Created by
Stout, Renée, American, born 1958
Subject of
Miles Davis, American, 1926 - 1991
Date
2010
Medium
mixed media: glass, metal, velvet, cloth, pods (seed component), bone, plant material, shell, sequin, paillette, plastic and paint
Dimensions
H x W (Height x circumference): 11 1/2 × 19 1/2 in. (29.2 cm)
Caption
Renée Stout is best known for her multifaceted approach to art, making use of a variety of materials and media. Her innovative incorporation of storytelling, use of the alter ego, investigation into West African spiritual traditions, and allusions to popular culture form a type of environment that is both real and imaginary. Her work evokes personal as well as collective cultural memory.
The title and objects in Stout’s installation conjure phrases such as black magic, black as midnight, black as tar, and black is beautiful, and reference themes related to gender, strength, power, nourishment, poison, and creation. They also play on Miles Davis’s innovative and influential jazz album Bitches Brew, whose cover art featured similar diametrically linked themes such as light/dark, good/evil, white/black, male/female, and earth/heaven.
Description
A jar (.4) element of an installation artwork. This large glass jar is placed on the floor in front of the central panel, and attaches to the central panel by a hand worked metal chain that hooks onto the central panel on a nail below the shelf on the panel's right-hand side. The interior of the jar is painted to appear murky, as if ambiguous liquids and materials are contained within. The jar is filled with a variety of dried organic materials, including seed pods and bones. The jar is topped with a velvet lid cover, which is tied shut around the opening of the jar with a cord finished with a large tassel. The lid cover has been decorated with cutout textile fragments embroidered with metal thread, buttons, sequins, cabochons and beaded headpins. Paillettes are attached to the chain in the links closest to the jar. There is a multicolored glass bead on the final link that attaches to the main panel.
Classification
Visual Arts
Type
assemblages (sculpture)
Topic
African diaspora
Art
Hoodoo
Religion
Women
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Object number
2013.148.4
Restrictions & Rights
© Renée Stout
Permission required for use. Proper usage is the responsibility of the user.
GUID
http://n2t.net/ark:/65665/fd501a6acd9-cfab-4354-a059-0533dcfcdf69

Cataloging is an ongoing process and we may update this record as we conduct additional research and review. If you have more information about this object, please contact us at NMAAHCDigiTeam@si.edu

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