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Digital image of Janaye Ingram, Gloria Steinem, Bob Bland, and others
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Steinem, Gloria Marie, American, born 1934
- Ingram, Janaye, American, born 1979
- Bland, Bob, American, born 1982
- Unidentified Woman or Women
- Unidentified Child or Children
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of some of the organizers and speakers of the Women's March in Washington, DC on January 21, 2017. The image, taken from on Independence Avenue, off the main entrance of National Museum of the American Indian, shows the women standing and looking towards the camera while they smile and wave. The photograph features, from left to right, an unidentified woman, Janaye Ingram, Gloria Steinem, an unidentified young girl, and Bob Bland.
- 102.55 MB
- Place depicted
- Independence Avenue SW, Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics (Practical)
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.7
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of Carmen Perez, Gloria Steinem, and Tamika Mallory
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Mallory, Tamika, American, born 1980
- Steinem, Gloria Marie, American, born 1934
- Perez-Jordan, Carmen, American, born 1977
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of Women's March organizers Carmen Perez and Tamika Mallory on a platform with Gloria Steinem. The image, taken from Independence Avenue, off the main entrance of National Museum of the American Indian, shows the three women looking out into a crowd during the Women's March in Washington, DC on January 21, 2017. Perez stands to the left, Steinem in the middle, and Mallory to the right with her hand up in the air.
- 102.55 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics (Practical)
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.8
- Restrictions & Rights
- © Leah L. Jones
-
Digital image of Carmen Perez, Linda Sarsour, and Tamika Mallory
- Photograph by
- Jones, Leah L., American, born 1978
- Subject of
- Perez-Jordan, Carmen, American, born 1977
- Mallory, Tamika, American, born 1980
- Sarsour, Linda, American, born 1980
- Women's March, American, founded 2017
- Date
- January 21, 2017
- Medium
- digital
- Dimensions
- H x W: 3456pixels × 5184pixels (3456 × 5184 cm)
- Description
- A digital image of the leaders of the Women's March taken on Independence Avenue, off the main entrance of National Museum of the American Indian. From left to right: Carmen Perez, Linda Sarsour, and Tamika Mallory. The three stand in conversation in Washington, DC on the day of the march, January 21, 2017.
- 102.55 MB
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Type
- digital images
- digital media - born digital
- Topic
- Activism
- Feminism
- Gender
- Identity
- Local and regional
- Photography
- Politics (Practical)
- Social reform
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Leah L. Jones
- Object number
- 2017.87.9
- Restrictions & Rights
- © Leah L. Jones
-
Mule Train on 14th Street
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5034 pixels × 7593 pixels (5034 × 7593 cm)
- Description
- A black and white digital image of a man on a mule drawn wagon.
- A man in a brimmed straw hat is driving a "Prairie Schooner" covered wagon. He is wearing a plaid button down collared shirt with the sleeves rolled up just below his elbows. He is wearing pants with the cuffs rolled up. He is sitting in the foreground, in the proper right seat and holding onto the reins. There is a man with a mustache sitting behind him. On the proper left side of the image there is the back end of a mule. It has studded straps going across it. On the proper right side of the image part of the covered wagon is visible. It has a white fabric covering and a wooden bottom. There is a car in the background next to the wagon.
- There is a building in the background. The main part of the building has two wings, one on either side, coming out towards the foreground. Two women, a young boy, and a man are standing on a sidewalk near a traffic light and street sign. The traffic light is green (the bottom light is on), and the street sign reads [SW 14 ST]. There is a sign with black text on a pole. It is on the ground behind the street sign. It is partially covered by the horse reins but reads [SIGHTSEEING / (?)ISCHARGE AR(?) / FOR BUREAU OF ENGRAVING PRINT].
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.1
- Restrictions & Rights
- © Laura Jones
-
UAW supports jobs
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- The International Union, United Automobile, Aerospace and Agricultural Implement Workers of America (UAW), American, ca. 1955
- Date
- June 19, 1968
- Medium
- digital
- Dimensions
- H x W: 7629 pixels × 5070 pixels (7629 × 5070 cm)
- Description
- A black and white image of people in water.
