Produced by

Marvel Worldwide, Inc., American, founded 1939

Created by

Park, Andy, American, born 1975

Designed by

Makovsky, Judianna, American, born 1967

Medium

Skin suit, gloves, and boots: synthetic fiber, Velcro (TM), and metal;

Muscle Suit: spandex, Lycra, polyester, and latex;

Helmet: urethane elastomer, plastic, and magnets

Dimensions

H x W (Full Costume Measurements): 75 × 23 in. (190.5 × 58.4 cm)

Type

costume

helmets

gloves

boots

bodysuits

Place made

United States, North and Central America

Date

2016

Caption

This version of Black Panther's suit was first conceptualized by Andy Park and designed by Judianna Makovsky for Chadwick Boseman's Black Panther character in the 2016 Marvel film Captain America: Civil War. Boseman donned this costume again in the first few scenes of the character's title film, Black Panther. Later in the film, Boseman's character, T'Challa, gains an upgraded panther suit courtesy of his sister Shuri, played by Letitia Wright. Like the new costume designed by Ruth E. Carter, this Black Panther suit features a triangle motif, which Carter calls "the sacred geometry of Africa."

Description

Costume for the character Black Panther worn by Chadwick Boseman in the Captain America: Civil War and Black Panther movies. The costume includes five (5) parts- suit (.1abc), helmet (.2), neck covering (.3), two gloves (.4ab), and two boots (.5ab). The costume is black and dark grey, with silver markings and geometric designs imprinted in dot, triangle, and diamond motifs throughout. It is mounted on a form and stand.

.1: The body suit consists of a sleeveless farmer john style jumpsuit, a sleeved shirt piece that fits under the jumpsuit and attaches with Velcro, and a muscle under suit. The jumpsuit is black with a textured, cross-hatched design, divided into seamed sections. Around the neckline is a silver stylized panther claw necklace with eleven claws, the points facing downwards. Each of the six claws has an indented geometric design with a raised, thin line going down the center of each claw. At the back of the necklace is a silver downward facing triangle. Underneath the necklace is a dark grey, triangular piece of material with an indented diamond and triangle geometric motif at the front and at the back, the same material cut in eight diamond pieces arranged in two vertical lines down the shoulder blades. The imprinted dark grey material is also applied in bands forming a “V” pattern down the chest and back, wrapping around the hips, and forming an inverted “V” pattern down the legs and arms, and a diamond pattern at the shoulders. There are small silver pieces set around the hips.

.2: The helmet is black and in the form of a stylized panther head with pointed ears at the top, silver markings and bands of geometric designs in diamonds, triangles, and dots. It is constructed in a single piece, with magnets used to hold the sides in place.

A vertical silver line runs down the center of the top of the helmet to the forehead. Two sets of silver lines run from the back of the head to the bridge of the nose, and out above the eyes with another silver line running from the outside corner of each eye, across the nose. The eyes are silver, almond-shaped, and have a metal mesh-like appearance. There is an intricate and symmetrical diamond design at the center of the forehead and along the silver markings, which continues down the bridge of the nose. In between the two sets of silver lines is a repeating pattern of alternating triangles. Another set of silver lines run from around the ears, across the cheekbones, and down at the sides of the mouth and chin. A vertical band of dots runs from the tip of the nose to the bottom of the chin, with lines of dots forming an alternating triangle patter on either side of the chin.

At the top, the ears are outlined in silver and feature textured lines in triangle patterns in the front and outside, with a diamond design on the ridge and a smooth back interior. Under the ears and down to the temples are imprinted lines and dots forming an alternating triangle pattern. Every other alternating line has small square shaped cut outs in a repeating pattern.

The back of the helmet has two sets of black lines with dots and triangle markings that form a “V” pattern at the center, with more lines in a geometric triangle motif between the two “V” lines.

.3: The neck covering is a piece of black material with the same textured, cross-hatch design as the jumpsuit, with seamed lines forming a triangle motif throughout.

