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- topic: "Poverty"
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Your search found 148 result(s).
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PPC Sewing Co-op - Patchwork Animals
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Poor People's Corporation, American, 1965 - 1974
- Liberty House, American, 1965 - 1974
- Date
- 1970
- Medium
- digital
- Dimensions
- H x W: 2167 pixels × 3376 pixels, 3.1 MB
- Description
- A black-and-white image of members of a Poor People's Corporation sewing cooperative making patchwork animals. The image is in landscape orientation and depicts a group of women sitting in a building with wooden floors, some are sewing. By the window on the left side of the image, a light wood table with two women on either side of the table using sewing machines.The woman at the table facing the viewer is using a white sewing machine and is wearing a stripped shirt; the woman with her back to the viewer is using a dark colored sewing machine and has a white shirt on with checker pants. There is another darker table next to the lighter table (in the middle of the room) with an older woman with her hair wrapped working on a white sewing machine, with lots of squares of fabric laid out on the table. There are four (4) women sitting in the background in chairs against the wall, the woman on the right is holding fabric and the woman next to her (to the left) is holding a piece of paper. There is a table in the back right corner with shelves underneath.
- Place captured
- Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.1
- Restrictions & Rights
- © Doris A. Derby
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Una Sewing Co-op - Black Dolls B
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Poor People's Corporation, American, 1965 - 1974
- Liberty House, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 1280 pixels × 875 pixels, 0.61 MB
- Description
- A black-and-white image of a member of the Una Sewing Co-op making a doll. The image is in portrait orientation and depicts a close-up shot of a woman (her PL side) cutting a piece of fabric. The woman's hair is wrapped, and she is wearing a white sweater with her sleeves pushed up and a checkered dress underneath. She has a thin watch on her PL wrist. There is a black Singer (R) sewing machine in the background.
- Place captured
- Una, Clay County, Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.2
- Restrictions & Rights
- © Doris A. Derby
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Liberty House Marketing Warehouse - Shipping A
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Liberty House, American, 1965 - 1974
- Poor People's Corporation, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 2368 pixels × 3456 pixels, 2.73 MB
- Description
- A black-and-white image of the interior of the Liberty House warehouse. The image is in landscape orientation and depicts two women working at a table to prepare items for shipping. The woman furthest from the viewer (left) has a white head wrap and is wearing a white turtleneck and is looking at the box the other woman (right) is weight. The woman on the right is wearing a colored turtleneck and has curly hair. The box has the Liberty House logo on the right. There are other objects on the counter in the front right of the picture (a basket and a circular container). There are other wrapping and packaging materials visible on the table (including paper on a large spool, etc). There is a glow at the PL shoulder of the woman on the right.
- Place captured
- Jackson, Hinds County, Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.3
- Restrictions & Rights
- © Doris A. Derby
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Liberty House Marketing Warehouse - Shipping B
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Liberty House, American, 1965 - 1974
- Poor People's Corporation, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 2401 pixels × 2119 pixels, 2.36 MB
- Description
- A black-and-white image of an interior view of the Liberty House marketing B. The image is in portrait orientation and depicts two women working at a table to prepare items for shipping. The woman furthes from the viewer (left) has a white head wrap and is wearing a white turtleneck and is looking towards the table. The woman on the right is wearing a colored turtleneck and has curly hair. The woman on the right is weighing a box that has the Liberty House logo on it. there are other objects on the counter in the bottom of the image, including a basket, a circular contain, a roll of paper, and two of the Liberty House catalogs (Similar to Reference #1). There are other wrapping and packagin materials visible (including paper on a large spool, trash cans in the background, and shelves of other materials).