- On Solidarity Day at Resurrection City, a crowd is in the Reflecting Pool with their clothes on. In the foreground on the proper left side there is a woman in a black and white pinstripe collared tank top with matching pants. She is holding sunglasses in her right hand. There is a little boy standing next to her. He is turned to the proper left side and he is wearing a dark shirt with a white sleeve stripe and plaid pants. He is holding a sign with a wooden handle in his right hand. The sign is white with black text in different fonts. It reads [UAW SUPPORTS / JOBS / EDUCATION / HOUSING / MEDICAL CARE / GUARANTEED INCOME / FOR EVERY AMERICAN].
- There are more people in the water in the background. There is also a crowd of people on the sidewalks in front of some trees.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Education
- Health
- Housing
- Justice
- Labor
- Local and regional
- Medicine
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.2
- Restrictions & Rights
- © Laura Jones
-
Nun and Policeman
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 4425 pixels × 6615 pixels (4425 × 6615 cm)
- Description
- A black and white digital image of a nun and a police officer.
- The nun is in the foreground. She is standing in profile with her face to the proper left side of the image. She is wearing a white tunic with a black and white headpiece. There is a police officer standing on her left side. He is wearing a short sleeve shirt and a helmet with a chin strap. He is standing with his arms folded and he is in profile, facing the proper left side of the image. There are trees in the background, out of focus.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- Religion
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.3
- Restrictions & Rights
- © Laura Jones
-
Mule Train from Mississippi going through the city of Washington, D.C. June, 1968
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5070 pixels × 7569 pixels (5070 × 7569 cm)
- Description
- A black and white digital image of a mule train from Mississippi passing through Washington, D.C.
- There are several mule-drawn wagons in a line going down a street. There are some people riding in uncovered wagons and there are others walking alongside the wagons. The wagon in the back of the line is covered and a man and woman are sitting on the back of it. The woman has her proper right arm resting on the side of the wagon and her proper left leg is crossed over her right leg. The man's legs are crossed at his ankles and his proper left arm is bent and resting on the side of the wagon. His head is resting on his left hand and his proper right hand is resting on his right knee.
- There is a police officer on a motorcycle at the back of the "train". There are cars and trucks in the background as well as a large building with columns, a tower, and arched windows. There is a street sign in the foreground on the proper left side of the image. It is slightly out of focus and reads [PEDESTRIANS / USE NORTH / CROSSWALK] with an arrow underneath.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.4
- Restrictions & Rights
- © Laura Jones
-
Ministers' March
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Rev. Abernathy, Ralph David, American, 1926 - 1990
- Thom, Mel, born 1938
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 4988 pixels × 7559 pixels (4988 × 7559 cm)
- Description
- A black and white digital image of a crowd marching.
- Ralph Abernathy and Mel Thom march with a crowd. The Washington Monument is in the background. The person on the far proper right side is wearing sunglasses, a white collared shirt, and a coat. They're holding hands with a priest. The priest is wearing a black short sleeve shirt and pants, a white religious collar, a chain with a crucifix, and a pinback button. His mouth is open and his proper left arm is bent. He is wearing a watch and a ring. His left arm is linked with Mel Thom, the man next to him. The man is wearing a plaid button down shirt and pants. He is wearing a bracelet on his proper left wrist. His left arm is linked with the right arm of Reverend Ralph D. Abernathy. Rev. Abernathy is wearing a short sleeve collared button down with vertical stripes, pants, and a jacket tied around his waist. He has a mustache and is holding sheets of paper in his hands. He is w earing a ring on his proper left hand. There is a woman on his proper left side. She is wearing a plaid button down dress with a belt, a brimmed hat, and several pinback buttons. She is holding onto Rev. Abernathy with her right hand and her proper left hand is across her stomach. The woman on her proper left side is linking arms with her. The woman is wearing a sweater, a pleated skirt, earrings, a necklace with a peace sign, and a pinback button. She has a white towel draped over her proper left shoulder.
- Many of the people have their mouths open and they appear to be chanting something during their march.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- Religion
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.5
- Restrictions & Rights
- © Laura Jones
-
Crowd wading in the Reflection Pool
- Photograph by
- Jones, Laura, Canadian
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- June 19, 1968
- Medium
- digital
- Dimensions
- H x W: 5082 pixels × 7593 pixels (5082 × 7593 cm)
- Description
- A black and white digital image of people in the Reflecting Pool on Solidarity Day at Resurrection City.
