Collection Search Results
Applied Filters: clear all filters
-
Included:
- topic: "Instrumentalists (Musicians)"
Your search found 497 result(s).
-
Machito: A Latin Jazz Legacy
- Created by
- Ortiz, Carlos, Puerto Rican American, 1947 - 2008
- Subject of
- Machito, Cuban American, 1908 - 1984
- Puente, Tito, American, 1923 - 2000
- Barretto, Ray, American, 1929 - 2006
- Gillespie, Dizzy, American, 1917 - 1993
- Gordon, Dexter, American, 1923 - 1990
- Date
- 1987
- Medium
- polyester film
- Dimensions
- Duration (Reel 1): 24 Minutes
- Length (Film): 850 Feet
- Duration (Reel 2): 28 Minutes
- Length (Film): 1000 Feet
- Title
- 16mm motion picture film of Machito: A Latin Jazz Legacy
- Description
- 16mm film on two reels (ab). A documentary profile of Cuban bandleader Frank "Machito" Grillo and a history of Latin jazz in the United States, with a focus on New York City, and the history of Cuban music in general, with footage from New York City and Cuba. Features Machito himself, as well as interviews with Tito Puente, Dizzy Gillespie, Dexter Gordon and Ray Barretto. The film includes performances, film clips, still photographs and newsreel material.
- Cultural Place
- Cuba, Caribbean, Latin America, North and Central America
- Place depicted
- New York City, New York, New York, North and Central America
- Collection title
- DC Public Library Film Collection
- Classification
- Media Arts-Film and Video
- Type
- motion pictures (information artifacts)
- 16mm (photographic film size)
- Topic
- Caricature and cartoons
- Composers (Musicians)
- Conductors (Musicians)
- Film
- Instrumentalists (Musicians)
- Jazz (Music)
- Latin jazz (Music)
- Musical films
- Salsa (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.55.67.1ab
- Restrictions & Rights
- Icarus Films, ©1987. Permission required for use.
-
Stevie Wonder Thought Shares
- Manufactured by
- Jobete Music Co., Inc., American, founded 1959
- Black Bull Music, American
- Published by
- Columbia Pictures Industries, Inc., founded 1919
- Subject of
- Wonder, Stevie, American, born 1950
- Jones, Quincy, American, born 1933
- The Pointer Sisters, American, founded 1969
- Michael Jackson, American, 1958 - 2009
- Spinners, American, founded 1954
- Franklin, Aretha, American, 1942 - 2018
- Sir McCartney, Paul, British, born 1942
- Jermaine Jackson, American, born 1954
- Warwick, Dionne, American, born 1940
- Beck, Jeff, English, born 1944
- Date
- 1984
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- ink on paper
- Dimensions
- H x W x D: 11 15/16 x 8 15/16 x 1/2 in. (30.3 x 22.7 x 1.3 cm)
- Description
- A songbook with a re-violet cover. Along the top fourth is the title in yellow letters: [Stevie Wonder / Thought Shares]. On the left side, above the center but below the title, is a list of songs included in the book: [Piano" / "Vocal" / "Chords / WITH SONGS RECORDED BY / QUINCY JONES / POINTER SISTERS / MICHAEL JACKSON / THE SPINNERS / JEFF BECK / ARETHA FRANKLIN / THE SPINNERS / PAUL McCARTNEY /JERMAINE JACKSON / DIONNE WARWICK / ...AND MORE]. On the right side of the front, centered, is an image of Stevie Wonder in front of a dark background, wearing a flamboyantly colored sweater and large aviator sunglasses.
- Classification
- Documents and Published Materials-Sheet music
- Topic
- Caricature and cartoons
- Funk (Music)
- Instrumentalists (Musicians)
- Jazz (Music)
- Motown (Music)
- Popular music
- Rhythm and blues (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.71
- Restrictions & Rights
- © 1984 Jobete Music Co. and Black Bull Music (ASCAP). Permission required for use.
-
Junction 88
- Directed by
- Quigley, George P., American
- Subject of
- Howard, Bob, American, 1906 - 1986
- Markham, Dewey, American, 1904 - 1981
- Mitchell, Abbie, American, 1884 - 1960
- Sissle, Noble, American, 1889 - 1975
- Young, Al
- Clark, Wyatt
- Cooke, Marie, American, 1921 - 2011
- McGinty, Artie Belle, American, 1892 - 1963
- Smith, Augustus Julius, American, 1891 - 1964
- Wiltshire, George, American, 1901 - 1976
- Bozan, Alonzo, American, 1886 - 1959
- Junior, Herbert
- Simmons, Maude, American, 1893 - 1977
- Date
- 1948
- Medium
- acetate film
- Dimensions
- Duration: 50 Minutes
- Length (Film Reel 1): 1000 Feet
- Length (Film Reel 2): 1000 Feet
- Description
- 2015.167.11.1ab: 16mm black and white films.
