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Sign from Women's March on Washington with "Respeta mi existencia..."
- Printed by
- The Amplifier Foundation, American
- Designed by
- Garcia, Victoria, Mexican American, born 1991
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 24 × 18 1/16 in. (61 × 45.8 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed poster has a black background with white text which reads [RESPETA MI / EXISTENCIA / O ESPERA / RESISTENCIA] in Spanish, which translates as "Respect My Existence or Expect Resistance." The woman power logo is in red at the center bottom. At the bottom right in red is [@WOMENSMARCH + THEAMPLIFIERFOUNDATION.ORG + VICTORIA GARCIA]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.2
- Restrictions & Rights
- © Victoria Garcia. Permission required for use.
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Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 5/8 × 12 15/16 in. (21.9 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Title
- Photograph of six men advocating for more and better housing
- Description
- A silver gelatin print depicting a black-and-white image of six men standing and looking towards the camera. Several of the men to the left of frame hold a sign that reads [Bridgeton N. J. / Want more better / housing]. The man third from the right wears a striped shirt and two pinback buttons, one with the image of JFK and the other reading [POOR PEOPLE'S CAMPAIGN / PUERTORRIQUEÑOS MARCHAN and carries the Puerto Rican flag in his pocket. The print is signed on the back in graphite [Jill Freedman].
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Place depicted
- Bridgeton, Cumberland County, New Jersey, United States, North and Central America
- Puerto Rico, United States, Caribbean, Latin America, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- portraits
- Topic
- Activism
- Agriculture
- Housing
- Labor
- Local and regional
- Migrations
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.15
- Restrictions & Rights
- © Jill Freedman
-
CC0
Poster from Women's March on Washington reading "Juntos se puede"
- Printed by
- International Brotherhood of Teamsters, American, founded 1903
- Subject of
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 11 × 16 15/16 in. (28 × 43 cm)
- Description
- Poster from the 2017 Women’s March on Washington. The printed blue poster has central white text which reads [JUNTOS / SE PUEDE] in Spanish, which translates as "Together We Can." There is a small Teamsters logo in the lower left corner with text for [® GCC/IBT [inside oval] 274C]. The design is repeated on both sides.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.1
- Restrictions & Rights
- Public domain
-
Placard with "We Are the Ones..." from the Women's March on Washington
- Created by
- Navies, Kelly Elaine, American
- Subject of
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- ink and pastel (material) on poster board
- Dimensions
- H x W: 14 × 22 in. (35.6 × 55.9 cm)
- Description
- A placard used during the Women's March on Washington, January 21, 2017. The poster is white with handwritten, red, orange, purple, yellow, green and blue block text that read, [WE ARE / THE ONES / WE'VE BEEN / WAITING / 4!]. Venus symbols with hair, an ankh symbol, inverted Peace symbol/Venus symbol, and spirals are hand drawn in the spaces between the text. Along the bottom edge of the sign are two (2) symbols, the combined letters [KN] hand-drawn inside a circle. The back of the placard is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- political posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kelly Elaine Navies
- Object number
- 2017.86.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
Digital image of a crowd of marchers at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Unidentified Woman or Women
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of a crowd of marchers at the Women's March in Washington, DC on January 21, 2017. The crowd of marchers are on 14th Street between Jefferson and Madison, outside the National Museum of African American History and Culture. Many in the crowd hold handmade posters with text like: [We're Already Great / Back Off], [United We Stand], and [Women's Rights Are Human Rights].
- 126.6 MB
- Place depicted
- 14th Street, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Museums
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.5
- Restrictions & Rights
- © Leah L. Jones
-
Teach-In
- Created by
- Jones, Laura, Canadian
- Subject of
- Williams, Hosea Lorenzo, American, 1926 - 2000
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5076 pixels × 7596 pixels (5076 × 7596 cm)
- Description
- A black and white digital image of a teach-in.
