Slavery and Freedom explores the complex story of slavery and freedom, which rests at the core of our nation’s shared history.

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An introduction to the David M. Rubenstein History Galleries Slavery and Freedom exhibition by Mary Elliott, NMAAHC Curator of American Slavery.

About the Exhibition

  • When: Ongoing
  • Where: Concourse 3 (C3), History Galleries
  • Curator: Mary Elliott

Exhibition Experience

Explore the history of slavery in the U.S. and the stories of African Americans whose struggles for freedom shaped the nation.

An artwork showing individuals with umbrellas and assorted belongings, capturing a lively outdoor scene.

Slavery & the Making of the Atlantic World

In the 1400s national boundaries did not exist as they do today. African and European peoples had traded for centuries across the Mediterranean, exchanging diverse goods, cultures, and knowledge.
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A colorful painting illustrating a group of people playing instruments and dancing, conveying a sense of celebration.

Colonial North America & the Paradox of Liberty

In the 16th century, enslaved and free African people lived, worked, and built communities alongside Europeans and Indigenous people.
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Vintage image of a house with a group of people gathered outside working, capturing a moment in time.

Slavery & the Making of a New Nation

America’s promise of freedom is filled with contradiction. Few people understood this more clearly than enslaved and free African Americans.
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Several men including soldiers gather in front of a house, featuring one man in the middle as the focal point of the group.

Coming of War, Coming of Freedom

The march toward war began in November 1860 with the election of President Abraham Lincoln. A month later, South Carolina seceded from the Union, citing slavery in its secession documents at least 18 times.
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Charleston Slave Badges

From 1800 to 1865, the government of Charleston, South Carolina required enslaved Black people to wear badges when their labor was leased out. Slave badges were for various positions, including servants, porters, fruiters, fishers, and mechanics.​​

A Closer Look 

Five hundred years ago, a new form of slavery transformed Africa, Europe, and the Americas.

Point of Pines Slave Cabin on display inside NMAAHC.

Point of Pines Slave Cabin

The slave cabin from Point of Pines plantation on Edisto Island, South Carolina, was built in the 1850s and occupied by Black families until the 1980s. 

Tin box handmade and carried by Joseph Trammell to hold freedom papers

Joseph Trammell’s Freedom Papers

Joseph Trammell, like many free African Americans during the Antebellum period, was legally required to carry “freedom papers.” He had to register his free status at the local courthouse, in Loudon County, Virginia.

The Proclamation of Emancipation by the President of the United States, to take effect January 1st, 1863

Emancipation Proclamation

This palm-sized copy of the Emancipation Proclamation was created and issued to Union Army soldiers in 1862. They carried the pamphlet and read aloud the content, declaring freedom for Black people enslaved in the rebelling states. 

On View

Explore collection objects and stories of African American history and culture.

Charleston slave badge from 1850 for Porter No. 75

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1850 for Porter No. 75

Charleston slave badge from 1853 for Mechanic No. 171

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1853 for Mechanic No. 171

Charleston slave badge from 1857 for Servant No. 2010

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1857 for Servant No. 2010

Charleston slave badge from 1844 for Fruiterer No. 80

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1844 for Fruiterer No. 80

Charleston slave badge from 1811 for Carpenter No. 27

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1811 for Carpenter No. 27

Charleston slave badge from 1823 for Fisher No. 88

Collection of the Smithsonian National Museum of African American History and Culture, Partial Gift of Harry S. Hutchins, Jr. DDS, Col. (Ret.) and his Family, dedicated to the individuals these Slave Hire Badges represent and their descendants
View Object about Charleston slave badge from 1823 for Fisher No. 88
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