Rhythm and Blues Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Produced by

Frye, Ben, American

Subject of

Lionel Hampton, American, 1908 - 2002

Adams, Faye, American, born 1923

Bailey, Bill, American, 1912 - 1978

Jeffries, Herb, American, 1913 - 2014

Milburn, Amos, American, 1927 - 1980

Vaughan, Sarah, American, 1924 - 1990

Basie, Count, American, 1904 - 1984

Big Turner, Joe, American, 1911 - 1985

The Delta Rhythm Boys, American, 1934 - 1987

Davis, Martha, American, 1917 - 1960

Little Buck, American

Cole, Nat King, American, 1919 - 1965

Moreland, Mantan, American, 1902 - 1973

Russell, Nipsey, American, 1918 - 2005

Calloway, Cab, American, 1907 - 1994

Brown, Ruth, American, 1928 - 2006

Owned by

Bowser, Pearl, American, born 1931

Date

1955

Medium

acetate film

Dimensions

Duration: 72 Minutes

Length (Film): 1850 Feet

Length (Film): 1560 Feet

Length (Film): 1650 Feet

Length (Film): 1450 Feet

Title

35mm motion picture film of Rhythm and Blues Revue

Caption

"Rhythm and Blues Revue", is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Faye Adams, Bill Bailey, Ruth Brown, Cab Calloway, Nat King Cole, Count Basie, Martha Davis, The Delta Rhythm Boys, Freddy and Flo, Lionel Hampton, Herb Jefferies, The Larks, Little Buck, Amos Milburn, Mantan Moreland, Nipsey Russell, Big Joe Turner, Sarah Vaughan and Willie Bryant.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s. It consists of four 35mm prints (a-d).

The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. Before he can begin speaking, Bryant is interrupted by the comedian Freddie Lucas (Part of the Freddie & Flo comedy duo), who begs to be on the show. Later in the skit, Florence Hill (Flo) appears as a mind reading librarian. At the conclusion of the skit, Bryant announces the first performer, Lionel Hampton and his orchestra who perform “Jam Session.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Faye Adams who performs “Everyday” in front of the curtain. After the song ends there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Bill Bailey. Bailey performs a tap dancing routine that includes dance moves from his teacher Bill “Bojangles” Robinson and concludes with a moonwalk. At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant appears to announce the next performer, Herb Jeffries who sings “In My Heart.” When the song ends, the curtain closes and there are multiple shots of the audience cheering as Freddie & Flo rush onto the stage to perform a comedy routine. After their routine there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Amos Milburn, who sings “Bad Bad Whiskey” with backing from the Paul Williams Band. At the conclusion of the song, the curtain closes and then reopens so that Milburn can bow. Bryant appears to announce the next performers, The Larks, who sing “The World Is Waiting For The Sunrise.” At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Bryant brings Freddie & Flo back onto the stage for some comedic banter. Bryant then introduces Lionel Hampton who performs “Bongo Interlude.” Two unnamed women dance during the performance. The curtain closes and there are multiple shots of the audience cheering. When curtain opens, the stage is set up as a tobacconist and Leonard Reed is behind the counter listening to a Brooklyn Dodgers baseball game on the radio. Willie Bryant appears and the two men engage in a brief skit. Bryant then presents the next performer, Sarah Vaughan, who sings “Perdido.” The curtain closes and there are multiple shots of the audience cheering as Bryant returns to the stage. Nipsy Russell sneaks onto the stage behind Bryant and the two engage in comedic banter before Bryant presents the next performer, Count Basie who performs “Basie’s Conversation.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Big Joe Turner who sings “Shake Rattle And Roll.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers, The Delta Rhythm Boys, who perform the spiritual “Dem Bones.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers Martha Davis and her husband, Calvin Ponder, who perform “Just Goodbye.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performer, Little Buck, who performs a tap dance routine. The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Little Buck for more applause. Bryant then introduces the next performer, Nat King Cole, who sings “Calypso Blues.” The curtain closes, there are multiple shots of the audience cheering, and Nipsy Russell and Mantan Moreland come out for a comedy routine. Moreland leaves the stage and Russell continues on his own. Following Russell’s routine, Bryant introduces Cab Calloway who performs “Minnie The Moocher.” The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Ruth Brown for some stage banter before she performs “Teardrops From My Eyes” with backing by the Paul Williams Band. The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Count Basie for the film’s final performance, “One O’Clock Jump.”