- In the small town of Junction 88, young black musician Buster Jenkins plays a love song on the piano for his sweetheart, Lolly Simpson. Meanwhile, out on the Simpsons' porch, Lolly's father, "Pop" Simpson, tells "Mom" Simpson and Buster's mother that he will not give his consent for his daughter to marry Buster because he believes that the struggling musician will not be able to make a decent living. Although the mothers defend Buster as a good, God-fearing, churchgoing boy, Pop continues to favor the hard-working, hard-drinking Onnie as his future son-in-law. Miles away from Junction 88, music agent Bob Howard and his colleague Piggy discover in their mail what they believe will be a hit song. Determined to sign the song's composer, "Hewlett Green," Bob and Piggy set out for Junction 88, the town from which the song was sent. When they arrive, Bob and Piggy are amazed to discover that no one in Junction 88 has ever heard of Hewlett Green. Bob and Piggy continue their fruitless search for Hewlett Green and enlist the help of a young boy named Chinka Pin, who spends much of his time singing at the town barber shop. Later, Bob and Piggy meet Lolly, who introduces them to her friend Caroline. Bob falls instantly in love with Caroline, and the four attend a benefit concert that Buster has organized at the church. Before the concert begins, Lolly introduces Bob and Piggy to Buster, and they are granted permission from Buster to perform in the concert. Noble Sissle and his orchestra play after Chinka Pin sings the National Anthem. Bob and Piggy close the concert with three songs. Lolly notices that Buster is upset about something, but he keeps his troubles to himself and tells her that he is not ready to reveal what is upsetting him. Bob and Piggy put the word out that they want to sign Hewlett Green to a long-term contract. The search quickly comes to an end, however, when Buster steps forward in church and reveals that he has been writing songs under the assumed name of Hewlett Green. After signing a contract with Bob and Piggy, Buster takes Lolly's hand in marriage.
- Source: AFI Catalog of Feature Films. Accessed on August 10, 2016 (http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=27661)
- Place filmed
- United States, North and Central America
- Collection title
- Nieman Film Collection
- Classification
- Media Arts-Film and Video
- Type
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.11.1ab
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Junction 88
- Directed by
- Quigley, George P., American
- Subject of
- Howard, Bob, American, 1906 - 1986
- Markham, Dewey, American, 1904 - 1981
- Mitchell, Abbie, American, 1884 - 1960
- Sissle, Noble, American, 1889 - 1975
- Clark, Wyatt
- Cooke, Marie, American, 1921 - 2011
- Smith, Augustus Julius, American, 1891 - 1964
- Mitchell, Abbie, American, 1884 - 1960
- McGinty, Artie Belle, American, 1892 - 1963
- Wiltshire, George, American, 1901 - 1976
- Junior, Herbert
- Bozan, Alonzo, American, 1886 - 1959
- Simmons, Maude, American, 1893 - 1977
- Young, Al
- Date
- 1948
- Medium
- acetate film
- Dimensions
- Duration: 50 Minutes
- Length (Film Reel 1): 1000 Feet
- Length (Film Reel 2): 1000 Feet
- Description
- 2015.167.11.2ab: 16mm black and white films.
- 2015.167.11.2cd: Original metal film reels.
- 2015.167.11.2e: Original cardboard film shipping box. A label on the side of the film shippping box reads [FOR TRANSFER/ JUNCTION 88].
- In the small town of Junction 88, young black musician Buster Jenkins plays a love song on the piano for his sweetheart, Lolly Simpson. Meanwhile, out on the Simpsons' porch, Lolly's father, "Pop" Simpson, tells "Mom" Simpson and Buster's mother that he will not give his consent for his daughter to marry Buster because he believes that the struggling musician will not be able to make a decent living. Although the mothers defend Buster as a good, God-fearing, churchgoing boy, Pop continues to favor the hard-working, hard-drinking Onnie as his future son-in-law. Miles away from Junction 88, music agent Bob Howard and his colleague Piggy discover in their mail what they believe will be a hit song. Determined to sign the song's composer, "Hewlett Green," Bob and Piggy set out for Junction 88, the town from which the song was sent. When they arrive, Bob and Piggy are amazed to discover that no one in Junction 88 has ever heard of Hewlett Green. Bob and Piggy continue their fruitless search for Hewlett Green and enlist the help of a young boy named Chinka Pin, who spends much of his time singing at the town barber shop. Later, Bob and Piggy meet Lolly, who introduces them to her friend Caroline. Bob falls instantly in love with Caroline, and the four attend a benefit concert that Buster has organized at the church. Before the concert begins, Lolly introduces Bob and Piggy to Buster, and they are granted permission from Buster to perform in the concert. Noble Sissle and his orchestra play after Chinka Pin sings the National Anthem. Bob and Piggy close the concert with three songs. Lolly notices that Buster is upset about something, but he keeps his troubles to himself and tells her that he is not ready to reveal what is upsetting him. Bob and Piggy put the word out that they want to sign Hewlett Green to a long-term contract. The search quickly comes to an end, however, when Buster steps forward in church and reveals that he has been writing songs under the assumed name of Hewlett Green. After signing a contract with Bob and Piggy, Buster takes Lolly's hand in marriage.
