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- topic: "Local and regional"
Your search found 315 result(s).
-
Pinback button for the Assembly of Unrepresented People
- Manufactured by
- Unidentified
- Subject of
- Assembly of Unrepresented People, American, founded 1965
- Date
- August 6-9, 1965
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W x D: 1 1/2 × 1 1/2 × 3/16 in. (3.8 × 3.8 × 0.5 cm)
- Description
- A pinback button for the Assembly of Unrepresented People. The button has a lot of discoloration. The background is white and there is green text throughout the button that reads [Assembly Of Unrepresented People / Washington / August 6-9. The back of the button has a metal pin without a clasp.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Civil Rights Movement
- Topic
- Activism
- Associations and institutions
- Civil Rights
- Local and regional
- Politics (Practical)
- Vietnam War, 1961-1975
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray
- Object number
- 2013.68.76
- Restrictions & Rights
- Public domain
-
Pinback button promoting the Housing Now! National March
- Manufactured by
- Unidentified
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- 1989
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- metal
- Dimensions
- Diameter: 2 1/4 × 3/8 in. (5.7 × 1 cm)
- Description
- Round pin-back button featuring blue and red type against a white background. Type reads, [HOUSING / NOW! / NATIONAL MARCH / OCTOBER 7, 1989 / U.S. CAPITOL].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- African American - Latinx Solidarity
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.1.51
- Restrictions & Rights
- No Known Copyright Restrictions
-
Third World No. 9
- Created by
- Third World Newspaper, American, founded 1970
- Edited by
- Lewis, John W., Jr., American, born 1930
- Subject of
- X, Malcolm, American, 1925 - 1965
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- ca. 1965
- Medium
- newsprint, ink
- Dimensions
- H x W: 12 1/8 × 8 1/4 × 1/16 in. (30.8 × 21 × 0.2 cm)
- Description
- Third World magazine featuring a large black and white portrait drawing of Malcolm X. The illustration is a close up of Malcolm X's face depicting him squinting through his horn-rimmed glasses. The illustration is contained within a large rectangle bordered in a small black line that takes up the bottom two-thirds of the front. Over top of the illustration in the lower part of the image is white text on a black background [HONOR/MALCOLM X]. Above the second "M," on the PL cheek of Malcolm X is the artist's signature, vertically oriented [CHAMBERS]. At the top of the cover, contained within a smaller rectangle taking up the top third, is the publication title, number and price [THIRD WORLD/No. 9 25¢]. To the left of the publication title is a graphic of a globe with the number "3" on top.
- Place printed
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Movement
- Civil Rights Movement
- Black Nationalism
- Type
- newspapers
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.30
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Handbill for Malcolm X film screening
- Produced by
- Pan African Commitee, American
- Subject of
- X, Malcolm, American, 1925 - 1965
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- 1972
- Medium
- paper, ink
- Dimensions
- H x W: 14 × 8 1/2 in. (35.6 × 21.6 cm)
- Description
- White flyer with a black and white illustration of Malcolm X inside a thick bordered box in the upper half. The illustration features Malcolm X in three-quarter profile view, looking to the right. Below the illustration is the handbill information, including the date and committee contact information [MALCOLM X/His own story on the screen as it/really happened.....See it/Opens Wednesday - May 24, 1972/AT THE/TIVOLI THEATER/14th Street & Park Road, NW/Present this HANDBILL for a reduced rate./Show Time 1:30, 3:25, 5:25, 7:25 & 9:25/GOOD FOR THE "MALCOLM X" FILM ONLY/SUPPORT AFRICAN/LIBERATION DAY MAY 27/call 462 3411/This handbill is produced and distributed by the Pan African Committee, P.O. Box3215 (sic)/Columbia Hgts. Station, Washington,D.C.(sic) 20010].
