- Created by
- Catlett, Elizabeth, Mexican and American, 1915 - 2012
- Date
- 1946-1947; printed 1989
- Medium
- ink and graphite on paper
- Dimensions
- H x W (image with title): 5 1/2 × 4 in. (14 × 10.2 cm)
- H x W (image): 5 1/8 × 3 15/16 in. (13 × 10 cm)
- H x W (sheet): 9 11/16 × 6 5/8 in. (24.6 × 16.8 cm)
- Caption
- I wanted to show the history and strength of all kinds of Black women. Working women, country women, great women in the history of the United States. — Elizabeth Catlett
- Elizabeth Catlett was a versatile sculptor and printmaker committed to making art that promoted women, family, community, and equality. In 1946, she received a Julius Rosenwald Foundation Grant to travel and study in Mexico City. There, she worked with the Taller de Gráphica Popular (People’s Graphic Arts Workshop), a printmaking collective primarily dedicated to the production of sociopolitical art. During her stay, she completed The Negro Woman. This narrative series of prints embodies a first-person perspective of Black women, imparting a sense of intimacy and resilience as the viewer navigates a variety of images relating to resilience, heroism, and the ongoing struggle for racial justice.
- Description
- This color linocut depicts a close-up of a woman's face. The face is turned a quarter turn away from the viewer. There is a handwritten title below the image in pencil. It is signed by the artist on the bottom right. The back is blank.
- Place made
- Mexico City, Mexico, Latin America, North and Central America
- Portfolio/Series
- The Black Woman (formerly the Negro Woman)
- Classification
- Visual Arts
- Type
- linocuts
- Topic
- Art
- Identity
- Resistance
- Women
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Gift of Winifred Hervey
- Object number
- 2017.21.1
- Restrictions & Rights
- © 2020 Catlett Mora Family Trust/Licensed by VAGA at Artists Rights Society (ARS), NY
- Permission required for use. Proper usage is the responsibility of the user.