- Men, women, and children are wading in the Reflecting Pool in front of the Lincoln Memorial. The crowd is walking and running towards the foreground. There are trees in the background along with more people standing and sitting on the Lincoln Memorial. People in the crowd are holding signs and banners with slogans such as [AMERICA! / Why Not / NOW?], [(?) / (?) / end / hunger / in / America], and even a sign that was ripped off of a pole which reads [NO / SWIMMING / OR / WADING / U.S. PARKS SERVICE]. Some of the people are also wearing pinback buttons on their shirts.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.6
- Restrictions & Rights
- © Laura Jones
-
Teach-In
- Created by
- Jones, Laura, Canadian
- Subject of
- Williams, Hosea Lorenzo, American, 1926 - 2000
- Poor People's Campaign, American, 1967 - 1968
- Date
- 1968
- Medium
- digital
- Dimensions
- H x W: 5076 pixels × 7596 pixels (5076 × 7596 cm)
- Description
- A black and white digital image of a teach-in.
- The instructor, believed to be Hosea Lorenzo Williams, is in the center of the image. He has dark hair and a beard with a mustache. His head is tilted back slightly. His arms are raised next to his head with his elbows bent, and he is wearing either a bracelet or a watch on his proper left arm. He is wearing a short sleeve jumpsuit with a collar, a belt, and a white shirt underneath. There is a breast pocket on the proper left side with an unreadable label on it. There is a white notepad with two white pens inside of the pocket. Williams is also wearing a chain with an ankh on it.
- There are men, women, and children in the background and also sitting in front of him. They appear to be inside a large tent with poles holding it up. There is a tall chalkboard in the background with writing on it. The top read's [T(?)Y'S Lesson:]. The first word is probably "TODAY'S" and the word "Lesson" is underlined. There are drawings below along with more writing.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- digital images
- digital media - born analog
- Topic
- Activism
- Civil rights
- Education
- Justice
- Local and regional
- Politics (Practical)
- Poverty
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Laura Jones
- Object number
- 2017.90.7
- Restrictions & Rights
- © Laura Jones
-
Pinback button stating "Stay Woke" worn during the Women's March on Washington
- Manufactured by
- Unidentified
- Subject of
- Women's March, American, founded 2017
- Date
- January 2017
- Medium
- ink on paper (fiber product) with metal and plastic laminate
- Dimensions
- H x W x D: 1 1/4 × 1 1/4 × 5/16 in. (3.2 × 3.2 × 0.8 cm)
- Description
- A pin-back button with the text [STAY WOKE]. The button has a black background with centered white text that reads [STAY WOKE]. The back of the button is silver toned and has a pin with a fastener.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Movement
- Black Lives Matter
- Topic
- Activism
- Feminism
- Local and regional
- Politics (Practical)
- Race discrimination
- Race relations
- U.S. History, 2001-
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Ayeisha Brinson
- Object number
- 2017.92.5
- Restrictions & Rights
- No Known Copyright Restrictions
-
Chromogenic print of an aerial view of Resurrection City
- Photograph by
- P. Kenneth Jadin, American
- Subject of
- Poor People's Campaign, American, 1967 - 1968
- Date
- May 21, 1968 - June 23, 1968
- Medium
- dye and photographic gelatin on photographic paper
- Dimensions
- H x W (image and sheet): 13 3/4 × 11 in. (35 × 28 cm)
- Description
- A color photograph of Resurrection City from the 1968 Poor People's Campaign on the National Mall that was taken by one of Resurrection City's lead architects, Ken Jadin. The photograph is an aerial view facing the Lincoln Memorial from the Washington Monument. The tent settlement, known as Resurrection City, is shown to the left of the Reflecting Pool in West Potomac Park. The tents, made of white tarp over plywood, are visible in the dirt encampment. The Reflecting Pool is lined with trees and there are larger groves on the left side of the image. Rainbow Pond, now the World War II Memorial, can be seen in the foreground. The background shows the Potomac River and the far Washington, D.C. and Virginia landscape. The Arlington Memorial Bridge is shown over the river behind the Lincoln Memorial. The image colors are considerably deteriorated. An inscription on the reverse reads [R. Res City].