- The instructor, believed to be Hosea Lorenzo Williams, is in the center of the image. He has dark hair and a beard with a mustache. His head is tilted back slightly. His arms are raised next to his head with his elbows bent, and he is wearing either a bracelet or a watch on his proper left arm. He is wearing a short sleeve jumpsuit with a collar, a belt, and a white shirt underneath. There is a breast pocket on the proper left side with an unreadable label on it. There is a white notepad with two white pens inside of the pocket. Williams is also wearing a chain with an ankh on it.
- There are men, women, and children in the background and also sitting in front of him. They appear to be inside a large tent with poles holding it up. There is a tall chalkboard in the background with writing on it. The top read's [T(?)Y'S Lesson:]. The first word is probably "TODAY'S" and the word "Lesson" is underlined. There are drawings below along with more writing.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Education
- Justice
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.7
- Restrictions & Rights
- © Laura Jones
-
Pinback button stating "Stay Woke" worn during the Women's March on Washington
- Manufactured by
- Unidentified
- Subject of
- Women's March, American, founded 2017
- Date
- January 2017
- Medium
- ink on paper (fiber product) with metal and plastic laminate
- Dimensions
- H x W x D: 1 1/4 × 1 1/4 × 5/16 in. (3.2 × 3.2 × 0.8 cm)
- Description
- A pin-back button with the text [STAY WOKE]. The button has a black background with centered white text that reads [STAY WOKE]. The back of the button is silver toned and has a pin with a fastener.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Black Lives Matter
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Race discrimination
- Race relations
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.5
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Sign from Women's March on Washington with "For such a time as this, Esther 4:4"
- Created by
- Unidentified
- Subject of
- President Trump, Donald John, American, born 1946
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- ink on paper
- Dimensions
- H x W: 14 1/8 × 10 7/8 in. (35.8 × 27.7 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The white poster has central black handwritten text which reads [for such / a time / as / this / ESTHER 4:14]. The other side reads [he’s [Donald Trump] not / my / president / #nope] in cursive.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.16
- Restrictions & Rights
- No Known Copyright Restrictions
-
Placard with "I AM WOMAN" used during the Women's March on Washington
- Created by
- Alsop, Nia, American, born 2004
- Subject of
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- ink and pastel (material) on cardboard with paper (fiber product) on adhesive
- Dimensions
- H x W: 13 15/16 × 22 in. (35.4 × 55.9 cm)
- Description
- A placard used during the Women's March on Washington, January 21, 2017. The placard is white with handwritten, red and black block text and characters that read, [I AM / W ? - / MAN]. Red and black spirals frame [W ? -]. The dash is filled in with multicolored smiley face stickers. In the top and bottom right corners are black, red, and white quarter circles with spokes. The right edge of the placard has been decorated with black scallop semicircles. The back of the placard is blank.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kelly Elaine Navies
- Object number
- 2017.86.1
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Placard with "The Future is Nasty" used during the Women's March
- Created by
- Dr. Brinson, Ayeisha, American
- Manufactured by
- ArtSkills, American, founded 1987
- Illustrated by
- Shepard Fairey, American, born 1970
- Printed by
- The Washington Post, American, founded 1877
- Created by
- Wethepeople.org, Inc., American, founded 2018
- Subject of
- The Amplifier Foundation, American
- Women's March, American, founded 2017
- Date
- January 20, 2017
- Medium
- ink , pressure-sensitive tape , glitter and glue on cardboard with ribbon
- Dimensions
- H x W: 29 1/8 × 22 1/16 in. (74 × 56 cm)
- Description