- Source: AFI Catalog of Feature Films. Accessed on August 10, 2016 (http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=27661)
- Place filmed
- United States, North and Central America
- Collection title
- Nieman Film Collection
- Classification
- Media Arts-Film and Video
- Type
- motion pictures (information artifacts)
- sound films
- black-and-white films (visual works)
- release prints (motion pictures)
- feature films
- 16mm (photographic film size)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Randall and Sam Nieman
- Object number
- 2015.167.11.2ab
- Restrictions & Rights
- Unknown - Restrictions Possible
-
CC0
Poster for Ebony Parade
- Distributed by
- Astor Pictures, American, 1930 - 1963
- Subject of
- Calloway, Cab, American, 1907 - 1994
- Dandridge, Dorothy, American, 1922 - 1965
- Basie, Count, American, 1904 - 1984
- The Mills Brothers, American, 1928 - 1982
- Moreland, Mantan, American, 1902 - 1973
- Everett, Francine, American, 1915 - 1999
- Smythe, Vanita, American, 1925 - 1994
- Hill, Ruby, American, born 1922
- Flowers, Pat, American, 1917 - 2000
- Day, Dawn, and Dusk, American, 1940 - 1960
- The Jubalaires, American, c. 1940-1950
- Lee, Mable, American, 1921 - 2019
- Date
- 1947
- Medium
- ink on paper (fiber product)
- Dimensions
- H x W (Image): 36 5/8 × 20 7/8 in. (93 × 53 cm)
- H x W (Sheet): 41 1/4 × 26 15/16 in. (104.7 × 68.5 cm)
- Caption
- Released in 1947, Ebony Parade was a series of short sketches and numbers originally distributed as musical shorts by the Soundies Distributing Corporation of America.
- Description
- A large poster for the film Ebony Parade with a blue background and an off-white border. Across the blue background are red musical notes and stars outlined in white. At the top center in red lettering is [20 Great Stars]. Printed in the center in small black type is [Astor Pictures presents] followed by [EBONY PARADE] in large yellow letters over a red background. Surrounding the title are color photographic portraits of the stars of the film. At the top left are the faces of Mantan Moreland, Dorothy Dandridge and Ruby Hill, followed by a full portrait of a seated Mabel Lee and in the bottom left corner is an image of the Mills Brothers gathered around two microphones. On the right side are the faces of Cab Calloway, Vanita Smythe, Francine Everett, and Count Basie. At the bottom right is a yellow box bordered in black with red text that reads [featuring / Cab Calloway * Count Basie / His Band His Band / Mills. Bros. * Vanita Smythe / Mantan Moreland * Mable Lee/ Ruby Hill * Francine Everett / Dorothy Dandridge * Pat Flowers / and / Day, Dawn, and Dusk * Jubilaries]. At the bottom left, in small white text on a red background is [RELEASED THRU ASTOR PICTURES CORP.]. On the back of the poster are two stamps in purple that say [Screen Classics, Inc. / 1632 Central Parkway, Cincinnati 10, Ohio].
