Broadway history was made 40 years ago when the cast and crew of The Wiz: The Supersoul Musical ‘Wizard of Oz’received eight Tony Award nominations and seven wins.

The production was led and performed by African Americans, all of whom shared the honors of winning the 1975 Tony for Best Musical. The Wiz was also groundbreaking for its adaptation of L. Frank Baum’s The Wonderful Wizard of Oz (1900) as a tale that celebrates African American street style as a unique subculture and unapologetically American way of life. The song lyrics, script, sets, and costumes all reference and champion the struggles and triumphs of African Americans.

Playbill from The Wiz, 1975. Published by Playbill. 2011.45.98 Gift of Kayla Deigh Owens
Playbill used by permission. All rights reserved, Playbill Inc.

Director and costume designer Geoffrey Holder took home two Tony Awards for his work on the production. Holder was the first African American man to be nominated and win the Tony Awards for Director of a Musical and Costume Designer. The collection has seven costumes from the 1975 Broadway show worn by the original cast, part of a much larger donation from the Black Fashion Museum, which was gifted in its entirety to the Museum in 2007.

Costume for Glinda the Good Witch in The Wiz on Broadway, 1975. Created by Geoffrey Holder. 2007.3.11  Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

The costumes designed by Holder provide a window into 1970's urban black life as represented in the art form of musical theater. Holder was born in Trinidad and moved to New York when he was in his 20s. The costumes he designed for The Wiz reflect his Caribbean American experiences as well as the styles of African diasporic culture popular in the 1970s.

Costume for Tin Man (left) 2007.3.7 and the Wizard (Right) 2007.3.11, in The Wiz on Broadway, 1975. Created by Geoffrey Holder.

Lion’s costume features the king of all Afros and Dorothy’s white dress with its red ribbons is reminiscent of the broderie anglaise dresses popular in traditional Caribbean creole fashion. There are other more subtle references such as Tinman’s oil can, shaped like a Dominican musical instrument called a güira and played by running a metal scraper down the nodules of the cylinder to create a ratchet-like sound. Traditionally this instrument was fashioned from – wait for it – empty oil cans! Of course, the musical Tinman needs a musical oil can, what else could it be?!

Costume oil can prop güira for Tin Man in The Wiz on Broadway, 1975. Designed by Geoffrey Holder. 2007.3.7.4  Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane

The Wiz is now a classic in American theater and has seen several revivals and adaptations. Schools and community theaters perform it across the country, it has seen many international versions, and of course, there was the 1978 Hollywood version with Diana Ross and Michael Jackson. The show had its first Broadway revival in 1984 and rumor has it the Great White Way will see the yellow brick road again soon. A live television broadcast aired in December 2015 featuring costumes by the Tony Award-winning designer Paul Tazewell. His Lion (David Allen Grier) had dreadlocks instead of an Afro and the androgynous look of the Wiz (Queen Latifah) was a nod to Afrofuturism. 

" Everybody's glad
Because our silent fear and dread is gone
Freedom, you see, has got our hearts singing so joyfully
Just look about
You owe it to yourself to check it out
Can't you feel a brand new day?"

The Wiz Lyrics from "Brand New Day"

The costumes donated to the Museum help us chronicle a great achievement in the arts through a story that celebrates African American experiences. Visitors can appreciate the magic, humor, and resilience embodied in Geoffrey Holder’s elaborate designs in the exhibition Taking the Stage

Share this page