- A placard created by Dr. Ayeisha Brinson and carried during the Women's March on Washington, January 21, 2017. The placard is white with a thick red, foil border. On the left side of the placard is handwritten black, blue, and red text in varying fonts that reads [THE / future / iS/ Nasty]. The word [Nasty] is hand printed in bubble text that has been filled in with red and silver glitter. A large, newsprint, full page advertisement by the Amplifier Foundation in the January 20, 2017 edition of the Washington Post dominates the right side of the placard. The advertisement depicts a graphic by artist Shepard Fairey, titled "We the People Are Greater Than Fear." The graphic is of a Muslim woman in a hijab, depicted from the shoulders up, against a light blue gradient background. The hijab is made from the American flag with a blue, star spangled field on the proper right side of her head and face, and red and white stripes on the proper left side of her head and face. The stars on the hijab have been filled in with silver glitter, her eyelids highlighted with green glitter, and her lips filled in with red glitter. The proper right side of the woman’s face and hijab are shaded in blues. Above the graphic, printed in black, block text is [WE THE / PEOPLE] framed on either side by two (2) light blue diamonds, and top and bottom by two (2) light blue bands. Below the graphic is a thick light blue band with white block text that reads [ARE GREATER THAN FEAR]. Black text at the top of the advertisement reads [ADVERTISEMENT] in the top left corner and [THE WASHINGTONPOST · Friday, January 20, 2017 / ADVERTISEMENT] in the top right corner. Black text at the bottom of the advertisement reads [WE THE PEOPLE ARE INDIVISIBLE, WE ARE RESILIENT, WE PROTECT EACH OTHER, WE DEFEND DIGNITY, WE ARE GREATER THAN FEAR, / WWW.WETHEPEOPLEARE.ORG | A PROJECT OF THE AMPLIFIER FOUNDATION]. The back of the placard is white with handwritten black ink text and red and gold glitter text that reads [THE / POWer of THE / PEOPLE / is / Stronger than the / PEOPLE In Power]. In the bottom left corner are ten (10) color animal stickers overlaying a manufacturer's sticker. A white ribbon has been threaded through two (2) holes punched along the top edge of the placard and knotted in place.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Silver Spring, Montgomery County, Maryland, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.1
- Restrictions & Rights
- Newspaper clipping © Shepard Fairey and the Washington Post. Permission required for use.
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Tijerina, Reies, Mexican American, 1926 - 2015
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 11/16 × 12 15/16 in. (22 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.6 cm)
- Description
- A silver gelatin print depicting a black-and-white image of Reies Tijerina surrounded by supporters and reporters. Supporters hold signs that read [We / WANT / OUR / LAND / BACK!] and [a / TREATY / is the / SUPREME / LAW OF THE / LAND]. Reporters hold hand microphones, and a boom microphone and camera are also visible. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- American West
- Justice
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.18
- Restrictions & Rights
- © Jill Freedman
-
Digital image of Fran Drescher and an unidentified child at the Women's March
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Drescher, Fran, American, born 1957
- Women's March, American, founded 2017
- Unidentified Child or Children
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3840pixels × 5760pixels (3840 × 5760 cm)
- Description
- A digital image of Fran Drescher and an unidentified child at the Women's March in Washington, DC on January 21, 2017. Dresher and the child are framed by a group of marchers. Drescher has on a black hat and sunglasses and leans into the young girl. The two smile and look towards the camera. Drescher holds a badge that reads: [Women's March / On Washington / Jan. 21 2017 // 10 A.M. / Independence Ave. (illegible) / Backstage]. A large crowd of marchers and photographers can be seen in the background.
- 126.59 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Actors
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.1
- Restrictions & Rights
- © Leah L. Jones
-
Pinback button stating "The National African American Museum is coming..."
- Manufactured by
- Unidentified
- Subject of
- Smithsonian Institution, American, founded 1846
- Date
- ca. 1995
- On ViewConcourse, C X06
- Exhibition
- A Century in the Making
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W: 2 1/8 × 2 1/8 × 3/8 in. (5.4 × 5.4 × 1 cm)
- Description
- Square pinback button featuring a black and white image of the Smithsonian Arts and Industries building. To the left of the black and white photograph is red type that reads, [THE / NATIONAL / AFRICAN / AMERICAN / MUSEUM / Is coming…]. Border of button's back has red type on all sides that reads, [DESIGNED AS THE NATION'S FIRST / MUSEUM, THE NATIONAL MUSEUM / COMPLETED 1881, RENAMED ARTS / AND INDUSTRIES BUILDING 1916].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Topic
- Associations and institutions
- Local and regional
- Museums
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Lonnie G. Bunch III
- Object number
- 2016.124
- Restrictions & Rights
- No Known Copyright Restrictions
-
Poster from Women's March on Washington with "Civility Now!"
