Collection Search Results
Applied Filters: clear all filters
-
Included:
- topic: "Feminism"
Your search found 70 result(s).
-
CC0
Pinback button with "I Believe Anita Hill"
- Manufactured by
- Unidentified
- Subject of
- Hill, Anita, American, born 1956
- Thomas, Clarence, American, born 1948
- Date
- 1991
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W: 3 3/16 × 3 3/16 in. (8.1 × 8.1 cm)
- Description
- A pink and black pinback button in support of Anita Hill. The front of the button is a pink background with black text reading [I believe Anita Hill]. The back of the button has a pin with a hook.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Feminism
- Gender
- Government
- Justice
- Law
- Local and regional
- Men
- Politics
- Sexuality
- U.S. History, 1969-2001
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Cash Bestebreurtje
- Object number
- 2019.32
- Restrictions & Rights
- No Known Copyright Restrictions
-
Poster from Women's March on Washington with "Women are Perfect"
- Printed by
- The Amplifier Foundation, American
- Designed by
- Sabogal, Jessica, Colombian American, born 1987
- Subject of
- Unidentified Child or Children
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 17 15/16 in. (61 × 45.5 cm)
- Description
- Poster with artist Jessica Sabogal's print “Women are Perfect (If You Let Them)” from the 2017 Women’s March on Washington. The poster is printed in shades of yellow and brown. At the top [WOMEN ARE PERFECT] is printed in yellow. The center of the poster has the image of a smiling young girl. The artist's mark of two interlocking branches with leaves is printed on the girl's chest. She has natural hair and is looking upward. At the bottom right in brown is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + JESSICA SABOGAL]. The design is repeated on the back.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.5
- Restrictions & Rights
- © Jessica Sabogal. Permission required for use.
-
Sign from Women's March on Washington with Martin Luther King Jr. quote
- Created by
- Unidentified
- Subject of
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- markers, ink, tape on Fome-Cor (TM)
- Dimensions
- H x W: 11 × 29 1/8 in. (28 × 74 cm)
- Description
- Handwritten poster from the 2017 March on Washington. The white poster has purple text which reads [We need leaders not in love with, / money but in love with justice / Not in love with publicity but / IN LOVE WITH HUMANITY. – Martin / Luther / King Jr. [smaller]]. The poster has a blue and green tape border with metallic detailing. The reverse has a repeating back print for United Industries.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.20
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Digital image of Michelle Obama poster at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- First Lady Michelle Obama, American, born 1964
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. At the center of the photograph is a poster of Michelle Obama depicted like the World War Two Rosie the Riveter poster. The top of the poster has the text [Yes We Can]. Under the text, Obama raises an arm and makes a muscle. The crowd of marchers heads to left of the photograph and a news van is visible in the background.
- 126.59 MB
- Place depicted
- 4th Street SW, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.3
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of Carmen Perez, Linda Sarsour, and Tamika Mallory
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Perez-Jordan, Carmen, American, born 1977
- Mallory, Tamika, American, born 1980
- Sarsour, Linda, American, born 1980
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of the leaders of the Women's March taken on Independence Avenue, off the main entrance of National Museum of the American Indian. From left to right: Carmen Perez, Linda Sarsour, and Tamika Mallory. The three stand in conversation in Washington, DC on the day of the march, January 21, 2017.
- 102.55 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.9
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 1109pixels × 1700pixels (1109 × 1700 cm)
- Description
- A black and white digital image of marchers at the Women's March in Washington, DC on January 21, 2017. The low-angle image, features a marcher at center holding a handmade poster that reads: [Black / Women / Matter]. The marchers stand outside the National Museum of the American Indian.
- 10.82 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Black Lives Matter
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.10
- Restrictions & Rights
- © Leah L. Jones
-
CC0
Poster from Women's March on Washington reading "Juntos se puede"
- Printed by
- International Brotherhood of Teamsters, American, founded 1903
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 11 × 16 15/16 in. (28 × 43 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed blue poster has central white text which reads [JUNTOS / SE PUEDE] in Spanish, which translates as "Together We Can." There is a small Teamsters logo in the lower left corner with text for [® GCC/IBT [inside oval] 274C]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.1
- Restrictions & Rights
- Public domain
-
Digital image of a crowd of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. The crowd of marchers are on 14th Street between Jefferson and Madison, outside the National Museum of African American History and Culture. Many in the crowd hold handmade posters with text like: [We're Already Great / Back Off], [United We Stand], and [Women's Rights Are Human Rights].