.4ab: The gloves are elbow length and made from a black fabric textured in vertical lines. At the elbow, the gloves end in a firm, smooth-textured, V-shaped black trim with a silver band in the middle and three silver, stylized panther claws on the outside of each glove. The claws face downward and have an imprinted geometric design. Velcro at the cuff attaches the gloves to the sleeve piece. At the wrists and hands are pieces of protective padding in a dark grey material inset with geometric designs in a diamond pattern. Zips at the wrist allow the hand to enter the glove. There is a hard covering on each of the fingers with small triangular cutouts near the knuckles and the center of each finger, with pieces of silver beneath the center cutouts.

.5ab: The boots are composed of a soft black fabric with textured vertical lines. The shaft of the boot slides up the calf and ends in a V-shaped cuff of harder, shiny material and attaches to the leg of the suit with velcro. There is a thick band below the cuff with short, textured diagonal lines repeating in six rows. On the back of the boot shafts, seamed bands are arranged to form a triangle motif. There is a zipper in the shaft. The foot section of the boots are composed of a fabric with a textured cross-hatch pattern. There are several bands of textured diagonal lines across the vamp with a center vertical band of an imprinted triangle motif. The toecaps have an inverted “V”-shaped pattern. The hard rubber outsole curves over the tip of the toecaps with raised shapes resembling a paw or claws.

Topic

African American

Comics and graphic novels

Costume

Costume design

Hollywood (Film)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Marvel Studios and The Walt Disney Company

Object number

2018.39.1.1abc-.5ab

Restrictions & Rights

© Marvel

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Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Designed by

Rodgers, Aggie Guerard, American, born 1943

Created by

Eric Winterling, Inc., Theatrical Costumes, Made to Order

Worn by

Washington, Denzel, American, born 1954

Medium

Robe (.1ab): terry cloth;

Trunks (.2): satin and synthetic fiber

Dimensions

H x W x D (Robe .1ab on form): 41 1/4 × 17 × 14 in. (104.8 × 43.2 × 35.6 cm)

H x W (Robe .1ab flat): 51 1/2 × 31 in. (130.8 × 78.7 cm)

H x W x D (Belt .1b): 2 1/4 × 78 1/8 × 5/8 in. (5.7 × 198.4 × 1.6 cm)

H x W x D (Trunks .2 on form): 20 1/2 × 13 × 8 1/2 in. (52.1 × 33 × 21.6 cm)

H x W (Trunks .2 flat): 19 3/4 × 16 1/8 in. (50.2 × 41 cm)

Type

robes

trunks (costume)

Place used

United States, North and Central America

Date

1999

Description

A robe (.1ab) and a pair of boxing trunks (.2) worn by actor Denzel Washington as “Rubin ‘Hurricane’ Carter” in the 1999 biopic, “The Hurricane.”

The robe (.1a) is a long-sleeved, knee-length, hooded white terry cloth robe with a belt (.1b). The robe has a center opening with no fasteners. The sleeves end with thick trim that can be folded over to form cuffs. The belt is made of the same material as the robe, and is held in place by two (2) belt loops, one on the proper left side and one on the proper right side. There are two (2) patch pockets on the front of the robe, one on each hip.

The custom-made boxing trunks (.2) are cream satin with a 3-inch black satin waistband and 1-1/2 inch wide black satin vertical stripes on the proper left and proper right sides. The company label reading [EVERLAST/ MADE IN U.S.A.] is sewn into the waistband at the center front. On the interior of the waistband at the center back is a manufacturer's label for the costume company [Eric Winterling, Inc./ New York/ M]. At the bottom of this label, the name [Mr. Washington] is typed onto the label. The trunks are not lined.