- Place depicted
- Resurrection City, Washington, District of Columbia, United States, North and Central America
- Place captured
- Washington, District of Columbia, United States, North and Central America
- Classification
- Media Arts-Photography
- Movement
- African American - Latinx Solidarity
- Poor People's Campaign
- Type
- chromogenic color prints
- Topic
- Activism
- Civil rights
- Freedom
- Health
- Housing
- Local and regional
- Photography
- Social reform
- U.S. History, 1961-1969
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of P. Kenneth Jadin
- Object number
- 2017.98.1
- Restrictions & Rights
- © P. Kenneth Jadin
-
CC0
Presentation saber and scabbard used by Colonel Charles Young
- Created by
- S.N. Meyer Military & Society Goods, American, 1871 - 1925
- Owned by
- Col. Young, Charles, American, 1864 - 1922
- Date
- 1914-1922
- Medium
- silver, wood and metal
- Dimensions
- H x W x D ((.1) sword): 37 1/4 × 4 1/2 × 3 in. (94.6 × 11.4 × 7.6 cm)
- H x W x D ((.2) scabbard): 33 3/4 × 2 3/8 × 3/4 in. (85.7 × 6 × 1.9 cm)
- Description
- United States Army Officer's Presentation saber with scabbard owned by Colonel Charles Young. The long thin blade has an intricately designed pattern over a frosted silver background. The floral and Americana design features flags and cannons, as well as the text, [US], [Chas. Young, U.S.A.], and the Great Seal of the United States. The hilt has basket overtop and a wooden handle with carved finger molds. Above the hilt, inscribed into the medal, is text that reads, [S.N. Meyer / Washington DC]. On the edge of the blade above the hilt, [GERMANY] has been inscribed showing its place of origin.
- The scabbard is undecorated metal with two upraised lines attached to metal hoops. At the bottom the hilt has an extended curved design applied.
- Place made
- Germany, Europe
- Place purchased
- Washington, District of Columbia, United States, North and Central America
- Classification
- Tools and Equipment-Military
- Type
- sabers
- scabbards
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift from the children of Carrie E. Broadnax
- Object number
- 2018.2.1-.2
- Restrictions & Rights
- No Known Copyright Restrictions
-
CC0
Letter from Secretary Gideon Welles to his son Thomas
- Written by
- Welles, Gideon, American, 1802 - 1878
- Received by
- Welles, Thomas Gideon, American, 1845 - 1892
- Date
- March 5, 1865
- Medium
- ink on paper (fiber product)
- Dimensions
- H x W (Open): 7 × 8 15/16 in. (17.8 × 22.7 cm)
- H x W (Closed): 7 × 4 7/16 in. (17.8 × 11.2 cm)
- Description
- This is a personal letter from Gideon Welles to his son Thomas. This is a bifolio letter written in dark ink on off-white colored paper. The letter is dated at the top right:[Washington / 5th March 1865] and begins [My Dear Tom]. The letter's text fills the front page, both inside pages and half the back page. The letter congratulates Thomas on his recent military promotion and recounts the recent inauguration of President Lincoln: [The inauguration passed off pleasantly and well. There was a great crowd, exceeding any previous one I have ever witnessed at an inauguration].