- Place captured
- Jackson, Hinds County, Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.4
- Restrictions & Rights
- © Doris A. Derby
-
Liberty House Marketing Warehouse - Inventory
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Man or Men
- Liberty House, American, 1965 - 1974
- Poor People's Corporation, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 1104 pixels × 728 pixels, 0.34 MB
- Description
- A black-and-white image of the interior of the Liberty House Marketing Warehouse. The image is in portrait orientation and depicts a young man conducting inventory. He wears a dark collared shirt and pants, a white apron, and holds two dolls in his hands in front of a shelf of dolls.
- Place captured
- Jackson, Hinds County, Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.5
- Restrictions & Rights
- © Doris A. Derby
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Liberty House Rep. Fay Bellamy Powell - LA Trade Show
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Bellamy Powell, Fay D., American, 1938 - 2013
- Liberty House, American, 1965 - 1974
- Poor People's Corporation, American, 1965 - 1974
- Date
- 1970
- Medium
- digital
- Dimensions
- H x W: 4608 pixels × 6912 pixels, 11.26 MB
- Description
- A black-and-white image of Liberty House Rep. Fay Bellamy Powell at a Los Angeles Trade Show. The image is in landscape orientation and depicts a woman wearing a tan suit (jacket and bell bottom pants) standing in the aisle of a booth. A sign in background of booth to the left is white with black and white type, reading [spenco / MEDICAL CORP. / "INNOVATIONS IN / SPORTS & MEDICINE]. The tables are covered with black cloth, and there are various types of textiles laid out on them, a hanging art piece with a sun and crab on the front of the left table, hanging on the side. There is also various shirts and bags hanging on the backdrop for the booth, a chair in the middle of the aisle, and two signs on white paper in the background to the right of the booth, top one is typed and [LIBERTY HOUSE] is legible, and the bottom one appears handwritten. There are two more folding chairs underneath the handwritten sign.
- Place captured
- Los Angeles, California, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- portraits
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.6
- Restrictions & Rights
- © Doris A. Derby
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PPC Producer Co-ops - Annual Meeting
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Unidentified Man or Men
- Poor People's Corporation, American, 1965 - 1974
- Liberty House, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 725 pixels × 1114 pixels, 0.5 MB
- Description
- A black-and-white image of the annual meeting of the Poor People's Corporation Producer Co-ops. The image is in landscape orientation and depicts a large group of people, both men and women, sitting in a large circle around three tables pushed together in a large room. Most of the individuals are sitting back away from the table, with papers in their hands. In the foreground, there are two men with their backs to the viewer, close to the table. There is an individual holding a Liberty House catalog (like Reference #1) open in their hands, but their body is cut off from the picture. There are large boxes and another folded table in the background against the wall (which has vertical wood paneling). There is also a smaller structure in the back left corner of the image, inside the room, with a bulletin board with various pieces of paper stuck to it.
- Place captured
- Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.7
- Restrictions & Rights
- © Doris A. Derby
-
Una Sewing Co-op - Black Dolls A
- Photograph by
- Dr. Derby, Doris, American
- Subject of
- Unidentified Woman or Women
- Liberty House, American, 1965 - 1974
- Poor People's Corporation, American, 1965 - 1974
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 1144 pixels × 1107 pixels, 0.63 MB
- Description
- A black-and-white image of a member of the Una Sewing Co-op making a doll. The image is in portrait orientation and depicts a close up of a woman's hands sewing a black doll. She is holding the head of the doll in her PL hand, and is pulling a piece of yarn attached to the doll with her right hand. The yarn is looped around her right hand. She has a angular ring on her PL hand ring finger and a braided bracelet on her PL hand. The background is not focused.