Topic

African American

Actors

Athletes

Boxing

Clothing and dress

Costume

Hollywood (Film)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.127.2.1ab-.2

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Classification

Clothing-Costume

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture

Designed by

Davis, Sharen, American, born 1957

Worn by

Beyoncé, American, born 1981

Manufactured by

tapemeasure

Unidentified

Medium

.1: cotton and rayon blend cloth, silk cloth, and plastic buttons;

.2: polyester, rayon, and spandex blend cloth, polyester cloth, and plastic and metal fasteners;

.3: polyester chiffon

Dimensions

H x W x D (.1 flat): 23 × 21 3/4 × 1/2 in. (58.4 × 55.2 × 1.3 cm)

H x W x D (.2 flat): 25 3/8 × 36 × 1 in. (64.5 × 91.4 × 2.5 cm)

H x W x D (.3 flat): 43 1/4 × 12 1/2 × 1/8 in. (109.9 × 31.8 × 0.3 cm)

Type

scarves (costume accessories)

skirts

cardigans

Date

2006

Description

This costume worn by Beyoncé as Deena Jones in the film Dreamgirls (2006) consisting of a black cardigan with attached dickie (.1), a brown plaid skirt (.2), and a yellow and white chiffon scarf (.3).

The top (.1) consists of a black deep v-neck knit cardigan with cap sleeves. The cardigan closes at the center front with six (6) round black plastic buttons. The waist, neck, and sleeve ends are all ribbed. A dickie made from black pleated chiffon with ruffles along each side is sewn to the front sleeve seam and the side seams of the cardigan. The dickie closes along the center front with six (6) round black plastic buttons. It ends approximately two inches below the closure of the cardigan. The dickie has a standing ruffled collar, with a short portion of the chiffon sewn around the back neck of the cardigan. A red manufacturer's label for "tapemeasure" and a white size label are sewn at the interior center back neck. An additional white tag with red text containing fiber content, style, and care information is sewn at the interior proper left side seam near the waist.

The skirt (.2) is made from a brown plaid fabric with brown printed designs of a geometric brick-like pattern and flowers printed near the hem. Brown floral lace trims the hem, extending below the plaid fabric. The skirt is a circle skirt with ironed pleats and a thin waistband. It falls just below the knee and closes at the proper left waist with a brown zipper and one (1) round brown plastic button. The skirt is lined in brown polyester material with a red manufacturer's label for "tapemeasure" and a white size label sewn at the interior center back waist. An additional white tag with red text containing fiber content, style, and care information is sewn at the interior proper left back waist.

The scarf (.3) is a rectangular length of chiffon with a serged hem on all sides. It has a printed design in white, yellow, and light brown of a scallop-edge wide strip in white containing clusters of yellow flowers, with a solid yellow border surrounding the white stripe on the long sides. A white fabric label with red embroidered text is sewn into the hem of one of the short edges containing fiber content and place of manufacture.

Topic

African American

Actors

Clothing and dress

Costume

Costume design

Hollywood (Film)

Motown (Music)

Popular music

Rhythm and blues (Music)

Soul (Music)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2015.118.2.1-.3

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Classification

Clothing-Costume

Data Source

National Museum of African American History and Culture

Written by

Cue Magazine, American

Published by

Cue Publishing Company, American

Subject of

Robinson, Bill "Bojangles", American, 1878 - 1949

Cathrell, Laura, 1915 - 1999

Gilbert, W. S., British, 1836 - 1911

Sullivan, Arthur, British, 1842 - 1900

Gilbert and Sullivan, British, 1871 - 1896

Medium

ink on paper with metal

Dimensions

H x W x D (Closed): 11 1/4 × 8 1/4 × 1/16 in. (28.5 × 20.9 × 0.2 cm)

H x W x D (Open): 11 1/4 × 16 7/16 × 1/16 in. (28.5 × 41.8 × 0.1 cm)

Type

magazines (periodicals)