- 126.6 MB
- Place depicted
- 14th Street, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Museums
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.5
- Restrictions & Rights
- © Leah L. Jones
-
Pinback button stating "Stay Woke" worn during the Women's March on Washington
- Manufactured by
- Unidentified
- Subject of
- Women's March, American, founded 2017
- Date
- January 2017
- Medium
- ink on paper (fiber product) with metal and plastic laminate
- Dimensions
- H x W x D: 1 1/4 × 1 1/4 × 5/16 in. (3.2 × 3.2 × 0.8 cm)
- Description
- A pin-back button with the text [STAY WOKE]. The button has a black background with centered white text that reads [STAY WOKE]. The back of the button is silver toned and has a pin with a fastener.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Black Lives Matter
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Race discrimination
- Race relations
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.5
- Restrictions & Rights
- No Known Copyright Restrictions
-
Sign from Women's March on Washington with "Respeta mi existencia..."
- Printed by
- The Amplifier Foundation, American
- Designed by
- Garcia, Victoria, Mexican American, born 1991
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 18 1/16 in. (61 × 45.8 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed poster has a black background with white text which reads [RESPETA MI / EXISTENCIA / O ESPERA / RESISTENCIA] in Spanish, which translates as "Respect My Existence or Expect Resistance." The woman power logo is in red at the center bottom. At the bottom right in red is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + VICTORIA GARCIA]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.2
- Restrictions & Rights
- © Victoria Garcia. Permission required for use.
-
CC0
Sign from Women's March on Washington with "For such a time as this, Esther 4:4"
- Created by
- Unidentified
- Subject of
- President Trump, Donald John, American, born 1946
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 14 1/8 × 10 7/8 in. (35.8 × 27.7 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The white poster has central black handwritten text which reads [for such / a time / as / this / ESTHER 4:14]. The other side reads [he’s [Donald Trump] not / my / president / #nope] in cursive.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.16
- Restrictions & Rights
- No Known Copyright Restrictions
-
Digital image of Fran Drescher and an unidentified child at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Drescher, Fran, American, born 1957
- Women's March, American, founded 2017
- Unidentified Child or Children
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of Fran Drescher and an unidentified child at the Women's March in Washington, DC on January 21, 2017. Dresher and the child are framed by a group of marchers. Drescher has on a black hat and sunglasses and leans into the young girl. The two smile and look towards the camera. Drescher holds a badge that reads: [Women's March / On Washington / Jan. 21 2017 // 10 A.M. / Independence Ave. (illegible) / Backstage]. A large crowd of marchers and photographers can be seen in the background.
- 126.59 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Actors
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.1
- Restrictions & Rights
- © Leah L. Jones
-
Placard with "The Future is Nasty" used during the Women's March
- Created by
- Dr. Brinson, Ayeisha, American
- Manufactured by
- ArtSkills, American, founded 1987
- Illustrated by
- Shepard Fairey, American, born 1970
- Printed by
- The Washington Post, American, founded 1877
- Created by
- Wethepeople.org, Inc., American, founded 2018
- Subject of
- The Amplifier Foundation, American
- Women's March, American, founded 2017
- Date
- January 20, 2017
- Medium
- ink , pressure-sensitive tape , glitter and glue on cardboard with ribbon
- Dimensions
- H x W: 29 1/8 × 22 1/16 in. (74 × 56 cm)
- Description
- A placard created by Dr. Ayeisha Brinson and carried during the Women's March on Washington, January 21, 2017. The placard is white with a thick red, foil border. On the left side of the placard is handwritten black, blue, and red text in varying fonts that reads [THE / future / iS/ Nasty]. The word [Nasty] is hand printed in bubble text that has been filled in with red and silver glitter. A large, newsprint, full page advertisement by the Amplifier Foundation in the January 20, 2017 edition of the Washington Post dominates the right side of the placard. The advertisement depicts a graphic by artist Shepard Fairey, titled "We the People Are Greater Than Fear." The graphic is of a Muslim woman in a hijab, depicted from the shoulders up, against a light blue gradient background. The hijab is made from the American flag with a blue, star spangled field on the proper right side of her head and face, and red and white stripes on the proper left side of her head and face. The stars on the hijab have been filled in with silver glitter, her eyelids highlighted with green glitter, and her lips filled in with red glitter. The proper right side of the woman’s face and hijab are shaded in blues. Above the graphic, printed in black, block text is [WE THE / PEOPLE] framed on either side by two (2) light blue diamonds, and top and bottom by two (2) light blue bands. Below the graphic is a thick light blue band with white block text that reads [ARE GREATER THAN FEAR]. Black text at the top of the advertisement reads [ADVERTISEMENT] in the top left corner and [THE WASHINGTONPOST · Friday, January 20, 2017 / ADVERTISEMENT] in the top right corner. Black text at the bottom of the advertisement reads [WE THE PEOPLE ARE INDIVISIBLE, WE ARE RESILIENT, WE PROTECT EACH OTHER, WE DEFEND DIGNITY, WE ARE GREATER THAN FEAR, / WWW.WETHEPEOPLEARE.ORG | A PROJECT OF THE AMPLIFIER FOUNDATION]. The back of the placard is white with handwritten black ink text and red and gold glitter text that reads [THE / POWer of THE / PEOPLE / is / Stronger than the / PEOPLE In Power]. In the bottom left corner are ten (10) color animal stickers overlaying a manufacturer's sticker. A white ribbon has been threaded through two (2) holes punched along the top edge of the placard and knotted in place.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Silver Spring, Montgomery County, Maryland, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.1
- Restrictions & Rights
- Newspaper clipping © Shepard Fairey and the Washington Post. Permission required for use.