Place depicted

Harlem, New York City, New York, United States, North and Central America

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Type

motion pictures (information artifacts)

35mm (photographic film size)

Topic

Actors

Comedy

Entertainers

Film

Jazz (Music)

Musical films

Musicians

Rhythm and blues (Music)

Tap dancing

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.105.1a-d

Restrictions & Rights

Unknown - Restrictions Possible

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd578a039a6-746a-4ea9-9c44-f64988a206d8

Rock-N-Roll Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Directed by

Kohn, Joseph

Produced by

Frye, Ben, American

Subject of

Apollo Theater, founded 1934

Ellington, Duke, American, 1899 - 1974

Lionel Hampton, American, 1908 - 2002

Vaughan, Sarah, American, 1924 - 1990

Russell, Nipsey, American, 1918 - 2005

Coles & Atkins, American, 1940 - 1959

Darnell, Larry, American, 1921 - 1983

Bryant, Willie, American, 1908 - 1964

The Clovers, American, founded 1946

Washington, Dinah, American, 1924 - 1963

Cole, Nat King, American, 1919 - 1965

Big Turner, Joe, American, 1911 - 1985

Reed, Leonard, American, 1907 - 2004

Owned by

Bowser, Pearl, American, born 1931

Date

1955

Medium

acetate film

Dimensions

Duration: 70 Minutes

Length (Film) - Reel 1: 1630 Feet

Length (Film) - Reel 2: 1765 Feet

Length (Film) - Reel 3: 1520 Feet

Length (Film) - Reel 4: 1440 Feet

Title

35mm motion picture film of Rock-N-Roll Revue

Caption

"Rock-n-Roll Revue" is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. The film includes performances by Duke Ellington, Larry Darnell, Coles and Atkins, The Clovers, Dinah Washington, Nat King Cole, Big Joe Turner, Willie Bryant, and Leonard Reed.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.It consists of four 35mm film prints (a-d).

The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. He begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Duke Ellington. The curtain parts and Ellington and his orchestra perform “The Mooche.” After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Larry Darnell. Darnell performs “What More Do You Want Me To Do.” After the performance ends, the curtains close while Darnell bows and the audience cheers. Willie Bryant then emerges onstage as the curtains re-open and Darnell bows in Bryant’s direction. The two men then exchange playful gestures and Bryant tells a joke. Bryant segues into an introduction of the tap dancing duo, Coles & Atkins. The duo then perform a short routine. After the routine, Bryant, Coles and Atkins perform a comedic piece based around Bryant interrupting their performance. Coles & Atkins then goad Bryant into dancing with them and the three men perform a brief routine. There are multiple shots of the audience cheering when they leave the stage. Bryant then introduces The Clovers, who perform “Your Cash Ain’t Nothin’ But Trash.” After the song ends, there is another comedy routine with Willie Bryant, Coles & Atkins, and Leonard Reed. There are multiple shots of the audience before Bryant introduces Dinah Washington, who performs “Only a Moment Ago.” Bryant then introduces Nat King Cole, who performs “The Trouble With Me Is You.” After multiple shots of the audience when the song concludes, Bryant again introduces Duke Ellington, who performs “The Hawk Talks” with his orchestra. There are multiple shots of the drummer Louie Bellson as he performs a drum solo during the song. Bryant introduces Big Joe Turner by way of a comedy bit with Leonard Reed. Turner performs “Oke-She-Moke-She-Pop” with backing by the Paul Williams Band. The film concludes with a shot of the audience cheering.

Place depicted

Harlem, New York City, New York, United States, North and Central America

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Type

motion pictures (information artifacts)

35mm (photographic film size)

Topic

Comedy

Entertainers

Film

Jazz (Music)

Musical films

Musicians

Rhythm and blues (Music)

Rock and roll (Music)

Tap dancing

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.84.1a-d

Restrictions & Rights

Unknown - Restrictions Possible

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd59b2daf17-63d3-4b62-ada6-d36307656601

