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- topic: "Women"
Your search found 1,026 result(s).
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The Argument
- Created by
- Motley, Archibald John Jr., American, 1891 - 1981
- Owned by
- Barnett-Aden Gallery, American, 1943 - 1969
- Date
- 1940
- On ViewCulture/Fourth Floor, 4 052
- Exhibition
- Visual Art and the American Experience
- Medium
- oil on canvas
- Dimensions
- H x W (framed): 40 × 30 in. (101.6 × 76.2 cm)
- Description
- This oil painting depicts a street scene with a group of men arguing. In the painting's foreground are five men standing in a rough circle. Two men have their backs to the viewer, one tall thin figure wearing a grey suit and fedora. He carries a cigarette in his left hand, held behind his back. The second man is short, fat, and wears a light colored shirt and dark blue pants. He is balding and has his hands on his hips. He faces three taller men. The tallest wears a brown bowler hat over one eye and red tie with a dark blue suit. He stands with his legs spread and has a cigarette in his open mouth. Next to him is a man in a light colored suit with a flat blue cap. He holds a smoking cigarette in front of his face with his right hand. The third man wears a dark blue suit and flat cap. He leans against the wall behind him and gestures with his right hand. Slightly in front of him is an overflowing can of garbage. Slightly behind the group of men to the left is another man with his head tilted upwards, drinking from a flask. Above the men is an open window in the brick building behind them. A woman in a green sleeveless dress sits at the window, right hand on the sill, left hand touching her hair. Her head is turned downwards towards the men. Beyond the brick building is a small green yard with a laundry line. A woman in a red dress and white apron is hanging white sheets on the line. She looks over her shoulder at the group of men. Beyond the laundry line is a small house with a porch. A man in a white shirt and dark pants stands on the porch, leaning forward on the railings. It is signed and dated by the artist.
- Place depicted
- Chicago, Cook County, Illinois, United States, North and Central America
- Classification
- Visual Arts
- Type
- paintings
- Topic
- Art
- Communities
- Men
- Stereotypes
- Urban life
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert L. Johnson
- Object number
- 2015.2.5
- Restrictions & Rights
- © Valerie Gerrard Browne. Permission required for use.
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Mabel (Portrait of the Artist's Wife)
- Created by
- Lee-Smith, Hughie, American, 1915 - 1999
- Subject of
- Everett, Mabel Louise, American, born 1920
- Date
- 1940
- Medium
- oil on canvas
- Dimensions
- H x W x D: 38 × 34 × 5 in. (96.5 × 86.4 × 12.7 cm)
- Caption
- Hughie Lee Smith painted this sensitive portrait of his wife, Mabel Louise Everett, around the time they were married and moved to Detroit in 1940.
- Description
- This oil painting portrait depicts the artist's first wife, Mabel Louise Everett. Shown from the chest upwards, she wears a dark blue dress with red trim at the neckline. Her shoulder length hair is done in a style popular with women during the 1940s, pulled back on the top of her head. Her gaze is directed slightly toward the right side of the painting. The background of the portrait is flat with with tones of brown, cream, red and blue.
