On August 28, 1963, a quarter of a million people rallied on the National Mall between the Washington Monument and the Lincoln Memorial. Traveling from cities, towns, and villages around the country by bus, car, plane, train, and on foot, they convened to find strength in a shared history, future, and purpose.

The editors of The Crisis used images of darling children, beautiful women, and strapping soldiers on their issue covers as symbols of Black excellence in order to discredit the idea that Black people were naturally inferior as a race. These covers reflect the many ways that African Americans maintained racial pride in the face of oppression.

LaToya Ruby Frazier is an artist born of her environment. Raised in the collapsed steel mill town of Braddock, Pennsylvania, Frazier’s empathy, humanism, commitment to social and environmental justice, and artistic sensibilities were forged by what she witnessed around her from a young age. Throughout her career she has integrated herself into communities to collaboratively document people’s everyday lives during defining moments in American history, altering the narrative and the country.

Beginning in the early 1960s, photographer Frank Espada (1930–2014) attended rallies and boycotts, snapping images of New York youth and the battles fought by them and their families.

Graphic design enhances how we communicate with one another, provides space for individuality and expression, and simply gives our brains a break from looking at plain text all day. Gail Anderson is a New York based designer, writer, educator, co-author, partner at Anderson Newton Design, and one of the most influential Black designers in the game.

From inventing dry-cleaning to sugar refining to the first steamboat propeller, African Americans have been active contributors to the economic, political, and social legacies of the United States. Much of U.S. history, however, is contextualized by the system of slavery that was imposed on African Americans for 250 years—and how those born under that system and in its aftermath have crafted a culture deeply rooted in resilience and looking toward the future. The transition from slavery to freedom included many roadblocks as the country confronted the question of how resources could reach newly freed African Americans.

The Civil War ended on April 9, 1865, with General Robert E. Lee’s surrender of the Confederate Army to the Union Army. The country was in complete chaos. How could a country that was so strongly divided mend itself into one cohesive unit? What would happen to over 3.5 million enslaved persons who have now been freed?

Color(ed) Theory is a series of photographs featuring houses painted entirely in a single color. Each house in the series is painted the same color as a namesake, Black targeted, consumer product. For some people, the color of the house is immediately connected to a product they are familiar with and know. For others, the symbolism behind the color of the home remains a mystery.

Although the impressive Black Panther Party uniform garnered public attention, it was not a fashion statement. From top to bottom the Black Panther uniform was strategic and symbolic.

Dr. Mary McLeod Bethune sought to uplift and to buttress the lives of Black Americans through education, organizations, politics, and strong leadership. Her endeavors were recognized by those she served, members of the press, presidents of the United States, a first lady of the United States, and countless others impacted by her works.