Place printed

New York City, New York, United States, North and Central America

Date

June 2, 1945

Description

Cue vol. 14 no. 22, featuring an illustration of a man standing in front of a theater marquee. The top fourth of the front cover is the masthead. The masthead is in a white field with the magazine title in green text that reads, [CUE], on the left. To the right of the magazine title is black text that reads, [NEW PLAYS · MOVIES / RESTAURANTS / NIGHT LIFE / RADIO / JUNE 2, 1945 · 10 CENTS]. The central illustration is of a man, centrally depicted from the waist up. He is wearing a red tricorn hat, a red cloak, a black coat, and a white cravat. He is holding a black and silver spyglass in his proper left hand and is giving a thumbs-up sign with his proper right hand. In the background, standing under the marquee, are several men wearing suits and Stetson hats, and one man wearing a top hat and monocle. Above the men is a black marquee with the text [Gilbert & Sullivans / “Pinafore”] illustrated in yellow. In the bottom right corner of the illustration is an advertisement for Mount Vernon Brand Rye Whiskey. Below the illustration is a small white field that runs along the bottom edge. In the bottom right corner of the white field is black text that reads, [· MAHATTAN EDITION]. The interior pages are white with black text, black-and-white illustrations, color illustrations, black-and-white photographs, and color photographs. On page 6 of this magazine is an article titled, [A Stage Designer’s Lot Is Not a Happy One / -But It Pays] and features a photograph of Bill “Bojangles” Robinson and the chorus of the musical Memphis Bound. The photograph also depicts Laura Cathrell, a chorus girl, dancing front and center. The magazine has several sections with beauty products reviews, clothing and clothing shop reviews, restaurant reviews, selected restaurant listings, and new films and plays reviews. The magazine also provides listings of current plays, experimental theatre, Off-Broadway plays, radio broadcasts for the week, weekly movie listings and theatres, special films and newsreels, and shortened film reviews. The back cover of the magazine features a full color advertisement for Park & Tilford Whiskey Blend. This magazine issue is forty (40) pages.

Transcription Center Status

Transcribed by digital volunteers

Topic

African American

Amusements

Cooking and dining

Dance

Entertainers

Hollywood (Film)

Journalism

Mass media

Music

Musicians

Nightlife

Radio

Urban life

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.46.25.274.1

Restrictions & Rights

Unknown - Restrictions Possible

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National Museum of African American History and Culture Collection

Collection title

The Laura Cathrell Show-Down Magazine Collection

Classification

Documents and Published Materials

Data Source

National Museum of African American History and Culture

Written by

Unidentified

Published by

Decca Records, British, founded 1929

Subject of

Holiday, Billie, American, 1915 - 1959

Armstrong, Louis, American, 1901 - 1971

Middleton, Velma, American, 1917 - 1961

Garland, Joe, American, 1903 - 1977

Armstrong, Louis and his Orchestra, American, 1928 - 1947

Symphony Hall, American, founded 1900

Savoy Cafe, American

Medium

ink on paper

Dimensions

H x W x D (2013.46.25.266a): 12 1/8 × 8 7/8 × 1/16 in. (30.8 × 22.6 × 0.1 cm)

H x W (2013.46.25.266b): 12 1/8 × 8 15/16 in. (30.8 × 22.7 cm)

Type

souvenir programs

Place used

Boston, Suffolk County, Massachusetts, United States, North and Central America

Date

April 18, 1947

Description

A program from the Billie Holiday/Louis Armstrong “Birth of the Blues” concert, at Symphony Hall in Boston, Massachusetts, April 18, 1947. The front cover is missing.

2013.46.25.266a: The interior pages from a program from the Billie Holiday/Louis Armstrong “Birth of the Blues” concert, at Symphony Hall in Boston, April 18, 1947. The interior pages are white with black-and-white text and photographs and include a biographical article on Louis “Satchmo” Armstrong; an illustrated biography of Holiday; listings of Armstrong’s film credits, stage credits, locations, and radio appearances; the concert program; features on Velma Middleton and Joe Garland; recordings by Armstrong and Holiday; and a list of the members of the Louis Armstrong’s Orchestra. The program has twelve (12) interior pages.

2013.46.25.266a: The back cover from a program from the Billie Holiday/Louis Armstrong “Birth of the Blues” concert, at Symphony Hall in Boston, April 18, 1947. The back cover is orange with black text. The top and bottom edges of the cover have two black lines, framing centered text. The top third of the cover has the Decca Records logo, a black oval with the text [Decca / RECORDS] below the three five point stars printed in the negative. The in center third of the cover is text printed in varying fonts that read, [Presents Selections by / LOUIS ARMSTRONG / AND / BILLIE HOLIDAY], above three identical floral graphics. In the bottom third of the cover, in smaller type, is the text, [THESE RECORDS AND ALBUM ON SALE IN THE FOYER AND / AT YOUR FAVORITE RECORD DEALER]. The interior of the back cover is an advertisement for Café Savoy, in Boston, Massachusetts.