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Pan Africanism
- Type
- handbills
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.8.1-2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Flyer promoting Student Nonviolent Coordinating Committee(SNCC)
- Created by
- Student Nonviolent Coordinating Committee, American, 1960 - 1970s
- Owned by
- Bailey, Jan, American, 1942 - 2010
- Date
- after 1960
- Medium
- paper, ink
- Dimensions
- H x W: 11 1/16 × 8 9/16 in. (28.1 × 21.7 cm)
- Description
- Black and white flyer with a large image of two hands clasped. The hand on the left has a jean cuff in the lower left quadrant of the image. The hand on the right has a suit jacket cuff with a white dress shirt cuff underneath seen in the lower right quadrant of the image. At the top, in gray, is text [The Brother needs you]. In the lower right corner is a small gray box bordered in white with black text centered inside [STUDENT NONVIOLENT COORDINATING COMMITTEE/SNCC/2208 14th St. N.W., Washington, D. C. 387-7445].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Civil Rights Movement
- Topic
- Associations and institutions
- Civil Rights
- Communication
- Local and regional
- Politics (Practical)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2013.201.9.1-2
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Untitled
- Photograph by
- Williams, Milton, American, born 1940
- Subject of
- Changa, Odu
- Dojabshindi, Ova
- Date
- ca. 1979
- Medium
- silver and photographic gelatin on photographic paper, mounting board
- Dimensions
- H x W (Image and Sheet): 9 15/16 x 7 3/4 in. (25.2 x 19.7 cm)
- Description
- A black-and-white photograph of a man and woman dressed in West African clothing standing together under an umbrella. The photograph is attached to a thick mounting board. The board is stamped on the back.
- Place depicted
- Meridian Hill Park, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Pan Africanism
- Topic
- Africa
- African diaspora
- Local and regional
- Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Milton Williams Archives
- Object number
- 2011.15.22
- Restrictions & Rights
- © Milton Williams
-
Untitled
- Photograph by
- Williams, Milton, American, born 1940
- Subject of
- Changa, Odu
- Dojabshindi, Ova
- Date
- ca. 1979
- Medium
- silver and photographic gelatin on photographic paper, mounting board
- Dimensions
- H x W (Image): 9 11/16 x 7 3/4 in. (24.6 x 19.7 cm)
- H x W (Sheet): 10 x 8 in. (25.4 x 20.3 cm)
- Description
- A black-and-white photograph of a man and woman dressed in West African clothing standing together under an umbrella. The photograph is attached to a thick mounting board. The board is stamped on the back.
- Place depicted
- Meridian Hill Park, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Pan Africanism
- Topic
- Africa
- African diaspora
- Local and regional
- Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Milton Williams Archives
- Object number
- 2011.15.39
- Restrictions & Rights
- © Milton Williams
-
Group portrait of men and women in front of the U. S. Capitol
- Created by
- Rev. Anderson, Henry Clay, American, 1911 - 1998
- Subject of
- Unidentified Man or Men
- Unidentified Woman or Women
- Date
- May 1965
- Medium
- photographic gelatin and silver on photographic paper
- Dimensions
- H x W (Sheet): 8 1/8 x 10 in. (20.6 x 25.4 cm)
- Description
- Print which captures the featured men and women's visit to the U.S. Capitol building. They stand in the foreground with the U.S. Capitol behind them. The individuals featured stand in a semi-circle formation within the frame of the photograph.
- Place made
- Greenville, Washington County, Mississippi, United States, North and Central America
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charles Schwartz and Shawn Wilson
- Object number
- 2012.137.3.2
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
The March on Washington: We Shall Overcome!
- Created by
- Council for United Civil Rights Leadership, American, founded 1963
- Recorded by
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Subject of
- March on Washington for Jobs and Freedom, American, founded 1963
- Date
- 1963
- Medium
- vinyl , cardboard
- Dimensions
- H x W (album jacket): 12 3/8 x 12 3/8 in. (31.4 x 31.4 cm)
- H x W (disc): 12 x 12 in. (30.5 x 30.5 cm)
- Description
- The sleeve is white and gold with black, gold, and white text. The label is red with silver text. The album features speeches and music from the March on Washington on August 28, 1963.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Audio Recordings
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Civil Rights Movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elmer J. Whiting, III
- Object number
- 2011.17.34ab
- Restrictions & Rights
- © 1963 The Council for United Civil Rights Leadership. Permission required for use.
