In Slavery's Wake

A Global Curatorial Project

Explore Initiative

Mission

The Global Curatorial Project (GCP) is a network of scholars, curators and community educators who are committed to creating critical new knowledges and innovative forms of public history about the historical experiences and the contemporary legacies of racial slavery and colonialism. The GCP creates exhibitions, public programming, academic workshops, and digital programs and seeks to collaborate and transform museum practice with international publics and audiences.

Partners

Spearheaded by the Center for the Study of Global Slavery at the Smithsonian National Museum of African American History and Culture (NMAAHC) and the Center for the Study of Slavery and Justice (CSSJ) at Brown University, the GCP has carefully developed partnerships around the world.

Current partners include:

  • Iziko Slave Lodge Museum, South Africa
  • Royal Museum of Central Africa, Belgium
  • The Shackles of Memory, France
  • Château des ducs de Bretagne, France
  • Institut Fondamental d'Afrique Noire, Senegal
  • International Museum of Slavery, United Kingdom
  • The Legacies of British Slave Ownership Project, United Kingdom

In Slavery’s Wake

The GCP’s primary focus for the next five years is to create an international exhibition in partnership with communities and a global network of museums, non-profits, and university partners focused on the history and legacies or afterlives of slavery from 2022-2026. Tentatively entitled, In Slavery’s Wake—Slavery, Freedom, and the Making of Our World,  the exhibition will travel to Africa, Europe and the Americas, shifting the way we think about, talk about, and represent the history of slavery, race, and globalization and its continuing relevance to our world today.

Need and Relevance

Through this project, the GCP partnership will establish long term vision of and forum for global collaboration. This forum seeks to reshape understandings and connections between slavery’s past and the present and to transform as well as decolonize museum and scholarly practice through ongoing work with scholars and communities in Africa and around the globe. It will work to forge new relationships amongst museums as well as between public institutions and their audiences in order to make museums into sites more relevant to addressing questions of repair, reckoning, reconciliation, and justice.