- Transcription Center Status
- Transcribed by digital volunteers
- Place made
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Type
- letters (correspondence)
- Topic
- Correspondence
- Families
- Fatherhood
- U.S. History, Civil War, 1861-1865
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture
- Object number
- 2018.35.2.6
- Restrictions & Rights
- Public domain
-
CC0
Carte-de-visite of a young woman and two children
- Published by
- Philp & Solomons, American, founded 1859
- Photograph by
- Gardner, Alexander, Scottish, 1821 - 1882
- Subject of
- Unidentified Child or Children
- Unidentified Woman or Women
- Date
- 1864 - 1866
- Medium
- albumen and silver on photographic paper on card mount
- Dimensions
- H x W (image): 3 3/8 × 2 1/8 in. (8.6 × 5.4 cm)
- H x W (card): 3 15/16 × 2 3/8 in. (10 × 6 cm)
- Description
- Carte-de-visite of a young woman and two children. The woman is pictured seated in the center of the image, flanked by two young girls standing next to her. The woman is wearing a long, dot-patterned dress with bow at the collar. Her proper right arm is around the shoulders of the youngest girl, who stands with her proper left hand on the woman's knee, gripping her the fabric of her dress. The girl on the right is wearing a dark, gingham long-sleeved dress and heavy black shoes with her hair plaited back. The younger girl on the left is wearing a plaid long-sleeved dress, visible white petticoat, white socks, and black shoes, her hair also plaited. On the back of the photograph is the photographer’s stamp with and image of the United States Capitol building at center. The stamp reads “ALEX. GARDNER./ Photographer to the Army of the Potomac / GALLERIES / 511 Seventh Street and 332 Pennsylvania Av. / Published by / Philp & Solomons, / Washington, D.C.” Below the photographer’s stamp is a 2 cent George Washington stamp surrounded with an ornate border.
- Place made
- Washington, District of Columbia, United States, North and Central America
- Collection title
- Liljenquist Family Collection
- Classification
- Slavery and Freedom Objects
- Media Arts-Photography
- Type
- cartes-de-visite
- albumen prints
- portraits
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Liljenquist Family
- Object number
- 2018.43.10
- Restrictions & Rights
- No Known Copyright Restrictions
-
Talking to Lonnie Bunch about his Smithsonian-size Task
- Published by
- Chicago Tribune, American, founded 1847
- Written by
- Johnson, Steve, American
- Subject of
- Bunch, Lonnie G. III, American, born 1952
- Used by
- Jim Vance, American, 1942 - 2017
- Date
- December 10, 2014; printed February 28, 2017
- Medium
- ink on paper, metal
- Dimensions
- H x W: 8 1/2 × 11 in. (21.6 × 27.9 cm)
- Description
- A printed copy of an interview given by Lonnie G. Bunch III to Steve Johnson, a reporter for the Chicago Tribune. The interview was published on the Chicago Tribune website in 2014. The interview is titled “Talking to Lonnie Bunch about his Smithsonian-size Task.” The copy was made by Jim Vance in 2017 for research purposes. It is printed on white paper with back ink and consists of seven pages stapled together. Portions of the text are highlighted in yellow. Other portions are blocked off with black, handwritten brackets.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Topic
- Journalism
- Local and regional
- Mass media
- Museums
- Television
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of NBC Universal / WRC-TV
- Object number
- 2019.12.6
- Restrictions & Rights
- © Chicago Tribune. Permission required for use.
-
Lonnie Bunch on his father’s ‘gentlemanly defiance’ of Jim Crow
- Published by
- CBS Broadcasting, Inc., American, founded 1927
- Attributed to
- Bunch, Lonnie G. III, American, born 1952
- Used by
- Jim Vance, American, 1942 - 2017
- Date
- July 24, 2014; printed February 28, 2017
- Medium
- ink on paper, metal
- Dimensions
- H x W: 8 1/2 × 11 in. (21.6 × 27.9 cm)
- Description
- A printed copy of an interview given by Lonnie G. Bunch III to CBS news, published on their website in 2014. The interview is titled “Lonnie Bunch on his father’s ‘gentlemanly defiance’ of Jim Crow.” The copy was made by Jim Vance in 2017 for research purposes. It is printed on white paper with back ink and consists of three pages stapled together.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Topic
- Journalism
- Local and regional
- Mass media
- Museums
- Television
- U.S. History, 2001-
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of NBC Universal / WRC-TV
- Object number
- 2019.12.7
- Restrictions & Rights
- © CBS Broadcasting, Inc. Permission required for use.
-
CC0
Pinback button with "I Believe Anita Hill"
- Manufactured by
- Unidentified
- Subject of
- Hill, Anita, American, born 1956
- Thomas, Clarence, American, born 1948
- Date
- 1991
- On ViewConcourse 1, C1 053
- Exhibition
- A Changing America: 1968 and Beyond
- Medium
- ink on paper with metal and plastic
- Dimensions
- H x W: 3 3/16 × 3 3/16 in. (8.1 × 8.1 cm)
- Description
- A pink and black pinback button in support of Anita Hill. The front of the button is a pink background with black text reading [I believe Anita Hill]. The back of the button has a pin with a hook.