-
Photograph album owned by Emily Howland
- Manufactured by
- James B. Smith & Co., American
- Signed by
- Lacy, Caroline N., American, 1838 - 1898
- Received by
- Howland, Emily, American, 1827 - 1929
- Subject of
- Tubman, Harriet, American, 1822 - 1913
- Menard, John Willis, American, 1838 - 1893
- Sumner, Charles, American, 1811 - 1874
- Child, Lydia Maria, American, 1802 - 1880
- Channing, William Henry, American, 1810 - 1884
- Phillips, Wendell, American, 1811 - 1884
- Freedmen's Bureau, American, 1865 - 1872
- Date
- 1864
- On ViewConcourse 3, C3 053
- Exhibition
- Slavery and Freedom
- Medium
- leather, metal, and ink on paper
- Dimensions
- H x W x D (closed): 6 1/4 × 5 1/4 × 2 7/8 in. (15.9 × 13.3 × 7.3 cm)
- H x W (open with clasps): 6 1/4 × 11 in. (15.9 × 27.9 cm)
- H x W (open without clasps): 6 1/4 × 9 in. (15.9 × 22.9 cm)
- H x W x D (Storage container): 5 7/8 × 11 1/4 × 11 7/16 in. (15 × 28.5 × 29 cm)
- Caption
- Caroline “Carrie” Nichols (later Carrie N. Lacy; see 2017.30.13) presented this carte-de-visite album to her friend and fellow teacher Emily Howland on January 1, 1864, at Camp Todd, a freedmen’s camp and school located in Arlington, Virginia. Emily Howland was an abolitionist, educator, philanthropist, and suffragist who founded, financially supported, and taught in numerous schools for African Americans for more than 70 years from 1857 until her death in 1929 at the age of 101.
- Typical of a CDV album during this period, the Howland Album contains photographs of Howland’s family, friends, and colleagues, as well as souvenir images of notable abolitionists and famous figures during the 1860s and 1870s. Based on the photograph dates and later inscriptions, it is clear that Howland added photographs to the album as she collected them throughout the mid- to late 19th century.
- Description
- Black leather photograph album owned by Emily Howland containing photographs of friends, family, and celebrities. The album covers and binding are made from embossed black leather with gold gilt decorations on the covers and spine. Both covers are the same, with a scallop-edged diamond outlined in gold at the center and geometric borders surrounding it, ending in a thin gold gilt geometric border around the edges. Gilt text is stamped on the spine reading "PHOTOGRAPHS". The front and back interior covers have decorative paper with small gold repeating stylized dots on a white ground adhered to them. There are four (4) sheets of paper at the front of the album, followed by twenty-five (25) thicker pages that each feature a window for holding two (2) photographs per page, and one (1) sheet of paper at the back of the album. There is room for fifty (50) photographs, though the album contains only forty-seven (47) photographs plus one (1) loose photograph too large to fit into the windowed pages. Windows 20, 21, and 47 are empty. The windows are rectangular with rounded corners and are surrounded by a gold printed border. The front pages include a page with information about the album publisher and an Index page with two printed columns of numbered lines for identifying the photographs. The Index page is not filled out. There is an inscription written in black ink on the first page that reads "To / Emily Howland / From her friend / Carrie Nichols / Jan 1st, 1864 / Camp Todd / Virginia". All of the interior pages are edged in gilt with a design impressed into the top, right side, and bottom edges of the pages that creates a floral spray when the album is closed. The album fastens on the right side with two (2) metal hinged bars that are attached to the back cover and close over metal pins attached to the front cover. The bars are embellished with a three-dimensional metal design imitating a floral fabric looped through a metal buckle.