Transcription Center Status

Transcribed by digital volunteers

Topic

African American

Hollywood (Film)

Instrumentalists (Musicians)

Jazz (Music)

Mass media

Nightlife

Singers (Musicians)

Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.46.25.266ab

Restrictions & Rights

Unknown - Restrictions Possible

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National Museum of African American History and Culture Collection

Collection title

The Laura Cathrell Show-Down Magazine Collection

Classification

Memorabilia and Ephemera

Data Source

National Museum of African American History and Culture

Published by

Show-Down Publishing Company, American, founded 1935

Edited by

Cathrell, Sally J. Jr., American, 1913 - 1981

Written by

Dancer, Maurice

Subject of

Moses, Ethel, American, 1904 - 1982

Medium

ink on paper with metal

Dimensions

H x W x D (Closed): 11 5/16 × 8 13/16 × 1/16 in. (28.8 × 22.4 × 0.2 cm)

H x W x D (Open): 11 5/16 × 17 7/16 × 1/4 in. (28.8 × 44.3 × 0.7 cm)

Type

magazines (periodicals)

Place printed

Saint Louis, Missouri, United States, North and Central America

Date

September 1936

Description

The Show-Down magazine, volume 1, number 9. The front cover is green with navy print and features a blue tinted image of Ethel Moses against a light blue background. Moses is depicted from the shoulders up. Her head is turned and she looking up to the left corner of the image. She wears a plaid coat over a white blouse and dark jacket. The main cover line is centered along the bottom fourth of the front cover and reads ["The Green Pastures" / Sensational Masterful Screen Production]. The date and price are printed along the bottom edge of the front cover and reads, [September – 1936] on the left and [Fifteen Cents] on the right. The masthead is centered in the top third of the front cover, and reads, [THE / SHOW-DOWN]. A horizontal blue line extends from either side of the word [THE]. The text, [SHOW-DOWN], is in large, block lettering patterned with vertical white stripes. The interior pages are white and green with black text and black-and-white images. The back cover is blank. This magazine issue is fifteen (15) pages.

Transcription Center Status

Transcribed by digital volunteers

Topic

African American

Dance

Entertainers

Hollywood (Film)

Jazz (Music)

Mass media

Musicians

Nightlife

Photography

Theatre

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.46.25.76

Restrictions & Rights

Unknown - Restrictions Possible

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National Museum of African American History and Culture Collection

Collection title

The Laura Cathrell Show-Down Magazine Collection

Classification

Documents and Published Materials

Data Source

National Museum of African American History and Culture

Created by

Albion Knitting Mills, American, 1923 - 1998

Worn by

Murphy, Eddie, American, born 1961

Medium

wool, leather, rayon, synthetic fiber, and metal snaps

Dimensions

H x W: 27 1/4 x 20 1/4 in. (69.2 x 51.4 cm)

H x W x D (On Form): 26 1/2 x 26 x 15 in. (67.3 x 66 x 38.1 cm)

Type

jackets

Date

1987

Description

This black and off-white Detroit Lions letterman jacket was worn by Eddie Murphy in the film Beverly Hills Cop II (1987). The jacket is made from black felted wool with off-white leather sleeves. Ribbed knitted synthetic fabric with a blue and white stripe design on a black ground is attached as the fold-over collar, the cuffs of each sleeve, and around the hem of the jacket body. The jacket closes at the center front using seven (7) metal snaps painted black on the facing side. There are two (2) diagonally set welted pockets, one at each front side waist, with the welts made from the off-white leather. Appliqued hooked thread designs are attached at the proper left chest, across the back, and on the sleeves just below the shoulder seam. The design on the proper left front consists of gray letters reading "LIONS" over a gray, white, and blue football helmet that has the Detroit Lions mascot on the helmet. The design on the back of the jacket consists of gray letters reading "DETROIT" above a larger version of the football helmet and gray letters below the helmet reading "LIONS". The number "67" in black is on each sleeve.