- Transcription Center Status
- Transcribed by digital volunteers
- Place used
- United States, North and Central America
- Classification
- Memorabilia and Ephemera-Advertisements
- Type
- posters
- Topic
- Actors
- Comedy
- Conductors (Musicians)
- Dance
- Entertainers
- Instrumentalists (Musicians)
- Jazz (Music)
- Musical films
- Musicians
- Race films
- Singers (Musicians)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.118.31
- Restrictions & Rights
- Public domain
-
Latin-Soul-Rock
- Recorded by
- Fania All Stars, founded 1968
- Published by
- Fania Records, Inc., founded 1964
- Recorded by
- Pacheco, Johnny, Dominican, born 1935
- Manu Dibango, Cameroonian, 1933 - 2020
- Betancourt, Justo, Cuban, born 1940
- Colón, William, American, born 1950
- Miranda, Ismael, Puerto Rican, born 1950
- Mongo Santamaría, Cuban American, 1917 - 2003
- Santana, Jorge, Mexican American, 1951 - 2020
- Hammer, Jan, Czechoslovakian American, born 1948
- Cobham, Billy, Panamanian American, born 1944
- Date
- 1973; published 1974
- Medium
- vinyl and cardboard, with ink on paper (fiber product)
- Description
- A record album with the title "Fania All Stars Latin-Soul-Rock." The album consists of a single vinyl (2015.195.1a), which features a green-and-brown label with a notched center hole. The top half of the label has the words [FANIA / FANIA ALL STARS / LATIN—SOUL—ROCK]. The bottom half of the label lists the songs as well as their respective artists and track length. Side A features songs such as “Viva Tirado,” “Chanchullo,” “Smoke,” “There You Go,” and “Mama Guela;” while Side B lists songs such as “El Raton,” “Soul Makossa” and “Congo Bongo.”
- An album jacket (2015.195.1b) accompanies the vinyl record. The front cover of the album jacket is black, with white writings. On the top, [FANIA ALL STARS / latin ~ soul ~ rock / How It Was! How It Ended! How It Was Going To Be!] is printed. Below, there is a collage of 13 photographs of performances. Inside the album jacket is white and features a New York Post article entitled “‘Our Latin Thing’ Draws 40, 000.” The second page has a six grayscale photographs of performances. [Live at Yankee Stadium, Aug. 24, 1973] is printed in white letters. Below, there is a large color photograph of a performance; a smaller photograph is embedded in the bottom right-hand corner of the larger photo.
- Some of the persons credited in the production and distribution of this album include: Pete "Conde" Rodriguez, Paquito Navarro, Cheo Feliciano, Santos Colon, Ismael Quintana, Hector Colon, Dick Sugar, Bobby Cruz, Ray Barretto, Larry Harlow, Roberto Roena, Jerry Masucci, Edmund Newton, Bobby Valentin, Lee Marshall, Tom Monaster and Ron Levine.
- Place made
- Bronx, Bronx, New York, United States, North and Central America
- Puerto Rico, United States, North and Central America
- Classification
- Media Arts-Audio Recordings
- Type
- record covers
- long-playing records
- Topic
- Funk (Music)
- Instrumentalists (Musicians)
- Jazz (Music)
- Rock and roll (Music)
- Salsa (Music)
- Singers (Musicians)
- Soul (Music)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2015.195.1ab
- Restrictions & Rights
- © 1974 Fania Records. Permission required for use.
-
Mongo Santamaria, 1979
- Photograph by
- Spitzer, David D., American
- Subject of
- Mongo Santamaría, Cuban American, 1917 - 2003
- Date
- 1979
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W (Image): 13 11/16 x 9 1/8 in. (34.8 x 23.2 cm)
- H x W (Sheet): 13 7/8 x 9 3/4 in. (35.3 x 24.8 cm)
- H x W (Matted): 20 x 16 in. (50.8 x 40.6 cm)
- Description
- A black-and-white photograph of jazz percussionist Mongo Santamaria performing at a concert in Ft. Lauderdale, FL. Santamaria sits behind a drum with his right hand raised playing it. He wears a light colored suit jacket, dress shirt, and necklace. The elbow and fingers of another person's crossed arms are visible in front of Santamaria.
- Place captured
- Fort Lauderdale, Broward County, Florida, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- gelatin silver prints
- portraits
- Topic
- Composers (Musicians)
- Instrumentalists (Musicians)
- Jazz (Music)
- Latin jazz (Music)
- Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer
- Object number
- 2012.164.145
- Restrictions & Rights
- © David D. Spitzer
-
Recordando El Ayer
- Recorded by
- Cruz, Celia, Cuban American, 1925 - 2003
- Published by
- Fania Records, Inc., founded 1964
- Recorded by
- Pacheco, Johnny, Dominican, born 1935
- Betancourt, Justo, Cuban, born 1940
- Lucca, Papo, Puerto Rican, born 1946
- Date
- 1976
- Medium
- vinyl , cardboard and ink
- Description
- A long-playing record entitled “Recordando El Ayer.” The album consists of a single vinyl long-playing record (2015.195.34a), which features a pink-and-orange patterned label with a notched center hole. In the top half of the label, the record company’s logo [VAYA] appears in bold white letters (it is this logo that is repeated on the label to create the pattern). In the bottom half of the label, the tracks, as well as their respective artists and track lengths, are printed in black letters. On Side A, the following tracks appear, “Besito de Coco,” “Ritmo, Tambor Y Flores,” “Se Wue Tu,” “Reina Rumba,” and “Vamos a Guarachah;” while Side B lists the following tracks, “La Equivocada,” “Ahora Si,” “Cuando Tu Me Querias,” “Verbero Moderno” and “Guillate.”
