- Created by
- Rucker, Rashaun, American, born 1978
- Date
- 2020
- Medium
- graphite and paint on paper
- Dimensions
- H x W x D (frame): 32 1/8 × 26 × 2 3/8 in. (81.6 × 66 × 6 cm)
- H x W (work): 23 3/4 × 18 in. (60.3 × 45.7 cm)
- Caption
- Rashaun Rucker is best known for his work dealing with Black male identity and social conditioning. In his Psychological Redlining series, he merges portraits of African American men with images of rock pigeons. Rock pigeons are generally viewed as urban, unclean nuisances. Rucker asserts that people perceive Black men much the same way—essentially pigeonholing them psychologically into a space where they don’t belong. The red cages framing each portrait relates to redlining, a systemic real estate policy demarcating communities of color by red lines on a map to limit access to home loans, insurance, and even grocery stores. Rucker says he created these images to “communicate why we as Black men often don’t fly, even though we have the ability to go far and beyond our circumstance.”
- Description
- This is a mixed media portrait of a man with a pigeon emerging from the top of his head, framed within a red frame in the shape of a birdcage. The graphite portrait shows the man from the neck up. He faces front, his gaze directly on the viewer. The bird emerging from the crown of his head is shown from the chest up. It is in profile to the viewer, facing the right. The pigeon’s feathers are speckled white and grey. The portrait is enclosed in a frame of red paint creating a birdcage with a rounded top. The two sides consist of thin red lines while the bottom is a wide red line. The top of the “cage” is a dome a flattened round finial with a red hook emanating from the top. The artist's signature "Ruck" appears along the man's neck.
- Place made
- Detroit, Wayne County, Michigan, United States, North and Central America
- Portfolio/Series
- Psychological Redlining (13 Studies)
- Classification
- Visual Arts
- Topic
- Art
- Identity
- Men
- Mental health
- Race discrimination
- Stereotypes
- Urban life
- Credit Line
- Collection of the Smithsonian National Museum of African American History and Culture, Partial gift of Arthur Primas and Jumaane E. N’Namdi and museum purchase.
- Object number
- 2023.107.12
- Restrictions & Rights
- © Rashaun Rucker
- Permission required for use. Proper usage is the responsibility of the user.




