In honor of the publication of The Smithsonian Anthology of Hip-Hop and Rap (2021) and African American Music Appreciation Month in June, the museum decided to remix and re-release the show Represent: Hip-Hop Photography. Don’t miss your second chance to discover distinct visual pairings that will change the way you think about the roots of the art form.
Originally open from 2018 – 2019, Represent paired images from the museum’s Eyejammie Hip-Hop Photography Collection with historical photographs to highlight connections between hip-hop culture and its relationship to other important historical figures, social movements, and creative moments.
About the Exhibition
- When: May 6, 2022 - September 25, 2022
- Where: Level 2
The Earl W. and Amanda Stafford Center for African American Media Arts (CAAMA) gallery
Exhibition Experience
Represent contains four themes, Creativity, Identity, Activism, and Community, inspired by the four elements of hip-hop: DJing, MCing, breakdancing, and graffiti.
Creativity
An important part of hip-hop is adaptation and innovation, which has been a foundational element of many African American art forms.
![Two black and white images side by side with an image of 3 jazz musicians sitting around a piano on the left and a dj mixing on turntables on the right](/sites/default/files/styles/max_1300x1300/public/2022-04/Screen%20Shot%202022-04-25%20at%203.02.16%20PM.png?itok=Z9DIaIb0)
(L) Charles “Teenie” Harris, Duke Ellington, Alfredo Gustar, and Billy Strayhorn, ca. 1943, Gift from Charles A. Harris and Beatrice Harris in memory of Charles “Teenie” Harris, © Carnegie Museum of Art, Charles "Teenie" Harris Archive
(R) Harry Allen, DJ Mellow Dee (a/k/a Terminator X) Gets Swivvy (2 of 2), ca. 1980, From the Eyejammie Hip-Hop Photography Collection, © Harry Allen
Identity
Like cultural expressions of the past, hip-hop provides outlets for people to express themselves and share their stories and unique life experiences with others.
![Two black and white images placed side by side, both of barbers cutting hair.](/sites/default/files/styles/max_1300x1300/public/2022-04/Screen%20Shot%202022-04-28%20at%201.48.30%20PM.png?itok=OoII7D8R)
(L) Charles “Teenie” Harris, Barbers Pete Boyd and Johnny Gator cutting hair in Johnny Gator's barbershop, ca. 1950, Gift from Charles A. Harris and Beatrice Harris in memory of Charles “Teenie” Harris, © Carnegie Museum of Art, Charles "Teenie" Harris Archive
(R) Al Pereira, Big Daddy Kane getting a shape up, 1989, From the Eyejammie Hip-Hop Photography Collection, © Al Pereira
Activism
Hip-hop is often used to promote social justice, self-empowerment, and cultural awareness, similar to how music has been instrumental in previous social movements.
![Two images placed side by side, an image of a graffiti mural on the left and an image of a graffiti image of Tupac Shakur along with other markings on a brick wall](/sites/default/files/styles/max_1300x1300/public/2022-04/NXYGyZ9I.jpeg?itok=qhaDVpZO)
(L) Roy Lewis, Wall of Respect, Chicago, Illinois, 1967, Gift of Roy Lewis Archives 1967, © Roy Lewis
(R) Al Pereira, Tupac memorial mural on Houston Street in New York City, 1997, From the Eyejammie Hip-Hop Photography Collection, © Al Pereira
Community
The origins of hip-hop are centered in the Bronx, New York. The music and culture promote shared identity, collective memory, and history.
![Two images placed side by side, an image of a crowd of women with afros with their right fists raised on the left, and a group of your female rappers on a stage on the right](/sites/default/files/styles/max_1300x1300/public/2022-04/F4Zt0_nw.jpeg?itok=mCnqv3l0)
(L) John H. White, Crowd of women with raised fists, ca. 1975 , Gift of John H. White/Pulitzer Prize-Winning Photojournalist, © John H. White
(R) Janette Beckman, Female Rappers, Class of ’88, 1988, From the Eyejammie Hip-Hop Photography Collection, © Janette Beckman
Eyejammie Hip-Hop Photography Collection
Hip-hop aficionado Bill Adler owned the Eyejammie Fine Arts Gallery in New York City from 2003 to 2007. When he opened the gallery, Adler dedicated the space to holding photography shows that highlighted hip-hop’s history, culture, and community, which often translated into images of Black performers created by Black photographers. The museum acquired the Eyejammie Hip-Hop Photography Collection from Adler in 2015, which contains over 400 photographs by almost 60 photographers.