The jacket is fully lined in dark gray rayon. A black fabric label with gold embroidered stitching is sewn at the center back below the collar that reads "Albion / AWARD / Jacket / ALBION KNITTING MILLS / GARDENA, CALIFORNIA / WOOL FABRIC / PROFESSIONALLY DRY CLEAN ONLY / MADE IN U.S.A.". A size tag is sewn to the bottom of the label. A label with style, content, and care information is sewn into the interior proper right side seam near the waist.

Topic

African American

Actors

Clothing and dress

Comedy

Costume

Hollywood (Film)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2012.109.1

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Classification

Clothing-Costume

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture

Created by

Columbia Pictures Industries, Inc., founded 1919

Subject of

Poitier, Sidney, American, born 1927

Tracy, Spencer, American, 1900 - 1967

Katharine Hepburn, American, 1907 - 2003

Houghton, Katharine, American, born 1945

Directed by

Kramer, Stanley, 1913 - 2001

Medium

ink on paper

Dimensions

H x W: 11 × 14 in. (27.9 × 35.6 cm)

Type

lobby cards

Place printed

Culver City, Los Angeles County, California, United States, North and Central America

Date

1967

Description

Lobby card features a color still from the film Guess Who's Coming to Dinner The image depicts Katharine Hepburn and Katharine Houghton seated at a table looking up at Spencer Tracy to the right of the frame. Sidney Poitier is shown standing next to the table, facing Tracy. A white box with blue and red text in the bottom left corner reads, [Columbia Pictures presents a / Stanley Kramer / production / Spencer / Tracy / Sidney / Poitier / Katharine / Hepburn / guess who's / coming to dinner / and introducing / Katharine Houghton / Music by DeVol · Written by William Rose / Produced and directed by Stanley Kramer · Technicolor®]. Black type in BL corner of lobby card reads, [Copyright ©1967 by Columbia Pictures Corporation. All Rights Reserved].

Topic

African American

Actors

Hollywood (Film)

Race relations

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2013.108.9.1

Restrictions & Rights

© 1967 Columbia Pictures Corporation. All rights reserved. Permission required for use.

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Classification

Memorabilia and Ephemera-Advertisements

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture

Created by

Shelton, Al, born 1920

Subject of

Stuntmen's Association of Motion Pictures, founded 1961

Owned by

Bob Minor, American, born 1944

Medium

metal

Dimensions

H x W x D: 2 3/8 × 3 1/2 × 5/8 in. (6 × 8.9 × 1.6 cm)

Type

buckles (strap accessories)

Place made

California, United States, North and Central America

Date

ca. 1972

Description

A metal belt buckle, oval, with a raised lip/edge around circumference. In relief on the front, at top reads [STUNTMEN'S ASSOCIATION], and at the bottom [OF MOTION PICTURES]. In the middle is a relief depiction of a movie camera with a banner underneath reading [HOLLYWOOD], and a five-point star at the left and right. The back is a loop and hook style buckle. Etched into the back, all vertically displayed, reads [THE STUNTMEN'S ASSOCIATION OF/MOTION PICTURES AND TELEVISION/WAS FOUNDED IN HOLLYWOOD CALIF./1961, BY PROFESSIONAL STUNTMEN], [SCULPTOR/AL SHELTON/STUDIO CITY, CA./IN/"WHO'S WHO IN THE WEST"], and a logo for the Stuntmen's Association. Handwritten in black marker, diagonally and upside-down near bottom center, reads [BOB].

Topic

African American

Actors

Film

Hollywood (Film)

Labor

Professional organizations

Television

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bob Minor, Stuntman, Stunt Coordinator, 2nd Unit Director, Actor

Object number

2014.303.2

Restrictions & Rights

No Known Copyright Restrictions

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National Museum of African American History and Culture Collection

Classification

Clothing-Historical

Exhibition

Taking the Stage

On View

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source

National Museum of African American History and Culture