- Place captured
- Una, Clay County, Mississippi, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Civil Rights Movement
- Type
- digital images
- digital media - born analog
- Topic
- American South
- Business
- Civil rights
- Labor
- Poverty
- Resistance
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2014.23.12.8
- Restrictions & Rights
- © Doris A. Derby
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Playbill for A Raisin in the Sun with insert essay ‘Sweet Lorraine'
- Published by
- Playbill, American, founded 1884
- Written by
- Baldwin, James, American, 1924 - 1987
- Printed by
- Unidentified
- Edited by
- Ross, Blake
- Subject of
- Hansberry, Lorraine, American, 1930 - 1965
- Leon, Kenny, American, born 1956
- Washington, Denzel, American, born 1954
- Richardson Jackson, LaTanya, American, born 1949
- Okonedo, Sophie, British, born 1968
- Ethel Barrymore Theatre, American, founded 1928
- Date
- April 2014
- On ViewCulture/Fourth Floor, 4 054
- Exhibition
- Taking the Stage
- Medium
- ink on paper with metal
- Dimensions
- H x W x D (2015.64.14.1 Closed): 8 9/16 × 5 3/8 × 3/16 in. (21.7 × 13.7 × 0.5 cm)
- H x W x D (2015.64.14.1 Open): 8 9/16 × 10 3/8 × 7/8 in. (21.7 × 26.3 × 2.2 cm)
- H x W x D (2015.64.14.2 Closed): 9 × 4 1/4 (22.8 × 10.8 × 0.1 cm)
- H x W x D (2015.64.14.2 Open): 9 × 12 5/8 × 1 in. (22.8 × 32 × 2.5 cm)
- L x W (2015.64.14.3): 9 1/16 × 4 1/16 in. (23 × 10.3 cm)
- Description
- Playbill magazine (2015.61.14.1), April 2014, featuring the play, "A Raisin in the Sun" written by Lorraine Hansberry, directed by Kenny Leon, starring Denzel Washington, LaTanya Richardson, and Sophie Okonedo, and performed at the Ethel Barrymore Theater, New York 2014. The top third of the cover is the masthead, a yellow rectangular field with black type with the magazine's title, [PLAYBILL ®] above the text [ETHEL BARRYMORE THEATER]. Below the masthead and outlined with a Kente cloth border, is a black-and-white image tinted blue of a young boy on a street. The boy walks past a row of receding buildings seen in the upper right quadrant to the upper left. The boy is pictured on the right side near the lower corner. He holds something to his mouth in his proper left hand and holds books under his proper right arm. Behind him, centered in the image, is a woman wearing a long coat, carrying an umbrella on her proper left arm. Overlaying the image is a narrow, a Kente cloth outline of a circle. In the lower third of the image, justified on the left side, is orange text with the title of the play, which is also the main coverline, [a RAISIN / in the SUN]. Below the image at the bottom is a small yellow rectangle with a website in black text. The back cover features an ad for Gucci cologne. The magazine has fifty-two (52) pages.
- A tri-folded pamphlet of the essay "Sweet Lorraine" (2015.61.14.2) about Lorraine Hansberry, written by James Baldwin. Printed on semi-gloss paper, the pamphlet is navy blue with stylized, Kente cloth borders throughout. On the front in the upper right corner is a circular, black-and-white image of Lorraine Hansberry. Overlapping the image is white block text [SWEET / LORRAINE]. Below the title is the byline in orange text, [BY JAMES BALDWIN] followed by a line of white text that reads [THAT'S THEY WAY I ALWAYS FELT ABOUT YOU, AND SO / I WON'T APOLOGIZE FOR CALLING HER THAT NOW.]. Below the text and byline is the beginning of Baldwin's essay in white text. The inside of the pamphlet the essay continues and features four (4) circular black and white images of cityscapes. In the lower left corner of the back page is an additional black-and-white image of Hansberry. Above and around the image are the final paragraphs of the essay.
- A narrow cell phone reminder flyer (2015.61.14.3) with navy blue background with a narrow, stylized Kente cloth border, printed on glossy paper. Covering the whole of flyer is block text of varying sizes. The text is in orange and white, justified on the right side and reads [DEAR FRIENDS, / PLEASE / PROTECT YOUR / OWN GOOD TIME / AND THAT OF YOUR / NEIGHBOR BY / TURNING / OFF YOUR / CELL/ PHONE / NOW. / THANK YOU.]. The reverse is blank.