- Place used
- Washington, District of Columbia, United States, North and Central America
- Classification
- Memorabilia and Ephemera-Political and Activist Ephemera
- Topic
- Activism
- Feminism
- Gender
- Government
- Justice
- Law
- Local and regional
- Men
- Politics (Practical)
- Sexuality
- U.S. History, 1969-2001
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Cash Bestebreurtje
- Object number
- 2019.32
- Restrictions & Rights
- No Known Copyright Restrictions
-
Brochure announcing the partnership Freelon/Bond Architects
- Created by
- Freelon Bond, American, 2006 - 2008
- Subject of
- Freelon, Philip G., American, 1953 - 2019
- Freelon Group, American, 1990 - 2014
- Bond, J. Max Jr., American, 1935 - 2009
- Davis Brody Bond, American, founded 1990
- National Museum of African American History and Culture, American, founded 2003
- Owned by
- Freelon, Philip G., American, 1953 - 2019
- Date
- 2006
- Medium
- ink on paper
- Dimensions
- H x W: 4 × 9 1/4 in. (10.2 × 23.5 cm)
- Description
- Brochure for Freelon/Bond Architects. The rectangular brochure has text and images on both sides. The front has black-and-white images of Philip Freelon and J. Max Bond, Jr. Below the images red and black text reads [Freelon/Bond An association of Davis Brody Bond and the Freelon Group]. The left side of the cardstock has [FREELON / BOND / Architects] within a design of red rectangles. The reverse of the card is titled in red [Freelon/Bond / Pursuing an American Dream]. There are five (5) images of building interiors and exteriors. Black text below reads [An historic opportunity - the planning and design for the new National Museum of African American History and Culture (NMAAHC) - is finally in sight. We are pleased to announce the teaming of our two architecture firms, The Freelon Group and Davis Brody Bond, in a joint affiliation to pursue the NMAAHC design commission]. Text on the right side begins [The collective strengths of this historic collaboration include:]. Signatures for J. Max Bond and Philip Freelon are at the bottom.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Classification
- Documents and Published Materials
- Archival Collections
- Type
- brochures
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon
- Object number
- TA2017.51.2.1.2.1
- Restrictions & Rights
- Unknown - Restrictions Possible
-
Photographic slide of Phil Wilson speaking
- Photograph by
- Dr. Simmons, Ron, American, 1950 - 2020
- Subject of
- Wilson, Phill, American, born 1956
- Black Gay and Lesbian Leadership Forum, American, 1988 - 2003
- Million Man March, American, founded 1995
- Date
- 1995
- Medium
- reversal film and plastic
- Dimensions
- H x W: 2 × 2 in. (5.1 × 5.1 cm)
- Description
- A color photographic slide of activist Phil Wilson standing in front of a podium, speaking into a microphone. He is wearing a brown jacket, with a beige spotted sweater and a white shirt underneath it. On his right lapel is a circular button with a black stripe in the middle of it. The word [UNITY] is printed in white outline within the stripe. The top semi-circle is red, with the words [Million Man March] printed in black ink, while the bottom semi-circle is green with the words [Washington DC. 1995] written in black ink. On his left lapel is a pin or sticker of the African continent in rainbow stripes. Behind Wilson is a black banner with the words [National Gay & Lesbian Leadership]. An individual in red jacket holding the banner is just visible in the left edge of the image, with green leaves of trees barely visible at the top right corner. The slide film is housed in white plastic casing, with [24] printed at the top right corner.
- Place depicted
- Washington, District of Columbia, United States, North and Central America
- Collection title
- The Ron Simmons Photography Collection
- Classification
- Media Arts-Photography
- Archival Collections
- Type
- color slides
- Topic
- Activism
- Civil rights
- Identity
- LGBTQ
- Oratory
- Sexuality
- U.S. History, 1969-2001
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Ron Simmons
- Object number
- TA2019.38.1.1.1.10
- Restrictions & Rights
- © Ron Simmons