-
The March on Washington: A Chronological History of Negro Contributions
- Created by
- Mr. Maestro
- Recorded by
- Cooper, Ralph, American, 1908 - 1992
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Subject of
- March on Washington for Jobs and Freedom, American, founded 1963
- Date
- ca. 1963
- Medium
- vinyl , cardboard
- Dimensions
- H x W (album jacket): 12 3/8 x 12 3/8 in. (31.4 x 31.4 cm)
- H x W (disc): 12 x 12 in. (30.5 x 30.5 cm)
- Description
- The sleeve has a full-sized blue monochrome photo of a march with black text and text colored by stars-and-stripes. On the right, a line drawing of the statue of Lincoln in the Lincoln Memorial. The label is gray with blue and red text.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Audio Recordings
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Civil Rights Movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elmer J. Whiting, III
- Object number
- 2011.17.36ab
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Civil Rights Demonstration, Washington, DC
- Created by
- Cartier-Bresson, Henri, French, 1908 - 2004
- Subject of
- Unidentified Man or Men
- Unidentified Woman or Women
- Unidentified Child or Children
- Date
- ca. 1957
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W (Image): 9 5/16 x 14 1/16 in. (23.7 x 35.7 cm)
- H x W (Sheet): 11 15/16 x 15 15/16 in. (30.3 x 40.5 cm)
- H x W (Mat OD): 22 3/4 x 17 1/2 in. (57.8 x 44.5 cm)
- Description
- A crowd of people face away from the camera towards the Lincoln Memorial in the background. In the foreground, more people sit on the steps facing the camera.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Azalea Software, Inc.
- Object number
- 2011.18.2
- Restrictions & Rights
- © Henri Cartier-Bresson. Permission required for use.
-
Group portrait of men and women in front of the U. S. Capitol
- Created by
- Rev. Anderson, Henry Clay, American, 1911 - 1998
- Subject of
- Unidentified Man or Men
- Unidentified Woman or Women
- Date
- May 1965
- Medium
- photographic gelatin and silver on photographic paper
- Dimensions
- H x W (Sheet): 8 x 10 in. (20.3 x 25.4 cm)
- Description
- Out of focus photograph which captures the featured men and women's visit to the U. S. capitol building. They stand in the foreground with the U.S. Capitol in the blurred background. The individuals featured stand in a semi-circle formation within the frame of the photograph; many rest their right hands on the right shoulders of the person adjacent to them.