- Classification
- Visual Arts
- Type
- oil paintings
- portraits
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Stephanie Anne Patterson
- Object number
- 2016.172
- Restrictions & Rights
- © Estate of Hughie Lee-Smith
-
CC0
Pinback button with "I Believe Anita Hill"
- Manufactured by
- Unidentified
- Subject of
- Hill, Anita, American, born 1956
- Thomas, Clarence, American, born 1948
- Date
- 1991
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W: 3 3/16 × 3 3/16 in. (8.1 × 8.1 cm)
- Description
- A pink and black pinback button in support of Anita Hill. The front of the button is a pink background with black text reading [I believe Anita Hill]. The back of the button has a pin with a hook.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Feminism
- Gender
- Government
- Justice
- Law
- Local and regional
- Men
- Politics
- Sexuality
- U.S. History, 1969-2001
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Cash Bestebreurtje
- Object number
- 2019.32
- Restrictions & Rights
- No Known Copyright Restrictions
-
Commencement gown owned by Zora Neale Hurston
- Manufactured by
- Cox Sons & Vining, Inc., American, founded 1837
- Owned by
- Hurston, Zora Neale, American, 1891 - 1960
- Worn by
- Cohen, Lucy Kramer, American, 1907 - 2007
- Subject of
- Barnard College, American, founded 1889
- Date
- 1928
- Medium
- fiber with metal
- Dimensions
- H x W (Gown): 45 1/4 × 18 3/16 in. (115 × 46.2 cm)
- Chest (Gown Internal): 47 1/16 in. (119.5 cm)
- Caption
- This commencement gown originally belonged to writer and anthropologist Zora Neale Hurston. Hurston was a member of Barnard College's graduating class of 1928. Her degree was conferred on February 29, 1928; however, Hurston did not participate in the commencement ceremony. Having completed her coursework and obtained funding, she sold the cap and gown before leaving New York to conduct anthropological research in Florida. Her fellow anthropology classmate Lucy Kramer purchased the regalia from Hurston and wore the gown during commencement. Kramer had to alter the hem so that the gown could fit her four foot, ten inch frame, but Hurston's monogram remains intact in the yoke of the gown.
- Description
- A commencement gown purchased by Zora Neale Hurston, for the 1928 Barnard College commencement ceremony. The gown is long and black with wide, long, pointed sleeves. The robes have a rounded collar and opens at the front into a “V.” Down the front hems are five (5) closures: four (4) hooks (1 missing) and (5) eyes. The front hems of the robes are embellished with a vertical folds of fabric. The sleeves are gathered at the shoulders and on either side of the chest. A black tag is stitched to the inside of the collar. It is embroidered with gold text reading "COX SONS AND VINING / 131-133 [loss] ST / NEW [loss]." Below the tag, pieces of fabric with the monogram letters "Z," "N," and "H" have been stitched in. There are two (2) cape ties attached to the interior of the robes at the shoulders. The back of the gown is heavily gathered at the seams of both sleeves and at the mid-back. Also on the back is a hood fastener constructed from a fabric covered button and a plied cord.
- Place made
- New York City, New York, United States, North and Central America
- Place used
- New York City, New York, United States, North and Central America
- Classification
- Clothing-Historical
- Movement
- Harlem Renaissance (New Negro Movement)
- Type
- robes
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Zora Yaa Adams-Williams and The Family of Lucy Kramer Cohen (Barnard College, 1928)
- Object number
- 2018.81.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
Commencement cap owned by Zora Neale Hurston
- Manufactured by
- Cox Sons & Vining, Inc., American, founded 1837
- Owned by
- Hurston, Zora Neale, American, 1891 - 1960
- Worn by
- Cohen, Lucy Kramer, American, 1907 - 2007
- Subject of
- Barnard College, American, founded 1889
- Date
- 1928
- Medium
- fiber, ink on silk (fiber) and cardboard
- Dimensions
- H x W x D (Cap): 2 15/16 × 9 1/2 × 9 1/2 in. (7.5 × 24.1 × 24.1 cm)
- Caption
- This commencement cap originally belonged to writer and anthropologist Zora Neale Hurston. Hurston was a member of Barnard College's graduating class of 1928. Her degree was conferred on February 29, 1928; however, Hurston did not participate in the commencement ceremony. Having completed her coursework and obtained funding, she sold the cap and gown before leaving New York to conduct anthropological research in Florida. Her fellow anthropology classmate Lucy Kramer purchased the regalia from Hurston and wore the gown during commencement. Kramer had to alter the hem so that the gown could fit her four foot, ten inch frame, but Hurston's monogram remains intact in the yoke of the gown.
- Description
- A commencement cap purchased by Zora Neale Hurston, for the 1928 Barnard College commencement ceremony. The cap is a black square academic cap. The cap has a horizontal square board affixed to a black skull-cap, with a black tassel attached to the center. The tassle is attached with a fabric covered button and made from thinly plied cords. The interior is lined with black silk. Stamped at the center of the silk lining is gold text that reads "Cox Sons & Vining / Academic Robe Makers / 131 East 23rd Street / New York."