Basin Street Revue

Created by

Studio Films, Inc., American, 1951 - 1956

Directed by

Kohn, Joseph

Produced by

Frye, Ben

Subject of

Apollo Theater, founded 1934

Reed, Leonard, American, 1907 - 2004

Bryant, Willie, American, 1908 - 1964

Vaughan, Sarah, American, 1924 - 1990

Lionel Hampton, American, 1908 - 2002

Adams, Faye, American, born 1923

Jeffries, Herb, American, 1913 - 2014

Calloway, Cab, American, 1907 - 1994

The Clovers, American, founded 1946

Davis, Martha, American, 1917 - 1960

Frank Foster, American, 1928 - 2011

Moreland, Mantan, American, 1902 - 1973

Russell, Nipsey, American, 1918 - 2005

Milburn, Amos, American, 1927 - 1980

Coles & Atkins, American, 1940 - 1959

Williams, Paul, American, 1915 - 2002

Owned by

Bowser, Pearl, American, born 1931

Date

1956

Medium

acetate film

Dimensions

Duration: 61 minutes

Length (Film) - Reel 1: 1520 Feet

Length (Film) - Reel 2: 1320 Feet

Length (Film) - Reel 3: 1290 Feet

Length (Film) - Reel 4: 1370 Feet

Title

35mm motion picture film of Basin Street Revue

Caption

"Basin Street Revue is a 1956 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Willie Bryant, Sarah Vaughan, Lionel Hampton, Paul Williams, Jimmy Brown, Amos Milbur, Faye Adams, Coles and Atkins, Herb Jefferies, Cab Calloway, Count Basie, The Clovers, Nat King Cole, Martha Davis, Frank Foster, Mantan Moreland, Nipsey Russell, and Marie Bryant.

Description

35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s. It consists of four 35mm prints (a-d).

The film begins with a title sequence that announces each performer as a firework explodes behind their name. This is followed by a shot of a theater marquee with the title Basin Street Revue. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. As Bryant begins to speak, Nipsy Russell walks across the stage and interrupts Bryant with a joke about his mother in law. Bryant then begins his introduction of the show’s proceedings; he refers to the show as the “Harlem Variety Revue.” Bryant then introduces the first performer, Lionel Hampton and his orchestra. The curtain parts and Hampton and his orchestra perform “Ding Dong Baby.” An unknown woman joins Hampton on the stage as he sings, but does not sing herself; he gives her a kiss on the cheek before she exits. After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Sarah Vaughan, who performs “You’re Not The Kind.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performers, Jimmy Brown, the saxophonist from the Apollo Theater’s house band, the Paul Williams Band. Bryant and Brown engage in some stage banter before the performance of “My Love Is True.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performer, Martha Davis, who performs “We Just Couldn’t Say Goodbye.” Bryant mentions that Davis is performing with her spouse, bassist, Calvin Ponder. There are multiple insert shots of the audience during the performance. The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Nipsy Russell and Mantan Moreland enter the stage. They perform a short comedy routine together before Bryant introduces the next performer, Amos Milburn. He performs “Bewildered.” The song concludes, the curtain closes, and Bryant has the curtain reopened so Milburn can take a bow. The curtain again closes and Bryant invites Faye Adams onto the stage. The engage in some brief stage banter before she performs “Somebody, Somewhere” in front of the curtain. Jimmy Brown emerges from behind the curtain to perform a solo. The song concludes, there are multiple shots of the cheering audience, and Bryant introduces the next performers, The Clovers, who perform “Lovey Dovey.” The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce Sarah Vaughan for a performance of “These Things I Offer You (For A Lifetime).” The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Coles & Atkins. The duo sing and them perform a tap dance routine. Their performance concludes, they bow and Bryant introduces Herb Jeffries by way of a brief skit. Jeffries performs “A Woman Is A Worrisome Thing” from the balcony of a fire escape. The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Cab Calloway, who performs “Calloway Boogie.” Calloway dances with an unknown female dancer. A “The End” title card appears as the song and the film conclude.

Place depicted

Harlem, New York City, New York, United States, North and Central America

Collection title

Pearl Bowser Collection

Classification

Media Arts-Film and Video

Type

motion pictures (information artifacts)

35mm (photographic film size)

Topic

Actors

Comedy

Dance

Entertainers

Film

Jazz (Music)

Musical films

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.85.1a-d

Restrictions & Rights

© Studio Films, Inc. Permission required for use.

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd508a4bd22-4c0f-431a-af26-b4abb821ba11

Graffiti Rock and the Hip Hop World

Produced by

Bencivengo, Richard

Directed by

Santee, Clark

Subject of

Holman, Michael, American, born 1955

Run-D.M.C., American, 1981 - 2002

Shannon, American, born 1958

Kool Moe Dee, American, born 1962

Special K, American

New York City Breakers, American, founded 1982

DJ Jimmie Jazz, American

Date

1984

Medium

1 inch Videotape (a): metal on polyester;

Original Videotape Reel (b): plastic;

Original Videotape Box (c): plastic

Dimensions

Duration: 29 Minutes

Title

1 inch videotape of Graffiti Rock and the Hip Hop World

Caption

A master videotape of a television dance and music show Graffiti Rock and the Hip Hop World hosted by Michael Holman. The video features performances by Run D.M.C., Shannon, Kool Moe Dee, Special K, the New York City Breakers, and DJ Jimmie Jazz.

Description

A master, 1 inch videotape (a) of a television dance and music show Graffiti Rock and the Hip Hop World hosted by Michael Holman. There are performances by Run D.M.C. ("Sucker MCs," , Shannon, Kool Moe Dee, Special K, the New York City Breakers, and DJ Jimmie Jazz. The studio set consists of raised platforms around a dance floor, and there are young people dancing throughout the show. Holman interviews some of the studio dancers about music and fashion.