- Place used
- Camp Todd, Arlington County, Virginia, United States, North and Central America
- Collection title
- Emily Howland Photograph Album
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Movement
- Anti-slavery movements
- Abolitionist movement
- Type
- photograph albums
- Topic
- Antislavery
- Education
- Families
- Feminism
- Local and regional
- Military
- Photography
- Politics
- Reconstruction, U.S. History, 1865-1877
- Religion
- Social reform
- U.S. History, Civil War, 1861-1865
- United States Colored Troops
- Credit Line
- Collection of the National Museum of African American History and Culture shared with the Library of Congress
- Object number
- 2017.30
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Poster from Women's March on Washington with “We’re NOT going back”
- Created by
- Unidentified
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- graphite and markers on poster board
- Dimensions
- H x W: 15 15/16 × 19 15/16 in. (40.5 × 50.7 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The white poster has blue and black text which reads [We’re NOT / Going Back]. The reverse is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.14
- Restrictions & Rights
- No Known Copyright Restrictions
-
Poster from Women's March on Washington with “hands off my pussy” graphic
- Created by
- Unidentified
- Subject of
- Planned Parenthood Federation of America Inc., American, founded 1916
- President Trump, Donald John, American, born 1946
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- poster board, paper, paint, adhesive, markers
- Dimensions
- H x W: 14 1/16 × 22 1/16 in. (35.7 × 56.1 cm)
- Description
- Handmade poster from the 2017 Women’s March on Washington. One side of the white poster has a "Hands of My Pussy" graphic consisting of two (2) blue handprints [OFF / MY] in gold glitter letters and a grey and black cat made of collaged paper. The other side has multi-colored text inside parallel lines which reads [#IStandWithPP] in support of Planned Parenthood. The sides of the poster are adhered together with leopard print tape.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.9
- Restrictions & Rights
- Unknown - Restrictions Possible
-
CC0
Sign from Women's March on Washington with “When you hurt me you hurt yourself"
- Created by
- Unidentified
- Subject of
- Beyoncé, American, born 1981
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- markers on paper
- Dimensions
- H x W: 14 1/16 × 21 3/4 in. (35.7 × 55.3 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The yellow poster has black text which reads [WHEN YOU HURT ME YOU HURT / YOURSELF. WHEN YOU LOVE ME, / YOU LOVE YOURSELF/….. / LOVE GOD HERSELF]. The reverse has a blue background with black marker text, “WHEN YOU HURT ME / YOU HURT YOURSELF.”
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Popular music
- Resistance
- Singers (Musicians)
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.18
- Restrictions & Rights
- No Known Copyright Restrictions
-
Sign from Women's March on Washington with "When They Go Low We Go High"
- Created by
- Unidentified
- Subject of
- First Lady Michelle Obama, American, born 1964
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- card stock, markers, crayons
- Dimensions
- H x W: 14 × 21 15/16 in. (35.6 × 55.7 cm)
- Description
- Hand drawn poster from the 2017 Women’s March on Washington. The paper has a design of snow-capped mountains with a blue sky. Black text along the mountain edges reads [WHEN / THEY / GO / LOW / WE / GO / HIGH], rising from the lower left corner to the upper right corner. The back side is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.8
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Digital image of a crowd of marchers from the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers from the Women's March in Washington, DC on January 21, 2017. The photograph shows a view looking out from a window in the National Museum of the American Indian. The crowd stretches throughout the streets below and buildings can be seen in the background. Many of the marchers are wearing the pink hats associated with the Women's March.
- 126.61 MB
- Place depicted
- 4th Street and Independence Avenue SW, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.2
- Restrictions & Rights
- © Leah L. Jones
-
"Pussy Power Hat" worn during the Women's March on Washington
- Created by
- Unidentified
- Subject of
- Pussyhat Project, American, founded 2016
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- yarn: Acrylic (fiber)
- Dimensions
- H x W x D: 7 1/2 × 10 7/16 × 13/16 in. (19.1 × 26.5 × 2.1 cm)
- Description
- A "Pussy Power Hat" worn during the Women's March on Washington on January 21, 2017. The hat is knitted with varigated bright and dark pink, acrylic yarn. The knit cap is rectangular in shape with knit ribbing along the bottom edge.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- hats
- Topic
- Activism
- Clothing and dress
- Feminism
- Gender
- Local and regional
- Politics
- Race relations
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.2
- Restrictions & Rights
- No Known Copyright Restrictions