- Place made
- New York City, New York, United States, North and Central America
- Place used
- New York City, New York, United States, North and Central America
- Classification
- Clothing-Historical
- Movement
- Harlem Renaissance (New Negro Movement)
- Type
- caps (headgear)
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Zora Yaa Adams-Williams and The Family of Lucy Kramer Cohen (Barnard College, 1928)
- Object number
- 2018.81.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Digital image of Michelle Obama poster at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- First Lady Michelle Obama, American, born 1964
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. At the center of the photograph is a poster of Michelle Obama depicted like the World War Two Rosie the Riveter poster. The top of the poster has the text [Yes We Can]. Under the text, Obama raises an arm and makes a muscle. The crowd of marchers heads to left of the photograph and a news van is visible in the background.
- 126.59 MB
- Place depicted
- 4th Street SW, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.3
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of Carmen Perez, Linda Sarsour, and Tamika Mallory
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Perez-Jordan, Carmen, American, born 1977
- Mallory, Tamika, American, born 1980
- Sarsour, Linda, American, born 1980
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of the leaders of the Women's March taken on Independence Avenue, off the main entrance of National Museum of the American Indian. From left to right: Carmen Perez, Linda Sarsour, and Tamika Mallory. The three stand in conversation in Washington, DC on the day of the march, January 21, 2017.
- 102.55 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.9
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 1109pixels × 1700pixels (1109 × 1700 cm)
- Description
- A black and white digital image of marchers at the Women's March in Washington, DC on January 21, 2017. The low-angle image, features a marcher at center holding a handmade poster that reads: [Black / Women / Matter]. The marchers stand outside the National Museum of the American Indian.
- 10.82 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- Black Lives Matter
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.10
- Restrictions & Rights
- © Leah L. Jones
-
T-shirt stating "Ba-racked the Vote" worn during the Women's March on Washington
- Created by
- Barack the Vote, LLC, American, 2007 - 2013
- Manufactured by
- American Apparel, American, founded 1989
- Designed by
- Broussard, Lorielle, American
- Subject of
- President Barack Obama, American, born 1961
- Women's March, American, founded 2017
- Date
- 2008
- Medium
- ink on cotton (textile)
- Dimensions
- H x W: 25 7/8 × 16 9/16 in. (65.7 × 42 cm)
- Description
- A black, XL, short sleeve T-shirt with red and white printed lettering on the front that reads: [BA-RACKed / THE / VOTE]. The text [BA-] and [ed] are printed in red in script and cursive respectively. The letter [V] doubles as a large red checkmark and is partially covered by the white block text. Along the left diagonal edge of the checkmark is the text [www.barackthevote.com] and the letters [TM] printed in small white text at the base of the checkmark. Red splatter marks are dotted around some of the white letters. On the back of the shirt, printed in large red type outlined in white, is the number [44]. A manufacturer's fabric label for American Apparel is sewn at the interior center back neck with a second tag sewn below it with fiber content, care, and style information. Printed in white script on the interior center back neck is information about Barackawear Inc., the history of the company, care information, manufacturing information, and sizing.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Los Angeles, California, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- T-shirts
- Topic
- Activism
- Clothing and dress
- Local and regional
- Politics
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.3
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Sign from Women's March on Washington with Martin Luther King Jr. quote
- Created by
- Unidentified
- Subject of
- Dr. King, Martin Luther Jr., American, 1929 - 1968
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- markers, ink, tape on Fome-Cor (TM)
- Dimensions
- H x W: 11 × 29 1/8 in. (28 × 74 cm)
- Description
- Handwritten poster from the 2017 March on Washington. The white poster has purple text which reads [We need leaders not in love with, / money but in love with justice / Not in love with publicity but / IN LOVE WITH HUMANITY. – Martin / Luther / King Jr. [smaller]]. The poster has a blue and green tape border with metallic detailing. The reverse has a repeating back print for United Industries.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.20
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Poster from Women's March on Washington with "Women are Perfect"
- Printed by
- The Amplifier Foundation, American
- Designed by
- Sabogal, Jessica, Colombian American, born 1987
- Subject of
- Unidentified Child or Children
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 17 15/16 in. (61 × 45.5 cm)
- Description
- Poster with artist Jessica Sabogal's print “Women are Perfect (If You Let Them)” from the 2017 Women’s March on Washington. The poster is printed in shades of yellow and brown. At the top [WOMEN ARE PERFECT] is printed in yellow. The center of the poster has the image of a smiling young girl. The artist's mark of two interlocking branches with leaves is printed on the girl's chest. She has natural hair and is looking upward. At the bottom right in brown is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + JESSICA SABOGAL]. The design is repeated on the back.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.5
- Restrictions & Rights
- © Jessica Sabogal. Permission required for use.
