and jurisprudence; Dartmouth and Indian scholarships; how her parents met; her mother as a big influence; drawing and art in the family; her siblings; Syracuse; outdoors; Onondaga Valley; painting; winning a Scholastic Art Award; moving to Huntington Valley, Pennsylvania; attending Beaver; the 1950s; Pratt; review in Artnews; Danforth Foundation; Christianity; the women's movement; Cannabis Gallery; Native American heritage; Teepee Form and Chief Joseph; using wax; Dawes Commission; influences and artists; Catholicism; Italy; Bowling Green; sketchbooks; eroticism; Edward Albee's summer camp; Wenger Gallery; The Cardinal Points; being biracial; spirituality; Rome; abstraction and patterns; Il Cortile; Cairo; traveling; teaching; Cornell; Stony Brook; photography; technology; social and political commentary in art; changes to artwork over time; landscapes; mountains and the Rockies; Colorado; dialogues with God; symbols; art world; dealers; the WalkingSticks; Late Afternoon on the Rio Grande; art theory; drawing; diptych format; Venere Alpina; Sex, Fear and Aging; prints and books; and curiosity and humor. WalkingStick also recalls Simon Ralph WalkingStick, Margaret Emma McKaig, Charles WalkingStick, Murray Peterson McKaig, Benton Spruance, Michael Echols, Bear Paw, Bertha Urdang, Ramona Sakiestewa, Jody Folwell, Jaune Quick-To-See Smith, Emmi Whitehorse, George Longfish, David Penny, Dirk Bach, Bryn Mawr, and Marsden Hartley.
Quotes and excerpts must be cited as follows: Oral history interview with Kay WalkingStick, 2011 December 14-15. Archives of American Art, Smithsonian Institution.
Transcript available online.
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Kay WalkingStick (1935- ) is a painter and professor in Jackson Heights, New York. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001