- Classification
- Memorabilia and Ephemera
- Type
- theater programs
- Topic
- Actors
- Broadway Theatre
- Domestic life
- Drama (Theatre)
- Families
- Poverty
- Race discrimination
- Race relations
- Segregation
- Theatre companies
- Tragedy (Theatre)
- Urban life
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kathleen M. Kendrick
- Object number
- 2015.64.14.1-.3
- Restrictions & Rights
- Playbill used by permission. All rights reserved, Playbill Inc.
-
"Deep Greenwood" - 1978
- Photograph by
- Thompson, Don, American
- Subject of
- Oklahoma Eagle Publishing Company, American, founded 1936
- Date
- 1978; printed 2014
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 10 7/8 × 13 15/16 in. (27.7 × 35.4 cm)
- Description
- A black-and-white gelatin silver print of North Greenwood Avenue in Tulsa, Oklahoma. The photograph is taken from the east side of the road near the intersection with East Archer Street and depicts a line of one to three story brick buildings, most of which are vacant and in disrepair, with broken and boarded up windows. A sign on the building at the center of the photograph reads “The Oklahoma Eagle.” An adhesive label on the verso has the photographer's printed name and contact information as well as ["Deep Greenwood" - 1978] in bold italicized text and the photographer's signature [Don Thompson 2014] in graphite.
- Place captured
- Tulsa, Tulsa County, Oklahoma, United States, North and Central America
- Place depicted
- Tulsa, Tulsa County, Oklahoma, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- gelatin silver prints
- Topic
- American West
- Business
- Communities
- Photography
- Poverty
- Race relations
- Tulsa Race Massacre
- Urban life
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the photographer, Don Thompson
- Object number
- 2014.206.16
- Restrictions & Rights
- © Don Thompson
-
Tricycle On Greenwood - 1969
- Photograph by
- Thompson, Don, American
- Date
- 1969; printed 2014
- Medium
- silver and photographic gelatin on photographic paper
- Dimensions
- H x W: 10 7/8 × 13 7/8 in. (27.6 × 35.3 cm)
- Description
- A black-and-white gelatin silver print of a tricycle on the sidewalk of Greenwood Avenue. The tricycle lacks handlebars and is sitting in front of a brick building with a boarded up wooden door. Written on the plywood covering the top half of the door is "No Minors Allowed." An adhesive label on the verso has the photographer's printed name and contact information as well as [Tricycle on Greenwood - 1969] in bold italicized text and the photographer's signature [Don Thompson 2014] in graphite.
- Place depicted
- Tulsa, Tulsa County, Oklahoma, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- gelatin silver prints
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the photographer, Don Thompson
- Object number
- 2014.206.17
- Restrictions & Rights
- © Don Thompson
-
This Child's Gonna Live
- Written by
- Wright, Sarah Elizabeth, American, 1928 - 2009
- Published by
- Dell Publishing Co., American, 1929 - 1974
- Date
- 1971
- On ViewCommunity/Third Floor, 3 050
- Exhibition
- Making a Way Out of No Way
- Medium
- ink on paper
- Dimensions
- H x W: 7 7/8 x 5 1/4 in. (20 x 13.3 cm)
- Description
- A first edition paperback book entitled This Child’s Gonna Live by Sarah E. Wright with a cover that features sepia toned portrait of Sarah E. Wright with off-white text. The upper left-hand corner has publication and pricing information in small white text along with an excerpt from a Chicago Sunday-Times review. Large off-white text justified to the left shows the title [This / Child’s / Gonna / Live]. Beneath this, smaller off-white text reads [by / Sarah E. Wright].
- The back cover is beige with black text and features a synopsis, three reviews, and a biography of Sarah E. Wright.