- Created by
- Unidentified
- Subject of
- President Trump, Donald John, American, born 1946
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- poster board, markers
- Dimensions
- H x W: 20 1/8 × 15 1/16 in. (51.1 × 38.2 cm)
- Description
- Handwritten poster from the 2017 Women’s March on Washington. The white poster has black and red text which reads [Civility / now!]. The lower half of the poster has three (3) heads in profile. Text to the right of the heads reads [Equality! / Stronger / together! / Inclusive!]. The other side reads [Empathy / Mr. Trump / look it / up!] in blue and red text.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.10
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Poster from Women's March on Washington with “End the School to Prison Pipeline”
- Created by
- Unidentified
- Subject of
- Lorde, Audre, American, 1934 - 1992
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- paper, markers, adhesive on Fome-Cor (TM)
- Dimensions
- H x W: 19 13/16 × 27 13/16 in. (50.3 × 70.7 cm)
- Description
- Poster from the 2017 Women’s March on Washington. One side of the black poster has [END [blue] THE [orange] / SCHOOL [purple] / TO [brown] / PRISON [red] / PIPELINE [green, yellow, and metallic]] in various colors. On the center right is a white sticker with black text for [LESS LOCKS / MORE KEYS] and a graphic of keys. The other side has white and metallic text on a black background which reads [Revolution / is not a one / time event / -AUDRE LORDE]. There is clear tape over a central crease.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.17
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Poster from Women's March on Washington with “Nasty Women Unite”
- Created by
- Thomas, Patricia Renee', America, born 1995
- Subject of
- President Trump, Donald John, American, born 1946
- Clinton, Hillary, born 1947
- Women's March, American, founded 2017
- Date
- 2017
- Medium
- paint on poster board
- Dimensions
- H x W: 32 1/16 × 20 in. (81.5 × 50.8 cm)
- Description
- Hand drawn poster by Patricia Thomas from the 2017 Women’s March on Washington. The white poster has red and black text which reads [NASTY [red] / Women [black] / UNITE [red]]. On the reverse in the upper left corner is [If you use this sign / sent me a pic of it in / action [phone number]]. There is a post-it note on the back with black text [Patricia Thomas / Tyler School / of Art / Philadelphia / Black / Cargo Collective C[illegible] / Pat[illegible]].
- Place used
- Washington, District of Columbia, United States, North and Central America
- Place made
- Philadelphia, Pennsylvania, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Type
- posters
- Topic
- Activism
- Feminism
- Local and regional
- Politics
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.85.19
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Reporter's notebook owned by Jim Vance
- Manufactured by
- Esselte, Swedish, founded 1913
- Owned by
- Jim Vance, American, 1942 - 2017
- Subject of
- President Clinton, Bill, American, born 1946
- 2012 Democratic National Convention, American, 2012 - 2012
- Date
- 2011; used September 5, 2012
- Medium
- ink on paper, metal
- Dimensions
- H x W x D: 8 1/4 × 3 15/16 × 9/16 in. (21 × 10 × 1.5 cm)
- Description
- A spiral bound reporter’s bound notebook owned by Jim Vance. The notebooks has a white cover with black text. At the top of the cover is “REPORTER’S NOTEBOOK / CARNET DE JOURNALISTE.” A handwritten “V” in black ink is next to this printed text. Additional text on the front regards maker and manufacturing details. Three pages of handwritten notes in black ink are on the inside of the notebook. The notes refer to events and Speeches at the 2012 Democratic National Convention including the keynote address given by President Bill Clinton September 5, 2012. Printed on the back cover of the notebook is “Earthwise / AMPAD.”