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Child or Children
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 7/16 × 12 15/16 in. (21.5 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of women marching in the street. The women walk with their hands on the shoulders of the person in front of them. Some of the marchers are barefoot and many of them are smiling. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.8
- Restrictions & Rights
- © Jill Freedman
-
Sign from Women's March on Washington with "Respeta mi existencia..."
- Printed by
- The Amplifier Foundation, American
- Designed by
- Garcia, Victoria, Mexican American, born 1991
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 18 1/16 in. (61 × 45.8 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed poster has a black background with white text which reads [RESPETA MI / EXISTENCIA / O ESPERA / RESISTENCIA] in Spanish, which translates as "Respect My Existence or Expect Resistance." The woman power logo is in red at the center bottom. At the bottom right in red is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + VICTORIA GARCIA]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.2
- Restrictions & Rights
- © Victoria Garcia. Permission required for use.
-
CC0
Poster from Women's March on Washington reading "Juntos se puede"
- Printed by
- International Brotherhood of Teamsters, American, founded 1903
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 11 × 16 15/16 in. (28 × 43 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed blue poster has central white text which reads [JUNTOS / SE PUEDE] in Spanish, which translates as "Together We Can." There is a small Teamsters logo in the lower left corner with text for [® GCC/IBT [inside oval] 274C]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.1
- Restrictions & Rights
- Public domain
-
Placard with "We Are the Ones..." from the Women's March on Washington
- Created by
- Navies, Kelly Elaine, American
- Subject of
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- ink and pastel (material) on poster board
- Dimensions
- H x W: 14 × 22 in. (35.6 × 55.9 cm)
- Description
- A placard used during the Women's March on Washington, January 21, 2017. The poster is white with handwritten, red, orange, purple, yellow, green and blue block text that read, [WE ARE / THE ONES / WE'VE BEEN / WAITING / 4!]. Venus symbols with hair, an ankh symbol, inverted Peace symbol/Venus symbol, and spirals are hand drawn in the spaces between the text. Along the bottom edge of the sign are two (2) symbols, the combined letters [KN] hand-drawn inside a circle. The back of the placard is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- political posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kelly Elaine Navies
- Object number
- 2017.86.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Digital image of a crowd of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. The crowd of marchers are on 14th Street between Jefferson and Madison, outside the National Museum of African American History and Culture. Many in the crowd hold handmade posters with text like: [We're Already Great / Back Off], [United We Stand], and [Women's Rights Are Human Rights].