- This 276-page book follows the main character, Mariah Upshur, wife and mother, living in the fictional fishing village of Tangierneck on Maryland's Eastern Shore in the 1930s. Mariah’s husband, Jacob has been swindled out of his land by rich, white landowners and is forced to choose between working in a system reminiscent of share-cropping or as a fisherman, enduring rough weather. The Upshurs have three sons, a daughter who died prematurely and another daughter with whom Mariah is pregnant. While Jacob oftentimes buckles under the unrelenting systemic forces that oppress his family, Mariah endures her day-to-day trials while remaining determined to create a better future for her children.
- Wright depicts the struggles of poor African American women, who confront the multiple oppressions of class, race, and gender.
- There are no signatures or inscriptions.
- Place depicted
- Eastern Shore, Maryland, United States, North and Central America
- Classification
- Documents and Published Materials-Published Works
- Movement
- BAM (Black Arts Movement 1965-1976)
- Type
- paperbacks
- Topic
- Agriculture
- American South
- Families
- Literature
- Motherhood
- Poverty
- Rural life
- U.S. History, 1919-1933
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Family of Sarah Elizabeth Wright
- Object number
- 2010.61.14
- Restrictions & Rights
- © 1969 by Sarah E. Wright
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 7/8 × 12 15/16 in. (22.6 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 13 15/16 in. (27.7 × 35.4 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a police officer holding a baton behind their back and facing a crowd of demonstrators. Part of the crowd is visible to the right of frame. The front line of the visible crowd consists of a man in a clerical collar holding a Bible in one hand with his other arm around a woman next to him. The woman wears a printed dress, a kerchief on her head, and tennis shoes and carries a pocketbook. Next to the woman is a man in light shirt and dark colored jacket and a young boy wearing dark jacket and pants. Each person is looking up and to the right of frame, away from the police officer. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.1
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 5/8 × 12 15/16 in. (21.9 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a plywood panel mural in Resurrection City. The mural displays slogans, quotes, and art as painted by activists in Resurrection City. The mural is comprised of twelve painted plywood panels installed together, four panels horizontally across the top and eight panels installed vertically on the bottom, to form a thirty-two foot long wall. The wall appears to be part of a structure, with an overhanging roof at the top. The wall and structure is pictured center frame, with dirt and a wooden walkway in the foreground and tent-like structures and trees in the background. Painted text at the top of the mural reads [Hunger's Wall: Tell It Like It Is]. Other prominent slogans include [CUBA LIBRE], [LATINOS UNIDOS PARA SIEMPRE], [Blackness for Blacks!!!], [CHICANO POWER], and [Sisters of Watts for Human Dignity]. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.9
- Restrictions & Rights
- © Jill Freedman
-
UAW supports jobs
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- The International Union, United Automobile, Aerospace and Agricultural Implement Workers of America (UAW), American, ca. 1955
- Date
- June 19, 1968
- Medium
- digital
- Dimensions
- H x W: 7629 pixels × 5070 pixels (7629 × 5070 cm)
- Description
- A black and white image of people in water.
- On Solidarity Day at Resurrection City, a crowd is in the Reflecting Pool with their clothes on. In the foreground on the proper left side there is a woman in a black and white pinstripe collared tank top with matching pants. She is holding sunglasses in her right hand. There is a little boy standing next to her. He is turned to the proper left side and he is wearing a dark shirt with a white sleeve stripe and plaid pants. He is holding a sign with a wooden handle in his right hand. The sign is white with black text in different fonts. It reads [UAW SUPPORTS / JOBS / EDUCATION / HOUSING / MEDICAL CARE / GUARANTEED INCOME / FOR EVERY AMERICAN].
- There are more people in the water in the background. There is also a crowd of people on the sidewalks in front of some trees.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Education
- Health
- Housing
- Justice
- Labor
- Local and regional
- Medicine
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.2
- Restrictions & Rights
- © Laura Jones
-
Crowd wading in the Reflection Pool
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- June 19, 1968
- Medium
- digital
- Dimensions
- H x W: 5082 pixels × 7593 pixels (5082 × 7593 cm)
- Description
- A black and white digital image of people in the Reflecting Pool on Solidarity Day at Resurrection City.