- Place made
- Greenville, Washington County, Mississippi, United States, North and Central America
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Charles Schwartz and Shawn Wilson
- Object number
- 2012.137.3.3
- Restrictions & Rights
- © Smithsonian National Museum of African American History & Culture
-
CC0
Corona panel designed for NMAAHC (Type A: 65% opacity)
- Designed by
- Freelon Adjaye Bond/SmithGroup, American, founded 2008
- Adjaye, David, British, born 1966
- Bond, J. Max Jr., American, 1935 - 2009
- Freelon, Philip G., American, 1953 - 2019
- SmithGroupJJR, American, founded 1853
- Manufactured by
- Peerless Pattern Works, Inc., founded 1923
- Morel Industries, founded 1917
- Dura Industries, American, ca. 1985
- Northstar Contracting, Inc., American
- Date
- ca. 2013
- Medium
- cast aluminum coated with vinyl paint
- Dimensions
- H x W x D: 63 × 41 1/4 × 1 1/2 in. (160 × 104.8 × 3.8 cm)
- Description
- An openwork cast aluminum panel of the type used to fabricate the cladding that covers the exterior of the National Museum of African American History and Culture, located on the National Mall in Washington, DC. The panel's bronze color is the final finish, and is the same as the color of the panels installed on the NMAAHC building. Panels were constructed in differing levels of opacity or thickness, in order to regulate the amount of light that enters the building. Panels with varying levels of opacity are used on each side of the building. This panel is the Type A design, with an opacity or density of 65% (35% open). The panel sometimes is referred to as a "corona panel," because these panels encapsulate the stacked upper levels of the building's design, referred to as the "corona" levels by the architects. The stacked shape of the building itself was designed to relfect the stacked top portions of Yoruba carved wood columns by Olowe of Ise found on traditional buildings in Nigeria. This top portion is known as a "capital" in architectural vocabulary, and the architects also use the words "crown" and "corona" to refer to the design inspiration they gained from this top portion of Yoruba column. This panel was fabricated at the same time as the panels installed on the building.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Classification
- Buildings and Structures
- Type
- facades
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.41.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Corona panel designed for NMAAHC (Type C: 75% opacity)
- Designed by
- Freelon Adjaye Bond/SmithGroup, American, founded 2008
- Adjaye, David, British, born 1966
- Bond, J. Max Jr., American, 1935 - 2009
- Freelon, Philip G., American, 1953 - 2019
- SmithGroupJJR, American, founded 1853
- Manufactured by
- Peerless Pattern Works, Inc., founded 1923
- Morel Industries, founded 1917
- Dura Industries, American, ca. 1985
- Northstar Contracting, Inc., American
- Date
- ca. 2013
- Medium
- cast aluminum coated with vinyl paint
- Dimensions
- H x W x D: 63 × 41 1/4 × 1 1/2 in. (160 × 104.8 × 3.8 cm)
- Description
- An openwork cast aluminum panel of the type used to fabricate the cladding that covers the exterior of the National Museum of African American History and Culture, located on the National Mall in Washington, DC. The panel's bronze color is the final finish, a Custom Artisan 3.5 in a 5-coat Kynar system, a costum Valspare mixture used for each layer of the 5-coats, and is the same as the color of the panels installed on the NMAAHC building. Panels with varying levels of opacity are used on each side of the building, to regulate the amount of light that enters the building. This panel is the Type C design, with an opacity or density of 75% (25% open). This panel was fabricated at the same time as the panels installed on the building.
- The tooling for the Corona panels was made at Peerless Pattern Works in Portland, Oregon. The panels were cast at Morel Industries in Portland, Oregon. After painting, the panels were sent to Cleveland, Ohio to Northstar Contracting for assembly onto carrier frames prior to installation on site.
- The panel sometimes is referred to as a "corona panel," because these panels encapsulate the stacked upper levels of the building's design, referred to as the "corona" levels by the architects. The stacked shape of the building itself was designed to relfect the stacked top portions of Yoruba carved wood columns by Olowe of Ise found on traditional buildings in Nigeria. This top portion is known as a "capital" in architectural vocabulary, and the architects also use the words "crown" and "corona" to refer to the design inspiration they gained from this top portion of Yoruba column.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Classification
- Buildings and Structures
- Type
- facades
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.41.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Corona panel designed for NMAAHC (Type E: 85% opacity)
- Designed by
- Freelon Adjaye Bond/SmithGroup, American, founded 2008
- Adjaye, David, British, born 1966
- Bond, J. Max Jr., American, 1935 - 2009
- Freelon, Philip G., American, 1953 - 2019
- SmithGroupJJR, American, founded 1853
- Manufactured by
- Peerless Pattern Works, Inc., founded 1923
- Morel Industries, founded 1917
- Dura Industries, American, ca. 1985
- Northstar Contracting, Inc., American
- Date
- ca. 2013
- Medium
- cast aluminum coated with vinyl paint
- Dimensions
- H x W x D: 63 × 41 1/4 × 1 1/2 in. (160 × 104.8 × 3.8 cm)
- Description
- An openwork cast aluminum panel of the type used to fabricate the cladding that covers the exterior of the National Museum of African American History and Culture, located on the National Mall in Washington, DC. The panel's bronze color is the final finish, a Custom Artisan 3.5 in a 5-coat Kynar system, a costum Valspare mixture used for each layer of the 5-coats, and is the same as the color of the panels installed on the NMAAHC building. Panels with varying levels of opacity are used on each side of the building, to regulate the amount of light that enters the building. This panel is the Type E design, with an opacity or density of 85% (15% open). This panel was fabricated at the same time as the panels installed on the building.