Consists of: Master 1 inch Videotape (a), Original Videotape Reel (b), Original Videotape Box (c)

Master 1 inch Videotape (a): A master 1 inch videotape recording of the television dance and music show Graffiti Rock and the Hip Hop World hosted by Michael Holman.

Original Videotape Reel (b): A plastic videotape reel.

Original Videotape box (c): A gray plastic box with a blue SONY label. The label has white lettering that reads: [SONY / Video Recording Tape V-16 / HIGH BAND MASTER TAPE]. On the spine of the case there are two stickers. A large red sticker with black print has information about the contents and make of the videotape reel. A small white sticker written in by hand in ink reads: [L-5863].

Place filmed

New York City, New York, United States, North and Central America

Classification

Media Arts-Film and Video

Type

videotapes

Topic

Break dancing

Dance

Fashion

Hip hop (Music)

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture

Object number

2016.31.1.1abc

Restrictions & Rights

Unknown - Restrictions Possible

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd558c3530a-de1b-4c55-9aa5-56fe073a9b2f

16mm b-roll of “Karate Meets Jazz” segment aired on Black Journal

Produced by

Greaves, William, American, 1926 - 2014

National Educational Television, American, 1954 - 1970

Subject of

Blair, John, American, 1943 - 2006

Taganashi, Ronald, American, died 1992

Date

September 11, 1968

Medium

acetate film and metal

Dimensions

Length (film): 190 Feet

Duration (digital file): 00:04:42

Description

B-roll film of a segment of "Episode 4" of Black Journal, the National Education Television (NET) television program.

It consists of a 16mm acetate film strip (2012.79.1.87.1a) with perforations running along one edge, frames in the middle and a bi-lateral optical sound track running along the right edge. The film opens with Karate Master John Blair leading a class. Blair himself is dressed in black karate gi, while the students are dressed in casual wear. At one point, Blair closes his eyes and recites, “I will know who I am. I will keep my mouth shut. I will practice every day. I will respect myself. I will respect other men.” The students repeat each sentence.

In another scene, which takes place in a blue room, Blair plays a guitar alongside a jazz band. Karate master, Ronald Taganashi, warms up by doing a kata choreography while the band plays in the background; the band improvises to Taganashi’s moves. Moments later, Blair joins Taganashi and both engage in kumite as the band improvises to their moves.

An original metal reel (2012.79.1.87.1b) and metal film canister (2012.79.1.87.1c) also accompany the film strip. One side of the canister has two labels: the first has [NATIONAL EDUCATIONAL TELEVISION] printed on the top, and the second has [CHAMBA EDUCATIONAL FILMS] printed on it. The other side of the canister features a blue, beige and white label, [CHAMBA EDUCATIONAL / FILM SERVICES] is printed on the top and below [“KARATE” / B. Roll / ControL] is handwritten in ink.

Place filmed

Harlem, New York, New York, United States, North and Central America

Collection title

Pearl Bowser Collection

Portfolio/Series

Black Journal

Classification

Media Arts-Film and Video

Type

motion pictures (information artifacts)

Topic

Film

Jazz (Music)

Journalism

Public television

Sports

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser

Object number

2012.79.1.87.1abc

Restrictions & Rights

Unknown - Restrictions Possible

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd5a6808a75-5248-4d7a-99fc-c80d5931186f

Time Vol. 99 No. 5

Published by

Time Inc., American, founded 1922

Subject of

Wilson, Flip, American, 1933 - 1998

Date

1972

Medium

ink on paper

Dimensions

H x W: 11 × 8 1/4 in. (28 × 21 cm)

Description

Magazine with a red border cover featuring a drawing of Flip Wilson. In the top right of the corner a yellow banner with black type reads: [TV's First Black Superstar]. Below, Wilson's portrait is framed with light bulbs; the date is at top right and [FIFTY CENTS] at the top left. [Comedian/Flip/Wilson] is in white type in the bottom right. There are two hand written inscriptions on the cover. One in the top right corner and the other on Wilson's forehead. The interior consists of articles, essays, and advertisements. The back cover is an advertisement for Winston Cigarettes.

Place printed

Chicago, Cook County, Illinois, United States, North and Central America

Classification

Documents and Published Materials-Published Works

Type

magazines (periodicals)

Topic

Entertainers

Mass media

Variety shows (Television)

Credit Line

Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift

Object number

2014.183.4

Restrictions & Rights

© Time, Inc. Permission required for use.

Usage

Usage conditions apply

GUID

http://n2t.net/ark:/65665/fd54e32c5e2-9d83-4c82-ad5c-ade1d0399577