- An album jacket (2015.195.34b) accompanies the vinyl record. The front cover features a photograph of Celia Cruz, Johnny Pacheco, Justo Betancourt and Papo Lucca. The four individuals stand in front of an orange background with two plants behind them. The men wear traditional rumba shirts, while Celia Cruz, who stands in the middle, wears a pink-and-white dress. The back cover is lime green. In the center, there are four portraits, one of Celia Cruz, Johnny Pacheco, Justo Betnacourt and Papo Lucca. On the inside of the album jacket, there are portraits of the four performers, as well as short bios of each. Lee Marshall and Ron Levine are credited as the photographer and designer respectively.
- Place made
- New York City, New York, United States, North and Central America
- Classification
- Media Arts-Audio Recordings
- Type
- record covers
- long-playing records
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2015.195.34ab
- Restrictions & Rights
- © 1976 Vaya Records. Permission required for use.
-
Program for George Walker concert
- Printed by
- The Superior Printing Company, American
- Subject of
- Walker, George Theophilus, American, 1922 - 2018
- Owned by
- Johnson, Hall, American, 1888 - 1970
- Date
- 1960 (printed); March 3, 1960 (date of event)
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- ink on paper
- Dimensions
- H x W: 10 5/16 × 6 9/16 in. (26.2 × 16.7 cm)
- Description
- Red, white, and black, double-sided, program for a George Walker concert. The top front of the program has a red background with white type that reads: GEORGE / WALKER / PIANIST]. The center front of the program has a black and white photograph of George Walker wearing a suite and bowtie. The bottom front of the program has a red background with black type that reads: [Photo by Seymour Bernstein / Town Hall / THURSDAY EVENING at 8:30 / MARCH 3, 1960 / (Program overleaf)]. The back of program has black type set against a white background and features a short biography, quotes from critics, and the details of the performance.
- Place depicted
- New York City, New York, New York, United States, North and Central America
- Place printed
- New York, United States, North and Central America
- Collection title
- The Hall Johnson Collection
- Classification
- Archival Collections
- Memorabilia and Ephemera
- Type
- programs
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Eugene Thamon Simpson, Representative, Hall Johnson Estate
- Object number
- TA2013.166.1.3
- Restrictions & Rights
- © Hall Johnson Estate
-
Texas Rangers baseball uniform jersey worn by Charley Pride
- Manufactured by
- Wilson Sporting Goods Co., American, founded 1914
- Worn by
- Pride, Charley, American, 1934 - 2020
- Subject of
- Texas Rangers, American, founded 1961
- Date
- 1979
- Medium
- synthetic fiber with plastic buttons
- Dimensions
- H x W (jersey): 31 1/2 x 32 1/4 in. (80 x 81.9 cm)
- H x W (pants): 33 x 20 in. (83.8 x 50.8 cm)
- Description
- Jersey from a Texas Rangers baseball uniform worn by Charley Pride. The jersey is made from a white synthetic knit fabric with red, white, and blue striped woven knit fabric around the end of the sleeves and the neck opening. The shirt has short sleeves and a crew neck with a slit in the front that closes with two (2) round pearlized plastic buttons. The word "Rangers" in red patch letters with blue shadows is embroidered across the front chest of the jersey. A shield-shaped embroidered patch is sewn on the proper left sleeve. The patch has a design of a shield in blue, red, and white, with the state of Texas on the shield containing one red star and the word "RANGERS" along the top of the patch. Red patch letters with blue shadows reading "PRIDE / 50" are embroidered across the back shoulders of the jersey. A Wilson brand label is sewn at the interior center back neck that also contains size and care information. To the proper right of the manufacturer's tag is a white fabric label with blue hand-embroidered text that reads "79 1".
- Classification
- Clothing-Historical
- Type
- jerseys
- sports uniforms
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.46.1
- Restrictions & Rights
- Public Domain
-
Texas Rangers baseball uniform short pants worn by Charley Pride
- Manufactured by
- Rawlings, American, founded 1887
- Worn by
- Pride, Charley, American, 1934 - 2020
- Subject of
- Texas Rangers, American, founded 1961
- Date
- 1984
- Medium
- synthetic fiber and elastic with plastic and metal fasteners
- Dimensions
- H x W: 33 × 20 in. (83.8 × 50.8 cm)
- Inseam: 24 in. (61 cm)
- Caption
- Pride, who had played in the Negro Leagues as a pitcher for the Memphis Red Sox, began training with the Texas Rangers in 1972 and has owned a small stake in the team since 2010."