- Men, women, and children are wading in the Reflecting Pool in front of the Lincoln Memorial. The crowd is walking and running towards the foreground. There are trees in the background along with more people standing and sitting on the Lincoln Memorial. People in the crowd are holding signs and banners with slogans such as [AMERICA! / Why Not / NOW?], [(?) / (?) / end / hunger / in / America], and even a sign that was ripped off of a pole which reads [NO / SWIMMING / OR / WADING / U.S. PARKS SERVICE]. Some of the people are also wearing pinback buttons on their shirts.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.6
- Restrictions & Rights
- © Laura Jones
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Southern Christian Leadership Conference, American, founded 1957
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 12 15/16 × 8 11/16 in. (32.9 × 22 cm)
- H x W: 14 × 10 7/8 in. (35.5 × 27.7 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a man holding an SCLC Poor People's Campaign poster in front of him. He appears to be wearing a suit, shirt, and tie, and a garrison cap. His sign reads [HAPPINESS IS / A WARM DRY HOUSE / NO RATS OR ROACHES / LOTS OF GOOD FOOD / S.C.L.C. / POOR / PEOPLE'S / CAMPAIGN]. People are debris are visible in the background. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- portraits
- Topic
- Activism
- Housing
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.11
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Unidentified Woman or Women
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 12 15/16 × 8 5/8 in. (32.9 × 21.9 cm)
- H x W (Sheet): 14 × 10 7/8 in. (35.5 × 27.7 cm)
- Title
- Photograph of a man holding a sign reading "La Tierra ES NUESTRA HERENCIA"
- Description
- A silver gelatin print depicting a black-and-white image of a bearded man in sunglasses holding a sign in his left hand that reads in Spanish [La Tierra ES / NUESTRA / HERENCIA]. In his right hand is a hardhat. Activists in the background carry other signs, one that advocates for recognizing the supremacy of treaties. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.12
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 12 15/16 × 9 7/8 in. (32.9 × 25.1 cm)
- H x W (Sheet): 14 × 10 7/8 in. (35.5 × 27.7 cm)
- Description
- A silver gelatin print depicting a black-and-white portrait of a man wearing a war bonnet, eyeglasses, and a pinback button that reads [INDIAN / POWER]. The man is depicted from the shoulders up and he looks directly at the camera. He wears a white shirt with buttoned collar and a round white pinback button reading [INDIAN / POWER] in black text affixed just below the center button of the collar. He also wears beaded necklaces. The war bonnett consists of band with beaded design across the man's forehead with thread wrapped white feathers extending above and dark colored ribbons suspended from the band near the man's temples and descending past his shoulders. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- American Indian Movements
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- portraits
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.13
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Southern Christian Leadership Conference, American, founded 1957
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 12 15/16 × 8 11/16 in. (32.9 × 22 cm)
- H x W (Sheet): 13 3/4 × 10 7/8 in. (35 × 27.7 cm)
- Description
- A silver gelatin print depicting a black-and-white image of man wearing an SCLC marshall badge and an Omega button. The man sits looking towards the camera, with his head tilted slightly down. He has wavy hair and a goatee with mustache. He wears a light button-down shirt with a darker color jacket. On the jacket is a SCLC Marshall badge that reads [POOR PEOPLES CAMPAIGN / NAME (RAYMOND M-[illegible] / ADDRESS (CHICAGO ILLINOIS / BLOOD TYPE (IF KNOWN) [illegible] / SIGNATURE [illegible] / SCLC / 1401 U. STREET, NW / WASHINGTON, D.C. / [illegible] / MARSHAL]. Beneath the badge is an anti-Vietnam War draft pinback button with the Greek letter Omega on it. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- portraits
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Vietnam War, 1961-1975
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.3
- Restrictions & Rights
- © Jill Freedman