- Place used
- Charlotte, Mecklenburg County, North Carolina, United States, North and Central America
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Tools and Equipment-Occupational
- Type
- notebooks
- Topic
- Communication
- Journalism
- Local and regional
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Estate of James H. Vance, III
- Object number
- 2018.107.1
- Restrictions & Rights
- No Known Copyright Restrictions
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Unidentified Woman or Women
- Unidentified Man or Men
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 7/8 × 12 15/16 in. (22.6 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 13 15/16 in. (27.7 × 35.4 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a police officer holding a baton behind their back and facing a crowd of demonstrators. Part of the crowd is visible to the right of frame. The front line of the visible crowd consists of a man in a clerical collar holding a Bible in one hand with his other arm around a woman next to him. The woman wears a printed dress, a kerchief on her head, and tennis shoes and carries a pocketbook. Next to the woman is a man in light shirt and dark colored jacket and a young boy wearing dark jacket and pants. Each person is looking up and to the right of frame, away from the police officer. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- Race relations
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.1
- Restrictions & Rights
- © Jill Freedman
-
Resurrection City: Untitled
- Photograph by
- Freedman, Jill, American, born 1939
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968; printed September 2017
- Medium
- silver and photographic gelatin and photographic paper
- Dimensions
- H x W (Image): 8 5/8 × 12 15/16 in. (21.9 × 32.9 cm)
- H x W (Sheet): 10 7/8 × 14 in. (27.7 × 35.5 cm)
- Description
- A silver gelatin print depicting a black-and-white image of a plywood panel mural in Resurrection City. The mural displays slogans, quotes, and art as painted by activists in Resurrection City. The mural is comprised of twelve painted plywood panels installed together, four panels horizontally across the top and eight panels installed vertically on the bottom, to form a thirty-two foot long wall. The wall appears to be part of a structure, with an overhanging roof at the top. The wall and structure is pictured center frame, with dirt and a wooden walkway in the foreground and tent-like structures and trees in the background. Painted text at the top of the mural reads [Hunger's Wall: Tell It Like It Is]. Other prominent slogans include [CUBA LIBRE], [LATINOS UNIDOS PARA SIEMPRE], [Blackness for Blacks!!!], [CHICANO POWER], and [Sisters of Watts for Human Dignity]. The print is signed on the back in graphite [Jill Freedman].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Portfolio/Series
- Resurrection City
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- gelatin silver prints
- Topic
- Activism
- Local and regional
- Politics
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2017.81.9
- Restrictions & Rights
- © Jill Freedman
-
Journalist pass for Nelson Mandela's State Funeral owned by Jim Vance
- Distributed by
- Republic of South Africa, South African, founded 1910
- Printed by
- Unidentified
- Owned by
- Jim Vance, American, 1942 - 2017
- Subject of
- Mandela, Nelson, South African, 1918 - 2013
- Date
- 2013
- Medium
- ink on paper, plastic, metal, nylon
- Dimensions
- H x W x D: 26 3/8 × 3 9/16 × 5/16 in. (67 × 9 × 0.8 cm)
- H x W x D (2018.107.6a): 5 5/8 × 3 9/16 in. (14.3 × 9 cm)
- H x W x D (2018.107.6b): 20 1/2 × 13/16 × 5/16 in. (52 × 2 × 0.8 cm)
- Description
- A journalist pass from the state funeral of Nelson Mandela owned by Jim Vance. The badge is on a white nylon lanyard with black repeating text (2018.107.6b). The text on the lanyard reads “STATE FUNERAL” and has the seal of South Africa on either side. The lanyard has a metal clasp that attaches to the plastic covered press badge. The badge (2018.107.6a) is white and yellow with black text. An image of Nelson Mandela is at top. The text treads “STATE FUNERAL / QUNU, EASTERN CAPE / SOUTH AFRICA, 2013 / NELSON ROLIHLAHLA MANDELA / JH VANCE III / UNITED STATES OF AMERICA / ST-23777 / JOURNALIST In the center of the badge is a colored image of Jim Vance. The badge has a hologram in the bottom left corner. Both sides of the badge are identical.
- Place used
- Qunu, Eastern Cape Province, South Africa, Africa
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera
- Type
- passes (tickets)
- Topic
- Africa
- Funeral customs and rites
- Identity
- International affairs
- Journalism
- Local and regional
- Politics
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Estate of James H. Vance, III
- Object number
- 2018.107.6ab
- Restrictions & Rights
- No Known Copyright Restrictions