- Description
- Pair of short pants from a Texas Rangers baseball uniform worn by Charley Pride. The white knit pants have a wide blue stripe running down each leg, with the legs ending below the knee. The hem of each leg has elastic. The waistband is made from a red, white, and blue striped band of fabric. The pants close at the center front waist with three (3) metal snaps each faced in the color of the stripe of the band, and a metal zipper. There is also a white drawstring on the inside of the waistband that ties at the center front. There are two (2) inset pockets, one on each back side below the waist. Each pocket closes with one (1) pearlized round plastic button. The inside waistband is made from a wide band of white elastic. The name "PRIDE 05" is handwritten in black in on the interior proper left back side of the waistband. A red manufacturer's label for Rawlings is sewn at the interior proper right back side of the waistband that also contains size and care information. A white fabric label with hand-embroidered red text is sewn at the interior center back waist band that reads "5 34/36 24 84 1" with a small tag sewn to the right side with printed text reading "SET 1 / 1984".
- Place depicted
- Texas, United States, North and Central America
- Classification
- Clothing-Historical
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.46.2
- Restrictions & Rights
- Public Domain
-
CC0
Denim and suede suit jacket and bellbottoms worn by Charley Pride
- Attributed to
- Ortiz's Art Clothing and Ace Tailors, American
- Worn by
- Pride, Charley, American, 1934 - 2020
- Date
- 1976
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- jacket: cotton denim, suede, and metal;
- pants: cotton denim, suede, and metal
- Dimensions
- H x W (jacket): 30 1/2 x 20 in. (77.5 x 50.8 cm)
- Inseam (pants): 34 1/2 in. (87.6 cm)
- Jacket on Form: 30 1/2 x 25 x 14 1/2 in. (77.5 x 63.5 x 36.8 cm)
- Description
- This denim jean jacket (a) and bell-bottom jeans (b) with suede patchwork details were worn by Charley Pride. The blue jean jacket (a) is cut straight with full-length sleeves and a fold-over collar with exaggerated pointed lapels. It closes at the center front with four (4) round metal buttons that have the text "KEMINGTON / 20 / GA / EXPRESS" engraved around them. Rectangular patches of tan, brown, and ochre suede with blue denim are sewn on the front and back yoke. There are two (2) patch pockets, one at each front chest, with pointed flaps that close using one (1) button each, though the button on the proper right pocket is missing. The cuff of each sleeve closes with two (2) buttons each. The jacket is not lined. There is a size tag at the interior center back neck.
- The bell-bottom blue jeans have side panels on each leg made from rectangular patches of tan, brown, and ochre suede with blue denim, matching the yoke decoration on the jacket (a). The pants close at the center front waist with a metal zipper, one (1) metal snap, and one (1) metal hook-and-eye. There is one (1) inset pocket at the proper right front waist. The pants are not lined.
- Place made
- Galveston, Texas, United States, North and Central America
- Classification
- Clothing-Costume
- Type
- jean jackets
- trousers
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.50ab
- Restrictions & Rights
- Public domain
-
CMA Award for Male Vocalist of the Year awarded to Charley Pride
- Issued by
- Country Music Association, American, founded 1958
- Received by
- Pride, Charley, American, 1934 - 2020
- Date
- 1971
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- wood, metal, plastic
- Dimensions
- H x W x D: 14 x 5 x 5 in. (35.6 x 12.7 x 12.7 cm)
- Description
- 1971 Country Music Association (CMA) award for Male Vocalist of the Year, awarded to Charley Pride. The base of the award is white plastic with a gold metal plaque. Etched lettering on the plaque says "CHARLEY PRIDE / MALE VOCALIST OF THE YEAR / 1971." The top portion of the award is a wooden cone with a carved-out section on the front at the bottom. There is a gold metal music note in the carved-out section. Lettering on the flag of the music note reads "COUNTRY / MUSIC / ASSOCIATION." The note head features a raised design of a world map with lettering across the center that reads "BEST LIKED WORLD WIDE."
- Place used
- United States, North and Central America
- Classification
- Awards and Medals
- Type
- trophies (prizes)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.67
- Restrictions & Rights
- No Known Copyright Restrictions
-
Letter sent to Charley Pride from Captain Jeff Wells
- Written by
- Captain Wells, Jeff, American
- Received by
- Pride, Charley, American, 1934 - 2020
- Subject of
- United States Army, American, founded 1775
- Date
- May 28, 2007
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- ink on paper
- Dimensions
- H x W (letter): 11 × 8 1/2 in. (27.9 × 21.6 cm)
- H x W (images): 8 1/2 × 11 in. (21.6 × 27.9 cm)
- Description
- A fan letter sent to Charley Pride from Captain Jeff Wells while serving in United States Army. The letter is handwritten in blue ink on yellow paper. In the letter, Jeff Wells thanks Charley Pride for making music that allowed him to temporarily escape from the war in Iraq. Also included are four images of Wells while serving in Iraq. The images are printed on a white piece of paper in landscape view (2012.125.76.1.6b). The images are attached to letter with a metal staple.