![Black and white image of three rappers posed against a wall in 80's gear](/sites/default/files/styles/max_1300x1300/public/2022-04/NMAAHC-2015_132_317_001.jpeg?itok=kfRAHLRa)
The Fat Boys, 1988
![A graffiti wall with Stop Aids in yellow with a blue background](/sites/default/files/styles/max_1300x1300/public/2022-04/NMAAHC-2015_132_262_001.jpeg?itok=KXz19wCX)
“Stop AIDS” graffiti mural in New York City, ca. 1990
![Black and white image of a woman with a backward hat rapping int a microphone](/sites/default/files/styles/max_1300x1300/public/2022-05/2015_132_321_001.jpg?itok=t-kkuAM_)
Yo-Yo performing at the New Ritz, 1992
![A man wearing black shades and a jacket with a patch in the shape of Africa on the front.](/sites/default/files/styles/max_1300x1300/public/2022-04/NMAAHC-2015_132_332_001.jpeg?itok=0MXafaf_)
Afrika Bambaataa, 1985-2003
![A black and white image of a woman wearing overalls yelling and walking around a stage](/sites/default/files/styles/max_1300x1300/public/2022-04/NMAAHC-2015_132_294_001.jpeg?itok=pjDaHPsg)
MC Lyte performing in the “Sisters in the Name of Rap” TV special, 1991
![A black and white photo of 3 men standing together](/sites/default/files/styles/max_1300x1300/public/2022-04/2015_132_224_00112cb2882a44b6e957b4ac3540dc22f2cc3d660466dac3e2b51c79b89be9b4eff.jpg?itok=S6CExCVa)
Run-DMC, ca. 1985
![A man sitting on city steps with graffiti on the door behind him](/sites/default/files/styles/max_1300x1300/public/2022-05/2015_132_339_001.png?itok=oXMMJIUS)
“Graff legend Dondi White, Grand St., '93”
![Black and white photo of a man standing against a concrete wall on a city street](/sites/default/files/styles/max_1300x1300/public/2022-04/2015_132_301_00145964a0db40ab63efd03d67adae00d36882545c82f4e21759152c7836a2238b2.jpg?itok=KwH7zlkS)
Q-Tip, 1990
![A group of five young men posed together in a music store](/sites/default/files/styles/max_1300x1300/public/2022-04/2015_132_12_0013811854c2479420065f54b0e9b45b8abe378cbb97c9599f653bd283ef401df63.jpg?itok=inBTaW6p)
Ego Trip Crew at the Monkey Academy, 1999
![A black and white photo of a woman and her son sitting on city steps](/sites/default/files/styles/max_1300x1300/public/2022-04/2015_132_285_001fbb2161e73bb79d0754e068fb2afd558ae79154a5bdb1b9593af6e2134728103.jpg?itok=_ow6Msou)
Isis and her son Miles, 1991
![Black and white image of a group of breakdancers on a stage](/sites/default/files/styles/max_1300x1300/public/2022-05/2015_132_427_001.png?itok=p2nq_GC0)
Masami at the Rock Steady Crew 25th Anniversary, 2002
![3 women posed around a man sitting in a chair wearing shades](/sites/default/files/styles/max_1300x1300/public/2022-05/2015_132_67_001.png?itok=uGAKNdsL)
Salt-N-Pepa with Hurby “Luv Bug” Azor, ca. 1987
![](/sites/default/files/styles/max_1300x1300/public/images/header/2015_132_251_001_0.jpg?itok=8dLBzFfh)
Smithsonian Anthology of Hip-Hop and Rap
The Smithsonian Anthology of Hip-Hop and Rap explores hip-hop’s widespread cultural impact over the last 45 years — and chronicles the genesis, rise and evolution of hip-hop as a social and musical movement.