- The tooling for the Corona panels was made at Peerless Pattern Works in Portland, Oregon. The panels were cast at Morel Industries in Portland, Oregon. After painting, the panels were sent to Cleveland, Ohio to Northstar Contracting for assembly onto carrier frames prior to installation on site.
- The panel sometimes is referred to as a "corona panel," because these panels encapsulate the stacked upper levels of the building's design, referred to as the "corona" levels by the architects. The stacked shape of the building itself was designed to relfect the stacked top portions of Yoruba carved wood columns by Olowe of Ise found on traditional buildings in Nigeria. This top portion is known as a "capital" in architectural vocabulary, and the architects also use the words "crown" and "corona" to refer to the design inspiration they gained from this top portion of Yoruba column.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Classification
- Buildings and Structures
- Type
- facades
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.41.3
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Corona panel designed for NMAAHC (Type F: 90% opacity)
- Designed by
- Freelon Adjaye Bond/SmithGroup, American, founded 2008
- Adjaye, David, British, born 1966
- Bond, J. Max Jr., American, 1935 - 2009
- Freelon, Philip G., American, 1953 - 2019
- SmithGroupJJR, American, founded 1853
- Manufactured by
- Peerless Pattern Works, Inc., founded 1923
- Morel Industries, founded 1917
- Dura Industries, American, ca. 1985
- Northstar Contracting, Inc., American
- Date
- ca. 2013
- Medium
- cast aluminum coated with vinyl paint
- Dimensions
- H x W x D: 63 × 41 1/4 × 1 1/2 in. (160 × 104.8 × 3.8 cm)
- Description
- An openwork cast aluminum panel of the type used to fabricate the cladding that covers the exterior of the National Museum of African American History and Culture, located on the National Mall in Washington, DC. The panel's bronze color is the final finish, a Custom Artisan 3.5 in a 5-coat Kynar system, a costum Valspare mixture used for each layer of the 5-coats, and is the same as the color of the panels installed on the NMAAHC building. Panels with varying levels of opacity are used on each side of the building, to regulate the amount of light that enters the building. This panel is the Type F design, with an opacity or density of 90% (10% open). This panel was fabricated at the same time as the panels installed on the building.
- The tooling for the Corona panels was made at Peerless Pattern Works in Portland, Oregon. The panels were cast at Morel Industries in Portland, Oregon. After painting, the panels were sent to Cleveland, Ohio to Northstar Contracting for assembly onto carrier frames prior to installation on site.
- The panel sometimes is referred to as a "corona panel," because these panels encapsulate the stacked upper levels of the building's design, referred to as the "corona" levels by the architects. The stacked shape of the building itself was designed to relfect the stacked top portions of Yoruba carved wood columns by Olowe of Ise found on traditional buildings in Nigeria. This top portion is known as a "capital" in architectural vocabulary, and the architects also use the words "crown" and "corona" to refer to the design inspiration they gained from this top portion of Yoruba column.
- Place collected
- Washington, District of Columbia, United States, North and Central America
- Classification
- Buildings and Structures
- Type
- facades
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2016.41.4
- Restrictions & Rights
- No Known Copyright Restrictions
-
Untitled
- Photograph by
- Allen, Devin, American, born 1989
- Subject of
- Harris, Trae, American
- Date
- July 25, 2015
- Medium
- digital
- Dimensions
- H x W: 3264pixels × 4896pixels
- Caption
- Random days with @gypsybruja ::: #DVNLLN - Devin Allen (@bydvnlln), Instagram, 07/25/2015.