- Place depicted
- San Antonio, Bexar County, Texas, United States, North and Central America
- Baghdad, Iraq, Middle East, Asia
- Classification
- Documents and Published Materials
- Type
- letters (correspondence)
- Topic
- Correspondence
- Country (Music)
- Instrumentalists (Musicians)
- Iraq War, 2003-2011
- Military
- Photography
- Singers (Musicians)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.76.1.6ab
- Restrictions & Rights
- © Jeff Wells
-
CC0
Letter to Charley Pride from Richard Nixon
- Written by
- President Richard M. Nixon, American, 1913 - 1994
- Owned by
- Pride, Charley, American, 1934 - 2020
- Date
- October 26, 1971
- Medium
- ink on paper
- Dimensions
- 10 3/4 x 8 5/8 x 7/16 in. (27.3 x 21.9 x 1.1 cm)
- Description
- Letter from Richard Nixon to Charley Pride on the occasion of Pride winning Entertainer of the Year by the Country Music Association. The letter is written on White House letterhead with an embossed seal at the top. It is signed by Richard Nixon in black ink. Letter is framed within a black frame and a cream colored paper mat with a black border. The back of the frame has a small price sticker in the upper right hand corner.
- Classification
- Documents and Published Materials
- Type
- letters (correspondence)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.82
- Restrictions & Rights
- Public domain
-
Gelatin silver prints of Charley Pride wearing a Memphis Red Sox uniform
- Created by
- Unidentified
- Subject of
- Pride, Charley, American, 1934 - 2020
- Memphis Red Sox, American, 1923 - 1962
- Owned by
- Pride, Charley, American, 1934 - 2020
- Date
- early 1950s
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W (2012.125.99.1.1): 6 1/16 x 4 1/16 in. (15.4 x 10.3 cm)
- H x W (2012.125.99.1.2): 6 1/16 x 4 1/16 in. (15.4 x 10.3 cm)
- Description
- Two identical black and white prints of a photograph of country singer Charley Pride in a Memphis Red Sox baseball uniform. Pride's arms are behind his head. The front of his jersey says "Memphis." There is text in the bottom right corner that is partially cut-off. It reads [CHARLIE PRI/MEMPHIS RED / EARLY 1950].
- Place depicted
- Memphis, Shelby County, Tennessee, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- black-and-white photographs
- portraits
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.99.1.1-.2
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Gelatin silver print of Charley Pride wearing a Milwaukee Brewers uniform
- Created by
- Unidentified
- Subject of
- Milwaukee Brewers, American, founded 1970
- Pride, Charley, American, 1934 - 2020
- Owned by
- Pride, Charley, American, 1934 - 2020
- Date
- February 25, 1971
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 9 1/16 x 8 1/8 in. (23.1 x 20.6 cm)
- Description
- Black and white photograph of country singer Charley Pride playing baseball. Pride is wearing a baseball jersey with "BREWERS" written across the chest. He is wearing a baseball cap with the letter [M] on the front. He is holding a baseball in his right hand, and he appears to be mid-throw, with his arm pulled back. There is a sideways red stamp on the back, on the right edge that reads [EBBY HAWERLANDER]. There is a blue stamp in the bottom right corner of the back that reads [GAZETTE / FEB 25 1971]
- Place depicted
- Milwaukee, Wisconsin, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- black-and-white photographs
- portraits
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charley Pride
- Object number
- 2012.125.99.2
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Untitled
- Photograph by
- Allen, Devin, American, born 1989
- Subject of
- Unidentified Man or Men
- Gray, Freddie, American, 1990 - 2015
- Date
- December 15, 2015
- Medium
- digital
- Dimensions
- H x W: 4320pixels × 6480pixels
- Caption
- - Devin Allen (@bydvnlln), Instagram, 12/15/2015.
- Description
- A black-and-white digital photograph by Devin Allen of a band performing on the sidewalk in Baltimore, Maryland. The band and their instruments are set up outside a brick building. In the foreground is a man with a guitar speaking into a microphone on a stand. He wears an argyle sweater, jeans, and a knit cap with the letter "R" painted on the front of it. A keyboard is in the far left foreground. A drum set is behind a man standing and holding a microphone in his hand, who stands behind the man with the guitar. A drummer whose face is obscured by a cymbal is sitting at the drum set. Several people stand in the right background out of focus.