- 126.6 MB
- Place depicted
- 14th Street, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Museums
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.5
- Restrictions & Rights
- © Leah L. Jones
-
Pinback button stating "Stay Woke" worn during the Women's March on Washington
- Manufactured by
- Unidentified
- Subject of
- Women's March, American, founded 2017
- Date
- January 2017
- Medium
- ink on paper (fiber product) with metal and plastic laminate
- Dimensions
- H x W x D: 1 1/4 × 1 1/4 × 5/16 in. (3.2 × 3.2 × 0.8 cm)
- Description
- A pin-back button with the text [STAY WOKE]. The button has a black background with centered white text that reads [STAY WOKE]. The back of the button is silver toned and has a pin with a fastener.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Black Lives Matter
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Race discrimination
- Race relations
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.5
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Sign from Women's March on Washington with "For such a time as this, Esther 4:4"
- Created by
- Unidentified
- Subject of
- President Trump, Donald John, American, born 1946
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 14 1/8 × 10 7/8 in. (35.8 × 27.7 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The white poster has central black handwritten text which reads [for such / a time / as / this / ESTHER 4:14]. The other side reads [he’s [Donald Trump] not / my / president / #nope] in cursive.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.16
- Restrictions & Rights
- No Known Copyright Restrictions
-
Placard with "I AM WOMAN" used during the Women's March on Washington
- Created by
- Alsop, Nia, American, born 2004
- Subject of
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- ink and pastel (material) on cardboard with paper (fiber product) on adhesive
- Dimensions
- H x W: 13 15/16 × 22 in. (35.4 × 55.9 cm)
- Description
- A placard used during the Women's March on Washington, January 21, 2017. The placard is white with handwritten, red and black block text and characters that read, [I AM / W ? - / MAN]. Red and black spirals frame [W ? -]. The dash is filled in with multicolored smiley face stickers. In the top and bottom right corners are black, red, and white quarter circles with spokes. The right edge of the placard has been decorated with black scallop semicircles. The back of the placard is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kelly Elaine Navies
- Object number
- 2017.86.1
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Placard with "The Future is Nasty" used during the Women's March
- Created by
- Dr. Brinson, Ayeisha, American
- Manufactured by
- ArtSkills, American, founded 1987
- Illustrated by
- Shepard Fairey, American, born 1970
- Printed by
- The Washington Post, American, founded 1877
- Created by
- Wethepeople.org, Inc., American, founded 2018
- Subject of
- The Amplifier Foundation, American
- Women's March, American, founded 2017
- Date
- January 20, 2017
- Medium
- ink , pressure-sensitive tape , glitter and glue on cardboard with ribbon
- Dimensions
- H x W: 29 1/8 × 22 1/16 in. (74 × 56 cm)
- Description
- A placard created by Dr. Ayeisha Brinson and carried during the Women's March on Washington, January 21, 2017. The placard is white with a thick red, foil border. On the left side of the placard is handwritten black, blue, and red text in varying fonts that reads [THE / future / iS/ Nasty]. The word [Nasty] is hand printed in bubble text that has been filled in with red and silver glitter. A large, newsprint, full page advertisement by the Amplifier Foundation in the January 20, 2017 edition of the Washington Post dominates the right side of the placard. The advertisement depicts a graphic by artist Shepard Fairey, titled "We the People Are Greater Than Fear." The graphic is of a Muslim woman in a hijab, depicted from the shoulders up, against a light blue gradient background. The hijab is made from the American flag with a blue, star spangled field on the proper right side of her head and face, and red and white stripes on the proper left side of her head and face. The stars on the hijab have been filled in with silver glitter, her eyelids highlighted with green glitter, and her lips filled in with red glitter. The proper right side of the woman’s face and hijab are shaded in blues. Above the graphic, printed in black, block text is [WE THE / PEOPLE] framed on either side by two (2) light blue diamonds, and top and bottom by two (2) light blue bands. Below the graphic is a thick light blue band with white block text that reads [ARE GREATER THAN FEAR]. Black text at the top of the advertisement reads [ADVERTISEMENT] in the top left corner and [THE WASHINGTONPOST · Friday, January 20, 2017 / ADVERTISEMENT] in the top right corner. Black text at the bottom of the advertisement reads [WE THE PEOPLE ARE INDIVISIBLE, WE ARE RESILIENT, WE PROTECT EACH OTHER, WE DEFEND DIGNITY, WE ARE GREATER THAN FEAR, / WWW.WETHEPEOPLEARE.ORG | A PROJECT OF THE AMPLIFIER FOUNDATION]. The back of the placard is white with handwritten black ink text and red and gold glitter text that reads [THE / POWer of THE / PEOPLE / is / Stronger than the / PEOPLE In Power]. In the bottom left corner are ten (10) color animal stickers overlaying a manufacturer's sticker. A white ribbon has been threaded through two (2) holes punched along the top edge of the placard and knotted in place.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Silver Spring, Montgomery County, Maryland, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.1
- Restrictions & Rights
- Newspaper clipping © Shepard Fairey and the Washington Post. Permission required for use.