- Description
- A black-and-white photograph by Devin Allen of Trae Harris shown from the shoulders up. She wears a floral-patterned shirt, round sunglasses, and holds a cigarette in her right hand, which is lifted to her lips. She also has on several rings, earrings, two nose rings, and a bindi. Her hair is cut short.
- 91.48 MB
- Place captured
- Baltimore, Maryland, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Devin Allen
- Object number
- 2016.98.12
- Restrictions & Rights
- © Devin Allen
-
Untitled
- Photograph by
- Allen, Devin, American, born 1989
- Subject of
- Allen-Kearney, Gail, American
- Date
- August 2, 2015
- Medium
- digital
- Dimensions
- H x W: 4896pixels × 3264pixels
- Caption
- GN :: A peep into my life Here is my Queen my mother ::: The Black Family Get Together ::: Lauryn Hill Zion Vibes ::: #DVNLLN - Devin Allen (@bydvnlln), Instagram, 08/02/2015.
- Description
- A black-and-white digital photograph by Devin Allen of his mother, Gail Allen-Kearney, singing. Allen-Kearney wears a white V-neck t-shirt, glasses, and two necklaces. Her hands are up at her side, her eyes are closed, and her mouth is open. She stands in an interior room.
- 91.48 MB
- Place captured
- Baltimore, Maryland, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Devin Allen
- Object number
- 2016.98.13
- Restrictions & Rights
- © Devin Allen
-
Untitled
- Photograph by
- Allen, Devin, American, born 1989
- Subject of
- Harris, Trae, American
- Date
- August 2, 2015
- Medium
- digital
- Dimensions
- H x W: 4896pixels × 3264pixels
- Caption
- The Black Family Get Together ::: Lauryn hill ex factor ::: #DVNLLN - Devin Allen (@bydvnlln), Instagram, 08/02/2015.
- Description
- A black-and-white digital photograph by Devin Allen of Trae Harris singing and dancing. Harris wears a floral print sun dress and has short hair. Her arms are raised above her head, her eyes are closed, and her mouth is slightly open as she sings. She has a symbol tattooed on her wrist and three black bars tattooed on the opposite forearm. She stands in an interior in front of a sliding glass door with vertical blinds.
- 91.48 MB
- Place captured
- Baltimore, Maryland, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Devin Allen
- Object number
- 2016.98.14
- Restrictions & Rights
- © Devin Allen
-
Untitled
- Photograph by
- Allen, Devin, American, born 1989
- Subject of
- Unidentified Man or Men
- Date
- November 13, 2015
- Medium
- digital
- Dimensions
- H x W: 4320pixels × 6480pixels
- Caption
- A Beautiful Day in A Beautiful Ghetto :: #imagelogger :: #Baltimore :: #DVNLLN - Devin Allen (@bydvnlln), Instagram, 11/13/2015.
- Description
- A color digital photograph by Devin Allen of an unidentified man standing in front of a line of colorful row houses in Baltimore, Maryland. The man wears a red hooded sweatshirt, a blue and yellow baseball cap, and a black backpack. He stands with his arms outstretched, pointing at the houses. The house on the far left has missing and boarded up windows, while the house on the far right is freshly painted bright orange with blue trim. A mural is painted on the lower part of the second house from the left, and two people stand in front of the house with their backs turned to the camera looking at the mural. Another person sits on the steps of the house on the far left. A black car is parked in front of the middle house, behind the man in the red shirt.
- 160.23 MB
- Place captured
- Baltimore, Maryland, United States, North and Central America
- Classification
- Media Arts-Photography
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Devin Allen
- Object number
- 2016.98.22
- Restrictions & Rights
- © Devin Allen