- 160.22 MB
- Place captured
- Baltimore, Maryland, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Black Lives Matter
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Communities
- Instrumentalists (Musicians)
- Justice
- Local and regional
- Music
- Photography
- Race relations
- Resistance
- Singers (Musicians)
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Devin Allen
- Object number
- 2016.98.26
- Restrictions & Rights
- © Devin Allen
-
We Insist! Max Roach's - Freedom Now Suite
- Composed by
- Roach, Max, American, 1924 - 2007
- Written by
- Brown, Oscar, American, 1926 - 2005
- Recorded by
- Roach, Max, American, 1924 - 2007
- Lincoln, Abbey, American, 1930 - 2010
- Published by
- MiruMir Music Publishing, Russian, founded 2004
- Date
- 1960; re-released 2013
- On ViewCulture/Fourth Floor, 4 053
- Exhibition
- Musical Crossroads
- Medium
- vinyl, cardboard
- Dimensions
- Diameter (.a, album): 11 13/16 in. (30 cm)
- H x W (.b, album jacket): 12 5/16 × 12 5/16 in. (31.3 × 31.3 cm)
- Description
- An LP vinyl record (2015.103.3a) and jacket (2015.103.3b) of the "We Insist-Freedom Now Suite" performed by jazz percussionist, drummer and composer Max Roach.
- The LP vinyl record (2015.103.3a) has a black-and-white label, with white writing set against a black background. The type on the front of label reads: [So Far Out/ Side A/ OUT5001LP/ WE INSIST!/ MAX ROACH AND OSCAR BROWN, Jr.'s/ FREEDOM NOW SUITE/ DRIVA' MAN (5:10) FREEDOM DAY (6:02)/ TRIPTYCH: PRAYER. PROTEST, PEACE (7:58)]. The reverse side of the label reads: [So Far Out/ Side B/ OUT5001LP/ WE INSIST!/ MAX ROACH AND OSCAR BROWN, Jr.'s/ FREEDOM NOW SUITE/ ALL AFRICA (7:57)/ TEARS FOR JOHANNESBURG (9:36)].
- The LP jacket (2015.103.3b) features a black-and-white photograph depicting three African American men sitting at a diner counter, with a white man in a white uniform standing behind the counter. The three African American men are looking over their shoulders towards the camera. A menu board can be seen in the top proper-right corner of the image. Black type on front of LP cover reads: [WE INSIST!/ MAX ROACH'S - FREEDOM NOW SUITE/ FEATURING ABBEY LINCOLN/ COLEMAN HAWKINS, OLATUNJI/ So Far Out/ OUT5001LP].
- Classification
- Media Arts-Audio Recordings
- Type
- record covers
- long-playing records
- Topic
- Civil rights
- Composers (Musicians)
- Instrumentalists (Musicians)
- Jazz (Music)
- U.S. History, 1953-1961
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Estate of Max Roach
- Object number
- 2015.103.3ab
- Restrictions & Rights
- No Known Copyright Restrictions
-
Photographic slide of the Poor People's Campaign
- Photograph by
- Robert Houston, American, born 1935
- Subject of
- Gillespie, Dizzy, American, 1917 - 1993
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Black Star, American, founded 1935
- Created by
- Rogers Color Laboratory Corp., American, 1964 - 1996
- Date
- May 21, 1968 - June 23, 1968
- Medium
- reversal film and cardboard
- Dimensions
- H x W: 1 15/16 × 1 15/16 in. (4.9 × 4.9 cm)
- Caption
- This slide is part of a collection of 35mm slides encapsulating Robert Houston's full portfolio of images related to the Poor People's Campaign and the antipoverty protest camp on the National Mall. Known as "Resurrection City," the camp lasted for six weeks in the spring of 1968.
- Description
- This photographic slide depicts Dizzy Gillespie standing on a stage with a band. Wearing a navy blue shirt and red pants, he holds his trumpet in his right hand. To his right is a man dressed in a grey suit and tie, seated behind a drum set. Behind him are a group of men, four wearing suit, one in a brown shirt. One of the men is seated and wears a fedora. There is a reflection of the Washington Monument in the water behind the men. The slide mount has text on the reverse that reads "processed by/ rogers color lab corp./ new york."
- Place depicted
- National Mall, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- color slides
- portraits
- Topic
- Activism
- Civil rights
- Housing
- Instrumentalists (Musicians)
- Local and regional
- Photography
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2015.245.243
- Restrictions & Rights
- © Robert Houston